Lesson ddd: Figured Bass Introduction



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Activity 4.4:

In this activity you will be presented with a series of seventh chrods in SATB setting. For each exercise, choose the appropriate figured bass signature (, , , or ) to represent the inversion of the chord.”
Exercise 4.4a:



Question: “Which figured bass signature would be used to represent this chord?” [Options: “,” “,” “,” and “.” Correct answer: “.” Incorrect answer response: “Incorrect. Remember the common abbreviations for figured bass signatures. Only one of the four options makes sense with the given intervals above the bass. Try again.”]

Directory: Online-Remedial-Music-Theory-Program
Online-Remedial-Music-Theory-Program -> Change "chords" to "sonorities"
Online-Remedial-Music-Theory-Program -> Lesson nnn: Augmented Sixth Sonorities Introduction
Online-Remedial-Music-Theory-Program -> Lesson nnn: Augmented Sixth Sonorities Introduction
Online-Remedial-Music-Theory-Program -> Lesson jjj – Applied Chords Introduction
Online-Remedial-Music-Theory-Program -> Lesson ggg – Seventh Chords Introduction
Online-Remedial-Music-Theory-Program -> Lesson ggg: Seventh Chords Introduction
Online-Remedial-Music-Theory-Program -> Lesson eee: The Dominant Seventh Chord Introduction
Online-Remedial-Music-Theory-Program -> Lesson ooo: Other Chromatic Harmonies Introduction
Online-Remedial-Music-Theory-Program -> Lesson aaa – Basic Interval Progressions Introduction

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