Строй современного английского языка

Degrees of Comparison 59

d egree of comparison as a form expressing comparison of one object or objects with another in respect of a certain property, it would seem that the first of the three forms (large) should not be included, as it does not express any comparison. Then we should have only two degrees of comparison larger, (the) largest, and a form standing apart, coinciding with the stem from which the degrees of comparison are formed, and which may be described as the basic form.

However, in a very few adjectives the basic form differs from the stem in sound. This difference is of some importance, though it is not reflected in the spelling.

This applies to two adjectives in -ng, namely long and young; their stems are [loηg-] and [jAηg-] and the degrees of comparison formed from these stems are, longer ['loηgэ], longest ['loηgist] and younger [jAηgэ], youngest ['jAηgist]. The basic forms, on the other hand, are long [loη] and young [jAη], without the final [-g] which is impossible after [-η] in modern literary English. ¹

A somewhat similar phenomenon is found in adjectives ending in -r or -re, such as poor, pure, rare, sure. Their stems are [рuэr-], [pjuэr-], [reэr-], [Suэr-] and the suffixes of the degrees of comparison are added on to these stems, whereas the basic form loses its final [-r], unless it is followed without pause by a word beginning with a vowel, as in the phrases poor idea, rare image, and the like.

Now it is well known that not every adjective has degrees of comparison. This may depend on two factors. One of these is not grammatical, but semantic. Since degrees of comparison express a difference of degree in the same property, only those adjectives admit of degrees of comparison which denote properties capable of appearing in different degrees. Thus, it is obvious that, for example, the adjective middle has no degrees of comparison. The same might be said about many other adjectives, such as blind, deaf, dead, etc. However, this should not be taken too absolutely. Occasionally we may meet with such a sentence as this: You cannot be deader than dead. In a novel by E. Hemingway the hero compares the ways one and the same word sounds in different languages: Take dead, mort, muerto, and todt. Todt was the deadest of them all. But as a rule adjectives having such meanings do not appear in forms of comparison.<sup>2

1</sup> In some dialects (more especially in the North) final [g] may be pronounced after [g].

² It is sometimes stated that qualitative adjectives form degrees of comparison, whereas relative adjectives (such as wooden, woollen, Asian, oriental) do not. But the division of adjectives into qualitative and relative is not grammatical but a semantic division, and some qualitative adjectives have no degrees of comparison either, e.g. perfect, main, etc.

60 The Adjective

A more complex problem in the sphere of degrees of comparison is that of the formations more difficult, (the) most difficult, or more beautiful, (the) most beautiful. The question is this: is more difficult an analytical comparative degree of the adjective difficult? In that case the word more would be an auxiliary word serving to make up that analytical form, and the phrase would belong to the sphere of morphology. Or is more difficult a free phrase, not different in its essential character from the phrase very difficult or somewhat difficult"? In that case the adjective difficult would have no degrees of comparison at all (forming degrees of comparison of this adjective by means of the inflections -er, -est is impossible), and the whole phrase would be a syntactical formation. The traditional view held both by practical and theoretical grammars until recently was that phrases of this type were analytical degrees of comparison. Recently, however, the view has been put forward that they do not essentially differ from phrases of the type very difficult, which, of course, nobody would think of treating as analytical forms.

Let us examine the arguments that have been or may be put forward in favour of one and the other view.

The view that formations of the type more difficult are analytical degrees of comparison may be supported by the following considerations: (1) The actual meaning of formations like more difficult, (the) most difficult does not differ from that of the degrees of comparison larger, (the) largest. (2) Qualitative adjectives, like difficult, express properties which may be present in different degrees, and therefore they are bound to have degrees of comparison.

The argument against such formations being analytical degrees of comparison would run roughly like this. No formation should be interpreted as an analytical form unless there are compelling reasons for it, and if there are considerations contradicting such a view. Now, in this particular case there are such considerations: (1) The words more and most have the same meaning in these phrases as in other phrases in which they may appear, e. g. more time, most people, etc. (2) Alongside of the phrases more difficult, (the) most difficult there are also the phrases less difficult, (the) least difficult, and there seems to be no sufficient reason for treating the two sets of phrases in different ways, saying that more difficult is an analytical form, while less difficult is not. Besides, the very fact that more and less, (the) most and (the) least can equally well combine with difficult, would seem to show that they are free phrases and none of them is an analytical form. The fact that more difficult stands in the same sense relation to difficult as larger to large is of course certain, but it should have no impact on the interpretation of the phrases more difficult, (the) most difficult from a grammatical viewpoint.

Download 1.77 Mb.

Share with your friends: