Brian eno his music and the vertical color of sound
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OtherCardew, Cornelius. The Great Learning. The Scratch Orchestra. Eno: voice. Deutsche Grammophon DGG 2538216, 1971. Portsmouth Sinfonia. Portsmouth Sinfonia Plays the Popular Classics. Transatlantic, 1973. Eno: production. Portsmouth Sinfonia. Hallelujah. Transatlantic, 1974. Eno: production. Peter and the Wolf (various artists). RSO, 1975. Jubilee film soundtrack (various artists). EG, 1978. Sheckley, Robert. In a Land of Clear Colors. Limited edition of 1000 copies with book. Galeria el Mensajero, Ibiza, 1979. Dune film soundtrack (various artists). Polydor 823 770-1 Y-1, 1984. Eno: production, “Prophecy Theme.”de Sio, Theresa. Africana. Polydor, 1985. OTHER MUSIC CITEDListed here are LPs, singles, and compositions referred to in the text, alphabetically by composer, performer, or title, whichever is most pertinent. Neither the records nor the scores listed here are necessarily the first editions, but the date of first publication, or in some cases the date of composition, is given where appropriate. Actual Voices of Ex-Slaves. Anthony, Ray. “Peter Gunn.” Capitol 4041, 1959. Beach Boys. Pet Sounds. Reprise 2MS 2083, 1966. ______. “Surf’s Up.” Beatles. Abbey Road. Apple PCS 7088, 1969. ______. The Beatles. Apple PCS 7067/8, 1968. ______. “Dr. Robert,” from Revolver. ______. “Eleanor Rigby,” from Revolver. ______. Help! Parlophone PCS 3071, 1965. ______. “Let It Be,” from Let It Be. Apple PXS 1, 1970. ______. Magical Mystery Tour. Capitol SMAL 2835, 1967. ______. “Nowhere Man,” from Rubber Soul. ______. Revolver. Parlophone PCS 7009, 1966. ______. Rubber Soul. Parlophone PCS 3075, 1965. ______. Sergeant Pepper’s Lonely Hearts Club Band. Parlophone PCS 7027, 1967. ______. “Within You Without You,” from Sergeant Pepper’s Lonely Hearts Club Band. Beethoven, Ludwig van. Symphony No. 5 in C minor, Op. 67. Ludwig van Beethoven: Fourth and Fifth Symphonies in Full Orchestral Score. New York: Dover, 1976. (Completed 1808.) Beethoven, Ludwig van. Symphony No. 9 in D minor. Ludwig van Beethoven: Eighth and Ninths Symphonies in Full Orchestral Score. New York: Dover, 1976. (Completed 1824.) Berg, Alban. George Büchners Wozzeck: Oper in 3 Akten, Op. 7. Klavierauszug von Fritz Heinrich Klein. Wien: Universal Edition, 1926. (Composed 1917-21.) Brown, Arthur. “Fire.” Atlantic 2556, 1968. Cage, John. 45’ for a Speaker, in his Silence (Middletown, Connecticut: Wesleyan University Press, 1976), 146-93. (Composed 1954.) ______. 4’33”. 1954. Carlos, Walter. Switched-on Bach. Columbia Masterworks MS 7194, 1968. Coleman, Ornette. Skies of America. Davis, Miles. “In a Silent Way.” Debussy, Claude. “Pagodes,” from Estampes, in Claude Debussy: Piano Music 1888-1905. 2nd ed., corrected by Beveridge Webster. New York: Dover, 1973. (Composed 1903.) Deuter. Nirvana Road. Kuckkuck 068, 1984. Diddley, Bo. “Who Do You Love.” Don and Juan. “Chicken Necks.” Dylan, Bob. Blonde on Blonde. 1966. ______. Bringing It All Back Home. 1965. ______. Highway 61 Revisited. Columbia 9189, 1965. ______. Infidels. Columbia AL 38819, 1983. ______. “Rainy Day Women #12 & 35.” Columbia 43592, 1966. ______. “The Wicked Messenger,” from John Wesley Harding. Columbia 9604, 1968. Fast, Larry. Synergy: Computer Experiments, Vol. 1. Audion SYN 104, 1980. Fripp, Robert. God Save the Queen. Polydor MPF 1298, 1980. ______. Let The Power Fall: An Album of Frippertronics. Editions EG EGS 110, 1981. Fripp, Robert. Exposure. EG EGLP 41, 1978. Gentle Giant. Octopus. CBS KC 32022, 1973. Glass, Philip. Songs from Liquid Days. CBS FM 39564, 1986. Handel, Fr. “Hallelujah Chorus” from The Messiah. Ed. by T. Teritus Noble. Rev. according to Handel’s original score by Max Spicker. Vocal score. New York: G. Schirmer, 1912. (1741.) Haydn, Franz. String Quartets. Collection de quatours pour 2 violons, viola et violoncelle. Ed. nouv., revue et corrigée critiquement. Leipzig: C.F. Peters, 191?. Hendrix, Jimi. “Hey Joe,” from Are You Experienced. Warner/Reprise RS 6261, 1967. ______. “Little Wing,” from Axis: Bold As Love. Warner/Reprise 6281, 1968. ______. “The Star-Spangled Banner,” from Woodstock (various artists). Cotillion SD 3-500, 1970. Horn, Paul. Inside [the Taj Mahal]. Epic 26466, 1968. The Human Voice in the World of Islam. Tangent TGS 131. Hykes, David. Hearing Solar Winds. Harmonia Mundi HM 558 607, 1980. King Crimson. Discipline. 1981. Warner/EG BSK 3629, 1981. ______. Larks’ Tongues in Aspic. Editions EG EGKC 6, 1973. ______. Red. Editions EG EGKC 8, 1974. Kinks. “Well Respected Man.” Reprise 0420, 1966. Kitaro. Silk Road I & II. Gramavision 18-7019-1, 1986. Liszt, Franz. Totentanz (Danse macabre), Paraphrase über Dies Irae für Piano und Orchester. Leipzig: C.F.W. Siegel, 1865. (Composed 1950.) “Little Puppy.” Les Liturgies de l’Orient. “Living with a Hernia.” Murphy, Walter, and the Big Apple Band. “A Fifth of Beethoven.” Private Stock 45073, 1976. Music of Bulgaria. Nonesuch H 72011, 1966. Oldfield, Mike. Tubular Bells. Virgin V2001, 1973. Oliveros, Pauline. Sonic Meditations. Baltimore, Md.: Smith Publications, 1974. Pachelbel, Johann. Kanon für 3 Violinen und Bass. Continuo-aussetzung von Caspar Diethelm. Winterthur: Amadeus, B. Päulen, 1980. Parliament. The Clones of Dr. Funkenstein. Pickett, Bobby “Boris” and the Crypt-Kickers. “Monster Mash.” Garpax 44167, 1962. Pink Floyd, Dark Side of the Moon. Capitol SMAS 11163, 1973. Les Plus Grandes Artistes du Monde Arabe. EMI. Pousseur, Henri. Exercises pour Piano: Impromptu et Variations, 2. Milano: Edizioni Suivi Zerboni, 1959. Presley, Elvis. “Heartbreak Hotel.” RCA 6420, 1956. Procol Harum. “Whiter Shade of Pale.” Deram 7507, 1967. Reed, Lou. “Walk on the Wild Side,” from Transformer. RCA LSP 4807, 1972. Reich, Steve. Four Organs. Capitol/Angel S-36059, 1973. (Composed 1970.) ______. It’s Gonna Rain. ______. Music for a Large Ensemble. Warner Brothers ECM-1-1168, 1980. (Composed 1978.) ______. Tehillim. Warner Brothers ECM-1-1215, 1982. ______. Violin Phase. Warner Brothers ECM-1-1168, 1980. (Composed 1967.) Rifkin, Joshua. The Baroque Beatles Book. Riley, Terry. In C. Columbia MS 7178, 1968. ______. A Rainbow in Curved Air, Poppy Nogood and the Phantom Band. Columbia MS 7315, 1969. Rios, Miguel. “A Song of Joy.” A&M 1193, 1970. Rivers, Johnny. “Secret Agent Man.” Imperial 66159, 1966. Roach, Steve. Structures from Silence. Fortuna FOR-LP024, 1984. Roches. The Roches. Warner Brothers BSK 3298, 1979. Rolling Stones. Beggar’s Banquet. London 75391/PS 539, 1968. ______. “Mother’s Little Helper.” London 902, 1966. ______. “(I Can’t Get No) Satisfaction.” London 9766, 1965. ______. Their Satanic Majesties Request. London 80021/NPS-2, 1967. Satie, Erik. En Habit de Cheval. Paris: Rouart, Lerolle, 1911. ______. Le Fils des Etoiles. Paris: Rouart, Lerolle, 1951. ______. Morceaux en Forme de Poire. Paris: Rouart, Lerolle, 1911. ______. Vexations. Schoenberg, Arnold. 15 Gedichte aus Das Buch der hängende Gärten von Stephan George, Op. 15. Wien: Universal Edition, 1952. (Composed 1908.) ______. Fünf Orchesterstücke, Op. 16. Leipzig: C.F. Peters, 1912. (Composed 1909.) ______. Dreimal seiben Gedichte aus Albert Girauds Pierrot lunaire, Op. 21. Wien: Universal Edition, 1941. (Composed 1912.) Silhouettes. “Get A Job.” Ember 1029, 1958. Simon and Garfunkel. “Bridge Over Troubled Water.” Columbia 45079, 1970. Sly and the Family Stone. “Everyday People.” Epic 10407, 1969. ______. “Thank You (Falettinme Be Mice Elf Again.)” Epic 10555, 1970. Smith, Patti. “Gloria,” from Horses. Arista AL5-8158, 1975. Stockhausen, Karlheinz. Aus den Siben Tagen: Kompositionen Mai 1968. Wien: Universal Edition, 1968. ______. Gesang der Junglinge. Deutsche Grammophon Gesellschaft, SLPM 13881, 1963. (Composed 1956.) ______. Klavierstück XI. London: Universal Edition, 1957. Stravinsky. Ebony Concerto. New York: Boosey & Hawkes, 1973. (Composed 1945.) ______. The Rite of Spring. New York: E.F. Kalmus, 1933. (Composed 1911-13.) Supremes. “Reflections.” Motown 1111, 1967. Virtuoso Harp Music. Vangelis. Chariots of Fire: Music from the Original Soundtrack. Polydor 825 B84-1. Varèse, Edgar. Poème electronique, from Music of Edgar Varèse, Vol. I. Columbia ML 5478, 1960. (Composed 1958.) Vivaldi, Antonio. The Four Seasons. Electronic realization by Patrick Gleeson. Varese/Sarabande VCD 47212. (Composed ca. 1725.) Webern, Anton von. Symphony, Op. 21. Wien: Universal Edition, 1956. (Composed 1928.) Who, the. “Baba O’Reilly,” from Who’s Next. MCA-1691, 1971. ______. Tommy. MCA2-10005, 1969. Xenakis, Iannis. Bohor I, from Electro-Acoustic Music. Nonesuch H-71246, n.d. Yes, the. Close to the Edge. Atlantic SP 19133, 1972. Young, La Monte. Composition 1960 #3. ______. Composition 1960 #6. ______. X for Henry Flynt. 1960. Directory: wp-content -> uploads -> 2012 2012 -> The Case Against the nypd’s Quota-Driven ‘Broken Windows’ Policing What Is It? 2012 -> Aa and na members Dying from Tobacco 2012 -> [Baby Crying] 01: 04 [Ching 2012 -> Unit Name / Nom de l’unité uic / ciu dates 2012 -> What We Owe Jehovah’s Witnesses 2012 -> Oceans Challenge Badge 2012 -> Canadian cycling olympians 2012 -> Greg landry, june olkowski and tom lysiak 2012 -> William goldman 2012 -> Does translocation and restocking confer any benefit to the European eel population? A review Download 0.96 Mb. Share with your friends:
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