Poe's Stories brief biography of edgar allan poe



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Edgar-Allen-Poe-Short-Stories-Unlocked
Short Story By Flannery OConnor
The narrator’s chilling laugh, his inability to act until he sees the eye
open and his pleasant tone with the old man each morning,
combine to make an impression of the narrator as a madman.
For an hour, the narrator of "Tell-Tale Heart" keeps very still and can sense the old man is awake, listening for intruders. The narrator says he knows what this is like. And then the old man lets out a groan, and the narrator recognizes this too, as a sound that comes straight from the soul. The narrator sympathizes but still feels like chuckling. He imagines what the man has been going through since he awoke, trying to explain away the noise and comfort himself but in vain because he feels that Death is in the room.
The strange thing about this rivalry between the narrator and the
old man is that it is not really hateful. The narrator seems to have a
lot of sympathy for the old man. In fact he knows exactly how
scared the old man is, having felt the same mortal terror before. But
the narrator’s sympathy is perverted by his strange hatred of the old
man's eye.
After awhile, without any change to the old man’s obvious alertness, the narrator of "Tell-Tale Heart" opens the shutter a tiny bit and emits a ray upon the man, and sees that the eye is open The narrator's old fury is stirred at the sight. The narrator reminds us about his quick senses, and begins to hear a dull speedy ticking, which he knows to be the sound of old man’s frightened heart. The narrator keeps still but the heartbeats faster and louder. A terrible anxiety seizes the narrator.
The heart’s sound increases by the second, until the narrator cannot stand it any longer and rushes into the room with the lantern and pulls the old man onto the floor and kills him by dropping his own bed onto him.
The narrator describes the sight of the eye and sound of the heart as
if he is really seeing them, and ascribes the violence of his reactions
to his naturally sensitive senses. But Poe engineers the scene so that
we suspect that the narrator’s disturbed mind is inventing these
terrors and acting self-destructively. The sound of the old man’s
heart could well be the sound of his own heart, getting louder the
more anxious the narrator becomes.
As the power of the heart and the eye cease, the narrator of "Tell-Tale Hearts calm patience return and he says that if there was any doubt that he is sane, his careful disposing of the body will prove it. He works quickly and quietly through the night, dismembering the body and taking up the planks and hiding everything below the room, so that there is no trace whatsoever of the old man.
Each time the narrator has tried to prove his sanity, he has found
himself undermining it with confessions of mad behavior. He doesn’t
seem to realize that being rational and calm in his murder technique
is actually more disturbing than his moments of anxiety.
When the narrator of "Tell-Tale Heart" is finished, it is four o’clock, and he hears the chime of the clock but also a knock at the door. It is the police, who have been alerted to a worrying sound from the address and want to search the property. The narrator smiles, at ease. He explains that the shriek was his own from a bad dream, and leads them around the house and to the old man’s bedroom without nerves, and even places some chairs in the man’s room for the police to rest. He places his own chair directly over the remains.
Poe keeps up the suspense with the coincidence of the police’s call
and the chime of the clock. The reminder of the passing of time is
nerve-wracking but even more unsettling is the narrator’s apparent
calmness. Again, he seems to take his calmness as a sign of his
sanity, when in fact it seems to the reader like a signal of his total
madness.
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Page 42

The calm manner ofthe narrator of "Tell-Tale Heart" puts the policemen at ease, and they sit and talk, and the narrator talks animatedly at first, but becomes pale and nervous as time drags on. He starts hearing things, a ringing in his head, and he chatters more to try to cover it up but as he talks he realizes that the sound is not coming from his head and is in fact inside the room, it is that familiar ticking, that beating, of the old man’s heart.

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