Waart, Edo de. 56 Wachmann, Eduard 56

piano

2	Sonata, d, sum. 1829, lost
5	Sonata, f, aut. 1829, lost
16	Sonata, B, 4 hands, early 1831, later orchd, lost
21	Sonata, B, op.1, aut. 1831 (Leipzig, 1832); SW xix
22	Fantasia, f, aut. 1831 (Leipzig, 1905); SW xix
23a	Polonaise, D, end 1831–early 1832 (London, 1973); SW xxi
23b	Polonaise, D, op.2, rev. of WWV 23a for 4 hands (Leipzig, 1832); SW xix
26	Grosse Sonate, A, op.4, early 1832 (Cologne, 1960); SW xix
64	Albumblatt, E (‘Albumblatt für E.B. Kietz “Lied ohne Worte”’), ?Dec 1840 (Vienna, 1911); SW xix
84	Polka, G, May 1853; SW xix
85	Eine Sonate für das Album von Frau M[athilde] W[esendonck], A, June 1853 (Mainz, 1878); SW xix
88	Züricher Vielliebchen-Walzer, E, May 1854 (Berlin, 1901–2); SW xix
93	Theme, A [incorrectly known as ‘Porazzi Theme’], ?1858, rev. 1881, SW xxi. For true ‘Porazzi Theme’ see orchestral, WWV 107
94	In das Album der Fürstin M[etternich], C, June 1861 (Leipzig, 1871); SW xix
95	Ankunft bei den schwarzen Schwänen, A, July 1861 (Leipzig, 1897); SW xix
108	Albumblatt, E, Jan–1 Feb 1875 (Mainz, 1876); SW xix

editions and arrangements

9	L. van Beethoven: Sym. no.9, pf, sum. 1830–Easter 1831; SW xx/i
18	J. Haydn: Sym. no.103, pf, sum. 1831, lost
34	V. Bellini: cavatina from Il pirata, orch, Nov–Dec 1833, lost
46a	V. Bellini: Norma, retouching of orch, ?Dec 1837, Riga, ?11 Dec 1837; SW xx/iii
47	G. Rossini: ‘Li marinari’ from Les soirées musicales, orch, ?early 1838, Riga, ?19 March 1838; SW xx/iii
46b	G. Meyerbeer: cavatina ‘Robert toi que j’aime’, from Robert le diable, orch transc. of harp pt, ?Nov 1838, Riga, ?30 Nov 1838; SW xx/iii
46c	C.M. von Weber: Hunting Chorus from Euryanthe, reorchestration, ?Jan 1839, Riga, 17 Jan 1839; SW xx/iii
62a	Various composers: suites for cornet à pistons (operatic excerpts), ?aut. 1840, lost
62b	G. Donizetti: La favorite, various scores and arrs., ?Dec 1840–April 1841 (vs, arr. str qt, arr. 2 vn: Paris and Berlin, 1841)
62c	H. Herz: Grande fantaisie sur La romanesca, arr. pf 4 hands, ?early 1841 (Paris, 1841)
62d	F. Halévy: Le guitarrero, arrs., Feb–April 1841 (pf score of ov., arr. 2 vn: Paris, 1841; arr. for str/fl qt: Paris and Berlin, 1841)
62e	F. Halévy: La reine de Chypre, arrs., probably Dec 1841–April 1842, June–July 1842 (vs, arr. str qt, arr. 2 vn: Paris and Berlin, 1842)
62f	D.-F.-E. Auber: Zanetta, arrs. for fl qt, July 1842 (Paris, 1842–3)
74	G. Spontini: La vestale, retouching of orch, ?Nov 1844, Dresden, 29 Nov 1844, lost
77	C.W. Gluck: Iphigénie en Aulide, rev. of score and retouching of orch, ?Dec 1846–early Feb 1847, Dresden, 24 Feb 1847, lib (Dresden, 1847), vs (Leipzig, 1858), fs (ov. only with 1854 ending, see WWV 87 below: Leipzig, 1888); SW xx/iv
79	G.P. da Palestrina: Stabat mater, rev. version, ?Feb–early March 1848, Dresden, 8 March 1848 (Leipzig, 1878); SW xx/ii
83	W.A. Mozart: Don Giovanni, rev. version, early Nov 1850, Zürich, 8 Nov 1850, lost
87	C.W. Gluck: ov. to Iphigénie en Aulide, concert ending, ?Feb–early March 1854, Zürich, 7 March 1854, fs (Leipzig, 1854), with whole ov. in Wagner’s 1847 version [see WWV 77 above] (Leipzig, 1888); SW xx/iv
109	J. Strauss: Waltz from Wein, Weib und Gesang, reorch [indicated in pf score], May 1875, ?Bayreuth, 22 May 1875, SW xx/ii