Samuel Johnson
Life has no pleasure higher or nobler than that of friendship. It is painful to consider that this sublime enjoyment may be impaired or destroyed by innumerable causes, and that there is no human possession of which the duration is less certain.
Many have talked in very exalted language, of the perpetuity of friendship, of invincible constancy, and unalienable kindness; and some examples have been seen of men who have continued faithful to their earliest choice, and whose affection has predominated over changes of fortune, and contrariety of opinion.
But these instances are memorable, because they are rare. The friendship which is to be practiced or expected by common mortals, must take its rise from mutual pleasure, and must end when the power ceases of delighting each other.
Many accidents therefore may happen by which the ardor of kindness will be abated, without criminal baseness or contemptible inconstancy on either part. To give pleasure is not always in our power; and little does he know himself who believes that he can be always able to receive it.
Those who would gladly pass their days together may be separated by the different course of their affairs; and friendship, like love, is destroyed by long absence, though it may be increased by short intermissions. What we have missed long enough to want it, we value more when it is regained; but that which has been lost till it is forgotten, will be found at last with little gladness, and with still less if a substitute has supplied the place. A man deprived of the companion to whom he used to open his bosom, and with whom he shared the hours of leisure and merriment, feels the day at first hanging heavy on him; his difficulties oppress, and his doubts distract him; he sees time come and go without his wonted gratification, and all is sadness within, and solitude about him. But this uneasiness never lasts long; necessity produces expedients, new amusements are discovered, and new conversation is admitted.
No expectation is more frequently disappointed, than that which naturally arises in the mind from the prospect of meeting an old friend after long separation. We expect the attraction to be revived, and the coalition to be renewed; no man considers how much alteration time has made in himself, and very few inquire what effect it has had upon others. The first hour convinces them that the pleasure which they have formerly enjoyed, is forever at an end; different scenes have made different impressions; the opinions of both are changed; and that similitude of manners and sentiment is lost which confirmed them both in the approbation of themselves.
Friendship is often destroyed by opposition of interest, not only by the ponderous and visible interest which the desire of wealth and greatness forms and maintains, but by a thousand secret and slight competitions, scarcely known to the mind upon which they operate. There is scarcely any man without some favorite trifle which he values above greater attainments, some desire of petty praise which he cannot patiently suffer to be frustrated. This minute ambition is sometimes crossed before it is known, and sometimes defeated by wanton petulance; but such attacks are seldom made without the loss of friendship; for whoever has once found the vulnerable part will always be feared, and the resentment will burn on in secret, of which shame hinders the discovery.
This, however, is a slow malignity, which a wise man will obviate as inconsistent with quiet, and a good man will repress as contrary to virtue; but human happiness is sometimes violated by some more sudden strokes.
A dispute begun in jest upon a subject which a moment before was on both parts regarded with careless indifference, is continued by the desire of conquest, till vanity kindles into rage, and opposition rankles into enmity. Against this hasty mischief, I know not what security can be obtained; men will be sometimes surprised into quarrels; and though they might both haste into reconciliation, as soon as their tumult had subsided, yet two minds will seldom be found together, which can at once subdue their discontent, or immediately enjoy the sweets of peace without remembering the wounds of the conflict.
Friendship has other enemies. Suspicion is always hardening the cautious, and disgust repelling the delicate. Very slender differences will sometimes part those whom long reciprocation of civility or beneficence has united. Lonelove and Ranger retired into the country to enjoy the company of each other, and returned in six weeks, cold and petulant; Ranger's pleasure was to walk in the fields, and Lonelove's to sit in a bower; each had complied with the other in his turn, and each was angry that compliance had been exacted.
The most fatal disease of friendship is gradual decay, or dislike hourly increased by causes too slender for complaint, and too numerous for removal. Those who are angry may be reconciled; those who have been injured may receive a recompense: but when the desire of pleasing and willingness to be pleased is silently diminished, the renovation of friendship is hopeless; as, when the vital powers sink into languor, there is no longer any use of the physician.
____________________________________30) A Meditation upon a Broomstick by Jonathan Swift from http://www.ourcivilisation.com/smartboard/shop/swift/brmstck.htm
This single stick, which you now behold ingloriously lying in that neglected corner, I once knew in a flourishing state in a forest. It was full of sap, full of leaves, and full of boughs, but now in vain does the busy art of man pretend to vie with nature by tying that withered bundle of twigs to its sapless trunk. It is now at best but the reverse of what it was: a tree turned upside down, the branches on the earth, and the root in the air. It is now handled by every dirty wench, condemned to do her drudgery, and by a capricious kind of fate destined to make other things clean and be nasty itself. At length, worn to the stumps in the service of the maids, it is either thrown out of doors or condemned to its last use of kindling a fire. When I beheld this, I sighed and said within myself, surely mortal man is a broomstick: nature sent him into the world strong and lusty, in a thriving condition, wearing his own hair on his head, the proper branches of this reasoning vegetable, until the axe of intemperance has lopped off his green boughs and left him a withered trunk; he then flies to art, and puts on a periwig, valuing himself upon an unnatural bundle of hairs, all covered with powder, that never grew on his head. But now should this our broomstick pretend to enter the scene, proud of those birchen spoils it never bore, and all covered with dust, though the sweepings of the finest lady's chamber, we should be apt to ridicule and despise its vanity, partial judges that we are of our own excellencies and other men's defaults.
But a broomstick, perhaps, you will say, is an emblem of a tree standing on its head. And pray, what is man, but a topsy-turvy creature, his animal faculties perpetually mounted on his rational, his head where his heels should be, groveling on the earth? And yet with all his faults, he sets up to be a universal reformer and corrector of abuses, a remover of grievances; rakes into every slut's corner of nature, bringing hidden corruption to the light; and raises a mighty dust where there was none before, sharing deeply all the while in the very same pollutions he pretends to sweep away. His last days are spent in slavery to women, and generally the least deserving, till, worn out to the stumps, like his brother bezom, he is either kicked out of doors, or made use of to kindle flames for others to warm themselves by.
31) “My Wood” E. M. Forster
A few years ago I wrote a book which dealt in part with the difficulties of the English in India. Feeling that they would have had no difficulties in India themselves, the Americans read the book freely. The more they read it the better it made them feel, and a check to the author was the result. I bought a wood with the check. It is not a large wood--it contains scarcely any trees, and it is intersected, blast it, by a public foot-path. Still, it is the first property that I have owned, so it is right that other people should participate in my shame, and should ask themselves, in accents that will vary in horror, this very important question: What is the effect of property upon the character? Don't let's touch economics; the effect of private ownership upon the community as a whole is another question--a more important question, perhaps, but another one. Let's keep to psychology. If you own things, what's their effect on you? What's the effect on me of my wood?
In the first place, it makes me feel heavy. Property does have this effect. Property produces men of weight, and it was a man of weight who failed to get into the Kingdom of Heaven. He was not wicked, that unfortunate millionaire in the parable, he was only stout; he stuck out in front, not to mention behind, and as he wedged himself this way and that in the crystalline entrance and bruised his well-fed flanks, he saw beneath him a comparatively slim camel passing through the eye of a needle and being woven into the robe of God. The Gospels all through couple stoutness and slowness. They point out what is perfectly obvious, yet seldom realized: that if you have a lot of things you cannot move about a lot, that furniture requires dusting, dusters require servants, servants require insurance stamps, and the whole tangle of them makes you think twice before you accept an invitation to dinner or go for a bathe in the Jordan. Sometimes the Gospels proceed further and say with Tolstoy that property is sinful; they approach the difficult ground of asceticism here, where I cannot follow them. But as to the immediate effects of property on people, they just show straightforward logic. It produces men of weight. Men of weight cannot, by definition, move like the lightning from the East unto the West, and the ascent of a fourteen-stone bishop into a pulpit is thus the exact antithesis of the coming of the Son of Man. My wood makes me feel heavy.
In the second place, it makes me feel it ought to be larger.
The other day I heard a twig snap in it. I as annoyed at first, for I thought that someone was blackberrying, and depreciating the value of the undergrowth. On coming nearer, I saw it was not a man who had trodden on the twig and snapped it, but a bird, and I felt pleased. My bird. The bird was not equally pleased. Ignoring the relation between us, it took flight as soon as it saw the shape of my face, and flew straight over the boundary hedge into a field, the property of Mrs. Henessy, where it sat down with a loud squawk. It had become Mrs. Henessy's bird. Something seemed grossly amiss here, something that would not have occurred had the wood been larger. I could not afford to buy Mrs. Henessy out, I dared not murder her, and limitations of this sort beset me on every side. Ahab did not want that vineyard--he only needed it to round off his property, preparatory to plotting a new curve--and all the land around my wood has become necessary to me in order to round off the wood. A boundary protects. But--poor little thing--the boundary ought in its turn to be protected. Noises on the edge of it. Children throw stones. A little more, and then a little more, until we reach the sea. Happy Canute! Happier Alexander! And after all, why should even the world be the limit of possession? A rocket containing a Union Jack, will, it is hoped, be shortly fired at the moon. Mars. Sirius. Beyond which . . . But these immensities ended by saddening me. I could not suppose that my wood was the destined nucleus of universal dominion--it is so small and contains no mineral wealth beyond the blackberries. Nor was I comforted when Mrs. Henessy's bird took alarm for the second time and flew clean away from us all, under the belief that it belonged to itself.
In the third place, property makes its owner feel that he ought to do something to it. Yet he isn't sure what. A restlessness comes over him, a vague sense that he has a personality to express--the same sense which, without any vagueness, leads the artist to an act of creation. Sometimes I think I will cut down such trees as remain in the wood, at other times I want to fill up the gaps between them with new trees. Both impulses are pretentious and empty. They are not honest movements towards moneymaking or beauty. They spring from a foolish desire to express myself and from an inability to enjoy what I have got. Creation, property, enjoyment form a sinister trinity in the human mind. Creation and enjoyment are both very, very good, yet they are often unattainable without a material basis, and at such moments property pushes itself in as a substitute, saying, "Accept me instead--I'm good enough for all three." It is not enough. It is, as Shakespeare said of lust, "The expense of spirit in a waste of shame": it is "Before, a joy proposed; behind, a dream." Yet we don't know how to shun it. It is forced on us by our economic system as the alternative to starvation. It is also forced on us by an internal defect in the soul, by the feeling that in property may lie the germs of self-development and of exquisite or heroic deeds. Our life on earth is, and ought to be, material and carnal. But we have not yet learned to manage our materialism and carnality properly; they are still entangled with the desire for ownership, where (in the words of Dante "Possession is one with loss."
And this brings us to our fourth and final point: the blackberries.
Blackberries are not plentiful in this meager grove, but they are easily seen from the public footpath which traverses it, and all too easily gathered. Foxgloves, too--people will pull up the foxgloves, and ladies of an educational tendency even grub for toadstools to show them on the Monday in class. Other ladies, less educated, roll down the bracken in the arms of their gentlemen friends. There is paper, there are tins. Pray, does my wood belong to me or doesn't it? And, if it does, should I not own it best by allowing no one else to walk there? There is a wood near Lyme Regis, also cursed by a public footpath, where the owner has not hesitated on this point. He has built high stone walls each side of the path, and has spanned it by bridges, so that the public circulate like termites while he gorges on the blackberries unseen. He really does own his wood, this able chap. Dives in Hell did pretty well, but the gulf dividing him from Lazarus shall come to this in time. I shall wall in and fence out until I really taste the sweets of property. Enormously stout, endlessly avaricious, pseudo-creative, intensely selfish, I shall weave upon my forehead the quadruple crown of possession until those nasty Bolshies come and take it off again and thrust me aside into the outer darkness. (1926)
First published in 1926, E.M. Forster's "My Wood" appears in the collection Abinger Harvest (1936, reprinted in 1996 by Andre Deutsch Ltd.).
____________________________________32) “On the Feeling of Immortality in Youth” William Hazlitt
No young man believes he shall ever die. It was a saying of my brother's, and a fine one. There is a feeling of Eternity in youth which makes us amends for every thing. To be young is to be as one of the Immortals. One half of time indeed is spent--the other half remains in store for us with all its countless treasures, for there is no line drawn and we see no limit to our hopes and wishes. We make the coming age our own--
"The vast, the unbounded prospect lies before us."
Death, old age, are words without a meaning, a dream, a fiction, with which we have nothing to do. Others may have undergone, or may still undergo them--we "bear a charmed life," which laughs to scorn all such idle fancies. As, in setting out on a delightful journey, we strain our eager sight forward,
"Bidding the lovely scenes at distance hail,"
and see no end to prospect after prospect, new objects presenting themselves as we advance, so in the outset of life we see no end to our desires nor to the opportunities of gratifying them. We have as yet found no obstacle, no disposition to flag, and it seems that we can go on so for ever. We look round in a new world, full of life and motion, and ceaseless progress, and feel in ourselves all the vigor and spirit to keep pace with it, and do not foresee from any present signs how we shall be left behind in the race, decline into old age, and drop into the grave. It is the simplicity and, as it were, abstractedness of our feelings in youth that (so to speak) identifies us with nature and (our experience being weak and our passions strong) makes us fancy ourselves immortal like it. Our short-lived connection with being, we fondly flatter ourselves, is an indissoluble and lasting union--a honey-moon that knows neither coldness, jar, nor separation. As infants smile and sleep, we are rocked in the cradle of our desires, and hushed into fancied security by the roar of the universe around us--we quaff the cup of life with eager thirst without draining it, and joy and hope seem ever mantling to the brim--objects press around us, filling the mind with their magnitude and with the throng of desires that wait upon them, so that there is no room for the thoughts of death. We are too much dazzled by the gorgeousness and novelty of the bright waking dream about us to discern the dim shadow lingering for us in the distance. Nor would the hold that life has taken of us permit us to detach our thoughts that way, even if we could. We are too much absorbed in present objects and pursuits. While the spirit of youth remains unimpaired, ere "the wine of life is drunk," we are like people intoxicated or in a fever, who are hurried away by the violence of their own sensations: it is only as present objects begin to pall upon the sense, as we have been disappointed in our favorite pursuits, cut off from our closest ties, that we by degrees become weaned from the world, that passion loosens its hold upon futurity, and that we begin to contemplate as in a glass darkly the possibility of parting with it for good. Till then, the example of others has no effect upon us. Casualties we avoid; the slow approaches of age we play at hide and seek with. Like the foolish fat scullion in Sterne, who hears that Master Bobby is dead, our only reflection is, "So am not I!" The idea of death, instead of staggering our confidence, only seems to strengthen and enhance our sense of the possession and our enjoyment of life. Others may fall around us like leaves, or be mowed down by the scythe of Time like grass: these are but metaphors to the unreflecting buoyant ears and overweening presumption of youth. It is not till we see the flowers of Love, Hope, and Joy withering around us, that we give up the flattering delusions that before led us on, and that the emptiness and dreariness of the prospect before us reconciles us hypothetically to the silence of the grave.
Life is indeed a strange gift, and its privileges are most mysterious. No wonder when it is first granted to us, that our gratitude, our admiration, and our delight should prevent us from reflecting on our own nothingness, or from thinking it will ever be recalled. Our first and strongest impressions are borrowed from the mighty scene that is opened to us, and we unconsciously transfer its durability as well as its splendor to ourselves. So newly found, we cannot think of parting with it yet, or at least put off that consideration sine die. Like a rustic at a fair, we are full of amazement and rapture, and have no thought of going home, or that it will soon be night. We know our existence only by ourselves, and confound our knowledge with the objects of it. We and Nature are therefore one. Otherwise the illusion, the "feast of reason and the flow of soul," to which we are invited, is a mockery and a cruel insult. We do not go from a play till the last act is ended, and the lights are about to be extinguished. But the fairy face of nature still shines on: shall we be called away before the curtain falls, or ere we have scarce had a glimpse of what is going on? Like children, our step-mother Nature holds us up to see the raree-show of the universe, and then, as if we were a burden to her to support, lets us fall down again. Yet what brave sublunary things does not this pageant present, like a ball or fete of the universe!
To see the golden sun, the azure sky, the outstretched ocean; to walk upon the green earth, and be lord of a thousand creatures; to look down yawning precipices or over distant sunny vales; to see the world spread out under one's feet on a map; to bring the stars near; to view the smallest insects through a microscope; to read history, and consider the revolutions of empire and the successions of generations; to hear the glory of Tyre, of Sidon, of Babylon, and of Susa, and to say all these were before me and are now nothing; to say I exist in such a point of time, and in such a point of space; to be a spectator and a part of its ever moving scene; to witness the change of seasons, of spring and autumn, of winter and summer; to feel hot and cold, pleasure and pain, beauty and deformity, right and wrong; to be sensible to the accidents of nature; to consider the mighty world of eye and ear; to listen to the stock-dove's notes amid the forest deep; to journey over moor and mountain; to hear the midnight sainted choir; to visit lighted halls, or the cathedral's gloom, or sit in crowded theatres and see life itself mocked; to study the works of art and refine the sense of beauty to agony; to worship fame, and to dream of immortality; to look upon the Vatican, and to read Shakespeare; to gather up the wisdom of the ancients, and to pry into the future; to listen to the trump of war, the shout of victory; to question history as to the movements of the human heart; to seek for truth; to plead the cause of humanity; to overlook the world as if time and nature poured their treasures at our feet--to be and to do all this and then in a moment to be nothing--to have it all snatched from us as by a juggler's trick, or a phantasmagoria! There is something in this transition from all to nothing that shocks us and damps the enthusiasm of youth new flushed with hope and pleasure, and we cast the comfortless thought as far from us as we can. In the first enjoyment of the estate of life we discard the fear of debts and duns, and never think of that final payment of our great debt to nature. Art we know is long; life, we flatter ourselves, should be so too. We see no end of the difficulties and delays we have to encounter: perfection is slow of attainment, and we must have time to accomplish it in. The fame of the great names we look up to is immortal; and shall not we who contemplate it imbibe a portion of the ethereal fire, the divina particula aura, which nothing can extinguish? A wrinkle in Rembrandt or in nature takes whole days to resolve itself into its component parts, its softenings and its sharpnesses; we refine upon our perfections, and unfold the intricacies of nature. What a prospect for the future! What a task have we not begun! And shall we be arrested in the middle of it? We do not count our time thus employed lost, or our pains thrown away; we do not flag or grow tired, but gain new vigor at our endless task. Shall Time, then, grudge us to finish what we have begun, and have formed a compact with Nature to do? Why not fill up the blank that is left us in this manner? I have looked for hours at a Rembrandt without being conscious of the flight of time, but with ever new wonder and delight, have thought that not only my own but another existence I could pass in the same manner. This rarefied, refined existence seemed to have no end, nor stint, no principle of decay in it. The print would remain long after I who looked on it had become the prey of worms. The thing seems in itself out of all reason: health, strength, appetite are opposed to the idea of death, and we are not ready to credit it till we have found our illusions vanished, and our hopes grown cold. Objects in youth, from novelty, etc., are stamped upon the brain with such force and integrity that one thinks nothing can remove or obliterate them. They are riveted there, and appear to us as an element of our nature. It must be a mere violence that destroys them, not a natural decay. In the very strength of this persuasion we seem to enjoy an age by anticipation. We melt down years into a single moment of intense sympathy, and by anticipating the fruits defy the ravages of time. If, then, a single moment of our lives is worth years, shall we set any limits to its total value and extent? Again, does it not happen that so secure do we think ourselves of an indefinite period of existence, that at times, when left to ourselves, and impatient of novelty, we feel annoyed at what seems to us the slow and creeping progress of time, and argue that if it always moves at this tedious snail's pace it will never come to an end? How ready are we to sacrifice any space of time which separates us from a favorite object, little thinking that before long we shall find it move too fast.
For my part I started in life with the French Revolution, and I have lived, alas! to see the end of it. But I did not foresee this result. My sun arose with the first dawn of liberty, and I did not think how soon both must set. The new impulse to ardor given to men's minds imparted a congenial warmth and glow to mine; we were strong to run a race together, and I little dreamed that long before mine was set, the sun of liberty would turn to blood, or set once more in the night of despotism. Since then, I confess, I have no longer felt myself young, for with that my hopes fell.
I have since turned my thoughts to gathering up some of the fragments of my early recollections, and putting them into a form to which I might occasionally revert. The future was barred to my progress, and I turned for consolation and encouragement to the past. It is thus that while we find our personal and substantial identity vanishing for us, we strive to gain a reflected and vicarious one in our thoughts: we do not like to perish wholly, and wish to bequeath our names, at least, to posterity. As long as we can make our cherished thoughts and nearest interests live in the minds of others, we do not appear to have retired altogether from the stage. We still occupy the breasts of others, and exert an influence on power over them, and it is only our bodies that are reduced to dust and powder. Our favorite speculations still find encouragement, and we make as great a figure in the eye of the world, or perhaps a greater than in our lifetime. The demands of our self-love are thus satisfied, and these are the most imperious and unremitting. Besides, if by our intellectual superiority we survive ourselves in this world, by our virtues and faith we may attain an interest in another, and a higher state of being, and may thus be recipients at the same time of men and of angels.
"E'en from the tomb of the voice of Nature cries,
E'en in our ashes live their wonted fires."
As we grow old, our sense of the value of time becomes vivid. Nothing else, indeed, seems of any consequence. We can never cease wondering that that which has ever been should cease to be. We find many things remain the same: why then should there be change in us? This adds a convulsive grasp of whatever is, a sense of fallacious hollowness in all we see. Instead of the full, pulpy feeling of youth tasting existence and every object in it, all is flat and vapid,--a whited sepulchre, fair without but full of ravening and uncleanness within. The world is a witch that puts us off with false shows and appearances. The simplicity of youth, the confiding expectation, the boundless raptures, are gone: we only think of getting out of it as well as we can, and without any great mischance or annoyance. The flush of illusion, even the complacent retrospect of past joys and hopes, is over: if we can slip out of life without indignity, and escape with little bodily infirmity, and frame our minds in the calm and respectable composure of still-life before we return to absolute nothingness, it is as much as we can expect. We do not die wholly at our deaths: we have mouldered away gradually long before. Faculty after faculty, interest after interest, attachment after attachment disappear: we are torn from ourselves while living, year after year sees us no longer the same, and death only consigns the last fragment of what we were to the grave. That we should wear out by slow stages, and dwindle at last into nothing, is not wonderful, when even in our prime our strongest impressions leave little trace but for the moment and we are the creatures of petty circumstance. How little effect is made on us in our best days by the books we have read, the scenes we have witnessed, the sensations we have gone through! Think only of the feelings we experience in reading a fine romance (one of Sir Walter's, for instance); what beauty, what sublimity, what interest, what heart-rending emotions! You would suppose the feelings you then experience would last for ever, or subdue the mind to their own harmony and tone: while we are reading it seems as if nothing could ever put us out of our way, or trouble us:--the first splash of mud that we get on entering the street, the first twopence we are cheated out of, the feeling vanishes clean out of our minds, and we become the prey of petty and annoying circumstance. The mind soars to the lofty: it is at home in the grovelling, the disagreeable and the little. And yet we wonder that age should be feeble and querulous,--that the freshness of youth should fade away. Both worlds, would hardly satisfy the extravagance of our desires and of our presumption.
William Hazlitt's "On The Feeling of Immortality in Youth" was first published in the March 1827 issue of Monthly Magazine. This version of the essay has been reprinted from the first American edition of Literary Remains of the Late William Hazlitt (Saunders and Otley, 1836).
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