Conference Program Music for the Office and its Sources in the Low Countries



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Conference Program

Music for the Office and its Sources in the Low Countries (1050–1550)

Antwerp, Conference Center Elzenveld, 21-23 August 2010

Saturday, 21 August

12.30 Registration

13.30 - 13.45 Opening of the conference

13.45 - 14.30 Performer's perspective 1

Björn Schmelzer (graindelavoix), Reading and performing thirteenth-century square notation in offices from Villers and Cambrai

14.45 - 15.45 Session 1: Chant and polyphony in Confraternities



Chair: A.-E. Ceulemans

Sarah Long (Katholieke Universiteit Leuven), The Confraternity of the Notaries in the Church of Our Lady at Tournai: Defining the Liturgical Practices of Lay Communities in the Southern Low Countries

Tim S. Pack (University of Oregon), A Subcorpus of Eight Motets Uniquely Transmitted in MunBS 34: Structural Interrelations between “Salve regina” Settings and Franco-Flemish Secular Models

16.00 - 17.00 Keynote 1

Alejandro Planchart (University of California), Dufay's Music for the Office

17.30 conference dinner

19.15 concert introduction (Dutch)

20.00 concert Huelgas Ensemble (Eton College anno 1500: Eton Choirbook)

21.00 conference reception

22.15 concert Club Médiéval (Squarcialupi's White Pages: Codex Squarcialupi)

free for all participants

Sunday, 22 August

9.00 concert Marcel Pérès, organ (Magister Organisandi: Buxheimer Orgelbuch)

10.30 - 12.30 Session 2: Sources and chant from the Low Countries and the Rhineland



Chair: David Hiley

Alison Altstatt (University of Oregon), A Rhineland Antiphoner on the Shores of the Baltic?: Music and Liturgy for the Office from a Northern Benedictine Women’s Convent

Inga Behrendt (Katholieke Universiteit Leuven), Die Notationspraxis der Prämonstratenser in Flandern und dem angrenzenden Rheinland zwischen 1200 und 1600

Kristin Hoefener (Paris), Überlieferung des Ursula-Offiziums in einer Handschrift aus der Liebfrauenkirche in Tongeren (ca. 1300):Den Haag, Koninklijke Bibliothek HHK- 70 E 4

Sarah Long (Pieter Mannaerts, Inga Behrendt), Inventory of Antiphoners in Flanders

12.30 - 13.30 lunch

13.30 - 14.30 Session 3: Historiae



Chair: Pieter Mannaerts

David Hiley (Universität Regensburg), Late medieval offices of the saints: the view from South Germany

Jean-François Goudesenne (CNRS), New discoveries on Historiae (2003-2009): sources, schools and networks

15.00 concert Ensemble Organum (The other world of Hildegard von Bingen: Hildegard Codex)

16.30 - 18.00 Session 4: Bridgettine and Cistercian chant



Chair: Alejandro Planchart

Karin Strinnholm Lagergren (Stockholm University), The Bridgettine Order and its dissemination in the Low Countries with regard to the Bridgettine Office Cantus Sororum

Aaron Gies (Catholic University of America), Crimes, Corruption, Correction: Guy of Eu and the Cistercian Chant Reform

Pieter Mannaerts (Katholieke Universiteit Leuven), Exceptions to the Rule: the 13th-century historiae for Mary of Oignies and Arnulf Cornibout



19.15 concert introduction (Dutch)

20.00 concert Ensemble Clément Janequin (Desen bouck behoort tot Zeghere van male: Liedboek van Zeghere van Male)

Monday, 23 August

10.00 - 11.30 Session 5: Intersections between Mass and Office

Chair: Inga Behrendt

Lori Kruckenberg (University of Oregon), Influences of the Festal Office on the New Sequence, ca. 1100: Evidence from Northeastern France and Flanders

Anette Löffler (Technische Universität Darmstadt), Die Liturgie des Deutschen Ordens in der Ballei Utrecht: Das Missale des Johannes van de Zande

13.00 concert Capilla Flamenca (Missa Ave Maria | Antifonarium Tsgrooten)

free for all participants

15.30 - 16.30 Keynote 2

Jennifer Bloxam (Williams College), Browsing Antiphoners with Obrecht: The Office through a Late Medieval Composer's Eyes and Ears



16.45 - 17.30 Conclusions

19.15 concert introduction (Dutch)

20.00 concert Anonymous 4 (Love's Illusion: Montpellier Codex)



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