Living the therapeutic touch



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Buddhism offers a clearly defined system of ethics, a guide to ecological living, right here, right now. Meditation is its primary tool for raising ecological consciousness. In meditation, awareness of our environment deepens and our identity expands to include the multitude of circumstances and conditions that come together to form our existence, curiosity and respect for the beauty and power of nature is enhanced, revealing an innate bio-spirituality.
This is a moving and thought-provoking work that will be of interest to all who are concerned about the spiritual dimensions of ecology and environmentalism. In Jim Swan's Sacred Places our attention shifts to the study of the unique properties and qualities associated with the landscape itself. For thousands of years men and women have recognized the power of different sites to move us in ways that are not easily explained by modern science. Why is it, in particular, that certain areas have long been considered “sacred” while others have not? Swan, an “environmental psychologist,” examines questions such as these, and offers a variety of perspectives. Drawing upon both modern research and traditional native wisdom, he explores such areas as the varieties of sacred place; the role of sacred place in the experiencing of mystical states, and the dilemma of sacred places in the modern world. Also included is a regional guide to sacred places on public lands within the United States. Along with Paul Devereux's, Sacred Places offers one of the best introductions to the subject of Earth mysteries I have encountered.

–RAY GRASSE


Winter 1990

WAITING FOR THE MARTIAN EXPRESS: Cosmic Visitors, Earth Warriors, Luminous Dreams, by Richard Grossinger; North Atlantic Books, Berkeley, CA, 1989; paperback.


Richard Grossinger is a New Age Tom Wolfe or Hunter S. Thompson in applying the New Journalism to New Age reporting. The present volume is a collection of eighteen of his essays, most previously published but now revised. These essays range over such “New Age” phenomena as UFOs and extraterrestrial visitors, martial arts, shamanism, a stonework human face on the surface of Mars, holistic health, and symbolic dreams. But a subtext runs through most of Grossinger's writing –a concern about the social problems of our time: the threat of nuclear holocaust, homelessness and poverty, drugs, and child abuse. The tension between these two focuses gives his writing its special quality. On the one hand, Grossinger seems fascinated with the promise of New Age movements to give cosmic insight and natural harmony to their practitioners. He grooves on Chogyam Trungpa, Gurdjieff, Don Juan Matus, and Da Free John. On the other hand, he recognizes the plastic, feel-good optimism of much of the New Age-the low comedy of initiation by bathing with dolphins and of an Aboriginal shaman who talks like Father Divine. (Does anyone these days remember that proto-flower child, Father Divine?) The New Age as spiritual playtime for the yupper classes is reminiscent of the French nobility under Louis XVI who liked to play at being shepherds and shepherdesses in the gardens of Versailles until the deluge came. New Age pundits reveal hidden mysteries and cosmic truths above us, but ignore the agonies of the poor and the immorality of the exploiters around us. It is this contrast that hovers ever in the background and sometimes in the forefront of Grossinger's critique of society and the New Age movement. That critique has one villain-narrow-minded intolerance and bigotry-with two main faces: the orthodoxy of scientific materialism and the orthodoxy of religious fundamentalism. But the New Age movement has its own band of true believers with their own brand of salvation, the questioning of which can call forth reactions just as intolerant and bigoted as those of the rationalist or the pietist:
I consider all the present talk (vintage, 1987) about channels, mediums, extraterrestrials, shamanic trances, healing crystals, and chreodes to be relevant and exciting, but I resist being told exactly what any of these things mean, and particularly how they relate on a one-to-one literal basis to our evolution, personal or planetary. Such spiritual authoritarianism is always someone else's interpretation of their own experience for their own reasons. (158)
Such rejection of external authority is in the great esoteric tradition-but it is fruitless unless joined to a realization of internal truth. Grossinger's command of New Age movements is impressively broad, but correspondingly shallow. His prose is poetic but sometimes consists of little more than New Age name-dropping. He is fascinated by the externals of the New Age movement and intuits the enduring inner reality that the dumb outer show of New Age business masks as much as it reveals:
...the world must change according to esoteric principles at its core. But the marketed

New Age is at best a series of well-meaning simplifications and at worst a hustle and a fraud made possible by those simplifications. It is the marketing of the New Age, the invention of attractive mirages, the promulgation of cliches, that this book addresses. A true cultural and spiritual revival is our only hope. (12)


Grossinger, however, offers no clue about where to look for that hope and revival. He alternates between attraction to New Age promises and the stance of the New Journalism, with its curious blend of amused objectivity and gonzo responses. What he lacks is an integrating vision to make sense of the pain of phenomenal living and the bliss of numinous experience. The first is foreign to New Agers; the second, to New Journalists. The result is a hollowness at the core of things:
We live among ghosts and chimeras; yet something alive is addressing us from a locale we have recognized only as Void. It may have been addressing us forever. We do not know what it is. I repeat-despite claims of Mayan prophecy and bodies of Martians in the White House, despite trance visits to golden cities and radar backings of UFOs, predicted earthquakes and second comings-we do not know what is happening to w we do not even know who we have been.. . . But if we buy the New Age with its superficially glamorous sideshows, we may miss a marvelous phenomenon; in fact, we may miss our own evolution. (155)
Grossinger offers no direction to travel, but a useful warning against detours along the way.

-JOHN ALGEO


Winter 1990

WORDS TO LIVE BY: Inspirations for Every Day, by Eknath Easwaran; Nilgiri Press, Petaluma, CA, 1990; paperback.


The person seeking a background for meditation will find Eknath Easwaran's Words to Live by beneficial. One page-and one page only-is devoted to a spiritual quotation for each day of the calendar year and Easwaran's brief commentary on the quotation. Most of the readings are extracted from world religions; however, also included are passages of poetry from such diverse notables as William Shakespeare and Francis Thompson. Mahatma Gandhi, who had an immense influence on the thinking of Easwaran, an Indian by birth, is generously represented. Bible passages are numerous, and the writings of Christian mystics such as St. Teresa of Avila and St. Thomas a Kempis appear prominently. The book is based on daily meditation and the use of the mantram or the Holy Name, areas central to Easwaran's teachings in America since his founding in 1960 of the Blue Mountain Center in Berkeley, California. Among Easwaran's previously published books are Meditation: An Eight-Point Program and Mantram Handbook. The readings emphasize selflessness and also the One Self of which we are all part. The mantram, or the Holy Name, for most persons will be derived from their religion for its deep personal appeal. The writer recommends its frequent use-as a part of meditation, while walking, while falling asleep, while waiting. Furthermore, Easwaran recommends use of the mantram to curb habits such as smoking, drinking, or drug use. Emphasis is placed on living in the present, thus releasing oneself from guilt over past action or anxiety about the future. Easwaran asserts that meditation lifts us “out of time into the eternal present.” Some of the readings deal with death, which Easwaran sees as no struggle when we cease our wanting-of money, of pleasure, of all material things. He advises that meditation may take a lifetime to learn-a lifetime “well spent.” -and warns against those who offer “instant enlightenment.” But we can aid ourselves in many ways-by exercise, which helps the body to feel light; by resisting cravings for food, smoking, drinking, drugs; by avoiding negative tendencies. What the reader is likely to gain in working with this book is an increasing feeling of spiritual relationship with the author. In the last passage, that for December 31, the quotation (from St. Augustine) is on “eternal lie,” likening it to “hat moment of illumination which leaves us breathless” For Easwaran, this is the point at which he is “invisible” from the whole and can use all his capacities to alleviate suffering, to live for others, and therefore “to come to lie.”

-MARY JANE NEWCOMB


Winter 1990

IMAGINARY LANDSCAPE: Making Worlds of Myth and Science, by William Irwin Thompson; St. Martin’s Press, New York, 1989; hardcover.


To construct an imaginary lost cosmology from a mere six pages of Grimm…”
Every now and then there is a book that witnesses to the sheer joy of journeying in the real of mythic imagination. In Imaginary Landscape: Making Worlds of Myth and Science, William Irwin Thompson provides as a point of departure, a brilliant reconstruction of Grimm’s Rapunzel. We are taken on an analytic journey deep into the imagery of this Marchen and discover it describes the experience of our psycho/social transformation of human evolution through historic time. We are invited to travel along on this Bateson-inspired quest to find “the pattern that connects.” Perhaps in the journeying, we might just be fortunate enough to catch a glimpse of a future born of observations and imaginings as bravely new and all-encompassing as the once novel notion of a round Earth. In Thompson’s words, the tale holds the very
…setting up of an order that is not simply familial or societal, but planetary; that in fact, the story is one of the setting up of a new world system with its relationships between the sexes, its new societal organizations, and it’s new arrangements of the planets in the solar system.
In touring Rapunzel’s mythic landscape, Thompson articulates for us a cultural history shaped of the stunning empirical correspondences in our myths, and the hidden mythic images in the very stuff of our sciences. We are led through Rapunzel only to find that our fairy tales
…have their roots in prehistoric darkness, and the hidden geometry that survives in them is not simply the obvious stuff of phallic symbols and devouring maws, but a lost cosmology of correspondences that connect the flowers to the stars. It requires an act of the imagination to bring it forth, much in the same way it required an act of the imagination to look in a new war at the dripping of a faucet.
Literally, Thompson asks for a revisioning of the very geography of what we view in out mind’s eye. It is no less than an excursion to the most compelling of new paradigm horizons. As companions on this journey, lest we be unconvinced of the potential vistas, Thompson invites four friends to join us- Ralph Abraham, Jim Lovelock, Lynn Margulis, and Francisco Varela. All are pioneers in their respective fields, and witness by their work to radically different modes of looking. Through personal anecdote and empirical explication, Thompson provides passage to the very center of the correspondences between these independent thinkers. Thompson constructs an opportunity to view through their eyes a reality literally laid down in the shaping.” We are provided an intriguing glimpse of a possible perspective, a Thompsonian cosmology that has the carrying capacity worthy of these thinkers’ paradigm-challenging research. In a vital and imaginal conversation between cognitive biology and geo-physiology, as well as non-linear Gaian and chaos dynamics, we are treated to an intimate viewing of the fullness of possibilities that outdistance the individual horizons of each of the disciplines. The most spectacular view is at the composite vista point. Thompson divides his synthesis of this possible view into five great cosmological emergences, providing an analysis of each according to its prevailing mode of consciousness and technology, its constellated cultural identity, the concomitant cultural complex, and the resultant societal victim. He considers these evolutional realities as polities, that is, five different mental landscapes that externalize themselves in these five great emergences. Scanning the period from the remotest Paleolithic to the present time indicated as the period of Planetization, Thompson concludes that our present emergence has as its prevailing mode of consciousness the press for participation or “attunement.” To arrive at this point, Thompson leans upon the empirical historical evidence of our contemporary experiences. To help us envisage the future, he draws upon the cosmological implication sin the research of his four friends, demonstrating that it is possible for the multi-dimensionality and “inter-relatedness of all sentient beings” to inhabit the new imaginal landscapes shaped of transformed and transforming participation. Dealing as it does with the future, Imaginary Landscape is perhaps the most personally revealing and intimate of Thompson’s books. Here he reveals his own passions, exuberances, and cautions for the razor-edged path participatively emerging before us. This is for Thompson the “middle way of the Mind” that
…lies between the angelic height of the macrocosm and the Gaian atmosphere and the elemental depths of the microcosm of the material earth.
Here imagination is the passport, and in tribute, Thompson concludes the book with four poems, one dedicated to each of his four traveling companions. As epilogue to the text, they provide a proper container for the late-night conversations and encouragements among friends. They serve to inspire, for in the end what matters is that we, too, must cultivate together the imaginal possibilities for our brave new land.

–GABRIELE UHLEIN


Spring 1991

CIRCULAR EVIDENCE, by Pat Delgado and Colin Andrews; Bloomsbury, United Kingdom; hardcover.


The resourcefulness of Mother Nature appears to be boundless. If an objective can be accomplished in two or more ways it is almost axiomatic that they will all be used in appropriate circumstances. Eyes are a good example. For most creatures, this most valuable complex of sense organs appears to have been reinvented several times during the course of evolution, and includes compound eyes and independent eyes on opposite sides of the head in some birds, fishes, and insects. It was with such thoughts in mind that I approached the problem of crop circles. These are areas of flattened corn or other crops that appear mysteriously overnight from time to time in various places in the world. The circles can be up to 30 meters (about 33 yards) in diameter. Inside the circle the corn is flattened to the ground in a regular pattern, while beyond the circle the standing crop remains undisturbed. Most of these depressions are precisely circular, but a few elliptical ones have been noted. Multiple circles and rings circumscribing a circle have also occurred, along with straight lines and other more complex forms. Although these phenomena appear most plentiful in the western counties of England, similar events have occurred in many countries in the last few decades. Nobody has reported seeing a circle as it is being formed, because this appears always to happen in hours of complete darkness. The assumption that these were hoax circles would require use of heavy equipment, yet no tracks have ever been found leading to the circles. It is impossible to walk through a field of standing corn with out leaving a track. Quite recently two seemingly incompatible theories as to the origins of these crop circles have been propounded. One is that they are due entirely to natural causes, namely whirlwinds. The second is that non-human intelligence must be involved. It occurred to me that these need not be mutually exclusive: non-human intelligences might be manipulating whirlwinds or other natural forces to achieve these ends. During a discussion at a Theosophical conference at Tekels Park, Camberley, Surrey, I suggested half-jokingly that the non-human intelligences might in fact be nature spirits. It was at this point that I came across an excellent book on the topic, Circular Evidence by Pat Delgado and Colin Andrews. It represents the work of a group of engineers and trained observers who have painstakingly investigated hundreds of these crop circles and other formations. It is highly commended to anyone seriously interested in these phenomena. The book presents numerous "explanations" that have been put forward to explain the crop circles, and ultimately discounts all of these as implausible, concluding that unknown forces must be causing the circles. Since the book was published, an international conference at Oxford in June 1990 sought to present whirlwinds as the definitive explanation. A whirlwind is essentially a column of rotating and rapidly rising air. This causes air to be sucked in from all directions. The damage done by whirlwinds is caused partly by objects being lifted by the rising current and partly by sideways pressure from the air rushing in. It should be obvious that such air movements are quite incapable of producing crop circles. It could almost be said that the air is moving the wrong way, because the crop within the circle is flattened and not pulled upwards. Moreover, whirlwinds are extremely noisy, and usually move across the ground at a considerable speed and are rarely stationary, so that a swath rather than a precise circle could be expected. However, the most telling objection to whirlwinds as an explanation is the circles themselves, which invariably show sharp demarcations between the circle of flattened crops and the surrounding standing crop. This would be quite impossible to achieve with a violent column of air moving either upwards or downwards. Attempts to duplicate the flattening effect by researchers were unsuccessful. No known natural forces could account for the characteristics of the circles. There are many reasons for concluding that these circles are not made by brute force, but by some far more subtle means. In the true circles, no real damage is done to the crop. Each stem appear s to be bent sharply at right angles close to the ground, but normal growth continues with the stem remaining in the horizontal posture. The circles in rape crops are particularly puzzling. Rape stems are hard and brittle, particularly close to the lower end, and it is quite impossible to bend them sharply without breaking them. Yet in such circles all the stems are in fact bent without damage. The book presents considerable detail about the numerous complexities of these crop circles, including copious illustration by diagrams and photograph s. I follow Delgado and Andrews in attributing the circles to the work of unseen intelligences. They must use natural forces to perform the actual operations, but these appear to be forces not yet recognized by science. If we examine these phenomena without prejudice we are obliged to concede the existence of superior unseen intelligences and hitherto unknown forces in nature. Moreover, these are not evanescent phenomena such as materializations at séances seen by only a few people. They are massive demonstrations persisting for many weeks, and available for inspection and photographing by many people. For the moment it seems we are being provided with irrefutable evidence and are being left alone to ponder upon its meaning. Further enlightenment seems probable in the years to come.

E. LESTER SMITH


Spring 1991

THE EYE OF THE HEART: Portraits of Passionate Spirituality, by Harry W. Paige; Crossroad; paper.


The Eye of the Heart takes its title from a Lakota word describing a way of seeing that is "not with the eyes alone but with the heart," a way that is meant to complement our already well-developed faculties of logic and rational thought. Harry W. Paige links this idea with the Christian concept of faith, finding much contemporary Western spirituality to be without passion, the yearning for God that has been the subject of the poems of Jalal al-Din Rumi, the medieval mystics, and the Indian ecstatic poets. In these accounts of his experiences, mostly in the American Southwest among Hispanic, Native, and Anglo Americans, the author not only paints a living cross-cultural portrait of other people's passionate spirituality, but also investigates the spiritual emptiness and isolation he himself feels in the midst of such experiences. Although his perspective is mainly Catholic, he looks at the "double lives" of Christian Native Americans, who see no conflict between older spiritual practices and Christianity, and at the inner conflict of an atheist parishioner. Paige describes himself as a "head" Catholic, one who has seen through the eye of reason for most of his spiritual life. The experiences described in his book, consisting as they do of an inner journey or pilgrimage, lead him to feel a personal emptiness and a yearning for the spiritual passion he sees in others around him. "I would like to shed the shackles of the mind…allowing the imagination to soar to a…greater faith ." Of course, an overabundance of passion can carry risks as great as any posed by excessive rationality. Even as the author describes his loneliness and detachment from true feeling, we read horrifying accounts of acts of penance committed in moments of passionate spiritual excess. Whether it is a Yuwipi healing ceremony, in which pieces of flesh are gouged from the arms of petitioners, or a dangerous reenactment of the Passion in northern New Mexico, where a secret society publicly scourges and crucifies one of their number who volunteers for the role of the Cristo . we realize the extent to which a world seen only through the eye of the heart can blind us. And yet, Paige's yearning, his sadness at not being able to feel his beliefs strongly, despite his genuine desires to share the strong feelings of the people he writes about, made this writer wonder which excess is worse. Broken bones sustained from falling under the weight of a 200-pound cross can heal - but what about a heart, broken or in disrepair from lack of use? Memory is another element that plays an important role in The Eye of the Heart. The memories of a mother whose son died in war, of the priest of a deserted "ghost church" without a congregation, of the author's own Catholic childhood, all playa vital role In passionate spirituality. Eastern and Western religious rituals often have much to do with remembering a story; and when we think of the origin of our word "religion"- from a Latin word meaning "to bind back" - the elevation of simple, personal memories to an almost sacramental role in the awakening of passion seems to fit. We make people sacred-ancestors. saints, teachers - because of our present use of them to reconnect with a higher reality. Likewise, it is the memories we associate with a place whether it is a son's grave, a military cemetery, an abandoned church, or a hometown-and our use of them now that make a place sacred, either individually or collectively. The Eye of the Heart is recommended both as a first hand account of spiritual practices in the Native Southwest, and as a tale of personal discovery and aspiration to spiritual passion.

-JEFF ZETH


Spring 1991

THE LANGUAGE OF THE GODDESS, by Marija Gimbutas; Harper & Row, San Francisco, 1989; hardcover.


THE ONCE AND FUTURE GODDESS: A Symbol for Our Time, by Elinor W. Gadon; Harper & Row, Sun Francisco, 1989.


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