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- SELECTED SOLO EXHIBITIONS
- SELECTED GROUP EXHIBITIONS
- SELECTED BIBLIOGRAPHY
ROXY PAINE Born in New York, NY 1966 EDUCATION Pratt Institute, New York, NY College of Santa Fe, NM
National Gallery of Art, Washington, DC National Gallery of Canada, Ottawa, Ontario, Nelson-Atkins Museum of Art, Kansas City, MO Crystal Bridges Museum of American Art, Bentonville, AR De Pont Museum of Contemporary Art, Tilburg, The Netherlands Denver Art Museum, Denver, CO Frederik Meijer Gardens and Sculpture Park, Grand Rapids, MI The Israel Museum, Jerusalem City of Beverly Hills, CA Hirshhorn Museum and Sculpture Garden, Washington, D.C. Il Giardino Dei Lauri, Città della Pieve (PG), Italy Modern Art Museum of Fort Worth, TX Museum of Modern Art, New York, NY The New School for Social Research, New York, NY NMAC, Cadiz, Spain North Carolina Museum of Art, Raleigh, NC Olympic Sculpture Park, Seattle Art Museum, WA Rose Art Museum, Brandeis University, Waltham, MA Saint Louis Art Museum, St. Louis, MO San Francisco Museum of Modern Art, CA Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE Wanas Foundation, Knislinge, Sweden Whitney Museum of American Art, New York, NY Brooklyn Museum of Art, Brooklyn, NY
James Cohan Gallery, New York, NY, November 8 through December 22 Scumaks, Bernard Toale Gallery, Boston, MA Roxy Paine: Second Nature, co-curated by Joseph Ketner and Lynn Herbert, Rose Art Museum, Brandeis University, Waltham, MA. Traveled to Contemporary Arts Museum, Houston, TX; SITE Santa Fe, New Mexico; De Pont Foundation for Contemporary Art, Tilburg, Netherlands (April 2002 through January 2004) (catalogue) 2001 Museum of Contemporary Art, North Miami, FL, November 11, 2001 through January 27, 2002 Grand Arts, Kansas City, MO, June 29 through August 11 Christopher Grimes Gallery, Los Angeles, CA, May 26 through June 30 James Cohan Gallery, New York, April 5 through May 5 Galerie Thomas Schulte, Berlin, Germany, February 13 through April 20 1999 Roger Bjorkholmen Gallery, Stockholm, Sweden, February 26 through March 31 Ronald Feldman Fine Arts, New York, NY, January 9 through February 13
Musee D’Art Americain Giverny, Giverny, France, June 1 through November 15; traveled to Lunds Kunsthall, Lund, Sweden, March 6 through April 18 Renate Schroder Galerie, Koln, Germany, April 24 through June 6 1997 Ronald Feldman Fine Arts, New York, NY, March 15 through April 26 Temple Gallery, Tyler School of Art, Temple University, Philadelphia, PA, September 5 through October 11
Ronald Feldman Fine Arts, New York, NY, April 29 through June 3 1992 Herron Test-Site, Brooklyn, NY, October 9 through November 8 1991 Horns, The Knitting Factory, New York, NY, December 3 through 31 SELECTED GROUP EXHIBITIONS 2016 Audacious: Contemporary Artists Speak Out, March 2016 - February 2017, Denver Art Museum, Denver CO. 2015 Social Ecologies, Rail Curatorial Projects, December 5, 2015 - February 21, 2016, Industry City, Brooklyn NY. Devotion, Catinca Tabacaru Gallery, Co-curated by Will Corwin, November 21, 2015 - January 17, 2016, NY, NY. 20 Years / 20 Shows, SITE Santa Fe, March 12 - May 31, Santa Fe, NM. Sweet Sensation: UConn Reads 'The Omnivore's Dilemma, William Benton Museum of Art, February - March, curated by Jean Nihoul 2014 Pierogi XX: Twentieth Anniversary Exhibition, Pierogi, Brooklyn, NY. Imagine Art in Nature, House of Sweden, Washington, DC, September 25, 2014 through February 24, 2015 Spaced Out: Migration to the Interior, an exhibition by Phong Bui and Rail Curatorial Projects, Red Bull Studio New York, October 10 through December 14 Temporal Domain, Peters Projects, Santa Fe, NM Blood Flames Revisited, curated by Phong Bui, Paul Kasmin Gallery, New York, NY The Hidden Passengers, organized by Avi Lubin, Apex Art, New York, NY Four Decades of Drawings and Works on Paper, John Berggruen Gallery, San Francisco, CA Pace Gems: Selections from the Linda Pace Foundation Permanent Collections, The Linda Pace Foundation Gallery, San Antonio, TX Graphicstudio: Uncommon Practice at USF, Tampa Museum of Art, Tampa, FL Selection of Artworks from the Cleve Carney Collection, Cleve Carney Art Gallery, Glen Ellyn, IL Committed to Paper: Master Drawings and Prints by Sculptors, Frederick Meijer Gardens and Sculpture Park, Grand Rapids, MI Out of Hand, Museum of Art and Design, New York, NY 2013 Gravity of Sculpture: Part II, Dorsky Gallery, Long Island City, NY Out of the Ordinary, Hirshhorn Museum and Sculpture Garden, Washington D.C. 2012 Lifelike, Walker Art Center, Minneapolis, MN 2011 Color in Flux, Westerburg Museuum fur modern Kunst, Bermen, Germany Nod Nod Wink Wink: Conceptual Art in New Mexico and Its Influences, The Harwood Museum of Art, Taos, New Mexico 2010 The Secret Life of Trees, Monica de Cardenas Galleria, Zuoz, Switzerland Out of the Woods, Leslie Tonkonow, New York 17th Biennale of Sydney; The Beauty of Distance: Songs of Survival in a Precarious Age, Sydney, Australia 2009 Reflection, Refraction, Reconfiguration: Mediated Images from the Collection of Polly and Mark Addison, University Art Museum, Colorado State University, CO Remote Proximity: Nature in Contemporary Art, Kunstmuseum Bonn, Germany The Rose at Brandeis: Works From the Collection, The Rose Art Museum, Brandeis University, Waltham, MA 2008 Bending Nature, Franklin Park Conservatory, Columbus, OH Bizarre Perfection, Israel Museum, Jerusalem, Israel Freedom: Den Haag Sculptur 2008, The Hague, The Netherlands Public Art Projects: Art Basel 39, Basel, Switzerland Paragons: New Abstraction from the Albright-Knox Gallery, Doris McCarthy Gallery, University of Toronto Scarborough, Toronto, Ontario 2007 Delicatessen, Florida Atlantic University Dorothy F. Schmidt Center Gallery, Boca Raton, Florida Art Machines/Machine Art, Schirn Kunsthalle, Frankfurt, Germany; traveling to Museum Tinguely, Basel, Switzerland (through July 2008) Molecules that Matter, Tang Teaching Museum, Saratoga Springs, NY; traveling to the Chemical Heritage Foundation, Philadelphia, Pennsylvania, and the College of Wooster Art Museum, Wooster, Ohio (through May 2009) The Outdoor Gallery: 40 Years of Public Art in New York City Parks; The Arsenal Gallery in Central Park, New York, NY Drawings from the Collection of Martina Yamin, Davis Museum and Cultural Center, Wellesley College, MA 2006 Recent Acquisitions, Musée d'art Contemporain de Montréal, Montreal, Canada (Oct. 28, 2006 through March 25, 2007) Meditations in an Emergency, MOCAD, Detroit, Michigan (Oct. 28, 2006 through April 29, 2007) A Brighter Day, James Cohan Gallery, New York, NY 2006 Garden Paradise, curated by Lacy Davisson Doyle and Clare Weiss, The Arsenal Gallery in Central Park, New York, NY American Academy Invitational Exhibition of Painting & Sculpture, The American Academy of Arts and Letters, New York, NY (March 7 through April 9, 2006) Uneasy Nature, curated by Xandra Eden, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC, February 18 through May 28, 2006 2005 Ecstasy: In and About Altered States, organized by Paul Schimmel with Gloria Sutton, Museum of Contemporary Art, Los Angeles, CA (catalogue) The Empire of Sighs, Numark Gallery, Washington D.C. Extreme Abstraction, Albright Knox Art Gallery, Buffalo, NY Sculpture, James Cohan Gallery, New York, NY Flower Myth. Vincent van Gogh to Jeff Koons, Fondation Beyeler, Riehen/Basel, Switzerland MATERIAL TERRAIN: A Sculptural Exploration of Landscape and Place, curated by Carla Hanzal, commissioned by Laumeier Sculpture Park, St. Louis, MO. Traveling to Santa Cruz Museum of Art and History, Santa Cruz, CA; University of Arizona Museum of Art, Tucson, AZ; Memphis Brooks Museum of Art, Memphis, TN; Cheekwood Museum of Art, Nashville, TN; Lowe Art Museum, University of Miami, Coral Gables, FL (February 2005 through December 2007) (catalogue) 2004 PILLish: Harsh Realities and Gorgeous Destinations, curated by Cydney Payton, Museum of Contemporary Art/ Denver, CO (through January 2, 2005) Paintings That Paint Themselves, or so it seems, Kresge Art Museum, Michigan State University, East Lansing, MI The Flower as Image, Louisiana Museum for Moderne Kunst, Humlebæk, Denmark Summer Show, James Cohan Gallery, New York, NY Between The Lines, James Cohan Gallery, New York, NY Natural Histories: Realism Revisited, Scottsdale Museum of Contemporary Art, Scottsdale, AZ, May 29 through September 12, 2004 2003 Work Ethic, Baltimore Museum of Art, Baltimore, Maryland, October 12, 2003-January 11, 2004; and at the Des Moines Center for the Arts, May 15 through August 1, 2004 UnNaturally, organized by Independent Curators International (iCI), curated by Mary-Kay Lombino. Traveled to Contemporary Art Museum, University of South Florida, Tampa, FL; H & R Block Artspace at the Kansas City Art Institute, Kansas City, MO; Fisher Gallery, University of Southern California, Los Angeles, CA; Copia: The American Center for Wine, Food and the Arts, Napa, CA; Lowe Art Museum, University of Miami, Coral Gables, FL (January 2003 through November 2004) (catalogue)
April 1
Making the Making, Apex Art, New York, January 5 through February 3 2000 From a Distance: Approaching Landscape, curated by Jessica Morgan, Institute of Contemporary Art, Boston, July 19 through October 8 WILDflowers, Katonah Museum of Art, Katonah, NY, July 18 through October 3 Working in Brooklyn: Beyond Technology, Brooklyn Museum of Art, Brooklyn, NY, July 1 through September 12 5th Lyon Biennale of Contemporary Art: Sharing Exoticism, Lyon Biennale, Lyon, France, June 27 through September 24 Vision Ruhr, Dortmund Coal Factory, Dortmund, Germany, May 11 through August 20 The Greenhouse Effect, Serpentine Gallery, London, April 4 through May 21 Sites Around the City: Art and Environment, curated by Heather Sealy Lineberry, Arizona State University Art Museum, Tempe, AZ, March 4 through June 4 Greater New York: New Art in New York Now, P.S.1 Contemporary Arts Center in collaboration with The Museum of Modern Art, February 27 through April 16, 2000 Visionary Landscape, Christopher Grimes Gallery, Santa Monica, CA, January 8 through February 19 The End, Exit Art/The First World, New York, January 29 through April 8 As Far As the Eye Can See, Atlanta College of Art Gallery, Atlanta, GA, January 29 through March 7, 2000 (catalogue) 1999 Best of the Season: Selected Work from the 1998-99 Gallery Season, Aldrich Museum of Contemporary Art, Ridgefield, CT, September 26 through January 9, 1999 1998 Interlacings: The Craft of Contemporary Art, Whitney Museum of American Art At Champion, Stamford, CT, September 10 through November 21, 1998 22/21 Emily Lowe Gallery/ Hofstra Museum, Hempstead, NY, September 8 through October 25 Elise Goodheart Fine Art, Sag Harbor, NY, July 24 through August 16 DNA Gallery, Provincetown, MA, July 17 through August 5
December 11 Sculpture, James Graham & Sons, New York, NY, July 10 through August 29 Summer of Love, Fotouhi Cramer Gallery, New York, NY, July 2 through August 2 Artists Respond to 2001: Space Odyssey, Williamsburg Art and Historical Society, Brooklyn, NY, June 21 through July 26 Benefit for Pat Hearn, Morris-Healy Gallery, New York, NY, February 26 through March 9 9 to 5 at Metrotech: The Public Art Fund, Brooklyn, NY, October 30, 1997 through May 31 Best of the Season 1996-97, The Aldrich Museum of Contemporary Art, Ridgefield, CT, September 14 through January 4 (catalogue) Current Undercurrent: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY, July 25, 1997 through January 25 1996 Imaginary Beings, Exit Art/The First World, New York, NY, December 2 through January 27 Art on Paper, Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC, November 12 through January 21 (catalogue) Human/Nature, The New Museum of Contemporary Art, New York, NY, April 20 through May 18 Better Living Through Chemistry, Randolph Street Gallery, Chicago, IL, March through April Inside Out, Momenta Art, Brooklyn, NY, September 15 through October 7 Currents in Contemporary Art, Christie’s East, New York, July 22 through July 31 Inside: The Work of Art, California Center for the Arts, Escondido, CA, June 16 through October 13 Wish You Were Here, Bronwyn Keenan Gallery, New York, NY, March 1 through 30 1996 New York State Biennial, New York State Museum Albany, NY, February 8 through May 26 NY Withdrawing, Ronald Feldman Fine Arts, New York, January 13 through February 17 Multiples, Pierogi 2000, Brooklyn, NY, December 2, 1995 through January 15, 1996 1995 Lookin’ Good-Feelin’, 450 Broadway Gallery, New York, NY, December 5 through December 9 1994 Red Windows: Benefit for the Little Red School House, Barney’s Windows, New York, NY, November through December Spring Benefit, Sculpture Center, New York, NY, April 19 Garden of Sculptural Delights, Exit Art/The First World, New York, NY, March 2 through April 23 Free Falling, Berlin Shafir Gallery, New York, NY, January 22 through February 19 1993 UNTITLED (14), Ronald Feldman Fine Arts, NY, November 13 through December 23 INFLUX, Gallery 400, Chicago, IL, November 3 through December 4 4 Walls Benefit, David Zwirner Gallery, New York, NY, November Fantastic Wanderings, Cummings Art Center, New London, CT, October 9 through November 10 Extracts, Islip Art Museum, Islip, NY, August 8 through September 19 Popular Mechanics, Real Art Ways, Hartford Ct, June 19 through July 16 Outside Possibilities ‘93, The Rushmore Festival at Woodbury, NY, June 5 through July 4 The Nature of the Machine, Chicago Cultural Center, Chicago, IL, April 3 through May 30 (catalogue) Out of Town: the Williamsburg Paradigm, Krannert Art Museum, University of Illinois, Champaign, IL, January 22 through February 28 (catalogue) 1992 Fever, Exit Art, New York, NY, December 14, 1992 through February 6 1991 Group, Jimenez-Algus Gallery, Brooklyn, NY, September 13 through October 13 Entropy, Generator 547, New York, NY, August 2 through September 5 Tweeking the Human, Brand Name Damages and Minor Injury Galleries, Brooklyn, NY, June 7 through 31 The Ego Show, Minor Injury, Brooklyn, NY, April 5 through May 2 1990 Desire and Deception, Brand Name Damages, Brooklyn, NY, October 9 through 21 Group Show, Ridge Street Gallery, New York, NY, September 3 through 26 Roxy Paine & David Fasoldt, Brand Name Damages, Brooklyn, NY, March 29 through April 16 AWARDS 2013 The Asher B. Durand award for artistic accomplishment by the Brooklyn Museum 2006 John Simon Guggenheim Memorial Foundation Fellowship 1997 Trustees Award for an Emerging Artist, Aldrich Museum of Contemporary Art, Ridgefield, CT SELECTED BIBLIOGRAPHY 2015 Bernardini, Anna and Vettese, Angela, “Roxy Paine Opere-Works 1993-2015,” Fonde Ambiente Italiano, Villa Panza, Italy 2014 Bui, Phong and Rail Curatorial Projects, “Spaced Out Migration to the Interior.” 2013 Labaco, Ron, Out of Hand, Materializing the Post digital, 2013, Black Dog Publishing Roxy Paine, Kavi Gupta CHICAGO | BERLIN, exhibition catalog 2011 Celebrating the American Spirit: Masterworks from Crystal Bridges Museum of American Art, ed. Christopher B. Crosman, Manchester and New York: Hudson Hills Press, 2011. Fensom, Sarah E., “Indoor/Outdoor: The Nelson-Atkins Museum Serves Up the Work of Sculptor Roxy Paine Two Ways,” Art & Antiques, June 2011 Frankel, David. “Roxy Paine: James Cohan Gallery.” Artforum February 2011 2009 Adolph, Volker. “Ferne Nahe: Natur in der Kunst der Gegenwart” (Remote Proximity: Nature in Contemporary Art), Exh. cat., Kunstmuseum Bonn, 2009 Heartney, Eleanor, “Roxy Paine,” New York: Prestel Publishing, 2009
Housefield, James. “Sites of time: organic and geologic time in the art of Robert Smithson and Roxy Paine.” Cultural Geographies 2007; 14; 537 2006 Richer, Francesa and Matthew Rosenzweig. “No. 1: First Works by 362 Artists.” New York: DAP, 2006 “A Brighter Day,” James Cohan Gallery, New York, NY exh. cat. Beverly Penn: “Weeds,” Exh. cat., El Paso Museum of Art, El Paso, TX, pg. 22 2005 Mark, Lisa, ed. “Ecstasy: In and About Altered States” (exhibition catalogue). The Museum of Contemporary Art, Los Angeles, CA, 2005. Essays by Carolyn Christov- Bakargiev, Diedrich Diedrichsen, Chrissie Iles, Lars Bang Larsen, Midori Matsui, and Paul Schimmel. Skov Holt, Steven and Mara Holt Skov. “Blobjects & Beyond.” San Francisco: Chronicle Books Essays by Steven Skov Holt, Phil Patton, Mara Holt Skov, and Bruce Sterling. 2005 Siegel, Katy and Paul Mattik. “Art Works: Money.” London: Thames and Hudson, 2005. Flower Myth. “Vincent van Gogh to Jeff Koons (catalogue).” Riehen/Basel: Fondation Beyeler Texts by Ernst Beyeler Christoph Vitali, Robert Kopp, Philippe Büttner and Ulf Küster. 2005 Robertson, Jean and Craig McDaniel. “Themes of Contemporary Art: Visual Art After 1980.” New York: Oxford University Press, 2005. 2004 “The Flower as Image.” Exhibition catalogue, text by Poul Erik Tøjner and Ernst Jonas Bencard. Louisiana Museum for Moderne Kunst, Humlebæk, Denmark, 2004 “Some Trees.” Amsterdam: Paul Andriesse, 2004. From the exhibition at The Douglas Hyde Gallery, Dublin “Roxy Paine/Bluff.” New York: The Public Art Fund, 2004, introduction text by Susan K. Freedman And Tom Eccles “Wanås Historia.” Knislinge: The Wånas Foundation, 2004, introduction text by Marika Wachtmeister. “Open House: Working in Brooklyn.” Exhibition catalogue, introduction by Charlotta Kotik and Tumelo Mosaka, The Brooklyn Museum of Art, Brooklyn, 2004 “Plop: Recent Projects of the Public Art Fund.” New York: The Public Art Fund and Merrell, edited and written by Tom Eccles, Anne Wehr and Jeffrey Kastner
“Intricacy, A Project by Greg Lynn FORM.” Exhibition catalogue, essays by Greg Lynn and introduction by Claudia Gould, Institute of Contemporary Art, University of Pennsylvania, 2003. Siegel, Katy and Paul Mattik. “Art and Money.” London and New York: Thames & Hudson, 2003. “Work Ethic,” University of Pennsylvania Press, 2003. From exhibition at the Baltimore Museum of Art, Baltimore and at the Des Moines Center for the Arts “UnNaturally,” Independent Curators International, New York, texts by and curated by Mary- Kay Lombino.
“Roxy Paine: Second Nature.” Houston: Contemporary Arts Museum, Houston, 2002. Texts by Lynn Herbert, Joseph Ketner, and Gregory Volk.
“Arte y naturaleza: Montenmedio Arte Contemporaneo.” Exhibition catalogue, Fundación NMAC, Cádiz, Spain, 2001. Preface by Magda Bellotti, essay by Marika Wachtmeister Waterworks: U.S. Akvarell 2001. Exhibition catalogue, Nordiska Akvarellmuseet, Skarhamn, Sweden, 2001. Foreword by Berndt Arell, introduction by Kim Levin Konsten pa Wanas/Art at Wanas, introduction text by Marika Wachtmeister, published Byggforlaget 01.01.01: Art in Technological Times. San Francisco: San Francisco Museum of Modern Art., 2001 Rothkopf, Scott. Roxy Paine. New York: James Cohan Gallery, 2001. A Contemporary Cabinet of Curiosities – Selections from the Vicki and Kent Logan Collection, San Francisco: California College of Arts and Crafts 2000 Sites Around the City: Art and Environment, Arizona State University Art Museum, texts by Heather Sealy Lineberry, Ronald Jones, Curator Heather Sealy Lindberry Art Since 1940: Strategies of Being. Fineberg, Jonathan, Second Edition, New York, NY: Harry Abrams
As Far As the Eye Can See, Atlanta, GA: Atlanta College of Art Gallery In Vitro landscape, Koln, Germany: Buchandlung Walther Koenig, 1999
Hempstead, Robert Morgan, 22/21, New York: Hofstra University, 1998 Wanas 1998. Essay by Robert Storr. Klisline, Sweden: The Wanas Foundation
Best of the Season: Selected Works from 1996-97 Gallery Exhibitions, Ridgefield, CT: The Aldrich Museum of Contemporary Art, 1997 Redefinitions: A View from Brooklyn. Essays by Annie Herron and Matt Freedman, Fullerton, CA: Departmental Association Council and Associated Students
Fineberg, Jonathan. Art Since 1940: Strategies of Being. New Jersey: Prentice Hall Press, Kocheiser, Tom. Art on Paper. Greensboro, NC: Weatherspoon Art Gallery, The University of North Carolina, 1995 1993 Out of Town: the Williamsburg Paradigm. Champaign, IL: Krannert Art Museum, University of Illinois The Nature of the Machine. Chicago: Chicago Cultural Center, 1993
Parasecoli, Fabio, "Food, Politics & Politicians," Huffington Post, February 2016 Case, Zoe, "Deconstructing [In]securities:" The Collegian, January 2016
di Redazione, "La forza creatrice della natura nelle opere di Roxy Paine e Meg Webster", May 2015 Macciotta, Valentine, "Natura Naturans di Roxy Paine e Meg Webster: A Villa Panza, Varese" June, 2015 "Exhibition on nature.with works by Roxy Paine and Meg Webster on view at Villa Panza," Art Daily, June 2015 Roaro, Eleonora, "Natura Naturans. Roxy Paine e Meg Webster a Villa Panza" June 2015, Dars Magazine2014 Goodman, Jonathan. “Dendroids, Replicants and Sculpture Machines.” October Magazine, September 2014 Brody, David. "Denuded Lens: Roxy Paine at Marianne Boesky," artcritical, October 2014 Viveros-Fauné, Christian. "Roxy Paine Will Warp Your Brain," The Village Voice, September 2014 Plagens, Peter. "A False Sense of Security and Vivid Views of the World," The Wall Street Journal, September
Spalding, Jill. "Roxy Paine interview: ‘The best ideas come out of long gestation’, Studio International, November 2014 Goodman, Jonathan. "Roxy Paine-Dendroids, Replicants, and Sculpture Machines," Sculpture Magazine, October 2014 Brody, David. "Denuded Lens: Roxy Paine at Marianne Boesky," artcritical, October 2014 Viveros-Fauné, Christian. "Roxy Paine Will Warp Your Brain," The Village Voice, September 2014 Plagens, Peter. "A False Sense of Security and Vivid Views of the World," The Wall Street Journal, September 2014 Gauss, Daniel. "Visibility is a trap: Sculptures by Roxy Paine at Marianne Boesky Gallery," ARTEFUSE, September 2014 Keh, Pei-ru. "Denuded Lens: Roxy Paine creates a life-size airport security checkpoint diorama for a New York show," *Wallpaper, September 2014 Corwin, Will. "In Conversation: ROXY PAINE with WILL CORWIN," The Brooklyn Rail, September 2014 Boucher, Brian. "The Art of the Diorama: Roxy Paine's Security Theater," Art in America, September 2014 Logan, Liz. "The Art of the Diorama: Roxy Paine's Security Theater," ARTnews, September 2014 Piepenbring, Dan. "Incident/Ressurection," The Paris Review, July 2014 Cascone, Sarah. "A Tree Grows in Philly: Roxy Paine's New Public Art," Artnet, May 2014 Johnson, Ken and Martha Schwendener. "Strolling An Island Of Creativity; Two Critics Sample the Frieze Art Fair," May 2014 Vanhermert, Kyle. "A Life-Size Model of a Fast-Food Joint, Made Entirely of Wood," February 2014 Peters, Adele. "An Incredibly Detailed Wood Replica of a Fast Food Joint To Make You Question Fast Food," Fast Company, February 2014 Zhong, Fan. "Unidentified Art Object," W Magazine, January 2014
Walsh, Brienne. "Roxy Paine: Apparatus," Art Review, December 2013 Prentnieks, Anne. Roxy Paine's Apparatus, Artforum, December 2013 Regine. "Out of Hand: Materializing the Postdigital," We Make Money Not Art, 2013 Morais, Betsy. "A Mad, Mad Science Fair," The New Yorker, October 2013 Proximity Magazine, Pg. 106-113 Boucher, Brian, “Strong Sophomore Outing for Expo Chicago”, Art in America, September 23, 2013
White Walls, 2012 2011 Thorson, Alice, “Bloch Building branches out with ‘Dendroids’ and ‘Scumak,’” The Kansas City Star, February 19, 2011 Belcove, Julie, “Working Practice: Roxy Paine,” Introspective Magazine, August 2011
Korek, Bettina, “Ed Schad on Roxy Paine's Erratic: The Newest Addition to the Beverly Hills Public Art Collection,” The Huffington Post, June 4, 2010 Fortescue, Elizabeth, “Two-tonne nerve centre of Biennale,” The Daily Telegraph, April 28, 2010 Fulton, Sam, “Cockatoo Island proves the star of the Bienniale,” The Sydney Morning Herald, August 4, 2010 “Welt im Stahlgewitter,” A&W Architektur & Wohnen, December 2009/January 2010 Sheets, Hilarie, “Man of Steel,” New York Times, October 13, 2010
“Roxy Paine Makes New “Dendroid” for National Gallery of Art; Slated for Fall 2009 Installation in Sculpture Garden,” ArtDaily.org, June 3, 2009 “Metro Briefs” The Washington Times, June 3, 2009 “National Gallery commissions Paine for sculpture” Examiner.com, June 2, 2009 Seigel, Miranda, “The Annotated Artwork ‘Maelstrom’,” New York Magazine, April 26, “Roxy Paine instala un árbol gigante de metal en la azotea del Metropolitan,” El Nacional, April 29, 2009 “Medium Cool,” Time Out New York, April 23-29, 2009 Johnson, Ken, “Even High Atop a Roof It Reaches for the Sky,” The New York Times, April 24, 2009 “Goings on About Town,” The New Yorker, April 20, 2009 “ArtDaily.org, "Roxy Paine Creates Monumental Sculpture for 2009 Installation of Metropolitan Museum's Roof Garden,"ArtDaily.org, April 16, 2009 Shinn, Dorothy, “Explore beauty of science,” Akron Beacon Journal, March 29, 2009 Peers, Alexandra, “Art Basel: The Art World’s Back, Baby!” Vulture (NYMag.com), December 4, 2009 Duponchelle, Valerie, “Miami, chonique d’une reprise annoncee,” Le Figaro, 5 December 2009 Williams, Tod and Billie Tsien, “Roxy Paine,” BOMB, Spring 2009 Mendelsohn, Meredith, “Roxy Paine: Ceci N’est Pas Un Abre: The Artists Output is Far from Literal,” Art + Auction, February 2009 2008 Hsieh, Catherine Y., “Faux Naturale,” NYArts, September 2008 Robinson, Gaile, “Whether you see an embrace or conflict on the Modern's lawn depends on your eye,” Star Telegram, July 21, 2008 Vogel, Carol, “Ellsworth Kelly, Basking in Basel,” The New York Times, June 6, 2008 Robinson, Walter, “Baselmania 2008,” Artnet, June 5, 2008 “Roxy Paine: getting back to his roots,” The Art Newspaper Art Basel Daily Edition, June 4, 2008 Brener, Julie, “John Powers in New York,” ArtInfo, February 28, 2008 2007 “Madison Square Park: Roxy Paine,” Sculpture, October 2007 Baker, R.C., “Rust Never Sleeps,” The Village Voice, August 28, 2008 “Goings on About Town: Roxy Paine,” The New Yorker, August 27, 2007 Halle, Howard, “Centerfold: Growing Season,” Interior Design, June 2007 Saltz, Jerry, “Beyond Serra,” New York, June 18, 2007 Genocchio, Benjamin, “Mad. Sq. Art 2007: Roxy Paine,” The New York Times, May 18,2007 Sheets, Hilarie M., “Trunk Show,” TimeOut New York, May 17, 2007 Cohen, David, “How Green is My Sculpture?” New York Sun, May 10, 2007 2006 Vogel, Carol, “Inside Art: MADISON SQUARE ART,” The New York Times, December 1, 2006 Neil, Jonathan T.D., “Do Androids Dream of Making Art,” ArtReview:, Issue 2, August 2006 Baker, R.C., “Best in Show,” The Village Voice, June 29, 2006 Volk, Gregory, “Roxy Paine at James Cohan,”Art in America, May 2006 Castro, Jan Garden, “Collisions,” Sculpture, Vol. 25, No. 4, May 2006 Yau, John, Roxy Paine Interview, SourceCode TV, Season 3, Episode 7, April 2006 McCarthy, John, “Roxy Paine in Ponderland,” Art and Living, 2006, no. 1, p. 40-41. Trembley, Nicolas, “Déraciné,” Numéro, April 2006 Hall, Emily, “Review: Roxy Paine,” Artforum, April 2006 Wolfe-Suarez, “Ecstasy: In and About Altered States,” Art Papers, March/April 2006 “Rage at the Machine,” The Oregonian, March 31, 2006 Motley, John, The Portland Mercury, March 22, 2006 2006 Row, D.K., “Jackson Pollock, meet ‘PMU,’” The Oregonian, March 5, 2006 Lowenstein, Kate, “Roxy Paine at James Cohan,” Time Out New York, Feb. 23 – March 1, 2006, pg. 66 Wright, Karen, “Roxy Paine at James Cohan,” Modern Painters, Feb. 2006, pg. 120 “Roxy Paine,” MoCA at the Moment, Winter/Spring 2006 Fineberg, Jonathan, Ph.D, “Look Who’s Coming,” newsobserver.com, January 31, 2006 Johnson, Ken, “Roxy Paine,” The New York Times, January 27, 2006, section E33 Cohen, David, “Theaters of the Absurd,” Arts & Letters, The New York Sun, January 19, 2006 Peters, Sue, “Sculpting Controversy,” SeattleWeekly, January 18, 2006 Green, Tyler, “Acquisition Alert: MOCA and Roxy Paine,” Modern Art News, May 25,2006 Davis, Erik, “Ecstasy In and About Altered States,” Artforum, January 2006 Ribas, João, “The AI Interview: Roxy Paine,” Artinfo.com, January 13, 2006 2005 Kimmelman, Michael, “A Mind-Bending Head Trip (All Legal),” The New York Times, Weekend Arts, November 4, 2005. Casadio, Mariuccia, “Grow a Mushroom,” Vogue Italia, August 2005 _____, “Aspen Art Museum Presents Roxy Paine,” Artdaily.com, July 28, 2005 Baker, R.C., “Decaying Pixels,” Village Voice, Art, June 1-7, 2005 Johnson, Ken, “Sculpture,” The New York Times, The Listings, Art, Galleries: Chelsea, May 20, 2005 _____, “Outdoor Sculpture Gains Media Acclaim,” Saint Louis Art Museum Magazine, April-June 2005 2004 Weinberg, Michelle, “Get Unreal,” Miami New Times, Art, October 21-27, 2004 Bonetti, David, “The “Placebo” effect”, St. Louis Post-Dispatch, September 05, 2004 Robinson, Walter, “Weekend Update,” artnet.com, September 17, 2004 MacMillan, Kyle, “Art Unchained Graces Aspen”, The Denver Post, August 27, 2004 Wolgamott, L. Kent, “Artist goes once more unto the ‘Breach’”, Lincoln Journal Star, June13, 2004, p.6k Giles, Gretchen, “Natural Fool,” North Bay Bohemian, April 28 - May 4, 2004 Hassebroek, Ashley, “Sculpture Takes Root at Sheldon”, Omaha World Herald, Friday, April 23, 2004 Wenz, John, “Tree Sculpture Brings Typical Art Environment Outdoors”, Daily Nebraskan, April 22, 2004 Wolgamott, L. Kent, “New Sculpture Branches Out”, Lincoln Journal-Star, April 21, 2004 Moseman, Andrew, “Metallic tree look-alike takes root on campus”, Daily Nebraskan, April 16, 2004 Hassebroek, Ashley, “Sheldon adds a 21st century sculpture”, Omaha World-Herald, April 4, 2004 Pagel, David, “Reality and irony collide,” Los Angeles Times, Art Review, January 2, 2004 2003 Hu, Li, “Timecode”, 32 New York/ Beijing, Issue 2, 2003, pp. 6, 8, 9. Lafuente, Pablo, “8th International Istanbul Biennial”, Art Monthly, November 2003, pp. 26- 27 Gopnik, Blake, “Redefining Art? They Managed.”, The Washington Post, October, 19, 2003 O’Sullivan, Michael, “BMA Tests Audience’s ‘Work Ethic’”, The Washington Post, October, 17, 2003 McNatt, Glenn and Mary Carole McCauley, “Pass the Art, Please”, The Sun, October, 13, 2003 “Work Ethic: Baltimore”, Flash Art, Vol. XXXVI, No. 232, October 2003, p. 44. Van Malsen, Annemarie, “Koud Kunstje”, Barbants Dagblad, October 28, 2003 Schoonen, Rob, “’Ik hou van tegenstellingen”, Brabants Dagblad, September 18 “Botanische vormen”, Review, Volkskrant, September 18, 2003 “Washington’s Museums Traverse Miles and Eras”, The New York Times, Aug. 22, 2003, p.E31 Wilson, Peter, “Intersections: Art and New York Green”, Paper Sky, Summer 2003, no. 6, p. 53 Bennett, Lennie, “Fooling around with Mother Nature,” St. Petersburg Times, January 26, 2003 2002 Dwell, Exhibits, “Roxy Paine/Second Nature” at the Contemporary Arts Museum in Houston, TX, December 2002, p. 98 Klaasmeyer, Kelly, “Nature Vs. Nurture: Roxy Paine Turns Fake Flowers and Painting Machines into High Art”, HoustonPress.com, December 5, 2002 Madoff, Steven Henry, “Nature vs. Machines? There’s No Need to Choose.” The New York Times, June 9, 2002, p. A33 “Roxy Paine at Bernard Toale Gallery, Boston”, The Week Magazine, vol.2, issue 55, May 10-16, 2002 McQuaid, Cate. “A striking show at the Rose Museum explores art in the machine.” The Boston Globe, May 7, 2002, p. C4 Schmidt, Jason. "Outsider Art." V magazine, March/April 2002 Henry, Clare. "The Art of Listening Carefully." Financial Times, Wednesday, March 27, 2002, p. 11 "Happening; Museum Parking." New York, March 18, 2002 Giuliano, Charles, “Narcotics and Robotics: The Post Mechanical Duality of Roxy Paine”, East Boston Online, April 28, 2002, Issue no. 62 Schoeneman, Deborah. "Gallery on Grass, Take a sculpture hike through Central Park." The New York Post, March 7, 2002 Gardner, James. "Witless Whitney." New York Post, March 7, 2002 Robinson, Walter. "Weekend Update." Artnet.com, March 7, 2002 Bischoff, Dan. "Moving Images" The Star Ledger, Thursday March 7, 2002 Budick, Ariella. "Pieces of the Biennial Take to the Park." Newsday, New York City, Wednesday, March 6, 2002
2002 McGee, Celia. "A Breath of Fresh Air." Daily News, Sunday March 3, 2002, p. 15 Plagens, Peter. “This Man Will Decide What Art Is”. Newsweek, March 4, 2002, p. 54-56. Vogel, Carol. “Sometimes, Man Can Make a Tree.” The New York Times, February 27, 2002, pp. A1, B1, B6 Griffin, Tim. “Bi Curious.” Time Out New York, February 21-28, 2002, pp. 18-20
Vogel, Carol. "A Homegrown Biennial." The New York Times, Friday, November 16, 2001 Hammond, Anna. “Roxy Paine at James Cohan.” Art in America, Sept. 2001, p156 Iannaccone, Carmine. “Roxy Paine at Christopher Grimes Gallery.” Frieze, September 2001, pp. 93-94 Thorson, Alice. “Art Machines That Make Big Decisions.” Kansas City Star, July 29, 2001, pp. 1-3 Molina, Margot. “El sueño de un bosque de verano.” El País, June 23, 2001, p.29 Knight, Christopher. “Roxy Paine.” The Los Angeles Times, June 15, 2001, p. F26 “Naturaleza en el nuevo Museo de Montenmideo.” El País, June 6, 2001, p. 62 Sichel, Berta. “El arte interviene en el paisaje.” El Periodico Del Arte, June 20, 2001, p.5 Gonzalez, Maria. “Arte En Liberato.” Ideal, June 3, 2001, p.58 Bonetti, David, “High on Tech”, Datebook- San Francisco Chronicle, June 3, 2001, p. 54 Werthem, Margaret. “Worlds Apart.” LA Weekly, May 18, 2001, pp. 12, 37 Goldberg, David, “‘010101: Art in Technological Times’ at SFMOMA” Artweek, May 2001, p. 12 Rogina, Kresimir, “Izlozaba ‘010101’”, Croatian Daily, May 2001 Yablonsky, Linda. “Roxy Paine: New Work.” Time Out New York, April 26-May 3, 2001, p. 63 Levin, Kim. “Voice Choices.” Village Voice, April 24, 2001, p.80 “Roxy Paine”, The New Yorker, review, April 23, 2001 Hand, Eric, “SF MOMA’s ‘010101’: Digital art for analog people”, Stanford Daily, April 12, 2001 Sheets, Hilarie. “Spring Art Walk.” New York Observer, April 2, 2001, p.4 Gonzalez-Barba, Andres. “Nueve artistas exponen sus obras en plena redacción, “La Primera E Sculptura En Montenmideo.” Diario De Cadiz, March 23, 2001, pp. 45-47 Muchnic, Suzanne. “Museum Chief.” The Los Angeles Times, March 18, 2001, pp. 5, 90, 91 “010101: Roxy Paine”, Weird News, www.wierdnews.cm/news/culture/0,1284,42178,00,March, 2., 2001 Rugoff, Ralph, “Virtual Corridors of Power”, London Financial Times, March 2001 Landi, Ann, “The Big Dipper.” ARTnews, January 2001, pp. 136-139 2000 Johnson, Ken. “Extra Ordinary.” The New York Times, June 9, 2000, p. E29 Tumlir, Jan. “The Visionary Landscape.” Frieze, May 2000, pp. 114-115 Staple, Polly. “The Greenhouse Effect.” Art Monthly, May 2000, pp. 38-40 Searle, Adrian. “Stuck in the Woods.” The Guardian, April 4, 2000 Cambell, Clayton. “The Visionary Landscape.” Flash Art, March-April 2000, p. 62 Heiss, Alanna. “Greater New York.” NYArts, March 2000, pp. 44-45 PERIODICALS (cont.)
Saltz, Jerry. “Greater Expectations.” Village Voice, March 14, 2000, p. 67 O’Connel, Kim. “Fungus Among Us.” Landscape Architecture, March 2000, p.1
Nahas, Dominique. “Roxy Paine.” Flash Art, vol. 32, May/June 1999, pp. 114-115 Lin, Tan. “Fungi of False Reproduction”, ArtByte, vol.2, no.1, April/May 1999, p. 64 Weil, Rex. “Roxy Paine.” ARTnews, April 1999, pp. 119-120 Klein, Mason. “Roxy Paine”. Artforum, vol. 37, no 8, April 1999, p. 123 “Tillbaka till naturen: Roxy Paines omsorfgsfulla lekfullhet smittar.” Hallandsposten, (Sweden) March 26., 1999 Kjellgren, Thomas, “Under ytans ordning finns det okontrollerbara.” Kristianstedsbladet, Sweden, March 25, 1999 Jonsson, Dan. “Tur och retur till naturen.” Express (Sweden), March 25, 1999 Klinthage Lorgen. “Vart behov att beharska naturen.” Arbetet Nyheterna (Spring), March 22, 1999 Ellerstrom, Jonas. “Drogromantik eller kulturkritik?” Helsingborgs Dagblad (Sweden), March 22, 1999 Malmqvist, Conny C-A. “Roxy Paine gorett konststycke....” Kv Kvallsposten (Sweden), March 16, 1999 Strom, Eva. “Nice flowers with chilly undertone.” Svenska Dagbladet (Sweden), March 13, 1999 Kyander, Pontus. “Art Gallery filled with unnature”. Sydsvenskan (Sweden), March 9, 1999 Nordstrom, Nicklas. “2000 svampar ger eftertanke”. Lund Langlordag, Sweden, March 6, 1999 Hall, Kim. “Brooklyn-komstnar pa Lunds konsthall” Skanska Dagbladet (Sweden), March 6, 1999 Billgren, Cecilia. “Utvecklingsstord lamnades ensam.” Arbetet Nyheterna (Sweden), March 6, 1999 Burrows, David, “Dunkin’ Donuts.” Art Monthly, March 1999, pp. 6-10 Bakke, Erik and Shelley Ward. “Mob Rule: Sculpture After Hanson.” NY Arts, March, pp. 10-13 Kino, Carol. “Roxy Paine.” Time Out NY, 176, February 4-11, 1999, p.57 Pedersen, Victoria. “Gallery Go ‘Round: Roxy Paine”. Paper, February 1999, p. 136 Pinchbeck, Danie. “Our Choice of Contemporary Galleries in New York.” The Art Newspaper, 89, February 1999, p. 72 Maxell, Douglas. “Roxy Paine”. Review, February 1, 1999, p.7 Multer, Mario. “Roxy Paine.” Review, February 1, 1999, pp. 7-9 “Roxy Paine,” The New Yorker, February 1, 1999, p.12 “Roxy Paine,” Simon Says, February 1999 Levin, Kim. “Roxy Paine” Village Voice, January 26, 1999, p.68 “Roxy Paine,” http://www.newyork.citysearch.com January 19, 1999 Johnson, Ken. “Roxy Paine”. The New York Times, January 15, 1999, p. E42 Levin, Kim. “Roxy Paine.” Village Voice, January 12, 1999, pp. 77-78 Lautman, Victoria. “No Weeding Necessary.” Interview, January 1999, p.20 1999 Schwabsky, Barry. “Surrounded by Sculpture,” Art in America, 87, January 1999, pp. 56-59 Bakke, Eric. “Roxy Paine, Studio Visit.” NY Arts, January 1999, p. 44 .....“Roxy Paine.” www.artSEEnsoho.com, 1999 Henry, Max. “Gotham Dispatch”. Artnet Magazine, http://www.artnet.com/magazine/news/henry/html, 1999 1998 Cooney, Beth. “The Craft of Art.” The Advocate & Greenwich Time, October 11, 1998 ARTS, D3, Costa, Edurado. “Crafty Contemporanea”, 1998 Hackett, Regina. “Warmth and romance prove elusive in Meyerson & Nowinski’s ‘Landscape”, Seattle Post-Intelligencer, January 9, 1998 Updike, Robert. “Beyond Pretty Scenery.” Visual Arts, 1998 Zimmer, William. “Seven Artists Apply Craft to Fine Art.” The New York Times, October 11, 1998, p. 24 Frey, Jennifer, “Lacing Art and Craft into One Form.” Weekend, September 10-September 16, 1998 Gignoux, Sabina. “Les jeux ambigus d’une naturelle inspiration.” La Croix (France), August 1998 Lind, Ingela. “Naturen som hot.” Dagens Nyheter (Sweden), July 30, 1998 “Champs artificiels... et machine a peindre”. Eure Inter (France), July 9, 1998 “Les champs de Roxy Paine.” La Depeche d’Evreux (France), July 2, 1998 “Champs artificiels et machine a peindre au musee d’art americain de Giverny.” LeDemocrata (France), July 1, 1998 Schon, Margaretha. “Med freestyle och insiders I Wanas Walk.” Svenska Dagbladet Sweden, June 13, 1998, p.13 Ahistrom, Crispin. “Intelligenta naturlekar.” Goteborgs-Posten (Sweden) June 5, 1998, p. 48 “In the Public Realm.” Inprocess 6, no. 3, Spring 1998, p. 5 Kyander, Pontus, “Elegant och intelligent” Sydsvenskan (Sweden), May 27, 1998 JK. “An Opium Field – Deceptively Natural.” Kolner City-Observer, Germany, May 14, 1998 Fredericksen, Eric. “Landscapes and Suburbs: Beyond Nature.” The February Stranger 5, “Paper Trail. “On Paper vol. 2, no.3, January–February 1998, p. 7 Glueck, Grace, “A Chair, a Fireplace, Binoculars: Sculpture to Be Seen on the Street,” The New York Times, January 16, 1998, p. E39 Bonetti, David. “What It Is ‘To BE Real’.” San Francisco Examiner, January 12, 1998, C-1, p.17 Nowinski’s ‘Landscape” Seattle Post-Intelligencer, January 9, 1998
Baker, Kenneth. “When Reality is Just Another Medium.” San Francisco Chronicle Datebook, December 23, 1997 Pollack, Barbara. “Buying Smart: Top Collectors Share Their Secrets.” ARTnews, vol. 96, no.11, December 1997, pp. 137-39 Nassau, Lawrence. “Current Undercurrent: Working in Brooklyn.” NY Arts, no.14, October 1997, p.16 1997 Chaiklin, Amy. “Studio Visits: Roxy Paine.” NY Arts, no. 14, October 1997, p. 12 “Aldrich gives award to ‘emerging’ artist.” The Ridgefield Press, October 23, 1997 “Best Do-It-Yourself Art Kits: Roxy Paine.” NY Press Best of Manhattan vol. 10, no. 39, September 24-30, 1997, p. 197 Arning, Bill. “Brooklyn in the House.” Village Voice XLII, no. 34, August 26, 1997, p. 87 Schmerler, Sarah, “Last Exit to Brooklyn.” Time Out New York, no. 97, July 31-August 7, 1997, p. 40 Dalton, Jennifer. “Just What Do You Think You’re Doing Dave?” Review vol. 2, no. 19, July/August 1997, p. 20 Gibson, David. “Roxy Paine: Dunk/Redunk; Ronald Feldman Fine Arts.” Zingmagazine, no. 4, Summer 1997, pp. 249-50 Dellolio, Peter. “Roxy Paine.” New York Soho, April 1997, p. 19 Levin, Kim. “Roxy Paine.” The Village Voice: Voice Choices XLII, no.14, April 8, 1997, p.13 Smith, Roberta. “Roxy Paine”. The New York Times, Friday, April 4, 1997, p. C28 Pedersen, Victoria. “Gallery Go Round.” Paper, April 1997, p. 54 Smith, Roberta. “Inside/Out.” The New York Times, September 20, 1996 Levin, Kim. “Choices.” The Village Voice XLI, no. 11, March 12, 1996, p. 8
“Check it out.” The Print Collector’s Newsletter XXVI, no. 5, November-December 1995, 177 Humphrey, Jacqueline. “Art on Paper acquisitions reflect a new Weatherspoon.” Greensboro News & Record, November 17, 1995 Heartney, Eleanor. “Roxy Paine at Ronald Feldman.” Art in America 83, no. 11, November 1995, pp. 110-11
Light, Flash. “The Neo-Kinetic Closet.” Movements 4, no. 1, Fall 1995, pp.1, 9-11 “Sacraments for a High Priest”. Harper’s, 291, no. 1742, July 1995, p. 22 “Galleries.” New York Press 8, no. 21, May 24-30, 1995, p. 56 “Also of Note.” The New York Times, Friday, May 19, 1995, p. C28 Hess, Elizabeth. “Cross Hatching.” The Village Voice XL, no. 20, May 16, 1995, p.86 Levin, Kim. “Choices.” The Village Voice XL, no. 20, May 16, 1995, p. 8 Clarke, Donna. “Chowing with Mao”. New York Post, Monday, May 1, 1995, p. 23 Drucker, Johanna. “The Next Body: Displacements, Extensions, Relations”. Les Cahiers du Musee national d’art moderne, Spring 1995
“1993 in Review: Alternative Spaces.” Art in America 82, no. 8, August 1994, p. 34. Levin, Kim. “Choices.” The Village Voice, April 5, 1994, p. 73 Wallach, Amei. “An Exuberant Celebration of Life.” New York Newsday, Friday, April 1, 1994 Larson, Kay. “The Garden of Sculptural Delights.” New York, March 28, 1994 Hicks, Robert. “Group seeks to wed sculpture and theater.” The Village, March 23, 1994
Smith, Roberta. “Examining Culture Through its Castoffs.” The New York Times, Sunday, November 28, 1993, pp. 39, 44 Robinson, Julia. “Flesh Art.” World Art, November 1993 Bulka, Michael. “The Nature of the Machine.” New Art Examiner, September 1993,pp. 30- 31 Zimmer, William. “How Physics is Raised to Metaphysics in a Real Art Ways Show in Hartford.” The New York Times, July 4, 1993
Hess, Elizabeth. “Give Me Fever.” The Village Voice, December 29, 1993, p. 95 Kimmelman, Michael. “Promising Start at a New Location.” The New York Times, December 18, 1994 Egert, Robert, “Roxy Paine at Test-Site.” Breukele 1, January 1992
Sellers, Terry. “Review”. Artist Proof, Fall 1991, pp. 4-6 1990 Blake, Kit. “Review.” Word of Mouth, September 1990, p. 5 
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