War Thematic Unit



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MCMXIV
Those long uneven lines


Standing as patiently


As if they were stretched outside


The Oval or Villa Park,


The crowns of hats, the sun


On moustached archaic faces


Grinning as if it were all


An August Bank Holiday lark;


And the shut shops, the bleached


Established names on the sunblinds,


The farthings and sovereigns,


And dark-clothed children at play


Called after kings and queens,


The tin advertisements


For cocoa and twist, and the pubs


Wide open all day—


And the countryside not caring:


The place names all hazed over


With flowering grasses, and fields


Shadowing Domesday lines


Under wheat's restless silence;


The differently-dressed servants


With tiny rooms in huge houses,


The dust behind limousines;


Never such innocence,


Never before or since,


As changed itself to past


Without a word--the men


Leaving the gardens tidy,


The thousands of marriages,


Lasting a little while longer:


Never such innocence again.



Philip Larkin (1922-1985)
Sherman’s March to the Sea

From history.com

From November 15 until December 21, 1864, Union General William T. Sherman led some 60,000 soldiers on a 285-mile march from Atlanta to Savannah, Georgia. The purpose of this “March to the Sea” was to frighten Georgia’s civilian population into abandoning the Confederate cause. Sherman’s soldiers did not destroy any of the towns in their path, but they stole food and livestock and burned the houses and barns of people who tried to fight back. The Yankees were “not only fighting hostile armies, but a hostile people,” Sherman explained; as a result, they needed to “make old and young, rich and poor, feel the hard hand of war.”



Total War entry

Encyclopedia Britannica

total war, military conflict in which the contenders are willing to make any sacrifice in lives and other resources to obtain a complete victory, as distinguished from limited war. Throughout history, limitations on the scope of warfare have been more economic and social than political. Simple territorial aggrandizement has not, for the most part, brought about total commitments to war. The most deadly conflicts have been fought on ideological grounds in revolutions and civil and religious wars

"Never in the field of human conflict
was so much owed by so many to so few."

Winston Churchill Speeches

"...To form an administration of this scale and complexity is a serious undertaking in itself, but it must be remembered that we are in the preliminary stage of one of the greatest battles in history, that we are in action at many points in Norway an in Holland, that we have to be prepared in the Mediterranean, that the air battle is continuous and that many preparations have to made here at home. In this crisis I hope I may be pardoned if I do not address the House at any length today. I hope that any of my friends and colleagues, or former colleagues, who are affected by the political reconstruction, will make all allowance for any lack of ceremony with which it has been necessary to act. I would say to the House, as I said to those who have joined this government: "I have nothing to offer but blood, toil, tears and sweat."

We have before us an ordeal of the most grievous kind. We have before us many, many long months of struggle and of suffering. You ask, What is our policy? I will say; "It is to wage war, by sea, land and air, with all our might and with all the strength that God can give us: to wage war against a monstrous tyranny, never surpassed in the dark lamentable catalogue of human crime. That is our policy." You ask, What is our aim? I can answer with one word: Victory - victory at all costs, victory in spite of all terror, victory however long and hard the road may be; for without victory there is no survival."

to the House of Commons on May 13, 1940 in his first

address as the newly appointed Prime Minister.
" ...We shall not flag nor fail. We shall go on to the end. We shall fight in France and on the seas and oceans; we shall fight with growing confidence and growing strength in the air. We shall defend our island whatever the cost may be; we shall fight on beaches, landing grounds, in fields, in streets and on the hills. We shall never surrender and even if, which I do not for the moment believe, this island or a large part of it were subjugated and starving, then our empire beyond the seas, armed and guarded by the British Fleet, will carry on the struggle until in God's good time the New World with all its power and might, sets forth to the liberation and rescue of the Old."
The Retreat from Flanders

WE SHALL DEFEND OUR ISLAND WHATEVER THE COST

Before the House of Commons, June 4, 1940

"What General Weygand called the Battle of France is over. I expect that the Battle of Britain is about to begin. Upon this battle depends the survival of Christian civilization. upon it depends our own British life and the long continuity of our institutions and our Empire. The whole fury and might of the enemy must very soon be turned on us now. Hitler knows that he will have to break us in this island or lose the war. If we can stand up to him, all Europe may be free and the life of the world may move forward into broad, sunlit uplands. But if we fail, then the whole world, including the United States, including all that we have known and cared for, will sink into the abyss of a new Dark Age, made more sinister, and perhaps more protracted, by the lights of perverted science. Let us therefore brace ourselves to our duties, and so bear ourselves that, if the British Empire and its Commonwealth last for a thousand years, men will say, "This was their finest hour."



CHURCHILL ANTICIPATES THE BATTLE OF BRITAIN

by WINSTON CHURCHILL, Prime Minister of Great Britain

Before the House of Commons, June 18, 1940

Lesson on “The Call” and “Who’s for the Game?”

By Jesse Pope
OBJECTIVES


  1. Students will be presented with a hypothetical situation in which there is an attack and will discuss the surge of emotion in such an event.




  1. Students will engage in a debate about the pros and cons of declaring war in our hypothetical situation.




  1. Students will discuss content, interpretation and application questions after reading the poems, “The Call” and “Who’s for the Game?”




  1. Students will prepare argumentative speeches for our hypothetical war introductory activity.



INTRODUCTORY ACTIVITY


  1. Begin class by proposing a hypothetical question: North Korea has

just bombed Incheon harbor and formally declared war on South Korea.

Ask



  1. What are you initial emotions as you react to hearing this news?




  1. Do you feel more afraid, angry, proud, patriotism, sad, or sick? Make a list of your emotions on paper and number them according to which is strongest.




  1. What should South Korea do next – declare war or initiate negotiations?




  1. Break the class into two sides – those that vote for war and those that don’t.


Ask


  1. War group

1. What are the pros of declaring war?

2. Why is this the best or only option?

3. What would not declaring war mean for South Korea?

4. What’s motivating your decision to declare war?


  1. Peace group




  1. What are the cons to declaring war?

  2. Why is going to war a poor option?

  3. What’s your major motivation for not wanting to go to war?

  4. What if North Korea can’t be reasoned with?


Listen to some of the responses and encourage students to retort.

CONTENT QUESTIONS


The Call
1. What’s the rhyme scheme in this poem?
2. What are some of the poetic devices used in the poem?
3. How would you describe the tone of the poem?
4. What effect does the repetition of the word “laddie” have on the reader?
5. What is meant by “follow French” in line 3?
6. Why does Pope capitalize “Empire” in the third stanza? What’s the effect?
7. Why is the third line of the third stanza important for the overarching theme of the poem?
8. What is Pope doing in the seventh line in each of the three stanzas?
9. What words in the poem are used to describe battlefront?
10. How does depict England?

Who’s for the Game?
11. What is the rhyme scheme in this poem?
12. What other poetic devices appear in the poem?
13. What is the tone of this poem?
14. What words does Pope use to describe the war?
15. How does the poem refer to those who don’t play the game?
16. What visuals does Pope use?
17. How is England personified?
18. What words juxtapose the notion of war?

19. Who’s the speaker in line 13, and who is being addressed?


20. What parallels does Pope associate between war and sports?

INTERPRETATION QUESTIONS
The Call
1. How does the title support the content of the poem?
2. How does Pope feel about those who don’t volunteer? Give three examples.
3. How does Pope feel about those who do volunteer? Give three examples.
4. How does Pope depict the soldiers of World War I. What do they wear and what’s their demeanor?
5. What passages of the poem make you think Pope is confident the English will win the war?
6. What separates the third stanza from the others? Where are these stanzas set?
7. Why did Pope make this poem a jingle?
Who’s for the Game?
8. What are some of the ways Pope connects sports to war? Cite specific words or passages?
9. Why does Pope use the word “picnic” in a war poem? What are other words that don’t belong?
10. How is England depicted in this poem? What is the personified state of England like?
11. Who is this poem addressing and who is speaking?
12. How is duty addressed in lines 9 and 10?
13. Does Pope think the English have any choice regarding the war?
14. Does Pope think of war as gentlemanly or barbaric? What lines make you think this?

APPLICATION QUESTIONS
The Call
1. How does Pope being a woman affect your reading of this poem? Are you encouraged by her or disdained?
2. Do you think Pope would have had the same tone and feelings on the war if she were required to fight like the men were?
3. Was it wrong for Pope to blast those who chose not to fight?
4. Do you think Pope would have been able to write a poem like this after the war had been going on for a few years? How does the year it was written affect the content?
5. The second to last line is unique because of the double entendre – those who bit their thumbs can be seen as biting their nails in nervousness, but it also a gesture Shakespeare wrote about that means the same thing as giving someone the finger. Which visual do you think Pope wanted to end the poem with?

Who’s for the Game?
6. Where is the death? Why does Pope not mention death or dying at all in the poem?
7. Why is this poem’s tone different that the earlier poem? What if Pope had written this poem first at the beginning of the war and the other toward the end of the war?
8. What imagery is created in the last two lines? How does the visual of a woman being strangled, calling for help, make you feel?
9. How would a basket case (a person with all four limbs lost in the war) react to Pope’s work? How do you think the Prime Minister reacted to her poems?
10. Does this poem sound like it was written by a woman? Would it have been more effective if it were written by a man? A veteran of the front lines? The Prime Minister?
THESE QUESTIONS WILL BE POSED TO THE CLASS AS A WHOLE. THIS IS BECAUSE THERE ARE TWO POEMS I WANT TO FEATURE IN THIS SECTION AND I WANT TO MAKE SURE I HAVE ENOUGH TIME ALLOTED FOR EACH ONE.

ACTIVITES AND ASSIGNMENTS
1. Break the student up into two equal-sized groups. One half of the class is the pro war side and the other half is the anti war side.
2. Allow students to pick which side they want to speak for but the goal is to have as close to a 50-50 split as possible.
3. Tell the class to return to the hypothetical scenario from the beginning and imagine that they’re all Senators and they will need to address Congress on whether or not to declare war on North Korea.
4. The teacher plays the role of the president and the side with the most compelling argument gets the president’s vote.
5. Each student will need to prepare an argumentative speech for their side, not to exceed 2 minutes, which focuses on only one aspect of their group’s overall position.
Ex. One speaker from anti-war addresses only death, while another addresses only the financials.
6. Speeches will be read in a back and forth manner so encourage the groups to anticipate the arguments of the other side and prepare to have rebuttals ready.

Lesson on “The Rank Stench of Those Bodies Haunts Me Still”

By Siegfried Sassoon
OBJECTIVES


  1. Students will examine and discuss a series of photos depicting death in World War I.




  1. Students will read “MCMXIV” by Philip Larkin and discuss the elegy.




  1. Students will discuss content, interpretation and application questions after reading the poem, “The Rank Stench of those Bodies Haunts Me Still.”




  1. Students will work in groups of two and will do one of the two exercises:

A. Design a national monument for Koreans killed in the World Wars and find a poem to accompany it’s unveiling.

B. Find a national monument for Koreans killed in the World Wars and write a poem for it’s unveiling.

INTRODUCTORY ACTIVITY


  1. Begin class by showing students photos from the trenches of World War I.



Ask



  1. What do the soldier’s uniforms suggest about the world’s readiness for a global, modern war?




  1. What are some of the consequences of living in such close proximity to death?




  1. What effect did modernization and mass production have on the deaths of World War I?




  1. Pass out copies of “MCMXIV” and read it aloud to the class.


Ask
A. What’s the tone of this poem?
B. How does the form of this poem match the content?
C. What makes this poem elegiac? What’s it mourning?
CONTENT QUESTIONS

1. What’s the rhyme scheme in this poem?


2. What are some of the poetic devices used in the poem?
3. How would you describe the tone of the poem?
4. Why is “green” such a significant word to describe the land away from the font?
5. What do soldiers who are away from the front do to pass time?
6. Even when they’re away from the front, are their senses ever free from the war?
7. What parallel does the author draw in lines 11 and 12?
8. How old is the one person laughing?
9. Is the soldier giving cheers really happy?
10. What are the two ways to interpret the section that reads, “that unpitying waste”?
11. Why does the author use parenthesis?
12. Give an example of alliteration in this poem.
13. Give an example of enjambment in this poem.
14. What word does the soldier call the Germans? Why?
15. What event are the soldiers returning from? How does the dialog tell us this?
16. How does the speaker describe his dead enemy?
17. How does the speaker think his dead enemy thought of him?
18. Who’s perspective does the poem shift to toward the end?

19. What does the author do to signal the shift back to the speaker’s point

of view?
20. Describe the image the speaker ends the poem with.

INTERPRETATION QUESTIONS
1. How does the free verse help this poem?
2. How do the first two lines set the mood for the rest of the poem?
3. What is significant about the “brown lines” and the men inside?
4. Why does the speaker shift to describing the pastoral scene of the rear?
5. In which ways are the speaker’s senses reminded of the war?
6. Why would the speaker want the friends he has loved to be sent back to England with a gash?
7. Is our speaker a veteran of the war or new to it? How do we know?
8. What is the speaker actually talking about when mentioning the red sunset to the West?
9. Why is the image of the soldier reading the letter significant?
10. What does the speaker mean when he says “heedless of toiling feet that trod him down”?
11. What does the phrase “no doubt” tell us about the English and the Germans?
12. Does the speaker respect his enemy? Does he hate him? How do you know?
13. Why does the author switch the perspective of the battle to the German soldier?
14. Does the speaker feel proud of his victory over the Germans the night before?
15. How does the assonance of the u sound in the last lines support the content of the lines?


APPLICATION QUESTIONS

1. Which of the senses are strongest for the speaker?


2. Imagine the speaker on the long walk back from the font line after a

successful advancement on the enemy. Why isn’t he happy?


3. What makes the moaning men in the woods so torturous, not just for the men dying there but also for the men hearing it?
4. What was the cost of surviving according to the speaker’s thoughts? What did each of the unscathed men who survived have to do?
5. In what ways does hope appear in the poem?
6. Does the speaker feel that there is honor in dying for his country?
7. What does the German soldier’s last night tell us about the way World War I was fought?
8. What does the author jump out of the German’s perspective so quickly?
9. How would Jesse Pope respond to this poem?
10. The poem ends with an image of a dead German but in what other ways does death appear in the poem? How does the speaker treat death?
THESE QUESTIONS WILL BE GIVEN TO STUDENTS IN THE FORM OF A HANDOUT THAT THEY CAN WORK ON IN CLASS. THEY SHOULD WORK IN SMALL GROUPS.

ACTIVITES AND ASSIGNMENTS
1. Break the students into groups of twos and tell them their assignment is to either:
A. Design their own national monument with a poem they think goes with it.

B. Write a poem for an existing national monument.

2. Groups will need to present their projects to the class.
3. Groups that design their own monument will need to draw a picture, print out their poems and attach them to a poster board.
4. Groups that write their own poems will have to attach them to poster boards with a picture of the monument.
5. In addition to reading their poems, groups will be expected to give a brief description of their monuments.

Lesson on “D-Day Oral Histories”

By WWII Foundation
OBJECTIVES


  1. Students will watch the 9-minute scene of the D-Day landing from “Saving Private Ryan.”




  1. Students will discuss the emotion of fear and define the word “duty.”




  1. Students will discuss content, interpretation and application questions after reading, “D-Day Oral Histories” by the WWII Foundation.




  1. Students will write an informal, argumentative essay on one of the following topics:

A. People refer to the generation of WWII as “The Greatest Generation.” Why? Do you agree or disagree?

B. People say today’s kids don’t have the same sense of duty as their grandparents. Do you agree with this or no?

C. Are all veterans heroes? Are there any professions in the world that automatically qualifies a person as a hero?



INTRODUCTORY ACTIVITY


  1. Begin class by showing students the 9-minute D-Day landing scene from “Saving Private Ryan.”



Ask



  1. What is the mood like before the soldiers landed on the beach?




  1. Why were some of the soldiers not moving up the beach?




  1. Was there anyone in this clip that you’d call a hero?




  1. Have the students get out a sheet of blank paper and have them write their answers to these questions down.


Ask
A. What are some of the signs of fear the soldiers displayed by the soldiers in the movie?
B. How do you define a “hero?” Write your definition in prose form with any examples you can think of.

CONTENT QUESTIONS
1. What is an oral history?
2. What makes this type of literature important?
3. How did the German general react to hearing about the invasion?
4. Did the German military respect the British and American military?
5. What was the point of having telephone pole ramps on the beach?
6. What was the engineer’s job when he landed on the beach?
7. What’s an 88?
8. What were the 35 soldiers in the boat doing before it landed on the beach?
9. What’s Fazzio’s most vivid memory of the landing?
10. Why did the soldiers want the boat driver to pull all the way up to the beach?
11. Where did the Lot family try to hide during the landing?
12. What are some of the sounds heard by the villagers nearby?
13. Why did the battleships have to redirect their fire?
14. How did O’Connell refer to his fear?
15. Were all of the soldiers fearful?
16. How old were most of the soldiers landing on the beach?
17. How did Heroux figure out he was going to be a part of the landing?
18. How do the paratroopers know it’s time to jump out of the plane?

19. What happened with Heisler and the German soldier in the

hedgerows after he landed?
20. What’s a hedgerow?
21. Did the French like having the Americans and British invading their country?
22. Where was McCall when he heard America had declared war and how did he find out?
23. Did the American people want to go to war with after Pearl Harbor? What was the mood of the time?
24. What did the people at home do to support the war effort?
25. How do the veterans of the battle react to being called a hero?

INTERPRETATION QUESTIONS
1. Why would the World War II Foundation put Rommel’s quote first?
2. Why did Rommel think Eisenhower’s strategy was so daring?
3. What does Corvese’s quote tell us about his sense of duty?
4. What happened to the boat he arrived on and what effect did it have on him?
5. Why did the person who transcribed his interview make two paragraphs out of three sentences of text?
6. How did Corvese know what an 88 was before he landed in the combat zone?
7. Is Fazzio proud of his role during the invasion?
8. Why was being in the fifth boat of the first wave “hitting the lottery?”
9. What does the line about the soldiers not wanting to get wet tell us about them?
10. Besides being scared, how did the French feel about the Allies bombardment and invasion of Normandy?
11. Why would O’Connell – a machine gunner – describe his fear as mere butterflies, when Delasanta – a truck driver – assumed everyone else was as scared as he was?
12. Why would the military send 19, 20 and 21 year old “kids” to the front line of the invasion?
13. What was the role of the paratroopers in the invasion?
14. How does time pass in Heisler’s story?
15. What’s the mood of the last paragraph of his quote?
16. Did the Pearl Harbor bombing disenfranchise or unite the American public?
17. Why was the embedded journalist such a pivotal role of the war effort?
18. What was a bigger motivator for the soldiers invading France: heroism or duty? Explain.

APPLICATION QUESTIONS
1. According to the first quote, the general of the German forces was away and the weather was terrible the morning of the invasion. How did these circumstances affect a) Eisenhower’s decision to go ahead with the invasion, and b) the outcome of the battle?
2. Corvese’s story focuses on three unique soldiers during the invasion and makes a point to tell us a little about them – the engineer carries explosives, the navy men having blue stripes, etc. Since medics don’t carry weapons into battle, is it ok to target them like the medic was in his story?
3. How is Fazzio’s account affected by religion? Do you think he believes in God?
4. Why would the French townspeople hide during the invasion instead of picking up a weapon and helping out?
5. How are some of the ways fear can be a good thing in a situation like this?
6. How does fear bond soldiers?

7. Heroux mentions the ages of the soldiers at Normandy and adds that none of them even knew what war was before D-Day. What age is too young for a person to be sent to war?


8. Soldiers weren’t given a choice for their role in the invasion. Most landed on the beach but others, like Heisler, parachuted behind enemy lines and attacked from the rear. Which would you choose and why?
9. Why does Heisler stumble when he tried to remember if the German from the hedgerows had his rifle slung on his shoulder? What are the implications of this detail?
10. How did war correspondents contribute to the American war effort at home?
11. Based on the last group of quotes, how do you think the soldiers of Normandy would define the words “duty” and “hero?”
THE CONTENT AND INTERPRETATION QUESTIONS WILL BE ASKED OF THE CLASS AS A WHOLE GROUP AFTER READING THE TEXT. THE APPLICATION QUESTIONS WILL BE TYPED ON A SHEET OF PAPER AND GIVEN TO SMALL GROUPS OF STUDENTS TO WORK ON IN CLASS.

ACTIVITES AND ASSIGNMENTS
1. Tell students that their assignment is all about generation gaps and that they will each have to write an informal, argumentative essay and read it to the class. Topics can be any of the following:
A. World War I veterans and people from that time are called the Lost Generation, while WWII veterans and people from that time are called the Greatest Generation. Why is there such a disparity in the way we remember these people who lived so closely together? Do you agree, was the generation of WWII really the Greatest Generation?

B. The generation of people my age – the generation that invaded Afghanistan and Iraq – is referred to as Generation Kill. People say Generation Kill is too influenced by video games, the internet and technology, and that today’s kids don’t have the same understanding of the concept of duty. Do you agree or disagree with this?

C. What makes a hero and how, if at all, does fear factor into determining a hero? D-Day soldiers are often called heroes even though they don’t agree with it. What professions, if any at all, automatically qualify a person a hero?

Lesson on “Give Us This Day”

By Sidney Stewart
OBJECTIVES


  1. Students will be given supplemental material on the concept of total war and will discuss the topic.




  1. Students will debate the rules of war and the civil liabilities of wartime practices.




  1. Students will discuss content, interpretation and application questions after reading pages 71 – 81 of “Give Us This Day” by Sidney Stewart.




  1. Students will work in groups of two to complete one of the following assignments related to the Geneva Convention:

A. Pick one article from the Geneva Convention and write a paper explaining what it means, why it’s a law, what must have happened to make it law, and whether you agree as to whether this should be followed in war?

B. Pick one article from the Geneva Convention and explain who it’s designed to protect – civilians, combatants, etc. – and scour the article for a loophole. How would you defend yourself if charged with violating this article?

C. Find a real-world example of people who were tried and convicted of war crimes. Write a brief bio, what article he violated, how, and the punishment.



INTRODUCTORY ACTIVITY


  1. Begin class by giving students the supplemental material on Sherman’s March to the Sea and the concept of total war.



Ask



  1. What instances would you feel it’s ok to declare total war?




  1. Can you think of any instances where total war was used in the past?




  1. Is it ethical to declare total war?




  1. Take a poll of hands to collect student consensus on the following topics and ask them at random to elaborate on their positions.


Ask
A. Should there be set rules for how war is fought?
B. Your culture recognizes manhood at 13 but you’re told that nobody over the age 15 can fight in your war. Do you follow the law?
C. Is murder committed in war the same as murder committed in society?
D. Should people who violate war laws be put on trial after the war is over?
E. Isn’t the point of war to make your enemy as dead and demoralized as possible?

CONTENT QUESTIONS
1. Do the Americans surrender before or after they make contact with the Japanese?
2. What happens when the Americans surrender?
3. What’s the mood like between the Japanese and Americans?
4. What is the first thing the Japanese search the Americans for?
5. How does the narrator kill one more Japanese soldier?
6. What happens when the American screams out in pain?
7. How does the narrator react to this death?
8. Why did the Japanese beat the Americans as the walk first began?
9. What is a common injury the narrator sees in the first day?
10. How do the Americans keep themselves entertained through the first night?
11. Besides being shirtless, what is the physical condition of the soldiers? What is covering them?
12. What happens to the American who drinks water from the stream?
13. What does the narrator think when he sees this?
14. How do the Japanese treat the soldiers who drop out of the walk?
15. What is the water like that the Americans get to drink?
16. Where do the soldiers get their first meal?
17. What is the first meal?
18. How many bodies does the narrator count?

19. How do the Filipino people try to help the prisoners?


20. Can the prisoners finally sit down when they get to the field?
21. How do the Japanese taunt the Americans in the field?
22. How many days did they spend walking?
23. How many men died on the walk?
24. What is the morale of the soldiers who did survive?
25. Why would the Japanese act so violently toward their prisoners?

INTERPRETATION QUESTIONS
1. Why were there occasional gunshots in the woods after the surrender?
2. What do the Japanese enlisted men’s uniforms tell us about their country?
3. Why would Japanese officers carry a samurai sword to WWII battles? Isn’t this like bringing a knife to a gun fight?
4. What are Japanese souvenirs, why do the Americans have them, and how would the Japanese react to finding them?
5. What does the narrator’s medicine tell us about the disparity between the American and Japanese military?
6. What lesson do the other soldiers learn from the first beating and death?
7. Why does the author specifically tell us the Japanese artillery is horse-drawn?
8. What is the Japanese psychology and the American psychology to the random, purely fun beatings?
9. How the Japanese tend to execute prisoners on the walk? What does this tell us about their emotions, beliefs and concept of war?
10. What are some of the symptoms of heat stroke?
11. Why do the Japanese deny the Americans drinking water from the clean, mountain stream? Where else do you recognize this dynamic?
12. What does the narrator’s reaction to the beheading tell us about his state of mind?
13. What’s the significance of the Spanish, Alamo-style church?
14. What’s the relationship like between the prisoners and the Filipino civilians?
15. Why is the decapitated head smiling?
16. Does the narrator feel like he has survived the ordeal when he’s in the train?
17. Does the narrator ever feel like he has survived the ordeal by the time the book was written?

APPLICATION QUESTIONS
1. Clearly the American military was more advanced than the Japanese military at the time of the surrender but why would the Americans have to surrender if this were the case?
2. Why would a standard American soldier, not a medic, be issued sleeping pills, and was his killing of the Japanese soldier murder or an act of war? Remember, the fighting stopped before this.

3. Inhumanity is the state of living below human standards. What are some of the ways the Japanese treat the Americans inhumanely?


4. The Japanese belief that those who surrendered have lost their honor, and therefore their humanity, don’t deserve to be treated like humans. Is it fair or right to expect them to change their culture to meet a standard?
5. What are the minimal standards for human living conditions?
6. The laughing episode the first night is called an escape – it takes the reader and character out of the reality of the world he’s living in. Is this escape a sign of insanity or does it help the character remain sane during crisis?
7. The text never says if the Japanese eat, sleep, sit or drink water during the walk. Do they?
8. How are the two water sources used to dehumanize the Americans?
9. What motivates the Filipino civilians to throw food at the prisoners and why do the Japanese kill those who eat it – doesn’t this save them the time and money to feed the prisoners and give them strength to walk more?
10. Is the Spanish church a beacon of hope to the Americans or is it an omen for death?
11. What motivates the other soldiers to carry the narrator the last few miles of the walk?
THE CONTENT QUESTIONS WILL BE ASKED OF THE CLASS AS A WHOLE GROUP, MEANT TO BE ASKED AND ANSWERED ALLOWED TO HELP THE POOR READERS GET AN UNDERSTANING OF THE TEXT. THE INTERPRETATION AND APPLICATION QUESTIONS WILL BE ASKED OF STUDENTS IN GROUPS OF FOUR, AND THESE GROUPS WILL BE BROKEN UP INTO TWO SEPARATE GROUPS FOR THE ASSIGNMENT.


ACTIVITES AND ASSIGNMENTS
1. Tell students that their assignment requires them to look at the Geneva Convention for a real-world understanding to the rules of war. Each group of two people will chose one of the following to be completed as homework:
A. Pick one article from the 159 to choose from and put it verbatim at the beginning of your essay. Then explain what it means, why you think this is a law of war, what must have happened to make this a law, and whether you agree or disagree that it should be a global standard for war. Papers will not be read to the class but bullet points for speaking are expected.

B. Pick one article from the Geneva Convention and copy the law at the top of your essay. Explain who it’s designed to protect – civilians, combatants, etc. – and scour the article for a loophole. How would you defend yourself if charged with violating this article?

C. Find a real-world example of people who were tried and convicted of war crimes. Write a brief bio of the person telling us where they are from, what war they committed the crime in, what the violation was and what the penalty was.

Lesson on “Flags of Our Fathers”

By James Bradley
OBJECTIVES


  1. Students will listen to audio clips of three Churchill wartime speeches and discuss rhetoric techniques.




  1. Students will view the Iwo Jima flag raising and discuss the effect it had on Americans.




  1. Students will discuss content, interpretation and application questions after reading pages 215 – 225 and 281 – 296 of “Flags of Our Fathers” by James Bradley.




  1. Students will write a fictional short story about victory in a workshop-styled class.



INTRODUCTORY ACTIVITY


  1. Start class by playing the Churchill speeches and handing students the supplemental material.



Ask



  1. What are some the rhetoric techniques Churchill uses in the speeches?




  1. Are his speeches effective at delivering the intended message?




  1. How does Churchill use the concept of victory to inspire and incite the British?




  1. Show students the picture of the Iwo Jima flagraising.


Ask
A. What’s happening in this picture and what does it signify?
B. Was this flagraising really the end of the war with the Japanese?
C. How did this symbol of victory affect the American war effort?

CONTENT QUESTIONS
1. Was the battle over when the Marines took Mt. Suribachi?
2. What was happening to the Japanese bunkered in the mountain?
3. How did the photograph move from Iwo Jima to New York?
4. What do the letters home tell us about the Marines who were in the picture?
5. Why were Americans so interested in Iwo Jima?
6. What separated Iwo Jima from earlier Marine battles?
7. What were American’s impressions of Iwo Jima before the flagraising photo was printed?
8. What was happening in Europe as the Marines were invading Iwo Jima?
9. What did the AP photo editor say when he say the picture for the first time?
10. What is meant by “lead photo, page one, above the fold”?
11. How long did it take De Weldon to begin the statue?
12. What’s Belle Block’s reaction to the picture?
13. Did the newspapers that printed images of the flagraising sell well?
14. What were some of the variables that contributed to the myths of the picture?
15. What were some of the inaccuracies printed in the papers about the climb?
16. Was the flagraising a major turning point in the battle on Iwo Jima?
17. How much money did the government need to make off of the bond tour featuring the flagraisers?

18. Was that a lot of money then?

19. Briefly explain what a war bond tour is.
20. What did the AP do with the photo rights?
21. What happened on the same day that Germany surrendered?
22. How are the flagraisers treated on the tour?
23. How did the flagraisers act when the press depicted them heroically?
24. How does Ira react to the limelight?
25. Who is Pauline and why does she appear on the tour?
26. How does Ira react to seeing Ms. Strank?
27. Were the flagraisers living well by the time the statue was unveiled in New York?
28. How does John Bradley word himself when selling bonds?
29. What’s Ira’s condition during the flagraising event at Soldier Field in Chicago?
30. Why does he say he’s going back to the front?
31. Does Ira fit in to the rank and file again after he leaves the tour?
32. Was a mainland invasion of Japan going to be an easy victory? What were the loss projections?
33. Did the bond tour achieve its goal?

INTERPRETATION QUESTIONS
1. Why were the Japanese killing themselves after the Marines took the mountain?
2. What does the voyage of the film tell us about the state of the world at that time?
3. What were some of the revolutions in mass communication taking place at the time?

4. Why were Americans focused on Iwo Jima instead of the victory taking place in Europe?


5. How did a week’s worth of bad news from Iwo contribute to the photo’s popularity?
6. How did the Iwo photo counteract pictures of Pearl Harbor?
7. How does the photo gain momentum as it traveled across America?
8. Who is Boots Thomas and why is he not invited on the bond tour?
9. Why does the press tell false accounts of the flagraising?
10. What does the name of the bond tour tell us about the government’s finances?
11. What were some of the techniques and methods used on the bond tour to get people to buy bonds?
12. What does the bond tour tell us about the state of the world? What other politician of the era was the first to campaign via airplane?
13. Why was Rosenthal’s Pulitzer different from any other?
14. Why is Ira drinking so much?
15. How would you describe the three flagraisers roles in public perception?
16. What are the dynamics to Rene’s and Pauline’s relationship?
17. Does the New York stock exchange ever stop trading during regular hours?
18. What’s the effect of having the surviving mothers of the dead flag raisers meeting the living ones?
19. Why did tour organizers arrange a flag raising event at Soldier’s Field in Chicago?
20. When is Ira happiest?
21. Marines didn’t eat, sleep or drink water for three days during the invasion but John Bradley is upset mostly because his laundry isn’t keeping up with him. Why?

22. How did the casualty predictions of a mainland offensive shape the outcome of the war?


23. What inspired the American people to donate so much money for the cause?
24. Why is The Photograph capitalized in the last sentence?

APPLICATION QUESTIONS
1. What are some of the major differences between the invasions of German-controlled land and Japanese-controlled land?
2. Why did Iwo Jima even matter to the Japanese or the Americans?
3. Although the flagraising didn’t mean the war with Japan was over yet, it did represent victories on several levels. List some.
4. Remember the photos from WWI that depicted death and life in the trenches. Why didn’t those photos set off the frenzy of this picture? What motivates people more: victory or death?
5. How did the American people feel connected to the victory depicted in the photo?
6. Why would the press print false stories about the flagraising?
7. What parallels can be drawn between the author’s connection of Mt. Suribachi to the mountain of money needed to fund the war?
8. The bond tour capitalized on the nation’s sympathies when it brought the mothers onto the stage but in what ways is the entire tour an effort to capitalize on the impression of victory?
9. Was it ethical for the government to pluck these three men out of danger, tell them that they’re heroes and then parade them across the country for money?
10. What are some of the internal conflicts taking place in the three men during their tour? Are they wounded by their new status as a war hero and will they ever recover?
11. In what ways did the photo contribute to the victory over the Japanese?
BECAUSE OF THE AMOUNT OF READING REQUIRED FOR THE LESSON, THE CONTENT QUESTIONS WILL BE ASKED OF THE CLASS AS A WHOLE. THE INTERPRETATION QUESTIONS WILL BE ASKED TO STUDENTS ON AN INDIVIDUAL BASIS, UNTIL EVERY STUDENT HAS ANSWERED AT LEAST ONE. THE APPLICATION QUESTIONS WILL BE ASSIGNED AS A HOMEWORK ASSIGNMENT WHERE STUDENTS WILL PICK THREE QUESTIONS AND WRITE OUT PARAGRAPH ANSWERS.


ACTIVITES AND ASSIGNMENTS
1. Students will be assigned with the writing a fictional short story on the topic of victory.
A. The writing process will take several days and will be done in a workshop style, where everyone reads one story and critiques it in a group setting.

B. Stories must follow the A, B, D, C, E plot diagram

C. Some quick story ideas:

1. Depict a Starcraft battle as a real event.

2. Tell me about a victory in a forensics competition.

3. People love underdogs. Tell me a David and Goliath story.

4. Sports games.

5. OR, for a real twist – depict victory from the defeated point of view.



CREATIVE INTRODUCTORY ACTIVITY FOR ENTIRE UNIT:

To introduce students to the world of war and the texts we’re covering in the unit, I plan on showing students Thomas Lea’s famous WWII painting, “The 2000 Yard Stare” that was featured in TIME magazine in 1944. Besides discussing the students’ initial impression of the painting, I plan on using this picture to broaden a their overall view of war by introducing them to the concept of the “thousand yard stare,” emotional detachment and Post-Traumatic Stress Disorder. Besides looking at the picture and discussing it in class, I want to include the photographer’s description of the subject in the painting, which reads:




“He left the States 31 months ago. He was wounded in his first campaign. He has had tropical diseases. He half-sleeps at night and gouges Japs out of holes all day. Two-thirds of his company has been killed or wounded. He will return to attack this morning. How much can a human being endure?

I plan on further asking the students what is on this subject’s mind in the painting? What could have happened to turn this man into the zombie we see in the picture? Will he ever be the same person as he was before the war?



OVERALL CULMINATING ACTIVITY FOR ENTIRE UNIT:

To bring the unit to a close, I want the students to take a firm stance in their personal thoughts, feelings, emotions and decisions in their relationship to war. Some people believe that no matter what, war should never exist as an option for settling disputes; while other people actively seek to engage in war. The culminating event will force students to define their beliefs and will engage their ability to pick a stance and defend their position. For the boys in the class – as they are forced into military service by conscription – this is a moot point but their options are still valued.

I will divide the class by a show of hands and allow the pro war and the anti war sides to discuss their views and points on the issue. What are the three factors that determine their position on the topic more than any other? After the groups are done talking amongst themselves, I will ask the groups to voice some of the most reoccurring points that came up around their circles. After each point, I will ask the other circle to counteract that. Students will be allowed to switch sides if compelled and everyone should be taking notes of what their opponents are saying.

The assignment after that will be that each student will write a formal, argumentative essay declaring their position. Essays must be structured:

A. Intro stating the position

B. Argument 1

C. Opponents counterpoint to argument 1

D. Your reaction to opponent counterpoint



E. Conclusion reaffirming your position with further arguments

In the event that the military-bound boys find difficulty with this assignment because they’re bound to war regardless, alternative essay ideas could be that they take a stance in Korea’s mandatory military service law or that they take a hard look at all of the different branches of the military and defend their logic for picking the branch that they will.

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