Designing Brand “Nano” – a car for the Indian Consumer: An Ethnoconsumerist Perspective



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Figure 8: Vehicle Worship during the Vijayadasami Day
We call this (borrowing from a famous play) “Waiting for NANO.” It’s really the reflective side. It’s about the Indian marvels, the newborn savior. So the NANO is more than a mode of transportation; it is designed for social transformation as it extends its blessings to the owners of two wheelers and aspiring first timers. That is, the driver of the two-wheeler will now drive a four-wheeler – as part of the socio-cultural transformation process.

Although India is making headway into the 21st century, Indian mythology is reflected in communications in advertising in India, because companies exploit mythological references. One can see this trend particularly with certain branded products as in jewelry and saris. This is also reflected in the whole new animation culture which is bringing back mythological characters. This mythological residue in India seems to be the DNA of Indian life, and it manifests itself in different forms.



Conclusions

To summarize, the design of Nano car gives rise to the following themes within the socio-cultural context of India.

Theme 1. Nano is about the cheapest and affordable car.

Theme 2. It is about the small car.

Theme 3.It is about the Indian Car.

Theme 4. Appropriate to Indian Conditions. (Crowded streets, narrow roads, etc.)

Theme 5: Aspirational car: It is a vehicle for fulfilling aspirations/dreams of owning a car, gaining social status.

Theme 6: Designed for an Indian woman wearing sari getting into and out of the car.

Theme 7: Nationalism and Indian Pride, consumer aspirations

Theme 7: Emotional Design (visceral - appearance, behavioral and reflective).

Theme 8: Euphoria, hope, optimism and mythology

Theme 9. A replacement for a two-wheeler – A family car

Theme 10. The Child metaphor (The divine child - The view of the savior, the delightful, playful and lovable, small and sprightly yet powerful.)

Theme 10: Comfort of the old with the design of the new.

Theme 11. Features of the car. (Cost-effective, using indigenous parts, combining the comfort of the old with the style of the new, and a welcoming product appeal.)

Theme 12. Indian resourcefulness (An entrenched Indian value that is adaptive and transformative with Indian naïveté combined with unfazed personality.)

Theme 13. The Nano Effect (Consists of euphoria as India advances into global landscape, hope/optimism about the future and consumer welfare and well-being, catalyst for change (upward mobility of the masses.)

In conclusion, at the basic level, Nano is an affordable transportation for Indian consumers. Design is no longer merely an organizational or a corporate issue. Nano has become a cultural/national icon. It raises the issue of economic and political power for the state. Nano is also a precursor of cultural transformation and may well become a design model for emerging markets- since the whole world is waiting for their aspirational ghosts to become a reality.



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Times of India (2008) "Nano, the Rs 1-lakh car, hits the road". Times of India. http://timesofindia.indiatimes.com/Nano-the-Rs-1-lakh-car-hits-the-road/articleshow/4305642.cms. Retrievded February 10, 2010.

Tata Motors (2008) "Tata Motors - FAQ for the Nano". Tata Motors. http://tatanano.inservices.tatamotors.com/tatamotors/index.php?option=com_whynano&task=faq&Itemid=303



The Hindu (2009) "Nano receives over 2.03 lakh bookings". http://www.thehindu.com/holnus/006200905050333.htm. Retrieved February 15, 2010.. 

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