A bibliography of Literary Theory, Criticism and Philology


th century English fiction



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19th century English fiction
Alexander, Michael. "10. Fiction." In Alexander, A History of English Literature. 2nd ed. Houndmills: Palgrave Macmillan, 2007. (The Triumph of the Novel. Charles Dickens, George Eliot).

Allen, Dennis W. Sexuality in Victorian Fiction. U of Oklahoma P, 1994.

Altick, Richard D. The Presence of the Present. Topics of the Day in the Victorian Novel. Ohio: Ohio UP, 1991.

Álvarez Rodríguez, Román. "De la novela gótica a la novela histórica, 1760-1840." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 65-106.*

Arata, Stephen. Fictions of Loss in Victorian Fin de Siècle: Identity and Empire. Cambridge: Cambridge UP, 1996.

Armstrong, Nancy. Fiction in the Age of Photography: The Legacy of British Realism. 1999. Cambridge, MA: Harvard University Press, 2002.

Auerbach, Nina, and U. C. Knoepflmacher, eds. Forbidden Journeys: Fairy Tales and Fantasies by Victorian Women Writers. Chicago: U of Chicago P, 1992. Rev. in English Literature in Transition 37.4 (1994).

Bachleitner, Norbert. Der englische und französische Sozialroman des 19. Jahrhunderts und seine Rezeption in Deutschland. Amsterdam: Rodopi, 1993.

Baker, Ernest A. The History of the English Novel the Day Before Yesterday. London: Witherby, 1938.

Beer, Gillian. Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth Century Fiction. London: Routledge and Kegan Paul, 1983.

_____. Darwin's Plots. London: Ark, 1985.

_____. Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. 1983. 2nd ed. Cambridge and New York: Cambridge UP, 2000.

_____. Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. 3rd ed. Cambridge: Cambridge UP, 2009.

_____. "Origins and Oblivion in Victorian Narrative.' In Beer, Arguing with the Past. London: Routledge, 1989. 12-33.*

Bilston, Sarah. The Awkward Age in Women's Popular Fiction, 1850-1900: Girls and the Transition to Womanhood. (Oxford English Monographs). Oxford: Oxford UP, 2004.

Blamires, Harry. "Scott and Contemporary Novelists." In Blamires, A Short History of English Literature. 2nd ed. London: Routledge, 1989. 255-69.*

_____. "The Victorian Novel." In Blamires, A Short History of English Literature. 2nd ed. London: Routledge, 1989. 301-30.*

Block, Edwin F., Jr. Rituals of Dis-Integration: Romance and Madness in the Victorian Psychomythic Tale. New York: Garland, 1993. Rev. in English Literature in Transition 37.4 (1994).

Brake, Laurel. "'Silly Novels'? Gender and the Westminster Review at Mid-Century." In Brake, Print in Transition, 1850-1910. Houndmills: Palgrave, 2001. 87-109.*

Brantlinger, Patrick. "Imperial Gothic: Atavism and the Occult in the British Adventure Novel, 1880-1914." English Literature in Transition 1880-1920 28.3 (1985).

_____. "Imperial Gothic: Atavism and the Occult in the British Adventure Novel, 1880-1914." In Reading Fin de Siècle Fictions. Ed. Lyn Pykett. (Longman Critical Readers). London and New York: Longman, 1996.

_____. "The Nineteenth-Century Novel and Empire." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 560-78.*

Brantlinger, Patrick, and William B. Thesing, eds. A Companion to the Victorian Novel. (Blackwell Companions to Literature and Culture). Oxford: Blackwell, 2002.

Brewer, Derek. English Gothic Literature. London: Macmillan, 1983.*

Brightfield, Myron F. Victorian England in its Novels, 1840-1870. Los Angeles, 1968.

Buckley, Jerome H., ed. The Worlds of Victorian Fiction. Cambridge (MA): Harvard UP, 1975.

Calder, Jenni. Women and Marriage in Victorian Fiction. New York: Oxford UP, 1976.

Carnero González, José. "La novela de transición al siglo XX, 1880-1910: últimos victorianos y eduardianos." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 147-92.*

Carroll, Joseph. "8. Agonistic Structure in Victorian Novels: Doing the Math." In Carroll, Reading Human Nature: Literary Darwinism in Theory and Practice. Albany: SUNY Press, 2011. 151-76.*

Carroll, Joseph, Jonathan Gottschall, John A. Johnson, and Daniel J. Kruger. "Human Nature in Nineteenth-Century British novels: Doing the Math." Philosophy and Literature 33 (2009): 50-72.

_____."39. Paleolithic Politics in British Novels of the Longer Nineteenth Century." In Evolution, Literature and Film: A Reader. Ed. Brian Boyd, Joseph Carroll and Jonathan Gottschall. New York: Columbia UP, 2010.

_____. "12. Agonistic Structure in Canonical British Novels of the Nineteenth Century." In Darwin's Bridge: Uniting the Humanities and Sciences. Ed. Joseph Carroll, Dan P. McAdams and E. O. Wilson. Oxford: Oxford UP, 2016. 195-222.*

Case, Alison A. Plotting Women: Gender and Narration in the Eighteenth- and Nineteenth-Century British Novel. Charlottesville: UP of Virginia, 1999.

Cazamian, Louis. Le Roman social en Angleterre. Paris: Didier, 1904.

_____. The Social Novel in England. London: Routledge, 1973.

Cecil, David. Early Victorian Novelists: Essays in Revaluation. London: Constable, 1934. 1945.* 1966.

Childers, Joseph W. Novel Possiblities: Fiction and the Formation of Early Victorian Culture. Philadelphia: Pennsylvania UP, 1996.

Clayton, Jay. Charles Dickens in Cyberspace: The Afterlife of the Nineteenth Century in Postmodern Culture. Oxford: Oxford UP, 2003. (Austen, Babbage, Darwin, Dickens, Mary Shelley, Andrea Barrett, Peter Carey, Richard Powers, Salman Rushdie, Ridley Scott, Neal Stephenson, Tom Stoppard).

Colby, Vineta. The Singular Anomaly. New York, 1970.

Cosslett, Tess. Woman to Woman: Female Friendship in Victorian Fiction. Hemel Hempstead: Harvester Wheatsheaf, 1988.

Craig, Stephanie F. "Ghosts of the Mind: The Supernatural and Madness in Victorian Gothic Literature". Honors thesis. Mississippi: University of Southern Mississippi, 2012.

Cross, Wilbur L. The Development of the English Novel. New York: Macmillan, 1899.

Cunningham, Gail. The New Woman in Victorian Fiction. London: Macmillan, 1978.

Daiches, David. "The Victorian Novel." In Daiches, A Critical History of English Literature. 2 vols. London: Secker and Warburg, 1960. 1049-93.*

Dames, Nicholas. "7. 1825-1880: The Network of Nerves." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 215-40.*

Davis, Philip. "Victorian Realist Prose and Sentimentality." In Rereading Victorian Fiction. Ed. Alice Jenkins and Juliet John. Houndmills: Palgrave, 2000. 2002. 13-28.*

DeLamotte, Eugenia C. Perils of the Night: A Feminist Study of Nineteenth Century Gothic. New York: Oxford UP, 1990.

Dibelius. Englische Romankunst. Berlin, 1910.

Donovan, Robert Alan. The Shaping Vision: Imagination in the English Novel from Defore to Dickens. Ithaca: Cornell UP, 1966.

Dowling, Linda. "The Decadent and the New Woman in the 1890s." Nineteenth-Century Fiction 33 (1979).

_____. "The Decadent and the New Woman in the 1890s." In Reading Fin de Siècle Fictions. Ed. Lyn Pykett. (Longman Critical Readers). London and New York: Longman, 1996.

Duncan, Ian. Modern Romance and Transformations of the Novel: The Gothic, Scott, Dickens. Cambridge: Cambridge UP, 1992.

Ermath, Elizabeth Deeds. The English Novel in History: 1840-1895. London: Routledge, 1997.

Feinberg, Monica. "Family Plot: the Bleak House of Victorian Romance." Victorian Newsletter 76 (Fall 1989).

Feltes, Norman N. Modes of Production of Victorian Novels. Chicago: U of Chicago P, 1986.

_____. Literary Capital and the Late Victorian Novel. Madison: U of Wisconsin P, 1993.

Fielding, K. J. The Idea of the Gentleman in the Victorian Novel. London: Allen, 1981.

Fleishman, Avon. The English Historical Novel: Walter Scott to Virginia Woolf. Baltimore, 1971.

Flint, Kate, ed. The Victorian Novelist: Social Problems and Social Change. London: Croom Helm, 1987.*

Frank, Lawrence. Victorian Detective Fiction and the Nature of Evidence. (Palgrave Studies in Nineteenth-Century Writing and Culture). Oxford: Oxford UP, 2003.

Frierson, William C. The English Novel in Transition, 1885-1940. Norman (OK): U of Oklahoma P, 1942.

Gallagher, Catherine. The Industrial Reformation of English Fiction: Social Discourse and Narrative Form, 1832-1867. Chicago: U of Chicago P, 1985.

Garrett, Peter K. Scene and Symbol from George Eliot to James Joyce: Studies in Changing Fictional Mode. New Haven, 1969.

_____. The Victorian Multiplot Novel: Studies in Dialogical Form. New Haven: Yale UP, 1980.*

Garside, Peter. "Politics and the Novel 1780-1830." In The Romantic Period. Ed. David B. Pirie. Vol. 5 of the Penguin History of Literature. Harmondsworth: Penguin, 1994. 49-86.*

Gilbert, Pamela. Disease, Desire and the Body in Victorian Women's Popular Novels.

Gilmour, Robin. The Idea of the Gentleman in the Victorian Novel. London: Allen, 1981.

_____. The Novel in the Victorian Age. London: Arnold, 1986.*

Gordon, Jan B. Gossip and Subversion in Nineteenth-Century British Fiction: Echo's Economies. Basingstoke: Macmillan, 1996.

Grosz, Konrad, Kurt Müller, and Meinhard Winkgens, eds. Das Natur / Kultur Paradigma in der english-sprachigen Erzählliteratur des 19. und 20. Jahrhunderts. Festschrift zum 60. Geburtstag von Paul Goetsch. Tübingen: Narr, 1994.

Guy, Josephine M. The Victorian Social-Problem Novel: The Market, the Individual and Communal Life. Basingstoke: Macmillan, 1996.

Haggerty, George E. "The Gothic Novel, 1764-1824." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 220-46.*

Hall, Donald E. Fixing Patriarchy: Feminism and Mid-Victorian Male Novelists. Basingstoke: Macmillan, 1996.

Hardy, Barbara. Forms of Feeling in Victorian Fiction. London: Methuen, 1985.*

Harman, Barbara Leah. The Feminine Political Novel in Victorian England. Charlottesville: UP of Virginia, 1998. (Gaskell, Brontë, Meredith, Elizabeth Robins).

Harris, Wendell. British Short Fiction in the Nineteenth Century. Detroit, 1979.

Harvey, John R. Victorian Novelists and Their Illustrators. London, 1970.

Harvie, Christopher. The Centre of Things: Popular Fiction in Britain from Disraeli to the Present. London: Routledge, 1991.

Hauser, Arnold. "IX. Naturalismo e impresionismo." In Hauser, Historia social de la literatura y el arte. II: Desde el rococó hasta la época del cine. Barcelona: DeBols!llo, 2004. 247-482.* (1. La generación de 1830. 2. El Segundo Imperio. 3. La novela social en Inglaterra y Rusia. 4. El impresionismo).

Hawthorn, Jeremy, ed. The Nineteenth-Century British Novel. London: Arnold, 1986.*

Heilmann, Ann. New Woman Fiction: Fin-de-Siècle Feminism. Houndmills: Macmillan, 2000.

Henkin, Leo J. Darwinism in the English Novel, 1860-1910: The Impact of Evolution on Victorian Fiction. 1940. New York: Russell and Russell, 19

Hidalgo, Pilar. "Lecturas feministas de textos narrativos victorianos." In Actas del XII Congreso Nacional de la Asociación Española de Estudios Anglo-Norteamericanos. Alicante: AEDEAN, 1991. 85-98.*

_____. "La novela victoriana, 1840-1880." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 107-46.

Horowitz, Evan. "Industrialism and the Victorian Novel." In The Oxford Handbook of the Victorian Novel. Ed. L. Rodensky. Oxford: Oxford UP, 2013. 357-76.

Horsman, Alan. The Victorian Novel. Oxford: Clarendon, 1990.

_____. The Victorian Novel. Vol. XIII of The Oxford History of English Literature (orig. Vol. XI part 1). Oxford: Oxford UP.

James, Henry. Literary Criticism: Essays on Literature: American Writers, English Writers. New York: Library of America, 1984.

Jenkins, Alice, and Juliet John. "Introduction." In Rereading Victorian Fiction. Ed. Alice Jenkins and Juliet John. Houndmills: Palgrave, 2000. 2002. 1-12.*

_____, eds. Rereading Victorian Fiction. Foreword by John Sutherland. Houndmills: Palgrave, 2000. Corr. pbk. 2002.*

Johnson, John A., Joseph Carroll, Jonathan Gottschall, and Daniel J. Kruger. "Hierarchy in the Library: Egalitarian Dynamics in Victorian Novels." Evolutionary Psychology 6 (2008): 715-38.

_____. "Portrayal of Personality in Victorian Novels Reflects Modern Research Findings but Amplifies the Significance of Agreeableness." Journal of Research in Personality (2010).

doi: 10.1016/j.jrp.2010.11.011

Karl, Frederick R. A Reader's Guide to the Nineteenth Century British Novelists. New York: Noonday, 1964.

Kelly, Gary. The English Jacobin Novel, 1780-1805. Oxford, 1976. (Bage, Holcroft, Inchbald, Godwin).

_____. English Fiction of the Romantic Period, 1789-1830. (Longman Literature in English Series). London: Longman, 1989.

Kettle, Arnold. "The Early Victorian Social-Problem Novel." In The Pelican Guide to English Literature: From Dickens to Hardy. Ed. Boris Ford. Harmondsworth: Penguin, 1958.

Kiely, Robert. The Romantic Novel in England. Cambridge (MA), Harvard UP, 1972.

Klaus, Patricia Otto. "Women in the Mirror: Using Novels to Study Victorian Women." In The Women of England from Anglo-Saxon Times to the Present. Ed. Barbara Kanner. Hamden, 1979.

Kranidis, Rita. Subversive Discourse: The Cultural Production of Late Victorian Feminist Novels. New York: St. Martin's, 1995.

Kucich, John. The Power of Lies: Transgression in Victorian Fiction. (Reviewed by Ivan Kreilkamp). Novel (Winter 1996): 253-55.*

_____. Repression in Victorian fiction: Charlotte Brontë, George Eliot, and Charles Dickens. Berkeley; Los Angeles; London: University of California Press, 1987.

Larson, Jil. "Sexual Ethics in Fiction by Thomas Hardy and the New Woman Writers." In Rereading Victorian Fiction. Ed. Alice Jenkins and Juliet John. Houndmills: Palgrave, 2000. 2002. 159-72.*

Law, Graham. Novels in Newspapers: Fiction Serialisation and Syndication in the Victorian Press. Houndmills: Macmillan, 2000.

Leavis, F. R. The Great Tradition. London: Chatto & Windus, 1948.

_____. The Great Tradition: George Eliot, Henry James, Joseph Conrad. Harmondsworth: Penguin, 1983.*

Leavis, Q. D. The Englishness of the English Novel. Vol. 1 of Collected Essays. Ed. G. Singh. Cambridge: Cambridge UP, 1983.

Lefkovtitz, L. H. The Character of Beauty in the Victorian Novel. Ann Arbor: UMI Research Press, 1987.

Levenson, Michael. Modernism and the Fate of Individuality: Character and Novelistic Form from Conrad to Woolf. 1991.

Levine, George. The Realistic Imagination: English Fiction from Frankenstein to Lady Chatterley. Chicago: U of Chicago P, 1981.

_____. Darwin and the Novelists: Patterns of Science in Victorian Fiction. Cambridge (MA): Harvard UP, 1988.

_____. Darwin and the Novelists: Patterns of Science in Victorian Fiction. Chicago: U of Chicago P, 1991. Online in Google Books:



http://books.google.es/books?id=YEE1NP5kx_gC

2010


Logan, Peter Melville. Nerves and Narratives: A Cultural History of Hysteria in 19th Century British Prose.

López Ortega, Ramón. Movimiento obrero y novela inglesa. Salamanca: Ed. de la Universidad de Salamanca, 1976.*

Lovell, Terry. Consuming Fiction. London: Verso-New Left Books, 1987.*

Lubbock, Percy. The Craft of Fiction. London: Cape, 1921.

Marshall, Gail. Victorian Fiction. (Contexts series). London: Arnold, 2002.

Masson, David. British Novelists and Their Styles. London: Macmillan,1859.

_____. "British Novelists since Scott." Select. from British Novelists and Their Styles. In Eigner and Worth 148-58.

Mayo, R. D. The English Novel in the Magazines, 1740-1815. London, 1962.

Michie, Elsie. Outside the Pale: Cultural Exclusion, Gender Difference, and the Victorian Woman Writer. Rev. by Caroline McCracken-Flesher. Novel: A Forum on Fiction 28 (1995): 352.*

Mellor, Anne K. "A Novel of Their Own: Romantic Women's Fiction, 1790-1830." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 327-51.*

Mendes, Peter. Clandestine Erotic Fiction in English 1800-1930: A Bibliographical Study. Aldershot: Scorla Press; Brookfield (VT): Ashgate Publishing, 1993. Rev. in English Literature in Transition 37.3 (1994).

Meyer, Susan. Imperialism at Home: Race and Victorian Women's Fiction. 1996.

Mighall, Robert. A Geography of Victorian Gothic Fiction: Mapping History's Nightmares. Oxford: Oxford UP, 1999.

Milbank, Alison. Daughters of the House: Modes of Gothic in Victorian Fiction. London: Macmillan, 1992.

Miles, Robert. Gothic Writing, 1750-1820: A Genealogy. London: Routledge, 1993.*

Miller, J. Hillis. "Some Implications of Form in Victorian Fiction." Comparative Literature Studies 3.2 (1966): 109-18. Rpt. in Mansions of the Spirit: Essays in Religion and Literature. New York: Hawthorn, 1967. 200-12.

_____. The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith and Hardy. Notre Dame: U of Notre Dame P, 1968. 2nd ed.: Cleveland: Arete, 1979.

Moir, George. Treatises on Poetry, Modern Romance, and Rhetoric: Being the Articles on Those Heads, Contributed to the Encyclopaedia Britannica, Seventh Edition. 1839.

Murray, David Christine. My Contemporaries in Fiction. London, 1897.

Musselwhite, David E. Partings Welded Together: Politics and Desire in the Nineteenth-Century English Novel. London: Methuen, 1987.

Newton, Judith Lowder. Women, Power, and Subversion: Social Strategies in British Fiction, 1778-1860. Athens (GA): U of Georgia P, 1981.

O'Gorman, Francis, ed. The Victorian Novel. (Blackwell Guides to Criticism). Oxford: Blackwell, 2002.

_____, A Concise Companion to the Victorian Novel. (Concise Companions to Literature and Culture). Oxford: Blackwell, 2004.

Paulson, Ronald. The Fictions of Satire. Baltimore, 1967.

_____. Satire and the Novel in Eighteenth-Century England. New Haven: Yale UP, 1967.

Perera, Suvendrini. Reaches of Empire: The English Novel from Edgeworth to Dickens. New York: Columbia UP, 1991.

Phelps, William Lyon. The Advance of the English Novel. New York: Dodd, Mead, 1916.

Philmus, Robert M. Into the Unknown: The Evolution of Science Fiction from Francis Godwin to H.G. Wells. Berkeley: U of California P, 1970.

Poster, Carol. "Oxidization is a Feminist Issue: Acidity, Canonicity, and Popular Victorian Female Authors." College English 58.3 (March 1996): 287-306.*

Praz, Mario. The Hero in Eclipse in Victorian Fiction. 1956. London: Oxford UP, 1969.

Pykett, Lyn. The Sensation Novel: From The Woman in White to The Moonstone. (Writers and Their Work). Plymouth: Northcote House/British Council, 1994.*

_____, ed. Reading Fin de Siècle Fictions. Ed. Lyn Pykett. (Longman Critical Readers). London and New York: Longman, 1996.*

Qualls, Barry V. The Secular Pilgrims of Victorian Fiction: The Novel as Book of Life. Cambridge: Cambridge UP, 1982.

Rader, Ralph. "A Comparative Anatomy of Three 'Baggy Monsters': Bleak House, Vanity Fair, Middlemarch." The Journal of Narrative Technique 19.1 (Winter 1989): 49-69.

Raleigh, Walter (Sir). The English Novel. 1894.

Rathburn, Robert C., and Martin Steinmann, Jr., eds. From Jane Austen to Joseph Conrad. Minneapolis: U of Minnesota P, 1958.

"Recent Works of Fiction." 1853. Extract in Eigner and Worth 84-92.

Regan, Stephen, ed. The Nineteenth-Century Novel: A Critical Reader. London: Routledge, 2001. (English novel).

Rennhak, Katharina. 'Cross-Gendering' und die Konstruktion männlicher Identitäten in Romanen von Frauen um 1800. (Studien zur Englischen Romantik, 13). Trier: wvt, 2013.

Richter, David H. The Progress of Romance: Literary Historiography and the Gothic Novel. Columbus: Ohio State UP, 1996.*

Ritchie, Anne Thackeray. A Book of Sibyls. 1883.

Robbins, Ruth. "The Persistence of Realism." In Robbins, Pater to Forster, 1873-1924. (Transitions). Oxford: Oxford UP, 2003.

_____. "Masculine Romance, Cultural Capital, and Crisis." In Robbins, Pater to Forster, 1873-1924. (Transitions). Oxford: Oxford UP, 2003.

Rodensky, L., ed. The Oxford Handbook of the Victorian Novel. Oxford: Oxford UP, 2013.

Sadoff, Dianne F. Victorian Vogue: British Novels on Screen. 2010.

Saintsbury, George. The English Novel. London: Dent, 1913.

Sanders, Andrew. The Victorian Historical Novel 1840-1880. London: Macmillan, 1978.

_____. "'Sixty Years Since': Victorian Historical Fiction from Dickens to Eliot." In Telling Histories: Narrativizing History, Historicizing Literature. Ed. Susana Onega. Amsterdam: Rodopi, 1995. 21-29.*

Sanders, Valerie. Eve's Renegades: Victorian Anti-Feminist Women Novelists. Basingstoke: Macmillan, 1996.

Santaulària, Isabel. "Un estudio en negro: la ficción de detectives anglosajona, de sus orígenes a la actualidad." In Género y cultura popular. Ed Isabel Clúa. Bellaterra: Edicions UAB, 2008.

Schmitt, Cannon. Alien Nation: Nineteenth-Century Gothic Fictions and English Nationality. (New Cultural Studies). Philadelphia: U of Pennsylvania P, 1997.*

Shaw, Marion. "'To Tell the Truth of Sex': Confession and Abjection in Late Victorian Writing." In Rewriting the Victorians. Ed. Linda M. Shires. London: Routledge, 1992. 87-100.*

Simon, Irène. Formes du Roman anglais de Dickens à Joyce. 1949.

Showalter, Elaine. A Literature of Their Own: British Women Novelists from Brontë to Lessing. Princeton: Princeton UP, 1977.

_____. "Syphilis, Sexuality, and the Fiction of the Fin de Siècle." In Reading Fin de Siècle Fictions. Ed. Lyn Pykett. (Longman Critical Readers). London and New York: Longman, 1996.

Simmons, James C. "The Novelist as Historian: An Unexplored Tract of Victorian Historiography." Victorian Studies 14 (1971): 293-305.

Skilton, David. The Early and Mid-Victorian Novel. London: Routledge, 1993.

_____. Anthony Trollope and His Contemporaries: A Study in the Theory and Conventions of Mid-Victorian Fiction. 2nd ed. Basingstoke: Macmillan, 1996.

Small, Helen. Love's Madness: Medicine, the Novel, and Female Insanity, 1800-1865. Oxford: Clarendon Press, 1996.

Stang, Richard. The Theory of the Novel in England, 1850-1870. New York: Columbia UP, 1959.

Stewart, Garrett. Dear Reader: The Conscripted Audience in 19th Century British Fiction.

Stone, Donald David. "Victorian Feminism and the Nineteenth-Century Novel." Women's Studies 1 (1972): 65-91.

Sutherland, John A. Victorian Novelists and Publishers. Lonon, 1976.

_____. The Longman Companion to Victorian Fiction. London: Longman, 1988. 1990.*

_____. Victorian Fiction: Writers, Publishers, Readers. London: Macmillan, 1995.

_____. Can Jane Eyre Be Happy? More Puzzles in Classic Fiction. Oxford: Oxford UP, 1997.

_____. Is Heathcliff a Murderer? Great Puzzles in Nineteenth-Century Fiction. (Oxford World's Classics). Oxford: Oxford UP, 1998.

Suvin, Darko. Victorian Science Fiction in the United Kingdom: The Discourses of Knowledge and Power. Boston: G. K. Hall, 1983.

Taylor, Houghton W. The Idea of Locality in English Criticism of Fiction, 1750-1830. Chicago, 1936.

Taylor, John T. Early Opposition to the English Novel: The Popular Reaction from 1760 to 1830. New York: King's Crown Press, 1943.

Tillotson, Kathleen. Novels of the Eighteen-Forties. London: Oxford UP, 1954.

_____. "Novels of the Eighteen-Forties." In The Victorian Novel: Modern Essays in Criticism. Ed. Ian Watt. London: Oxford UP, 1976.*

Thompson, Nicola Diane. Reviewing Sex: Gender and the Reception of Victorian Novels. Basingstoke: Macmillan, 1996.

Trotter, David. "The Avoidance of Naturalism: Gissing, Moore, Grand, Bennett, and Others." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 608-30.*

Trumpener, Katie. Bardic Nationalism: The Romantic Novel and the British Empire. 1997.

Vallins, David. "6. 1775-1825: Affective Landscapes and Romantic Consciousness." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 187-214.*

Villacañas Palomo, Beatriz. "The Woman Novelist in the Victorian Background." In Actas del VII Congreso de la Asociación Española de Estudios Anglo-Norteamericanos. Madrid: Ediciones de la UNED, 1986. 237-44.

Villard, Léonie. La Femme anglaise au XIXe siècle et son évolution d'après le roman anglais contemporain. Paris: Didier, 1920.

Ward, A. W. "XI. The Political and Social Novel: Disraeli, Charles Kingsley, Mrs. Gaskell, 'George Eliot'." In The Cambridge History of English and American Literature, vol. XIII (English) The Victorian Age, part One: The Nineteenth Century, II. Ed. A. W. Ward and A. R. Waller. Online at Bartleby.com

http://www.bartleby.com/223/index.html

2012


Warhol, Robyn. Gendered Interventions: Narrative Discourse in the Victorian Novel. New Brunswick: Rutgers UP, 1989.

Warson, Nicola J. Revolution and the Form of the British Novel, 1790-1825: Intercepted Letters, Interrupted Seductions. Oxford, 1994.

Watt, Ian, ed. The Victorian Novel: Modern Essays in Criticism. London: Oxford UP, 1976.

Weisser, Susan Ostrov.Women and Sexual Love in the British Novel, 1740-1880: A 'Craving Vacancy'. Basingstoke: Macmillan, 1996.

Wheeler, Michael. English Fiction of the Victorian Period, 1830-1900. 2nd ed. (Longman Literature in English Series). London: Longman, 1994.

Wiesenfarth, Joseph. Gothic Manners and the Classic English Novel. Madison: U of Wisconsin P, 1988.

Wilde, Alan. The English Novel from Dickens to Lawrence. London, 1970.

Williams, Raymond. "The Industrial Novels." In Williams, Culture and Society 1780-1950. London: Chatto, 1958. 87-109.

_____. The English Novel from Dickens to Lawrence. New York: Oxford UP, 1970.

_____. The English Novel from Dickens to Lawrence. London: Paladin, 1974.

_____. The English Novel from Dickens to Lawrence. London: Hogarth, 198-?

_____. "Forms of English Fiction in 1848." In Literature, Politics and Theory. Ed. Francis Barker et al. London: Methuen, 1986. 1-16.*

Willis, Chris. "The Female Moriarty: The Arch-Villainess in Victorian Popular Fiction." In The Devil Himself: Villainy in Detective Fiction and Film. Ed. Stacy Gillis and Philippa Gates. Westport (CT): Greenwood Press, 2002. 57-68.*

Wolfreys, Julian, and Ruth Robbins, eds. Victorian Gothic: The Culture and Literature of Dis-Ease and Desire. Houndmills: Macmillan, 1999. (Le Fanu, Dickens, Julia Margaret Cameron, Mary Elizabeth Coleridge, Vernon Lee, Oscar Wilde, Richard Marsh, H. Rider Haggard, Kipling, Hopkins).

Young, Arlene. Culture, Class and Gender in the Victorian Novel: Gentlemen, Gents and Working Women. Houndmills: Macmillan, 1999. (Dickens, Gissing, Dinah Mulock Craik, Margaret Oliphant, Amy Levy, Grant Allen, H. G. Wells, Arnold Bennett, May Sinclair).

Young, W. T. "XIII. Lesser Novelists. " In The Cambridge History of English and American Literature, vol. XIII (English) The Victorian Age, part One: The Nineteenth Century, II. Ed. A. W. Ward and A. R. Waller. Online at Bartleby.com



http://www.bartleby.com/223/index.html

2012


_____. "XIV. George Meredith, Samuel Butler, George Gissing." In The Cambridge History of English and American Literature, vol. XIII (English) The Victorian Age, part One: The Nineteenth Century, II. Ed. A. W. Ward and A. R. Waller. Online at Bartleby.com

http://www.bartleby.com/223/index.html

2012


Anthologies
British Women Novelists 1750-1850. (Collection). Introds. Peter Garside and Carolyn Franklin. London: Routledge/Thoemmes, 1992.

Cox, Michael, ed. Victorian Tales of Mystery and Detection. Oxford: Oxford UP, 1992.

Bibliographies
Garside, Peter, and Rainer Schöwerling. The English Novel 1770-1829: A Bibliographical Survey of Prose Fiction Published in the British Isles. Vol. 2, 1800-1829. Oxford: Oxford UP, 2000.

Internet resources



19thNovels.com: 19th century English Novels

http://www.19thnovels.com/

2011
The Nineteenth-Century English Novel. In Lilia Melani's website,



http://academic.brooklyn.cuny.edu/english/melani/

2004-10-24




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