Producer/line producer



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CHARLOTTE WHEATON

PRODUCER/LINE PRODUCER

M: 07977 234340

email: charlottewheaton@yahoo.co.uk

62b Weltje Rd, London, W6 9LT
I offer experience as a Producer and Line Producer on documentaries with both small and large budgets, as well as scheduling & cost reporting, sourcing crew, casting, overseeing editorial content and setting up and managing location shoots.
2009 Producer/ Edit Producer – I shouldn’t be Alive: Boys in a Boat and Fear in Freefall

2 x 60’ Drama Doc for Animal Planet & ITV, Darlow Smithson Productions, Dir: James Strong




  • Produced 12 days of Drama in the Philippines for two episodes of I shouldn’t be Alive

  • In Director’s absence ran all editorial pre-production as well as location recce and briefing of location HoD’s

  • Edit Produced Assembly cut of Boys in a Boat


Drama Producer - King Khaled - Portrait of a King
2 x 60' Documentary for Alarabiya – ORTV, Dir. Adam Lively


  • Produced small drama recon shoot in UK re-telling the 1979 Siege of Mecca



Drama Producer – Murder in Beirut
3 x 60' Documentary for Alarabiya – ORTV, Dir: Charlie Smith



  • Responsible for both London and Beirut drama shoots



2008/2009 Line Producer – Blood in the Water


1 x 90’ (full drama) for The Discovery Channel – Brook Lapping Productions, Dir: Richard Bedser

  • Responsible for $1.8m budget

  • Produced 17 day drama shoot at multiple locations in UK including Shepperton and Pinewood Studios and at infinity tank in Malta

  • Responsible for casting of all actors

  • Responsible for production management and liaising with client


Line Producer – Shark Frenzy

1 x 60’ for The Discovery Channel – Brook Lapping Productions, Dir: David Alter




  • Responsible for crewing

  • Responsible for overall budgeting and scheduling

2008 Producer – Banged up abroad: Kuwait


1 x 60’ for National Geographic and five – RAW TV, Dir: John Dower


  • Responsible for scheduling, budget and producing 7 day drama shoot in Tunisia


  1. Line Producer – Forged in Fire – Initial development


10 x 60’ for The Discovery Channel – Brook Lapping Productions, various Directors

  • Budgeting and scheduling for 10 part drama documentary with initial recces in Canada

Line Producer - Ocean of Fear – Re-telling the sinking of USS Indianapolis in 1945


1 x 90’ for The Discovery Channel and Channel 4 - Brook Lapping Productions, Dir: Richard Bedser


  • Produced eight day drama shoot in underwater stage at Pinewood Studios co-ordinating Special effects and stunts

  • Devised five day shoot in Bahamas filming with actors, stuntmen and Caribbean reef sharks

  • Supervised all drama shooting on location

  • Worked alongside Director during development stage devising script and sourcing contributors

  • Responsible for casting of all actors

  • Responsible for production management

2006 Story Producer/Line Producer – True Heroes


20 x 30’ for The Discovery Channel - Darlow Smithson Productions

  • Responsible for finding and developing stories for new series


  • Responsible for pilot programme filming in UK






Line Producer – Alive/I shouldn’t be Alive


1 x 50’ for C4 and The Discovery Channel - Darlow Smithson Productions, Dir: Richard Bond


  • Responsible for scheduling and costing drama and doc shoots in Australia

  • Worked with marine co-ordinator to devise eight day’s drama filming on various boats near Great Barrier Reef


Writer & Director – Lost World’s: Hitler’s Supercity

1 x 50’ for The History Channel (one of a 12 part series) – Atlantic Productions




  • Directed 8 day doc shoot in Berlin and Nuremberg including interviews with the last survivor of Hitler’s bunker

  • Directed 6 week edit


2005 Producer - The Real Spartacus

1 x 50’ for National Geographic (UK TX tbc) – Atlantic Productions, Dir: Dan Oliver/Tom Pollock




  • Set up seven day full drama shoot in Tunisia

  • Supervised all drama shooting on location and assisted Drama Director and First AD

  • Production managed the project, i.e. budgeting and cost reporting – all financial negotiation

  • Managed all elements of post-production

  • First Line of contact with broadcaster and Exec Producers, including meetings in Washington



Producer - Hannibal v Rome/ Hannibal of the Alps

1 x 90’ and 1 x 47’ for National Geographic & five - Atlantic Productions, Dir: Richard Bedser




  • Set up 20 day drama shoot across Tunisia and Slovenia

  • Responsible for casting, crew sourcing and location finding

  • Sourced elephants from Italy to travel to Slovenia for Alps crossing sequences

  • Supervised a crew of 50+ people

  • Production managed the project

  • Sourced all interviewees


2004 Producer - The Lost Fleet of Khubilai Khan

1 x 60’ for The Discovery Channel and five - Atlantic Productions, Dir: Alex Lay




  • Filming in Japan at historical sites, with underwater crew and interviewing historians

  • Sourced one of only five working Chinese junks in the world and had it restored to film onboard reconstructions

  • Supervised all drama filming in Scotland, including casting, location finding and scheduling

  • Production managed the project


Line Producer - Holy Warriors/ Richard the Lionheart and Salah al-Din: Holy Warriors


2 x 60’ and 1 x 90’ for PBS and BBC2 - Atlantic Productions, Dir: Richard Bedser


  • Worked with Director to schedule and shoot 3 week drama shoot in 8 locations across Tunisia

  • Supervised crew of 50+ people

  • Assisted Director with day to day scheduling and scene research

  • Organised filming in Crusader sites across Syria

  • Responsible for finding Christian and Islamic academics and preparing them for interviews

  • Managed all post production


2004 Researcher/Co-ordinator - Nefertiti Resurrected

1 x 90’ and 1 x 47’ for The Discovery Channel and five - Atlantic Productions, Dir: Matthew Wortman


2003 Researcher/Co-ordinator - Who Killed King Tut?

1 x 90’ and 1 x 47’ for The Discovery Channel and five - Atlantic Productions, Dir: Lance Kneeshaw


2002/2003 Researcher/Co-ordinator

1 x 8 hours for The Travel Channel - Atlantic Productions, Dir: Various


2002 Co-ordinator - The Real Miami Vice

6 x 30’ for The Discovery Channel and five - Atlantic Productions, Dir: Wayne Derrick



Co-ordinator - The Real Conquistadors
3 x 60’ for TLC - Atlantic Productions, Dir: Jason Hreno


2001/2002 Co-ordinator - Charlotte Church: Live from The Holy Land/ Charlotte Church Songs of Praise Special

2 x 60’ for PBS and BBC1 - Atlantic Productions, Dir: Kriss Russman
2000 Production Assistant - Norton Lodge
References upon request


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