Waart, Edo de. 56 Wachmann, Eduard 56
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BIBLIOGRAPHYA Collected editions, anthologies. B Indexes, bibliographical sources. C Biographical dictionaries, encyclopedias. D Special periodicals. E Special periodical numbers. F General historical studies. G The ancient world. H 500–1500. I 1500–1800. J Since 1800. K Jazz, popular music. L Disciplinary and professional studies. a: collected editions, anthologies b: indexes, bibliographical sources c: biographical dictionaries, encyclopedias d: special periodicals e: special periodical numbers f: general historical studies g: the ancient world h: 500–1500 i: 1500–1800 j: since 1800 k: jazz, popular music l: disciplinary and professional studies Women in music, §II: Western classical traditions in Europe and the USA, Bibliography a: collected editions, anthologiesDa Capo Press Women Composers Series (New York, 1979–92) C.A. Lindeman, ed.: Women Composers of Ragtime: a Collection of Six Selected Rags by Women Composers (Bryn Mawr, PA, 1985) E. Rieger and K. Walter, eds.: Frauen komponieren: 22 Klavierstücke des 18–20. Jahrhunderts (Mainz, 1985, 2/1992) J. Briscoe, ed.: Historical Anthology of Music by Women (Bloomington, IN, 1987) B. Harbach, ed.: Women Composers for the Harpsichord (Bryn Mawr, PA, 1987) B.G. Jackson, ed.: Lieder By Women Composers of the Classic Era (Fayetteville, AR, 1987) B.G. Jackson, ed.: Arias from Oratorios by Women Composers of the Eighteenth Century (Fayetteville, AR, 1987–92) R. Drucker and H. Strine, eds.: A Collection of Art Songs by Women Composers (Fulton, MD, 1988) S. Glickman, ed.: American Women Composers: Piano Music from 1865–1915 (Bryn Mawr, PA, 1990) M. Hinson, ed.: At the Piano With Women Composers (Van Nuys, CA, 1990) B. Harbach, ed.: Eighteenth Century Women Composers for the Harpsichord or Piano (Pullman, WA, 1992) E. Rieger and K. Walter, eds.: Frauen komponieren: 25 Lieder für Singstimme und Klavier (Mainz, 1992) H. Walker-Hill, ed.: Black Women Composers: a Century of Piano Music (Bryn Mawr, PA, 1992) C. Johnson, ed.: Organ Music by Women Before 1800 (Pullman, WA, 1993) J.N. Straus, ed.: Music by Women for Study and Analysis (Englewood Cliffs, NJ, 1993) E. Rieger and B. Heller, eds.: Frauen komponieren: 13 Stücke für Violine und Klavier (Mainz, 1994) B.G. Jackson, ed.: Lieder and other Songs by Women Composers of the Classic Era, iii–iv (Fayetteville, AR, 1994–7) S. Glickman and M.F. Schleifer, eds.: Women Composers: Music through the Ages, i (Boston, 1996) J. Briscoe, ed.: Contemporary Anthology of Music by Women (Bloomington, IN, 1997) Treasury of Art Songs by Women before 1800 (Louisville, KY, 1997) Women Composers on Microform (Women Composers Sheet Music Collection, University of Michigan, 28×35 mm microfilm reels; Primary Source Media, Woodbridge, CT, 1998) Women in music, §II: Western classical traditions in Europe and the USA, Bibliography b: indexes, bibliographical sourcesJ.G. Pool: Women in Music History: a Research Guide (New York, 1977) J. Skowronski: Women in American Music: a Bibliography (Metuchen, NJ, 1978) A.F. Block and C. Neuls-Bates: Women in American Music: a Bibliography of Music and Literature (Westport, CT, 1979) M. Stewart-Green: Women Composers: a Checklist of Works for the Solo Voice (Boston, 1980) D. Hixon and D. Hennessee: Women in Music: an Encyclopedic Biobibliography (Metuchen, NJ, 1981, 2/1993) E. Ludewig-Verdehr and J.L. Raines: ‘Music for Clarinet by Women Composers’, The Clarinet [Denton, TX], viii/2 (1981), 12–19 J.M. Meggett: Keyboard Music by Women Composers: a Catalog and Bibliography (Westport, CT, 1981) J. Frasier: Women Composers: a Discography (Detroit, 1983) J. Leder: Women in Jazz: a Discography of Instrumentalists, 1913–1968 (Westport, CT, 1985) H. Boenke: Flute Music by Women Composers: an Annotated Catalog (Westport, CT, 1988) A. Olivier and K. Weingartz-Perschel, eds.: Frauen als Komponistinnen: eine Bestandsaufnahme (Düsseldorf, 2/1988) N.B. Reich, ed.: ‘An Annotated Bibliography of Recent Writings on Women in Music’, Women's Studies, Women's Status (Boulder, CO, 1988), 1–77 [CMS report] R.M. Johnson: Violin Music by Women Composers: a Bio-Bibliographical Guide (Westport, CT, 1989) E. Rieger, M. Oster and S. Schmidt, eds.: Sopran contra Bass: die Komponistin im Musikverlag: Nachschlagwerk aller lieferbaren Noten (Kassel, 1989) A. Olivier: Komponistinnen: eine Bestandsaufnahme: die Sammlung des europäischen Frauenmusikarchivs (Düsseldorf, 1990, 2/1994) J.M. Bowers and U. Bareis: ‘Bibliography on Music and Gender – Women in Music’, World of Music, xxxiii/2 (1991), 65–103 M. Buzzarté: ‘Women's Contributions to the Brass Repertoire: a List of Works’, The Musical Woman: an International Perspective, iii: 1986–1990, ed. J.L. Zaimont (New York, 1991), 547–651 A. Heinrich: Organ and Harpsichord Music by Women Composers: an Annotated Catalog (Westport, CT, 1991) L. Jennings: ‘Harp Music by Women Composers of the United States and Canada’, The Musical Woman: an International Perspective, iii: 1986–1990, ed. J.L. Zaimont (New York, 1991), 517–46 H. Walker-Hill: Piano Music by Black Women Composers: a Catalog of Solo and Ensemble Works (Westport, CT, 1992) E.G. Schlegel: Catalogue of Published Works for String Orchestra and Piano Trio by Twentieth-Century American Women Composers (Bessemer, AL, 1993) B.G. Jackson: Say Can You Deny Me: a Guide to Surviving Music by Women from the Sixteenth through the Eighteenth Centuries (Fayetteville, AR, 1994) H. Walker-Hill: Music by Black Women Composers: a Bibliography of Available Scores (Chicago, 1995) M.D. Ericson: Women and Music: a Selective Annotated Bibliography on Women and Gender Issues in Music, 1987–1992 (New York, 1996) C. Mayer: KOM: Komponistinnen im Musikverlag: Katalog lieferbarer Musikalien (Kassel, 1996) J. Macauslan and K. Aspen: Guitar Music by Women Composers: an Annotated Catalog (Westport, CT, 1997) E. Rieger, ed.: Frau und Musik: Bibliographie 1970–1996 (Hildesheim, 1999) Women in music, §II: Western classical traditions in Europe and the USA, Bibliography c: biographical dictionaries, encyclopediasAnderson2 GroveW A.T.F. Michaelis: Frauen als schaffende Tonkünstler: ein biographisches Lexicon (Leipzig, 1888) J. Towers: Women in Music (Winchester, VA, 1897) O. Ebel: Women Composers: a Biographical Handbook of Women's Work in Music (Brooklyn, NY, 1902, 3/1913) S. Stern: Women Composers: a Handbook (Metuchen, NJ, 1978) J.W. LePage: Women Composers, Conductors, and Musicians of the Twentieth Century (Metuchen, NJ, 1980–8) A. Cohen: International Encyclopedia of Women Composers (New York, 1981, 2/1987) D.A. Handy: Black Women in American Bands and Orchestras (Metuchen, NJ, 1981) S.J. Rogal: Sisters of Sacred Song: a Selected Listing of Women Hymnodists in Great Britain and America (New York, 1981) J.L. Zaimont and K. Famera: Contemporary Concert Music by Women: a Directory of the Composers and their Works (Westport, CT, 1981) S.C. Cook and T.K. LaMay: Virtuose in Italy 1600–1640: a Reference Guide (New York, 1984) N. Baroncelli, ed.: Mulheres compositoras: elenco e repertório (Sao Paulo, 1987) A. Olivier and K. Weingartz-Perschel: Komponistinnen von A–Z (Düsseldorf, 1988) R. van Hessen and H. Metzelaar: Vrouw & muziek: informatiegids (Amsterdam, 1989) V.L. Grattan: American Women Songwriters: a Biographical Dictionary (Westport, CT, 1993) S. Fuller: The Pandora Guide to Women Composers: Britain and the United States (1629–Present) (London, 1994) C.E. Claghorn: Women Composers and Songwriters: a Concise Biographical Dictionary (Lanham, MD, 1996) Women in music, §II: Western classical traditions in Europe and the USA, Bibliography d: special periodicalsWomen in Music, ed. F. Petrides (1935–40) Paid my Dues: a Quarterly Journal of Women and Music (1974–80) American Women Composers [AWC] News (1977–82) International League of Women Composers Newsletter (1981–9) Association of Canadian Women Composers [ACWC] Newsletter (1982–90) American Women Composers [AWC] News/Forum (1983–93) International Congress on Women in Music: Newsletter (1983–9) Women and Performance: a Journal of Feminist Theory (1984–) International League of Women Composers [ILWC] Journal (1989–95) Association of Canadian Women Composers [ACWC] Bulletin (1990–) Vivavoce [Internationaler Arbeitskreis Frau und Musik] (1991–) Women of Note Quarterly (1993–) International Alliance for Women in Music [IAWM] Journal (1995–) Maud Powell Signature (1995–) Women and Music: a Journal of Gender and Culture (1997–) Women in music, §II: Western classical traditions in Europe and the USA, Bibliography e: special periodical numbersThe Etude, xix/9 (1901), xxvii/7 (1909), xxxvi/11 (1918), xlvii/11 (1929) [‘Woman's Work in Music’ issues] BMI: The Many Worlds of Music (1977), no.4 Music Educators Journal, lxv/5 (1978–9) Ear Magazine East, vi/3 (1981) ASCAP in Action (1987), wint. Journal of American Folklore, c/Oct–Dec (1987) [‘Folklore and Feminism’ issue] Musician [New York] no.116 (1988), 36–60ff [‘The Women's Movement of 1988’] Musik und Gesellschaft, xxxviii/3 (1988) Flutist Quarterly [Santa Clarita, CA], xv/2 (1990) ÖMz, xlvi/7–8 (1991) World of Music, xxx/2 (1991) Music Educators Journal, lxxviii/7 (1991–2) du: die Zeitschrift der Kultur [Zürich], no.4 (1992) [on women jazz singers] Journal of Country Music, xv/1 (1992) ON, lvii/July (1992) TENSO: Bulletin of the Société Guilhem IX [Louisville, KY], vii/2 (1992) [on the trobairitz] Women: a Cultural Review [Oxford], iii/1 (1992) British Journal of Music Education, x/3 (1993) Quarterly Journal of Music Teaching and Learning [Greely, CO], iv/4–v/1 (1993–4) Contemporary Music Review, xi (1994) [S. Fuller and N. LeFanu: ‘Reclaiming the Muse’] Harmony: Forum of the Symphony Orchestra Institute [Deerfield, IL] no.6 (1998), 46–110 Women in music, §II: Western classical traditions in Europe and the USA, Bibliography f: general historical studiesGroveA (J. Tick) F.M.R. Ritter: Woman as a Musician: an Art-historical Study (New York, 1876); excerpt in Dwight's Journal of Music (6 Jan 1877), 364–5 G.P. Upton: Woman in Music: an Essay (Boston, 1880, 2/1886) S. Stratton: ‘Woman in Relation to Musical Art’, PMA, ix (1882–3), 115–46 E. Brower: ‘Is the Musical Idea Masculine’, Atlantic Monthly (1894), March, 332–9 R. Hughes: ‘Women Composers’, Century Magazine, lv/March (1898), 768–79 S. Jessel: Warum giebt es so wenige Componistinnen: Vortrag, verfasst und gehalten (…) in der Ortsgrube des Allgemeinen Deutschen Frauenvereins zu Frankfurt (Frankfurt, 1898) A. Fay: ‘Women and Music’, Music [USA], xviii (1900), 505–7 A. Elson: Woman's Work in Music (Boston, 1903/R) E. Newman: ‘Women and Music’, MT, li (1910), 359–61 H. Möller: ‘Can Women Compose?’, Musical Observer, xv/5 (1917), 9–10; xv/6 (1917), 11–12 A. Bonaventura: ‘Le donne italiane e la musica’, RMI, xxxii (1925), 519–34 R. Brancour: ‘Les femmes et la musique’, RMI, xxxii (1925), 363–80 R. Barbacci: ‘La inferioridad mental de la mujer y su reflejo en la actividad musical’, Revista musical peruana, i/9 (1939), 1–5 C. Seashore: ‘Why No Great Women Composers’, Music Educators Journal, xxvi (1939–40), 21, 88; also in In Search of Beauty in Music: a Scientific Approach to Musical Esthetics (New York, 2/1947), 363–7 S. Drinker: Music and Women: the Story of Women in their Relation to Music (New York, 1948/R, 2/1995) Z. Rosés Lacoigne: Mujeres compositoras (Buenos Aires, 1950) E. Pulido: La mujer mexicana en la música (hasta la tercera decada del siglo xx) (Mexico City, 1958) P. Oliveros: ‘And Don't Call Them “Lady” Composers’, New York Times (13 Sept 1970), 23, 30 H. Roth: ‘Women and the Violin’, The Strad, lxxxiii (1972–3), 551–63 J. Rosen and G. Rubin-Rabson: ‘Why Haven't Women Become Great Composers’, High Fidelity/Musical America, xxiii/2 (1973), 46–53 E. Borroff: ‘Women Composers: Reminiscence and History’, College Music Symposium, xv (1975), 26–33 L. Keefer: Music Angels: a Thousand Years of Patronage (Baltimore, 1976) C. Neuls-Bates: ‘Sources and Resources for Women's Studies in American Music: a Report’, Notes, xxxv (1977–8), 269–83 C. Ammer: Unsung: a History of Women in American Music (Westport, CT, 1980) E. Rieger, ed.: Frau und Musik: mit Texten von Nina D'Aubigny, Louise Adolpha le Beau und 16 anderen (Frankfurt, 1980, 2/1990) E. Rieger: Frau, Musik und Männerherrschaft: zum Ausschluss der Frau aus der deutschen Musikpädagogik, Musikwissenschaft und Musikausübung (Frankfurt, 1981, 2/1988) E. Weissweiler: Komponistinnen aus 500 Jahren: eine Kultur- und Wirkungsgeschichte in Biographien und Werkbeispielen (Frankfurt, 1981) P. Adkins Chiti: Donne in musica (Rome, 1982, 2/1996) C. Neuls-Bates, ed.: Women in Music: an Anthology of Source Readings from the Middle Ages to the Present (New York, 1982, 2/1996) J. Tick: American Women Composers before 1870 (Ann Arbor, 1983/R) J.L. Zaimont, C. Overhauser and J. Gottlieb, eds.: The Musical Woman: an International Perspective (Westport, CT, 1983–90) R. Christiansen: Prima Donna: a History (London, 1984) J.M. Bowers and J. Tick, eds.: Women Making Music: the Western Art Tradition, 1150–1950 (Urbana, IL, 1986) B. Sonntag and R. Matthei, eds.: Annäherung – an sieben Komponistinnen: mit Berichten, Interviews und Selbstdarstellungen, i (Kassel, 1986–) B. Brand: Komponistinnen in Berlin: 750 Jahre Berlin (Berlin, 1987) R. Kydd: ‘Les femmes compositeurs au Canada: données sociologiques et historiques’, Sonances: revue musicale québecoise, vi/3 (1987), 16–22 E. Pulido: ‘Mexico's Women Musicians’, The Musical Woman: an International Perspective, ii:1984–1985, ed. J.L. Zaimont (Westport, CT, 1987), 313–34 P. Fromm: ‘Creative Women in Music: a Historical Perspective’, A Life for New Music: Selected Papers of Paul Fromm, ed. D. Gable and C. Wolff (Cambridge, MA, 1988), 42–51 L. Neuenschwander, A. Sutter and B. Höft: ‘Die Rolle der Frau in der Musik’, Humane Zukunft, ed. H. Kessler (Mannheim, 1988), 267–80 C. Rhéaume: ‘La création musicale chez les religieuses enseignantes de Montréal’, Les cahiers de l'ARMuQ [Association pour l'Avancement de la Recherche en Musique du Québec] no.10 (1988), 34–40 D.P. Jezic: Women Composers: the Lost Tradition Found (New York, 1989, 2/1994) R. Cox: ‘A History of Music’, Journal of Aesthetics and Art Criticism, xl/4 (1990), 281–91 [Feminism issue] S. McClary: Feminine Endings: Music, Gender and Sexuality (Minneapolis, 1990) R.M. Story: And So I Sing: African-American Divas of Opera and Concert (New York, 1990) C. Tremblay-Matte: La chanson écrite au féminin: de Madeleine de Verchères à Mitsou, 1730–1990 (Laval, 1990) F. Hoffman: Instrument und Körper: die musizierende Frau in der bürgerlichen Kultur (Frankfurt, 1991) H. Metzelaar and others: Zes vrouwelijke componisten (Hilversum, 1991) K. Pendle, ed.: Women and Music: a History (Bloomington, IN, 1991) J. Polk: ‘Distaff Dynasties’, The Musical Woman: an International Perspective, iii: 1986–1990, ed. J.L. Zaimont (New York, 1991), 739–68 E. Richmond: ‘Finnish Women Composers’, ibid., 439–55 F. Hoffman and E. Rieger, eds.: Von der Spielfrau zur Performance-Künstlerin: auf der Suche nach einer Musikgeschichte der Frauen (Kassel, 1992) J. Roselli: Singers of Italian Opera: the History of a Profession (Cambridge, 1992) R.A. Solie: ‘Sophie Drinker's History’, Disciplining Music: Musicology and its Canons, ed. K. Bergeron and P. Bohlman (Chicago, 1992), 23–43 M.J. Citron: Gender and the Musical Canon (Cambridge, 1993) R. Leppert: The Sight of Sound: Music, Representation and the History of the Body (Berkeley, 1993) K. Marshall, ed.: Rediscovering the Muses: Women's Musical Traditions (Boston, 1993) R. Solie, ed.: Musicology and Difference: Gender and Sexuality in Music Scholarship (Berkeley, 1993) S.C. Cook and J.S. Tsou, eds.: Cecilia Reclaimed: Feminist Perspectives on Gender and Music (Urbana, IL, 1994) L.C. Dunn and N.A. Jones, eds.: Embodied Voices: Representing Female Vocality in Western Culture (Cambridge, 1994) P. Moisala and R. Valkeila: Musiikin toinen sukupuoli: Naissäveltäjiä keskiajalta nykyaikaam [The Other Sex in Music: Women Composers from Medieval Times to the Present] (Helsinki, 1994) C. Blackmer and P.J. Smith, eds.: En Travesti: Women, Gender Subversion, Opera (New York, 1995) Women in music, §II: Western classical traditions in Europe and the USA, Bibliography g: the ancient worldM. Alexiou: The Ritual Lament in Greek Tradition (London, 1974) C. Calame: Les choeurs de jeunes filles en Grèce archaïque: morphologie, fonction religieuse et sociale (Rome, 1977; Eng. trans., 1997) S. Pomeroy: ‘Techinkē kai mousikē’ [Artists and musicians], American Journal of Ancient History, ii (1977), 51–68 M.R. Lefkowitz and M.B. Fant: Women's Life in Greece and Rome (London and Baltimore, MD, 1982, 2/1992) G. Haas: ‘Musikarchäologie aus “anderer” Sicht’, SMw, xxxviii (1987), 7–21 H.W. Barker: ‘Public Music as “Fine Art” in Archaic Greece’, Antiquity and the Middle Ages, ed. J. McKinnon (London, 1990), 45–67 A.J. Neubecker: ‘Frauen im altgriechischen Musikleben’, Musik und Dichtung: Neue Forschungsbeiträge: Viktor Pöschl zum 80. Geburstag gewidmet, ed. M. von Albrecht and W. Schubert (Frankfurt, 1990), 13–23 A.N. Michelini: ‘Women and Music in Greece and Rome’, Women and Music: a History, ed. K. Pendle (Bloomington, IN, 1991), 3–7 F. Lissarrague: ‘Figures of Women’, A History of Women in the West, i, ed. P.S. Pantel (Cambridge, MA, 1992), 139–230 C. Meyers: ‘Drum-Dance-Song Ensemble: Women's Performance in Biblical Israel’, Rediscovering the Muses: Women's Musical Traditions, ed. K. Marshall (Boston, 1993), 49–67 N. Sultan: ‘Private Speech, Public Pain: the Power of Women's Laments in Ancient Greek Poetry and Tragedy’, ibid., 92–110 E. Teeter: ‘Female Musicians in Pharaonic Egypt’, ibid., 68–91 D. Touliatos: ‘Traditional Role of Greek Women in Music from Antiquity to the End of the Byzantine Empire’, ibid., 111–23 C. Murphy: The Word According to Eve: Women and the Bible in Ancient Times and Our Own (Boston, 1998) Women in music, §II: Western classical traditions in Europe and the USA, Bibliography h: 500–1500L. Eckenstein: Woman under Monasticism: Chapters on Saint-Lore and Convent Life between A.D. 500 and A.D. 1500 (Cambridge, 1896/R) K. Meyer: Der chorische Gesang der Frauen mit besonderer Bezugnahme seiner Betätigung auf geistlichem Gebeit (Mittenwald, 1917) Y. Rokseth: ‘Les femmes musiciennes du XIIe au XIVe siècle’, Romania, lxi (1935), 464–80 R. Kelso: Doctrine for the Lady of the Renaissance (Urbana, IL, 1956) M. Bogin: The Women Troubadours (New York, 1976) J. Kelly-Gadol: ‘Did Women Have a Renaissance?’, Becoming Visible: Women in European History, ed. R. Bridenthal and C. Koonz (Boston, 1977), 134–64 M. Shapiro: ‘The Provençal Trobairitz and the Limits of Courtly Love’, Signs, iii (1978), 560–71 P. Bec: ‘Trobairitz et chansons de femmes: contribution à la connaissance du lyrisme féminin au moyen âge’, Cahiers de civilisation Mediévale, xxii (1979), 235–62 P. Dronke: Women Writers of the Middle Ages: a Critical Study of Texts from Perpetua (d. 203) to Marguerite Porete (d. 1310) (Cambridge, 1984) H.M. Brown: ‘Women Singers and Women's Songs in Fifteenth-Century Italy’, Women Making Music: the Western Art Tradition, 1150–1950, ed. J. Bowers and J. Tick (Urbana, IL, 1986), 62–89 M.V. Coldwell: ‘“Jougleresses” and “Trobairitz”: Secular Musicians in Medieval France’, ibid., 39–61 E. Taitz: ‘Kol Isha: the Voice of Woman: Where was it Heard in Medieval Europe?’, Conservative Judaism, xxxviii (1986), 46–61 A.B. Yardley: ‘“Full Weel She Soong the Service Dyvyne”: the Cloistered Musician in the Middle Ages’, Women Making Music: the Western Art Tradition, 1150–1950, ed. J. Bowers and J. Tick (Urbana, IL, 1986), 15–39 D.L.C.M. Galles: ‘Canonesses and Plainchant’, Sacred Music, cxiv/1 (1987), 7–11 T. Seebass: ‘Lady Music, and her Proteges from Musical Allegory to Musicians’ Portraits’, MD, xlii (1988), 23–61 U. Mölk, ed.: Romanische Frauenlieder (Munich, 1989) W.D. Paden, ed.: The Voice of the Trobairitz: Perspectives on the Women Troubadours (Philadelphia, 1989) A.B. Yardley: ‘The Marriage of Heaven and Earth: a Late Medieval Source of the “Consecratio virginum”’, CMc, nos.45–7 (1990), 305–24 E. Borroff: ‘Women and Music in Medieval Europe’, Mediaevalia, xiv (1991), 1–21 A. Callahan: ‘The Trobairitz (c. 1170–1260)’, French Women Writers: a Bio-Bibliographical Sourcebook, ed. E.M. Sartori and D.W. Zimmerman (Westport, CT, 1991), 495–502 J.M. Edwards: ‘Women in Music to ca. 1450’, Women and Music: a History, ed. K. Pendle (Bloomington, IN, 1991), 8–28 P. Higgins: ‘Parisian Nobles, a Scottish Princess, and the Woman's Voice in Late Medieval Song’, EMH, x (1991), 145–200 A. Rieger: Trobairitz der Beitrag der Frau in der altokzitanischen höfischen Lyrik (Tübingen, 1991) L.W. Macy: ‘Women's History and Early Music’, Companion to Medieval and Renaissance Music, ed. T. Knighton and D. Fallows (London, 1992), 93–8 E. Rosenn: Feminine Discourse in Medieval Provencal, Old French and Galician-Portuguese Lyrics (diss., Columbia U., 1992) E. Amt, ed.: Women's Lives in Medieval Europe: a Sourcebook (New York, 1993) P. Higgins: ‘The “Other Minervas”: Creative Women at the Court of Margaret of Scotland’, Rediscovering the Muses: Women's Musical Traditions, ed. K. Marshall (Boston, 1993), 169–85 K. Marshall: ‘Symbols, Performers, and Sponsors: Female Musical Creators in the Late Middle Ages’, ibid., 140–68 R.T. Rollins: ‘The Singing of Women in the Early Christian Church’, Music in Performance and Society: Essays in Honor of Roland Jackson, ed. M. Cole and J. Koegel (Warren, MI, 1997), 37–57 Women in music, §II: Western classical traditions in Europe and the USA, Bibliography i: 1500–1800M. Brenet: ‘Quatre femmes musiciennes’, L'art, lix (1894), 142–7 M. Brenet: La musique dans les couvents de femmes depuis le moyen âge jusqu’à nos jours (Paris, 1898); also pubd in Tribune de St-Gervais, iv (1898), 25, 58, 73 L. de La Laurencie: ‘Les femmes et le luth en France aux XVIe et XVIIe siècles’, Le correspondant (10 May 1925), 443–51 A. Krille: Beiträge zur Geschichte der Musikerziehung und Musikübung der deutschen Frau (von 1750 bis 1820) (Berlin, 1938) D. Arnold: ‘Orphans and Ladies: the Venetian Conservatories (1680–1790)’, PRMA, lxxxix (1962–3), 31–47 M. Bert: ‘La musique à la Maison Royale Saint-Louis de Saint-Cyr: son rôle, sa valeur’, RMFC, iii (1963), 55–71; iv (1964), 127–31; v (1965), 91–127 M. Benoit: ‘Les femmes’, Versailles et les musiciens du roi 1661–1733: étude institutionnelle et Sociale (Paris, 1971), 252–63 M. Vilcosqui: La femme dans la musique française de 1671 à 1871: étude d'histoire musicale et sociale (diss., U. of Paris, Sorbonne, 1977) G. Ellero, J. Scarpa and M.C. Paolucci, eds.: Arte e musica all'Ospedaletto (Venice, 1978) E. Durante and A. Martellotti: Cronistoria del Concerto delle dame principalissime di Margherita Gonzaga d'Este (Florence, 1979) M.V. Constable: ‘The Venetian “Figlie del Coro”: their Environment and Achievement’, ML, lxiii (1982), 181–212 U. Rempel: ‘Women and Music: Ornament of the Profession?’, French Women and the Age of Enlightenment, ed. S.I. Spencer (Bloomington, 1984), 170–80 D. Hayes: ‘Some Neglected Women Composers of the Eighteenth Century and their Music’, CMc, no.39 (1985), 42–65 J. Bowers: ‘The Emergence of Women Composers in Italy, 1566–1700’ [with appx: ‘Compositions by Italian Women Published 1566–1700’], Women Making Music: the Western Art Tradition, 1150–1950, ed. J. Bowers and J. Tick (Urbana, IL, 1986), 116–67 A. Newcomb: ‘Courtesans, Muses, or Musicians? Professional Women Musicians in Sixteenth-Century Italy’, ibid., 90–115 J.A. Sadie: ‘“Musiciennes” of the Ancien Régime’, ibid., 191–223 L. Sawkins: ‘For and Against the Order of Nature: Who Sang Soprano’, EMc, xv (1987), 315–24 R. Kroll: ‘La chanson des femmes poètes au XVIIe siècle: Mme de la Suze et Mme Deshoulières – une contribution féminine à la poésie chantée’, La chanson française et son histoire, ed. D. Rieger (Tübingen, 1988), 27–45 R. Leppert: Music and Image: Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-Century England (Cambridge, 1988) J.T. Quintana: ‘Educating Women in the Arts: Mme. Campan's School’, Eighteenth-Century Women and the Arts, ed. F.M. Keener and S.E. Lorsch (Westport, CT, 1988), 237–44 L.P. Austern: ‘“Sing Againe Syren”: the Female Musician and Sexual Enchantment in Elizabethan Life and Literature’, Renaissance Quarterly, xlii (1989), 420–48 J. Ruiter: ‘Zum Dualismus des Männlichen und des Weiblichen’, Der Charakterbegriff in der Musik: Studien zur deutschen Ästhetik der Instrumentalmusik 1740–1850 (Stuttgart, 1989), 159–70 H. Metzelaar: ‘An Unknown 18th-Century Dutch Woman Composer, Josina Boetzelaer (1733–1797): Introduction: Overview of Early Dutch Women Composers’, TVNM, xl/2 (1990), 3–56 B.G. Jackson: ‘Musical Women of the Seventeenth and Eighteenth Centuries’, Women and Music: a History, ed. K. Pendle (Bloomington, IN, 1991), 31–53 W.F. 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