Technology Institute for music educators ti: me course 2a Advanced Sequencing, Second Edition



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Topic 2: MIDI Editing



Objective:

The participants will learn to edit MIDI note velocities, duration and how to quantize MIDI data.


Materials:

The instructor will use the included exercise or an alternative exercise that focuses on MIDI editing and quantization.


Procedures:

The instructor will discuss and demonstrate…



  • how to import a SMF into a DAW project or session;

  • how to filter a MIDI region using the DAW’s event list filter:

  • how to transpose a MIDI region;

  • how to edit MIDI note durations;

  • how to quantize MIDI notes and regions;

  • the available quantization parameters, including quantize value, groove quantization, quantize strength and quantize swing value;

  • how to edit and scale velocities;

  • how to copy and paste MIDI regions; and

  • how to enter MIDI notes in non-real time.


Class Activities:

Participants will complete Exercise 2: Editing MIDI.


Notes:
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Topic 3: Creating Drum Set parts and Working With MIDI Regions



Objective:

Participants will learn to create and program drum set tracks

Participants will learn to build a song using virtual MIDI instruments and MIDI regions.
Materials:

The instructor will use the included exercise and assets or provide an alternate exercise and MIDI assets that include a Standard MIDI File consisting of MIDI regions appropriate for building a pop song. The alternate materials should also include an audio file of a drum set part that the participants can use as a guide to creating an appropriate drum accompaniment.


Procedures:

The instructor will demonstrate how to…



  • copy and paste, duplicate, repeat and loop MIDI regions;

  • trim or change the duration of a MIDI note or region; and

  • use loop record and its application to creating drum set parts.

The instructor will discuss…

  • the difference between repeating and looping MIDI regions;

  • the elements of a drum set groove;

  • the ways in which a drum set part evolves from the start to finish of a pop/rock song;

  • the nature and placement of drum set fills in a pop/rock song; and

  • the MIDI Merge function and its fundamental uses.


Class Activities:

Participants will complete Exercise 3: Creating Drum Set parts and Working with MIDI Regions


Notes:

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Topic 4a: Continuous Controllers



Objective:

Participants will learn the purpose and methods of using MIDI Continuous Controllers.


Materials:

The instructor will use the included exercise and assets or provide an alternate exercise that focuses on setting up, recording and editing MIDI Continuous Controller Data.


Procedures:

The instructor will discuss and demonstrate the use of MIDI Continuous Controllers (MIDI CC) including:



  • Using CCs to emulate human performance characteristics (vibrato, volume modulation, pitch bend, etc.);

  • Standard or assigned MIDI CCs (MIDI Volume, pitch bend, modulation, etc.);

  • Unassigned MIDI CCs;

  • MIDI “Learn” functionality;

  • Controlling a MIDI CC from a MIDI keyboard or MIDI controller;

  • Recording MIDI CC data; and

  • Creating and editing graphical MIDI CC/automation data.

Class Activities:

Participants will complete Exercise 4a: MIDI Continuous Controllers
Notes:

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