WASHINGTON. NATIONAL GALLERY OF ART. Impressionist and Post-Impressionist Paintings from the U.S.S.R. Lent by the Hermitage Museum, Leningrad; the Pushkin Museum, Moscow. Catalogue by John Richardson, Alice Jackson Meyers, Michael Percival and Fran S. Weitzenhoffer. 120pp. 41 color plates. 4to. Wraps.
Washington, 1973.
1204 WASHINGTON. NATIONAL GALLERY OF ART. Impressionist to Early Modern Paintings from the U.S.S.R. Works from The Hermitage Museum, Leningrad, and The Pushkin Museum of Fine Arts, Moscow. Introduction by A.G. Kostenevich and M. Bessonova. 127, (1)pp. 40 color plates. Lrg. 4to. Boards.
Los Angeles (Occidental Petroleum Corporation and The Armand Hammer Foundation.), 1986.
1205 WASHINGTON. NATIONAL GALLERY OF ART. The Impressionists at Argenteuil. [By] Paul Hayes Tucker. May-Aug. 2000. 179pp. Prof. illus. Lrg. 4to. Cloth. D.j.
Washington, 2000.
1206 WASHINGTON. NATIONAL GALLERY OF ART. The John Hay Whitney Collection. [By] John Rewald. May-Sept. 1983. 176pp. 73 plates. Lrg. 4to. Wraps.
Washington, 1983.
1207 WASHINGTON. NATIONAL GALLERY OF ART. Masterworks from Munich: Sixteenth- to Eighteenth-Century Paintings from the Alte Pinakothek. [By] Beverly Louise Brown and Arthur K. Wheelock, Jr. May-Sept. 1988. 229pp. Prof. illus. 4to. Wraps.
Washington, 1988.
Marmor/Ross M154
1208 WASHINGTON. NATIONAL GALLERY OF ART. The Passionate Eye. Impressionist and other master paintings from the collection of Emil G. Bührle, Zurich. May-July 1990. Texts by H. Anda-Bührle, M. Hahnloser-Ingold, C. Bührle. 224pp. 85 plates, numerous text and reference illus. 4to. Wraps.
Washington, 1990.
1209 WASHINGTON. NATIONAL GALLERY OF ART. Picturing France, 1830-1900. 155pp. Prof. illus. Lrg. 4to. Wraps.
Washington, 2006.
1210 WASHINGTON. NATIONAL GALLERY OF ART. Sweden: A Royal Treasury 1550-1700. Michael Conforti and Guy Walton, editors. April-Sept. 1988. 194pp. 66 color plates, 20 text illus. 4to. Wraps.
Washington, 1988.
1211 WASHINGTON. NATIONAL GALLERY OF ART. The Victorians: British Painting 1837-1901. By Malcom Warner. With contributions by Anne Helmrich and Charles Brock. Feb.-May 1997. 255, (1)pp. Prof. illus. (67 color). Lrg. 4to. Cloth. D.j.
Washington/New York (Harry N. Abrams), 1997.
1212 WASHINGTON. NATIONAL GALLERY OF ART & SAN FRANCISCO. M.H. DE YOUNG MEMORIAL MUSEUM. The New Painting: Impressionism, 1874-1886. Directed and coordinated by Charles S. Moffett with the assistance of Ruth Berson and Barbara Lee Williams, Fronia E. Wissman. Jan.-April/ April-July 1986. 507, (3)pp. 204 illus. (142 color). Lrg. 4to. Wraps.
Washington, 1986.
Marmor/Ross M215
1213 WASHINGTON. THE PHILLIPS COLLECTION. Impressionists on the Seine: A Celebration of Renoir’s Luncheon of the Boating Party. [By] Eliza E. Rathbone, Katherine Rothkopf, Richard R. Brettell, Charles S. Moffett. Sept. 1996-Feb. 1997. 264pp. 60 color plates, 99 figs., text illus. 4to. Wraps.
Washington, D.C. (Counterpoint), 1996.
1214 WASHINGTON. SMITHSONIAN INSTITUTION TRAVELING EXHIBITION SERVICE. Renaissance Master Bronzes from the Collection of the Kunsthistorisches Museum Vienna. [By] Manfred Leithe-Jasper. 304pp. Prof. illus. 4to. Wraps.
Washington, 1986.
Marmor/Ross K140
1215 WATERHOUSE, ELLIS. Italian Baroque Painting. 237pp., 2 color plates. 198 illus. 4to. Cloth. D.j.
London (Phaidon), 1962.
Arntzen/Rainwater M372; Lucas p. 84
1216 WATERHOUSE, ELLIS K. Painting in Britain 1530 to 1790. Second edition. (The Pelican History of Art.) xv, (1), 275pp., 192 plates. 4to. Cloth. D.j.
Harmondsworth (Penguin Books), 1962.
Arntzen/Rainwater I18; Chamberlin 452; Lucas p. 81
1217 WATERHOUSE, ELLIS. Roman Baroque Painting. A list of the principal painters and their works in and around Rome. With an introductory essay. viii, 163pp. 81 illus. hors texte. 4to. Cloth. D.j.
Oxford (Phaidon), 1976.
1218 WATSON, J.R. Picturesque Landscape and English Romantic Poetry. 210pp., 8 plates. Cloth. D.j.
London (Hutchinson Educational), 1970.
1219 WAYNE, KENNETH. Impressions of the Riviera: Monet, Renoir, Matisse and Their Contemporaries. With essays by John House, Kenneth E. Silver. 79, (1)pp. 94 illus. 4to. Wraps. Published in conjunction with an exhibition at the Portland Museum of Art, Portland, Maine, June-Oct. 1998. With a postcard from the author inserted.
Portland, Maine (Portland Museum of Art), 1998.
1220 WECHSLER, JUDITH. A Human Comedy. Physiognomy and caricature in 19th century Paris. Foreword by Richard Sennett. 208pp. 161 illus. 4to. Boards. D.j.
Chicago (University of Chicago), 1982.
1221 WEISBERG, GABRIEL P. Art Nouveau Bing. Paris Style 1900. 295pp. 344 illus. (83 color plates). 4to. Wraps. Published on the occasion of an exhibition organized by the Smithsonian Institution Traveling Exhibition Service, Sept. 1986-Sept. 1987.
New York (Harry N. Abrams), 1986.
1222 WEISS, ROBERTO. The Renaissance Discovery of Classical Antiquity. xii, 222pp., 16 plates. Lrg. 8vo. Cloth. D.j.
Oxford (Basil Blackwell), 1973.
1223 WEITZENHOFFER, FRANCES. The Havemeyers. Impressionism comes to America. 288pp. 268 illus. (168 hors texte, of which 64 color plates). 4to. Cloth. D.j.
New York (Harry N. Abrams), 1986.
1224 WENLEY, ROBERT. French Bronzes in the Wallace Collection. 112pp. Prof. illus. 4to. Wraps.
London (The Wallace Collection), 2002.
1225 WHARTON, ANNABEL JANE. Art of Empire. Painting and architecture of the Byzantine periphery. A comparative study of four provinces. xvi, 198pp. Prof. illus. 4to. Cloth. D.j.
University Park/London (The Pennsylvania State University Press), 1988.
Marmor/Ross I182
1226 WHINNEY, MARGARET. English Sculpture 1720-1830. (Victoria and Albert Museum: Museum Monographs. 17.) 160pp. 52 plates, 7 text figs. 4to. Wraps.
London (Her Majesty’s Stationery Office), 1971.
1227 WHINNEY, MARGARET. Sculpture in Britain, 1530-1830. (The Pelican History of Art. Z23.) 314pp. 192 plates. 4to. Cloth. D.j.
Harmondsworth (Penguin Books), 1964.
1228 WHITE, BARBARA EHRLICH. Impressionists Side by Side: Their Friendships, Rivalries, and Artistic Exchanges. x, 292, (2)pp. 284 illus. (186 color). Lrg. 4to. Cloth. D.j.
New York (Alfred A. Knopf), 1996.
1229 WHITE, GLEESON. English Illustration. ‘The Sixties’: 1855-70. xix, (1), 203pp., 131 plates. Stout 4to. Orig. dec. cloth (worn). Spine defective.
London (Archibald Constable and Co.), 1903.
1230 WHITE, JOHN. Art and Architecture in Italy, 1250-1400. (The Pelican History of Art.) xxvi, 449pp., 192 plates. 32 text illus. 4to. Cloth. D.j. Slipcase.
Baltimore (Penguin Books), 1966.
Arntzen/Rainwater I18 & I358; Chamberlin 452; Lucas p. 42
1231 WHITLEY, WILLIAM T. Artists and Their Friends in England 1700-1799. 2 vols. xvii, 401pp., 17 plates; ix, 419pp., 7 plates. 4to. Cloth. Reprint of the 1928 edition.
New York/London (Benjamin Blom), 1968.
1232 WIEBENSON, DORA. Sources of Greek Revival Architecture. (Studies in Architecture.) xvi, 136pp., 59 plates. 4to. Cloth. D.j.
London (A. Zwemmer), 1969.
Arntzen/Rainwater J141 & R51
1233 WIEN. KUNSTFORUM DER BANK AUSTRIA. Barock in Neapel: Kunst zur Zeit der österreichischen Vizekönige. Dec. 1993-Feb. 1994. 380pp. Prof. illus. Lrg. sq. 4to. Wraps. D.j.
Napoli (Electa), 1993.
1234 WILLIAMS, IOLO ANEURIN. Early English Watercolours. And some cognate drawings by artists born not later than 1785. With an introduction to the reprint by Edward Croft-Murray and Malcolm Cormack. xxii, 266pp., 160 plates. Color frontis. Folio. Cloth. D.j. Reprint of the 1952 edition.
Bath (Kingsmead Reprints), 1970.
Arntzen/Rainwater M288
1235 WILMINGTON. DELAWARE ART MUSEUM. France Views America, 1765-1815. An exhibition to commemorate the bicentenary of French assistance in the American War of Independence. [By] Betty-Bright P. Low. 78, (2)pp. Text illus. 4to. Cloth.
Wilmington, 1978.
1236 WILMINGTON, DELAWARE. THE HAGLEY MUSEUM. Technological Innovation and the Decorative Arts. March-Dec. 1973. 80pp. Prof. illus. Sm. sq. 4to. Wraps.
Wilmington, 1973.
1237 WILSON, MICHAEL. Eighteenth-Century French Painting. 16pp., 48 color plates. Lrg. 4to. Cloth. D.j.
London (Phaidon), 1979.
1238 WILSON-SMITH, TIMOTHY. Napoleon and His Artists. xxx, 306pp. Prof. illus. 4to. Wraps.
London (Constable), 1996.
1239 WILTON, ANDREW. British Watercolors, 1750 to 1850. 208pp. 170 plates (58 color). Lrg. 4to. Cloth. D.j.
Oxford (Phaidon), 1977.
1240 WILTON, ANDREW. The Swagger Portrait. Grand manner portraiture in Britain from Van Dyck to Augustus John, 1630-1930. 239pp. 79 color plates, 26 figs., catalogue illus. Lrg. 4to. Cloth. D.j. Published in conjunction with an exhibition at the Tate Gallery, London, Oct. 1992-Jan. 1993.
London (Tate Gallery), 1992.
1241 WILTON, ANDREW & LYLES, ANNE. The Great Age of British Watercolours, 1750-1880. 339pp. 326 color illus., 54 figs. Lrg. 4to. Wraps. Published in conjunction with exhibitions at the Royal Academy of Arts, Jan.-April 1993, and the National Gallery of Art, Washington, D.C., May-July 1993.
München (Prestel), 1993.
1242 WINCHESTER, ALICE (EDITOR). Living With Antiques. Foreword by Joseph Downs. 152, (2)pp. 226 illus. Sm. folio. Cloth.
New York (Robert M. McBride and Company), 1941.
1243 WINCKELMANN, JOHANN. Kunsttheoretische Schriften. I: Gedanken über die Nachahmung der griechischen Werke in der Malerei und Bildhauerkunst. Mit Sendschreiben und Erläuterung. (Studien zur deutschen Kunstgeschichte. 330.) (6), xvi, (6), 127, (13)pp. Sm. 4to. Wraps.
Baden-Baden/Strasbourg (Heitz), 1962.
Arntzen/Rainwater R63; Chamberlin 2477
1244 WINTERTHUR. STIFTUNG OSKAR REINHART. Stiftung Oskar Reinhart, Winterthur. (Kataloge Schweizer Museen und Sammlungen. 3.) 3 vols. Band 1: Schweizer Maler des 18. und 19. Jahrhunderts. [Von] Franz Zelger. 2. verbesserte Auflage. 399, (1)pp. 188 illus. (many color). 5 figs. Band 2: Deutsche und österreichische Maler des 19. Jahrhunderts. [Von] Peter Vignau-Wilberg. 2. verbesserte Auflage. 405, (3)pp. 164 illus. (many color). Band 3: Schweizer Maler und Bildhauer seit Ferdinand Hodler. [Von] Matthias Wohlgemuth, Franz Zelger unter Mitarbeit von Christine Göttler. 399pp. 161 plates. 4to. Boards.
Zürich (Orell Füssli Verlag), 1981-1984.
1245 WITTKOWER, RUDOLF. Architectural Principles in the Age of Humanism. Third edition, completely revised. xii, 173, (3)pp., 48 plates. Text illus. Cloth. D.j.
London (Alec Tiranti), 1962.
Arntzen/Rainwater J248; Lucas p. 59
1246 WITTKOWER, RUDOLF. Art and Architecture in Italy 1600-1750. Second revised edition. (The Pelican History of Art.) xxiv, 462pp., 192 plates. 4to. Cloth. D.j. Slipcase.
Baltimore (Penguin Books), 1965.
Arntzen/Rainwater I359; Chamberlin 452 (citing 1958 edition); Lucas p. 42
1247 WITTKOWER, RUDOLF. Gothic versus Classic. Architectural projects in seventeenth century Italy. 191pp. 159 illus. 4to. Cloth. D.j.
London (Thames and Hudson), 1974.
1248 WITTKOWER, RUDOLF & JAFFE, IRMA B. (EDITORS). Baroque Art: The Jesuit Contribution. xvi, 139, (1)pp., 64 plates. Text figs. Lrg. 4to. Cloth. D.j. Texts by J.S. Ackerman, P. Bjurström, T. Culley, F. Haskell, H. Hibbard, I.B. Jaffe, R. Taylor, R. Wittkower.
New York (Fordham University Press), 1972.
1249 WÖLFFLIN, HEINRICH. Classic Art. An introduction to the Italian Renaissance. Translated by Peter and Linda Murray. xviii, 296pp., 10 color plates. 190 illus. 4to. Cloth. D.j.
London (Phaidon), 1961.
Arntzen/Rainwater I360; Chamberlin 628; Lucas p. 24
1250 WOLFTHAL, DIANE. The Beginnings of Netherlandish Canvas Painting: 1400-1530. xiv, 252pp. 161 illus. 4to. Cloth. D.j.
Cambridge (Cambridge University Press), 1989.
1251 WOOD, CHRISTOPHER. The Dictionary of Victorian Painters. xv, (1), 435pp. Prof. illus. 4to. Cloth. D.j.
Woodbridge (Antique Collectors’ Club), 1971.
Arntzen/Rainwater M289
1252 WOODBRIDGE, KENNETH. The Stourhead Landscape, Wiltshire. 72pp. Prof. illus. 4to. Wraps. Loosely inserted: Stourhead List of Pictures. 23pp. [London] (The National Trust), 2001.
[London] (The National Trust), 2002.
1253 WORDSWORTH, JONATHAN, ET AL. William Wordsworth and the Age of English Romanticism. [By] Jonathan Wordsworth, Michael C. Jaye, Robert Woof with the assistance of Peter Funnell. Foreword by M.H. Abrams. xi, (5), 261pp. 185 illus. Lrg. 4to. Wraps. Published in conjunction with an exhibition at The New York Public Library, Oct. 1987-Jan. 1988.
New Brunswick/London (Rutgers University Press), 1987.
1254 WRIGHT, CHRISTOPHER. The Art of the Forger. 160pp. Prof. illus. Sm. 4to. Cloth. D.j.
London (Gordon Fraser), 1984.
1255 WRIGHT, CHRISTOPHER. The Masters of Candlelight. An anthology of great masters including Georges de La Tour, Godfried Schalcken, Joseph Wright of Derby. 136pp. 75 color plates. Lrg. 4to. Cloth. D.j.
Landshut/Ergolding (Arcos Verlag), 1995.
1256 WRIGHT, GWENDOLYN (EDITOR). The Formation of National Collections of Art and Archaeology. Preface by Henry A. Millon. (Studies in the History of Art. 47./ Center for Advanced Study in the Visual Arts: Symposium Papers. XXVII.) 176pp. Prof. illus. Lrg. 4to. Cloth. D.j. Texts by Philip Fisher, Andrew McClellan, Per Bjurström, Thomas W. Gaehtgens, Françoise Forster-Hahn, Carol Duncan, Alan Wallach, Gwendolyn Wright, Anne E. Coombes, Roger G. Kennedy, and Donald Preziosi.
Washington (National Gallery of Art), 1966.
1257 WRIGLEY, RICHARD. The Origins of French Art Criticism from the Ancien Régime to the Restoration. xiii, (1), 427, (1)pp., 13 plates. 8 figs. Sm. 4to. Wraps.
Oxford (Clarendon Press), 1995.
Marmor/Ross G95
1258 ZANTOP, SUSANNE (EDITOR). Paintings on the Move: Heinrich Heine and the Visual Arts. x, 194, (2)pp., 20 plates. Sm. 4to. Cloth. D.j.
Lincoln/London (University of Nebraska Press), 1989.
1259 ZMIJEWSKA, HÉLÈNE. La critique des salons en France avant Diderot. (Gazette des Beaux-Arts. 112e année, 6e période, tome 76.) 144, 27pp. 30 illus. Lrg. 4to. Wraps.
Paris (Gazette des Beaux-Arts), 1970.
1260 ZWOLLO, AN. Hollandse en vlaamse veduteschilders te Rome, 1675-1725. 245pp. 259 illus. Lrg. 4to. Cloth. D.j. English-language summary.
Assen (Van Gorcum & Comp), 1973.
Share with your friends: |