This case study explores the development of high definition video and the format war between Sony’s Blu-ray and Toshiba’s HD-DVD. A format war describes competition between mutually incompatible proprietary formats that compete for the same market, typically for data storage devices and recording formats for electronic media. A useful historical example of one of the first format wars was between railway width gauges on railway lines in the UK during the industrial revolution of the early 1800s. Isambard Kingdom Brunel developed a 2.1 m width gauge for his Great Western Railway because it offered greater stability and capacity at high speed. While George Stephenson developed a 1.44 m width gauge for the first main-line railway, the Liverpool to Manchester Railway; the de facto standard for the colliery railways where Stephenson had worked. Needless to say the narrower 1.44 m gauge won simply because more of this track had been laid, but trains today could be travelling much faster if the wider gauge had been adopted.
Case study questions
1. What does this case tell us about whether or not it is the best technology and or being first in the market that determines the winner of these product format battles?
Clearly, having the best technology does not guarantee success, but having poor technology can guarantee failure, so the technology has to be good. But there are many other factors that need to be considered such as distribution and supply. As well as licencing and getting other manufacturers on board to produce your system.
2. Illustrate some other business sectors where different formats coexist and some where a single format is preferred.
Computing operating systems: Windows/Apple/Linux;
Mobile phones?
MP3 players – different file formats
3. What were the relative advantages and disadvantages of the Blu-ray format (versus HD-DVD)?
Table 7.5: 'DVD performance details
Capacity
|
Blu-ray
|
HD-DVD
|
ROM single layer:
ROM dual layer:
RW single layer:
RW dual layer:
Highest test:
Theoretical limit:
|
23.3/25GB
46.6/50GB
23.3/25/27GB
46.6/50/54GB
100GB
200GB
|
Single layer:
Dual layer:
-
-
Highest test:
Theoretical limit:
|
15GB
30GB
-
-
45GB
60GB
|
Table 7.6: Studios supporting HD-DVD and Blu-ray
Studios (movie and game) listed as supporting members
|
Blu-ray
|
HD-DVD
|
20th Century Fox
Buena Vista Home Entertainment
Electronic Arts
MGM Studios
Paramount Pictures
Sony Pictures Entertainment
The Walt Disney Company
Vivendi Universal Games
Warner Bros.
|
Buena Vista Home Entertainment
New Line Cinema
Paramount Pictures
The Walt Disney Company
Universal Studios
Warner Bros.
|
4. Why was the PlayStation the first Bluray player and subsequently when Blu-ray players were launched, why did the PlayStation remain cheaper? Consider possible reasons for this.
The first Blu-ray player launched by Sony (the primary developer of the Blu-ray format) was actually the PlayStation 3, which featured the ability to play Blu-ray disks. This gave Sony something of an upper hand for some time, because its PlayStation 3 games console has a built-in Blu-ray player. Sony had therefore sold more than 10 m Blu-ray units while only about 1 m HD-DVD players have been sold, mostly in Japan.
The PlayStation 3 was originally launched at a price of around £500, the first ‘pure’ Blu-ray player was launched later and at a price of around £800. Obviously, in comparison to the PlayStation this player lacked a number of features, particularly the ability to play games. Interestingly, one of the earliest machines to play HD-DVD was also a games console, the Xbox 360, which was Microsoft’s primary competitor against the PlayStation (and priced around £200 cheaper). Interestingly, both of these consoles were notably more expensive than Nintendo’s Wii, which was attracting much attention around this time. Despite the high technological performance of both the PlayStation and Xbox, Nintendo has been able to gain a majority share in the market (and this is also despite the PlayStation’s ability to play Blu-ray disks).
5. What additional factors helped Blu-ray win the battle? What role did licencing and networks play in the relative success of each format?
It is also worth noting that in the years prior to the launch of these formats, and immediately afterwards, Sony acquired a number of film studios. Sony was also rumoured to be paying some studios large sums to take on and stick with its format.
A much more difficult factor to unravel is the list of networks (formal and informal) that each group of firms developed. In some cases it was clear with firms listing associate members of each board. Once again Blu-ray had a longer list of members and interesting parties. It seemed Sony had learnt from its mistakes with VCR and it was not going to make the same mistake again (see Table 7.7).
Table 7.7: Interlinkages and networks between firms
Companies listed as Members of the Board or Managing Members
|
Blu-ray
|
HD-DVD
|
Apple Computer Corp.
Dell, Inc.
Hewlett Packard Company
Hitachi, Ltd.
LG Electronics Inc.
Mitsubishi Electric Corporation
Panasonic (Matsushita Electric)
Pioneer Corporation
Royal Philips Electronics
Samsung Electronics Co., Ltd.
Sharp Corporation
Sony Corporation
TDK Corporation
Thomson
Twentieth Century Fox
Walt Disney Pictures and Television
|
Memory-Tech Corporation
NEC Corporation
Sanyo Electric Co.
|
6. What related industries contributed to the format war and how did they influence its outcome?
Few may be willing to admit it, but sex sells, and there is certainly a case that more convenient nudity (and the pornographers preferred choice between HD-DVD and Blu-ray) will play some role in determining which of the two formats are, ultimately, successful.
7. With the increasing popularity and use of downloading films what influence will the DVD format winner play in this related battle.
Music downloading destroyed the CD industry; the same may happen in DVD. Why would people go out to the shops to buy disks when they can buy high-definition movies straight away online? What does this suggestion say for the future of Blu-ray?
Interestingly, despite Apple giving its backing to the Blu-ray format; it has yet to produce a single computer with a Blu-ray drive. Instead, Apple seems to be concentrating on movies delivered across the internet, through iTunes and the new Apple TV, rather than on physical discs. So although Blu-ray has won this battle, it may not have won the war. As home internet speeds become faster and consumers get used to video on-demand services, the movie market could undergo a similar change to the music sector, with films downloaded rather than physically bought. Enter a new format war of online video . . .
8. What are the implications for innovation strategy, R&D expenditure and marketing for firms engaged in or likely to be engaged in a format war?
That there has to be joined up thinking between all three. Marketing has a role to play early on especially in terms of Public Relations etc. Clearly, technology alone will not ensure victory, relationships with a wide variety of partners is required.
9. List the key factors that seem to determine the eventual winner in industry format wars. Divide these into primary and secondary factors.
This can be constructed on the board using two columns.
The list can be long and may include:
Technology superiority;
Industry support within;
Industry support outside;
Support from the supply chain;
Effective licensing strategy;
Effective marketing strategy; etc.
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