A bibliography of Literary Theory, Criticism and Philology


s Rabinovitz, Rubin. The Reaction against Experiment in the English Novel 1950-1960. New York: Columbia UP, 1967. 70s



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50s
Rabinovitz, Rubin. The Reaction against Experiment in the English Novel 1950-1960. New York: Columbia UP, 1967.

70s
Kenyon, Olga. Women Novelists Today. A Survey of English Writing in the Seventies and Eighties. London: Harvester Wheatsheaf, 1988.

Massie, Allan. The Novel Today: A Critical Guide to the British Novel 1970-1989. London: Longman / British Council, 1990.

Rushdie, Salman. "The Raj Revival." Observer 1 April 1984: 8.

Wheeler, Kathleen M. "Constructions of Identity in Post-1970 Experimental Fiction." In An Introduction to Contemporary Fiction: International Writing in English since 1970. Ed. Rod Mengham. Cambridge: Polity; Oxford and Malden (MA): Blackwell, 1999. 15-31.*




80s
Amis, Martin. "The State of Fiction: A Symposium." New Review 18 (1984).

Best of Young British Novelists. Granta 7 (1983).

Bigsby, Chistopher. "Backwards to the Future." (Contemporary British novel). Actas del XV Congreso de AEDEAN. Logroño: Colegio Universitario de La Rioja, 1993. 29-38.

Cunningham, Valentine. "Facing the New." (British fiction of the 80s.). In New Writing. Ed. M. Bradbury and J. Cooke. London: Minerva/British Council, 1992. 229-42.*

Duffy, Maureen. "New Trends in British Fiction." In Actas del XII Congreso Nacional de la Asociación Española de Estudios Anglo-Norteamericanos. Alicante: AEDEAN, 1991. 69-72.

Duperray, Max, ed. Historicité et métafiction dans le roman contemporain des Iles britanniques. Aix-en-Provence: Publications de l'Université de Provence, 1994.

Elias, Amy J. "Meta-mimesis? The Problem of British Postmodern Realism." In British Postmodern Fiction. Ed. Theo D'haen and Hans Bertens. Amsterdam: Rodopi, 1993. 9-31.

Fokkema, Aleid. Postmodern Characters: A Study of Characterization in British and American Postmodern Fiction. Amsterdam: Rodopi, 1991.*

Kemp, Peter. "British Fiction of the 1980s." In New Writing. Ed. M. Bradbury and J. Cooke. London: Minerva/British Council, 1992. 216-28.*

Kenyon, Olga. Women Novelists Today. A Survey of English Writing in the Seventies and Eighties. London: Harvester Wheatsheaf, 1988.

Lasdun, James. "Life's Victims: Recent Fiction." Encounter 62.1 (1984): 69-73.

Massie, Allan. The Novel Today: A Critical Guide to the British Novel 1970-1989. London: Longman / British Council, 1990.

Onega, Susana. "The British Novel in the 80s: Historiographic Metafiction, The Way Ahead?" XIV Congreso de AEDEAN. Bilbao: Servicio Editorial de la Universidad del País Vasco, 1992. 81-96.

_____. "British Historiographic Metafiction in the 1980s." In British Postmodern Fiction. Ed. Theo D'haen and Hans Bertens. Amsterdam: Rodopi, 1993. 47-60.

_____. "British Historiographic Metafiction." In Metafiction. Ed. Mark Currie. London: Longman, 1995.

_____. "Self, Text and World in British Historiographic Metafiction." Anglistik 6.2 (Sept. 1995): 93-106.*

_____. "The Mythical Element in British Historiographic Metafiction." EJES 2 (Special issue on Modernism and Postmodernism, Fall 1995).

Wheeler, Kathleen M. "Constructions of Identity in Post-1970 Experimental Fiction." In An Introduction to Contemporary Fiction: International Writing in English since 1970. Ed. Rod Mengham. Cambridge: Polity; Oxford and Malden (MA): Blackwell, 1999. 15-31.*

Wood, Michael. "The Contemporary Novel." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 961-88.



90s
Byatt, A. S. "Telescope, Microscope, Kaleidoscope: Contemporary British Fiction." Boletín informativo AEDEAN (November 1997): 67-70.*

Concha, Angeles de la, et al. "Narrativa inglesa contemporánea: el presente y la memoria" A Distancia (Autumn 1997): 158-165.

_____."Cosmovisiones postmodernas: Nuevas perspectivas en la novela inglesa." Panel discussion summary. In Actas del 25º Congreso AEDEAN, Granada 2001. CD-ROM. Granada: U de Granada: Departamento de Filología Inglesa, 2002.*

Del Ivan, Janik. "No End of History: Evidence from the Contemporary English Novel." Twentieth Century Literature 41.2 (1995)*

Delbaere-Garant, Jeanne. "Psychic Realism, Mythic Realism, Grotesque Realism: Variations on Magical Realism in Contemporary Literature in English." In Magical Realism. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham: Duke UP, 1995. 249-64.*

Galván, Fernando. "From Beyond the Oceans and Into the Mainstream: On Contemporary British Fiction." Op.Cit. 1 (1998): 47-60.*

Lázaro, Luis Alberto. "Political Satire in Contemporary British Fiction: The State of the Art." In First International Conference on English Studies: Past, Present and Future: Costa de Almería, 19-25 de Octubre, 1997. Ed. Annette Gomis et al. CD-ROM. Almería: U de Almería, n.d. [2001]*

López-Peláez Casellas, Jesús. "Fiction of the Left: Class and Beyond in the Narrative of the Nineteen Nineties." RANAM: Recherches anglaises et nord-américaines no. 36 (2003): ESSE 6—Strasbourg 2002. 1- Literature. Gen. ed. A. Hamm. Sub-eds. Claire Maniez and Luc Hermann. Strasbourg: Université Marc Bloch, Service des périodiques, 2003. 69-77.*

Lozano, María. "'How You Cuddle in the Dark Governs How You See the History of the World': A Note on Some Obsessions in Recent British Fiction." In Onega, Telling Histories: Narrativizing History, Historicizing Literature. Amsterdam: Rodopi, 1995. 1170-34.*

Maes-Jelinek, Hena. "Postmodernism and Its Others: Cross-Cultural Counterpoints in British Fiction." Anglistik 8.1 (March 1997): 61-74.*

Marín Lajusticia, Juan Mª. "La nueva narrativa británica." Babelia. El País 7 Sept. 1996: 10-11.

Moliner Marín, María Pilar, and José Ramón Prado Pérez. "Images of Popular Culture in British Fiction of the 1990s." In First International Conference on English Studies: Past, Present and Future: Costa de Almería, 19-25 de Octubre, 1997. Ed. Annette Gomis et al. CD-ROM. Almería: U de Almería, n.d. [2001]*

Monteith, Sharon, Jenny Newman and Pat Wheeler. Contemporary British and Irish Fiction: An Introduction through Interviews. London: Routledge, 2004. (Pat Barker, A. S. Byatt, Roddy Doyle, Allan Hollinghurst, Hanif Kureishi, Bernard MacLaverty, Michèle Roberts, Barry Unsworth, Fay Weldon, Irvine Welsh).

Onega, Susana. "Mito y metaficción en la novela histórica inglesa actual." Actas del VII Congreso Internacional de la Asociación Española de Semiótica. Ed. José Angel Blesa Lalinde. 1998.

Pérez Rodríguez, Eva M. How the Second World War Is Depicted by British Novelists since 1990: The Passage of Time Changes Our Portrayal of Traumatic Events. Lewinston, Queenston, Lampeter: Edwin Mellen, 2012.

Todd, Richard, and Luisa Flora, eds. Theme Parks, Rainforests and Sprouting Wastelands: European Essays on Theory and Performance in Contemporary British Fiction. Amsterdam: Rodopi, 1998.

Wheeler, Kathleen M. "Constructions of Identity in Post-1970 Experimental Fiction." In An Introduction to Contemporary Fiction: International Writing in English since 1970. Ed. Rod Mengham. Cambridge: Polity; Oxford and Malden (MA): Blackwell, 1999. 15-31.*

Wood, Michael. "The Contemporary Novel." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 961-88.*




21st-century British fiction
Acheson, James. The Contemporary British Novel since 2000. Edinburgh: Edinburgh UP, 2017.

Arizti, Bárbara, and Silvia Martínez-Falquina, eds. On the Turn: The Ethics of Fiction in Contemporary Narrative in English. Newcastle: Cambridge Scholars Publishing, 2007.

Bentley, Nick. Contemporary British Fiction. (Edinburgh Critical Guides to Literature). Edinburgh: Edinburgh UP.

Birks, Dorothee. Memory's Fragile Power: Crises of Memory, Identity and Narrative in Contemporary British Novels. 2008.

Ganteau, Jean-Michel, and Susana Onega Jaén, eds. Trauma and Romance in Contemporary British Literature. New York: Routledge, 2013.

González Rodríguez, Mª Luz. Juan Ignacio Oliva Cruz and Nieves Pascual. "Representations of Gendered Pain in Contemporary British Writing." Abstract. In Actas XXVIII Congreso Internacional / International Conference AEDEAN. CD-ROM. Valencia: U de València, 2005.*

Gutleben, Christian. "Phallus in Fabula: The Shameless Abuse of Victorian Intertextuality in Contemporary British Fiction." In Symbolism Vol. 5 (2005) – ("Special Focus: Intertextuality"). Brooklyn (NY): AMS Press, 2005. 151-67.*

Kohlke, Marie-Luise, and Christian Gutleben, eds. Neo-Victorian Tropes of Trauma: The Politics of Bearing After-Witness to Nineteenth-Century Suffering. Amsterdam: Rodopi, 2010.

Mergenthal, Silvia. "'Whose City?' Contested Spaces and Contesting Spatialities in Contemporary London Fiction." In London in Literature: Visionary Mappings of the Metropolis. Ed. Susana Onega and John A Stotesbury. Heidelberg: Winter, 2002. 123-39.*

Monaghan, Nicola. "Getting Your First Novel Published." In The Writer's Handbook 2009. Ed. Barry Turner. Houndmills: Palgrave Macmillan, 2008.

Mydla, Jacek, and Aleksandra Musial. Rev. of How the Second World War Is Depicted by British Novelists since 1990: The Passage of Time Changes Our Portrayal of Traumatic Events. By Eva M. Pérez Rodríguez. Atlantis 36.2 (Dec. 2014): 243-47.*

Onega, Susana, and Jean-Michel Ganteau, eds. Ethics and Trauma in Contemporary British Fiction. Amsterdam: Rodopi, 2011.

Pérez Fernández, Irene. "Representing Third Spaces, Fluid Identities and Contested Spaces in Contemporary British Literature." Atlantis 31.2 (Dec. 2009): 143-60.* (Andrea Levy, Monica Ali, Zadie Smith).

Pérez Rodríguez, Eva M. How the Second World War Is Depicted by British Novelists since 1990: The Passage of Time Changes Our Portrayal of Traumatic Events. Lewinston, Queenston, Lampeter: Edwin Mellen, 2012.

Vianu, Lidia. The AfterMode: Present Day English Fiction. Bucharest: Contemporary Literature Press / U of Bucharest / British Council / Romanian Cultural Institute, 2012. (Joyce, Peter Ackroyd, Martin Amis, Julian Barnes, Malcolm Bradbury, A.S. Byatt, Angela Carter, Tracy Chevalier, Jonathan Coe, Helen Fielding, Laura Hird, Kazuo Ishiguro, Hanif Kureishi, Doris Lessing, David Lodge, Ian McEwan, Timothy Mo, Salman Rushdie, Graham Swift, Rose Tremain, and Jeanette Winterson).
Internet resources

Contemporary Narrative in English Research Group (Departamento de Filología Inglesa y Alemana, U de Zaragoza; dir. Susana Onega).

http://cne.literatureresearch.net/

2008
Series

(Contemporary British Novelists). Manchester: Manchester UP 2010.



(Contemporary Novelists Series). Manchester: Manchester UP, 2006.
(New British Fiction). Houndmills: Palgrave Macmillan, 2009.


See also Salman Rushdie, Zadie Smith, David Lodge.

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