CONTENTS
CONTENTS 2
SECTION A: EDITORIAL OPPORTUNITY 3
SECTION B: THE COMMISSIONING PROCESS 8
1.TIMETABLE 8
2.THE FIVE STAGES 9
3.ASSESSMENT CRITERIA 11
SECTION C: FULL PROPOSALS 12
1.WHAT WE NEED FROM YOU 12
2.WHAT TO EXPECT FROM US 13
3.IMPORTANT POINTS TO NOTE 16
SECTION D: COMMISSION AWARD 17
1.NOTIFICATION 17
2.KEY CONTRACT TERMS 17
3.DUE DILIGENCE 17
4.MODIFICATIONS 17
5.ACCEPTANCE AND REJECTION OF COMMISSIONING BRIEFS 17
6.COSTS ASSOCIATED WITH OFFERING A PROPOSAL 17
7.PUBLICITY 17
8.USE OF BBC LOGO 17
9.INDUCEMENT 18
10.TRANSITION 18
SECTION E: KEY CONTRACT TERMS 19
1.PRE-CONDITIONS 19
2.FINANCE 19
3.CONTRACT RIGHTS AND REVENUE 19
4.PRODUCTION 19
5.DELIVERABLES 20
6.TERMINATION AND TAKEOVER 20
APPENDIX 1: ELIGIBILITY QUESTIONNAIRE 21
APPENDIX 2: ABOUT THE BBC 25
APPENDIX 3: BBC RADIO VISION / OBJECTIVES 26
APPENDIX 4: EXAMPLE NON DISCLOSURE AGREEMENT 27
1Definitions 27
2Restrictions on Disclosure and Use 28
3FOIA and other Compulsory Disclosure 29
4Notification of Unauthorised Disclosure 30
5Return of Confidential Information 30
6Termination of Obligations 30
7Property in Confidential Information 30
8Non Assignment 30
9Miscellaneous 31
Commissioning Brief 10012, Radio 1 Bundle C: Two Dance DJ Shows
Commission contacts
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Robert Gallacher (Robert.Gallacher@bbc.co.uk) and Louise Kattenhorn (Louise.Kattenhorn@bbc.co.uk)
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Duration
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One year, with options for the BBC to renew for a further year on the same terms after both the first and second years.
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Number of programmes available
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50 episodes per year of each show
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Transmission period
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Exact date to be agreed, but likely to be October/November 2017
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Guide Price per episode
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£875 per episode of each show
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Commissioning Year
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2017/2018
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Commissioning Round
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Radio 1 – Round 3
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Please note:
All Short Proposals and eligibility questionnaires must be submitted via Proteus before the deadline at 12 noon on Tuesday 4th July.
During Stage 1 of the process we will first evaluate the responses given in the Eligibility Questionnaire (see Appendix 1, page 19). The answers to part 4 of the questionnaire should be no longer than 100 words per question. All answers should be entered into the ‘Add/Edit Notes Here’ section in Proteus. Note the questions in this brief may differ from those used in other Radio 1 and 1Xtra commissioning briefs.
The suppliers that perform best in the eligibility stage (by best demonstrating their experience and capability in producing programmes for young audiences) will then have their Short Proposal assessed. This should be no longer than 500 words and cover BOTH of the shows in this brief. It should be entered into the ‘short synopsis’ section of the Proteus submission form.
BBC Radio 1
BBC Radio 1 aims to entertain and engage young listeners with a distinctive mix of contemporary music and speech. Our programmes showcase a wide range of new music styles and support emerging artists, in particular those from the UK; with at least 60 hours a week dedicated to specialist music programming.
News, documentaries and other speech content focusses on areas of relevance to young adults in the UK today and aims to help them make sense of the world around them.
Network Strategy
Radio 1 aims to produce great content which young people will want to listen to, watch and share. The station is at the forefront of BBC Radio’s efforts to reinvent and grow radio; and plays a key role in helping showcase the wider BBC to each new generation.
Our primary focus in 2017/18 is on growing reach and listening hours for our linear radio programming. We employ a team of leading DJs and presenters who are acknowledged leaders in their fields and are passionate about youth culture and new music.
On-air programming is complimented by a wide range of multi-platform visual and social content, designed to appeal to both existing audiences and new ones who happen to stumble across it; ultimately converting this latter group into regular consumers of content across relevant BBC platforms.
Producers who are shortlisted should include any thoughts on how their specific programme proposal can assist in delivering this strategy.
Bundle C: Radio 1’s Dance DJs (Annie Nightingale & Pete Tong)
This commissioning brief relates to the production of two of Radio 1’s late night specialist dance music programmes, both of which feature high-profile and long established presenters.
Annie Nightingale, Wednesday 0100-0400 (simulcast with 1Xtra)
This late-night specialist dance music show is simulcast on Radio 1 & 1Xtra. We want this commission to capitalise on Annie Nightingale’s long-standing reputation as a passionate broadcaster and fan of new music.
Music Policy: Annie has long championed new and up-and-coming DJs, producers and artists; and we want the show to continue to feed the best new tracks through to Radio 1 and 1Xtra’s gateway music shows. The show should be built around Annie’s skills as a curator and we are looking for creative presentation of exciting new music and emerging scenes from around the globe.
Programme Content: The show should exploit Annie’s contacts to secure interviews with influential artists, contextualised for a young audience. We would like to hear ideas for big bold creative music features, which, given the show’s on-air time slot, should work equally well in both a ‘live’ and ‘on-demand’ environment where possible.
We are also looking for thoughts on how to maximise the show’s social fame and generate coverage in relevant blogs and specialist music press.
Where appropriate, we also want the production team to creatively deliver the Network’s wider weekly and monthly editorial messages; and work collaboratively with other suppliers to help cross-promote the full range of our dance output.
Pete Tong, Friday 2200-0100
This show is at the heart of Radio 1’s renowned Friday night specialist dance output. With this commission we want to capitalize on Pete Tong’s reputation as an authority in global dance music and create an essential appointment to listen for the dance music community.
Music Policy: The first hour of the show should feature the biggest new commercial dance tracks from a variety of dance genres including house, techno and drum & bass; before going deeper into the scene later in the programme. The producer should tap into Pete’s experience as a curator when programming the music and we want the show to highlight new tracks and artists with the potential to cross over into daytime, giving sustained support ahead of playlist consideration when appropriate. We are looking for creative approaches which showcase the biggest global dance DJs, artists and producers, both in and out of the mix.
Programme Content: We would like to hear ideas for big bold creative music features, which, given the show’s on-air time slot, should work equally well in both a ‘live’ and ‘on-demand’ environment where possible.
The presenter and show may be required to play a role in Radio 1’s festival coverage, with occasional OBs from key live events in the UK and abroad possible. We will want the producer to recommend appropriate artists and DJs to appear as part of such events.
Where appropriate, we also want the production team to creatively deliver the Network’s wider weekly and monthly editorial messages; and work collaboratively with other suppliers to help cross-promote the full range of our dance output. In particular, Friday nights should feel connected from Annie Mac through to Radio 1’s Essential Mix.
Interactive and Social Media content (both shows): Radio 1’s young audience expect to be able to engage and interact with the station on a regular basis and we are looking for ideas to boost the show’s online presence alongside the linear on-air programme. For these shows this includes:
At least one audio clip per show to be made available via the programme’s online page within 24 hours of broadcast.
Accurate programme descriptions and tracklistings updated online as soon as practicable
Working closely with Radio 1’s social media team, to make creative & innovative social media assets when required; and updating relevant Radio 1 Dance accounts.
Radio 1 has central ‘visual radio’ and interactive teams; however production teams will be trained in the use of the in-built studio cameras in order to help maximise opportunities around key broadcast moments. They may also be asked to re-format some elements of the show in order to deliver on-demand ‘phone first’ content.
Additional information / delivery requirements (both shows):
The ‘Guide Price’ does not include presenter fees, which will be paid directly by Radio 1.
The contract will be offered as a “fixed price” deal and the BBC will assume that any elements included in proposals can be successfully delivered within the guide price given.
Production teams will be expected to adhere to all relevant editorial and copyright guidelines in place; and deliver all necessary production related paperwork in a timely fashion – e.g. Compliance Forms, Music Reporting.
Annie Nightingale’s programme is generally pre-recorded. Pete Tong spends much of the year in the USA and usually pre-records links in a local studio; however, dependent on presenter availability, occasional ad hoc live shows from Radio 1’s London studios, or from key live events should also be expected.
Annie Nightingale’s programme is generally repeated the following week on 1Xtra and the production team will be required to deliver this, complete with relevant paper work, in addition to the original transmission.
Access to all necessary broadcast production systems, as well as studios to enable the broadcast/recording of the show (including an hour of pre and post show preparation time where possible), will be made available in New Broadcasting House London, at no cost to the successful supplier throughout the contract.
While the production team will be expected to take the lead role in booking appropriate artists for any live music elements in the show, the responsibility for producing, recording and contracting these will lie with Radio 1’s Live Music team unless otherwise agreed.
Presenters and production teams are usually expected to take part in at least one outreach project per year, agreed with the Network, engaging with new and existing audiences face to face.
COMPLIANCE AND BBC EDITORIAL GUIDELINES
You will be required to deliver programmes that are in line with the BBC’s Editorial Guidelines and be able to adapt to the BBC’s changing editorial and business needs during the period of the commission.
THE EVALUATION TEAM
The following people may be involved in evaluating your proposal at various stages:
Ben Cooper, Controller Radio 1, 1Xtra & Asian Network
Robert Gallacher, Commissioning Editor, Radio Pop Networks
Louise Kattenhorn, Commissioning Exec, Radio 1 & 1Xtra
Brett Spencer, Editor, Digital, Popular Music
Mark Waring, Business Affairs Manager
Raluca Albu, Senior Procurement Manager
Subject matter experts (e.g. production experts, visual content specialists, network management or finance advisors etc.) may also be consulted. See Section B for information on the commissioning process, timetable and assessment criteria.
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