AP English Language and Composition 2014-2015
Albertville High School
Instructor
Jessica Seay Stewart
AHS room D206
256-894-5000 (AHS)
jstewart@albertk12.org
@stewyclassroom
seaystewart.weebly.com
Student Text
The Language of Composition: Reading, Writing, Rhetoric, 2nd Edition—Renée H. Shea, Lawrence Scanlon, and Robin Dissin Aufses
Texts Referenced
50 Essays: A Portable Anthology, 3rd Edition—Samuel Cohen, ed
A Writer’s Reference, 7th Edition—Diana Hacker and Nancy Sommers
Conversations in American Literature: Language, Rhetoric, and Culture—Robin Dissin Aufses, Renée H. Shea, Lawrence Scanlon, and Kate Aufses
Everything’s an Argument, 5th Edition—Andrea A. Lunsford and John J. Ruszkiewicz
Sentence Composing for College: A Worktext—Don Killgallon
The Norton Sampler Short Essays for Composition, 8th Edition—Thomas Cooley
**“Straw Into Gold: The Metamorphosis of the Everyday”—Sandra Cisneros
**Into the Wild—Jon Krakauer
*The Glass Castle—Jeannette Walls
**The Great Gatsby—F. Scott Fitzgerald
*The Immortal Life of Henrietta Lacks—Rebecca Skloot
*The Pilgrim at Tinker Creek—Annie Dillard
The Scarlett Letter—Nathaniel Hawthorne
*Unbroken—Laura Hillenbrand
*These books will need to be purchased, but please wait until announced, as we may not have time for all of them.
**Summer reading.
Course Summary
Aligned to an introductory college-level rhetoric and writing curriculum, the AP English Language and Composition course assists students in becoming skilled readers and writers through engagement with multiple composition forms for a variety of purposes. The reading and writing completed in the course makes students aware of the associations among a writer’s purposes, audience’s expectations, and subjects in addition to the conventions of language and their effectiveness in writing.
Students should be able to read and comprehend college-level texts and demonstrate control of standard English grammar within their writing. The heightened focus on the use of language will elevate the student’s ability to use grammatical conventions both relevantly and with increased articulation contributing to the development of stylistic maturity in writing. Stylistic development is nurtured by emphasizing a wide-ranging vocabulary; a variety of sentence structures; a logical organization, enhanced by specific techniques to increase coherence; a balance of generalizations and specific illustrative detain; and an effective rhetoric, including controlling tone and establishing and maintaining voice.
Since junior English is traditionally American Literature, this class aims to fulfill the requirements set by the College Board with a focus on American writers (but not exclusively). The course is organized thematically, and the curriculum will include major works by American writers from a variety of genres, styles, and ethnic backgrounds. Through this critical and comprehensive study, students will develop a deeper understanding of the main issues and movements shaping American culture today. Above all, this class is about ideas. Our readings will come from all areas of thought and exploration — science, law, politics, history, philosophy and psychology. Students will need to be insightful, careful readers so classroom discussions on those subjects will be meaningful and lively.
Course Objectives
Upon successful completion of the AP English Language and Composition course,
students should be able to:
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analyze and interpret a variety of literary forms, identifying and explaining the author’s use of rhetorical strategies and techniques;
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create and sustain arguments based on research and experience and document as necessary using MLA format;
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demonstrate understanding and mastery of standard written English as well as stylistic maturity in their own writing;
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complete acceptable written assignments in a variety of genres and contexts, both formal and informal employing appropriate strategies, conventions, and techniques (including, but not limited to, personal essay, literary analysis, documented research paper, critical review, timed essay responses);
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move effectively through the stages of he writing process, with careful attention to inquiry and research, drafting, revising, and editing;
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discuss the historical and cultural development of American literature;
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write under time constraints; and
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read and analyze a minimum of seven longer works.
Course Specifics
Assignments
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Not all assignments given in this class will be graded. Some assignments made are intended to prepare the student for successful completion of a major assignment, project, or assessment. Students are expected to complete all reading and writing assignments thoughtfully and on time.
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No late daily work is allowed for any reason.
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No credit is given for work missed on the day of a group discussion or presentation. Although any written components prepared prior to the discussion or presentation must still be turned in, an alternative assignment is given for the work missed on the day of the absence.
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Since the due date for essays are given in advance, no late essays are accepted. If you are absent on the day an essay or any other long-term project or assignment is due, you must either email the assignment or have someone bring the work to school for you.
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Extra credit assignments will not be given in this course.
Grading
Student’s grades will be categorized with formative and summative assessment making up 60% of the average and dailies and projects/Socratic seminars making up the remaining 40%. Each graded assignment or activity will be assigned to a designated category based on its complexity and overall importance to the objectives of the class. To earn the “guaranteed” A/B, a student cannot have any missed assignments or late work.
Class Supplies
Students are expected to bring all necessary materials to class every day. In addition, students will need to keep a notebook of everything completed or received as part of this course: assignments, strategies, styles, class notes, informal writing, major compositions (arguments), timed writings, multiple-choice practices and quizzes, and additional reading handouts. Students should always have plenty of loose-leaf notebook paper, pencils, pens (blue, black, red only), and highlighters (yellow, green, and blue). Students should have a flash drive as well. A two-inch binder with 8-10 dividers is recommended. In addition, a good thesaurus/dictionary would be beneficial.
Advanced Placement Exam
Each AP course has a corresponding exam that participating schools worldwide administer in May. The AP Language and Composition Exam will take place Wednesday, May 13, 2015 at 8am.
There is a multiple-choice section with four passages and 54-58 questions; students will have 60 minutes to complete the multiple-choice portion of the exam. The primary focus is on rhetorical analysis. There are usually two pre-Twentieth Century passages.
The second part of the exam is writing—rhetorical analysis, synthesis, and argument. The free response portion is timed for 120 minutes, with 15 minutes reading time for the synthesis essay.
Course Overview
First Nine Weeks
--An Introduction to Rhetoric, Close Reading, Argument Analysis, Source Synthesis, and Purposeful Writing
--Summer Reading Overview: Into the Wild, Jon Krakauer; The Great Gatsby, F. Scott Fitzgerald; and “Straw Into Gold: The Metamorphosis of the Everyday,” Sandra Cisneros
Essential Question: What, if anything, should be changed in our schools to better prepare students as future citizens?
Readings:
Narrative of the Life of Frederick Douglass, An American Slave
“I Know Why the Caged Bird Cannot Read,” Francine Prose
From Education, Ralph Waldo Emerson
“A Talk to Teachers,” James Baldwin
“Superman and Me,” Sherman Alexie
“Me Talk Pretty One Day,” David Sedaris
Visual The Spirit of Education, Norman Rockwell
“In Praise of the ‘F’ Word,” Mary Sherry
“Learning to Read” Malcolm X. (teacher handout) from www.scf.usc.edu
**Various current event articles and any other important writings pertaining to education
Assessments:
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Summer Reading: “Non-Fiction Analysis” for Into the Wild (transcendentalist tendencies exhibited by McCandless and Krakauer); The Great Gatsby “Argumentative Elements of Great Lit” (explaining any essential argument Fitzgerald makes in a multi-paragraph essay providing textual evidence to support claim); and comparison notes for “Straw Into Gold: A Metamorphosis of the Everyday” and the fairy tale “Rumpelstiltskin.”
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Sentence Compositions using Don Killgallon’s Sentence Composing for College
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Multiple Choice Practice (timed and untimed test items)
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Terms Tests for rhetorical and argument terminology, including fallacies, and style elements from The Language of Composition glossary (chapters 1-4)
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Grammar as Rhetoric and Style Skills Reviews
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Compositions: Compare/Contrast, Argument (timed), and Synthesis Research Essay
Essential Question 1: What is the relationship of the individual to the community?
Readings:
“Letter from Birmingham Jail,” Martin Luther King, Jr.
“Where I Lived, and What I Lived For,” Henry David Thoreau
Aria, Richard Rodriquez
“The Family that Stretches (Together),” Ellen Goodman
“Health and Happiness,” Robert D. Putnam
“Facebook Friendonomics,” Scott Brown
“Small Change: Why the Revolution Will Not Be Tweeted,” Malcolm Gladwell
**Various current event articles and any other important writings pertaining to the community
Visual Texts:
“The Last Thanksgiving,” Roz Chast
Freedom from Want, Norman Rockwell
Nissan Ad: “The Black Experience is Everywhere”
Assessments:
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Using graphic organizer, identify aspects of the rhetorical situation on a passage from “Letter from Birmingham Jail,” and write a synthesis statement bringing all the elements together.
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Use the Toulmin method to examine the argument in the Nissan advertisement (group work). Then, individually, students will find an advertisement of their own and repeat the process.
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Compositions: Rhetorical Analysis (timed) and Definition/Argument
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Timed Multiple Choice Practice Tests
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Grammar as Rhetoric and Style Skills Reviews
Essential Question 2: What effect does the economy have on our everyday lives?
Readings:
“Serving in Florida,” from Nickel and Dimed, Barbara Ehrenreich
“A Modest Proposal,” Jonathan Swift
Excerpt from The Roots of Honor, John Ruskin
“The Atlanta Exposition Address,” Booker T. Washington
“On Dumpster Diving,” Lars Eighner
“The Case for Working with Your Hands,” Matthew B. Crawford
“How to Restore the American Dream,” Fareed Zakaria
**Various current event articles and any other important writings pertaining to the
economy
Assessments:
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Analysis of a rhetorical analysis from Eighner’s “On Dumpster Diving” (student writing from the text). After determining changes that could improve the piece, students will write a brief essay discussing the changes made in the final draft in terms of content, rhetoric, and style, evaluating the success of the revision.
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Position essay in response to questions addressing both microeconomics and macroeconomics from Thoreau’s “Economy.” Students should reference other selections from the chapter and include their personal observations and experiences.
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Grammar as Rhetoric and Style Skills Reviews
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Don Killgallon’s Sentence Composing for College, Using Professional Structures
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Multiple choice timed tests
Essential Question 3: What is the relationship between the citizen and the state?
Readings:
“On Seeing England for the First Time,” Jamaica Kincaid
“On the Duty of Civil Disobedience,” Henry David Thoreau
“The Gettysburg Address,” Abraham Lincoln
“Thoughts on Peace in an Air Raid,” Virginia Woolf
“The Destruction of Culture,” Chris Hedges
“The Apology: Letters from a Terrorist,” Laura Blumenfeld
“The Partly Cloudy Patriot,” Sarah Vowell
“Inaugural Address” John F. Kennedy
“Second Inaugural Address” Abraham Lincoln
“Declaration of Sentiments and Resolutions,” Elizabeth Cady Stanton
**Various current event articles and any other important writings pertaining to politics.
Visual Texts:
Harper’s, April 2003 cover
Pablo Picasso, Guernica (painting)
New Yorker. March 17, 2003 cover
Assessments:
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Composition/Presentation: Satire
Third Nine Weeks
Essential Question 1: What is the impact of the gender roles that society creates and enforces?
Readings:
“Women’s Brains,” Stephen Jay Gould
“Professions for Women,” Virginia Woolf
“The Speech of Miss Polly Baker,” Ben Franklin
“Letters,” John and Abigail Adams
“I Want a Wife,” Judy Brady
“Just Walk on By: A Black Man Ponders His Power to Alter Public Space,” Brent Staples
“There Is No Unmarked Woman,” Deborah Tannen
**Various current event articles and any other important writings pertaining to gender issues
Visual Texts:
Chancellor Seguier at the Entry of Louis XIV into Paris in 1660 (painting)
The Chancellor Seguier on Horseboack (2005, painting)
Marlboro Man (photo)
Assessments:
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Compositions: Synthesis (timed), Letter (imitation of author), Argument (timed), and Personal Narrative
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Grammar as Rhetoric and Style Skills Reviews
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Multiple Choice practice tests
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Essay analyzing the tone of Wolf’s speech
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Don Killgallon’s Sentence Composing for College, Varying Professional Positions
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Begin the process of argument based research paper
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Project--Introduce Nonfiction Author Search Presentation & Paper
Essential Question 2: Do the values impressed upon us through sports shape our self-image?
Readings:
“The Silent Season of a Hero,” Gay Talese
“The Proper Place for Sports,” Theodore Roosevelt
“The Cruelest Sport,” Joyce Carol Oates
“Offensive Play: How Different Are Dogfighting and Football?” Malcolm Gladwell
“Why I Love My Job,” Rick Reilly
“Kill ‘Em, Crush ‘Em, Eat ‘Em Raw!” John McMurtry
**Various current event articles and any other important writings pertaining to sports
Visual Texts:
“The Twelfth Player in Every Football Game” New York World (cartoon)
“Yes!” Sports Illustrated (cover) July 1999
Assessments:
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Compositions: Synthesis Essay, Compare and Contrast Essay
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Grammar as Rhetoric and Style Skills Review
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Multiple Choice practice tests
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Research Project--Argumentative Annotated Bibliography
Fourth Nine Weeks
Essential Question: How does the language we use shape how we think?
Readings:
“Mother Tongue,” Amy Tan
“Politics and the English Language.” George Orwell
“Slang in America,” Walt Whitman
“The ‘F Word, ’” Firoozeh Dumas
“In Plain English: Let’s Make It Official,” Charles Krauthammer
“Always Living in Spanish,” Marjorie Agosin
“How to Tame a Wild Tongue,” Gloria Anzaldua
“Words Don’t Mean What They Mean,” Steven Pinker
**Various current event articles and any other important writings pertaining to language
Visual Texts:
“Language Use in the Unites States,” U.S. Census Bureau tables
“The Effects of Bilingualism,” Jim Cummins (illustration)
Assessments:
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Using the “yes, but” approach to counterargument, pose at least two questions that challenge the illustration by Jim Cummins.
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Composition: Style Analysis
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Grammar as Rhetoric and Style Skills Reviews
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Preparations for the AP exam while working on research
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Argumentative Synthesis Research Project—During the fourth nine weeks, students will examine and synthesize information provided to them in an extensive argumentative synthesis research project. This project will allow them to have one final chance to practice for the synthesis free-response question on the AP exam. This will also provide additional practice citing outside sources following MLA format.
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