Natyashastra leads us to reach the spectators heart. Dramas are meant to be for spectators. A person who can watch the dramatic performance with all his senses undistracted, is expert in judging the pros and cons honestly and can ignore a fault also lovingly appreciate merit is to be regarded as a spectator in a dramatic performance. But no spectator could be that kind of self sufficient and it is normal. No one could be qualified in every way. According to Bharata Muni 'One who experiences delight, when he sees the delightful, experiences sorrow when pathetic things are presented, anger in the presentation of anger, fear in fear, such a person is to be known as the ideal spectator. Thus, a person who is not able to enter in the particular imitation of an emotional state and is endowed with these qualities, is to be known as a "spectator" of that particular presentation. In the stage performance of the ten types of drama, the spectators are to be recognised in this manner.
