Selected solo and two-person exhibitions

2005 “Felix Gonzalez-Torres and Joseph Kosuth”, Andrea Rosen Gallery, New York, January 20 – February 18

2004 Fraenkel Gallery, San Francisco, CA, April 1 – May 29

2002 Andrea Rosen Gallery, NYC, “Felix Gonzlalez-Torres”, March 30 – May 4; simultaneous exhibition at Sadie Coles HQ, London, England, March 20 – April 20 (book), with global satellite sites of the billboard in the cities of Athens, Berlin, Bogota, Cambridge, Dublin, Kirkwall, London, Milan, New Delhi, New York, Rio de Janeiro, Sa o Paolo, Tokyo, Warsaw, Zurich

2001 Lever House Lobby Gallery, 400 Park Avenue, NY, “Felix Gonzalez-Torres”, December 7 – February 15, 2002

Museu de Arte Moderna, Sao Paolo, Brazil, “Felix Gonzalez-Torres”, August 9 – September 9, curated by Carlos Basualdo

(third venue of exhibition)

Le Consortium, Dijon, France, “Felix Gonzalez-Torres”, November 25, 2001 – February 2, 2002

2000 Andrea Rosen Gallery, NYC, “Felix Gonzalez-Torres”, December 2 – January 13, 2001 (pamphlett)

Museo Nacional de Artes Visuales, Montevideo, Uruguay, December 14 – January 31, 2001, curated by Alejandro Cesarco

(catalogue)

Galerie Jennifer Flay, Paris, France, November 10 – December 23

Serpentine Gallery, London, England, “Felix Gonzalez-Torres”, June 1 – July 16 with satellite venues: Camden Arts Centre, Chelsea and Westminster Hospital, Royal College of Art, Victoria and Albert Museum, Royal Geographical Society (catalogue)

1999 Banco de la Republica Biblioteca Luis Angel Arango, Bogota, Colombia, “sin titulo, bogota”, November 10 – January 16, 2000,

curated by Carlos Basualdo (catalogue); travels to Museo Alejandro Otero, Caracas, Venezuela, “Felix Gonzalez-Torres”,

April 2, 2000 – June 25 and Museu de Arte Moderna, Sao Paolo, August 9 – September 9, 2001 (catalogue)

The Douglas Hyde Gallery, Dublin, “Felix Gonzalez-Torres”, December 9 – January 31, 2000

1998 Andrea Rosen Gallery, NYC, “Felix Gonzalez-Torres”, December 4 – January 16, 1999

Museum Moderner Kunst, Vienna, Austria, September 12 – November 1, curated by Rainer Fuchs (third venue of Sprengel

Museum travelling exhibition) (catalogue)

Comme des Garcons, Tokyo, Japan, “Felix Gonzalez-Torres”, May

1997 Sprengel Museum in Hannover, Germany, June 1 - August 24, travels to Kunstmuseum St. Gallen, St. Gallen, Switzerland, September 6 - November 16 (catalogue)

Andrea Rosen Gallery, NYC, “‘Untitled’ (Beginning)”, January 3 - 25

1996 Musee d’Art Moderne de la Ville de Paris, France, “Felix Gonzalez-Torres (Girlfriend in a Coma)”, April 11 - June 16 (catalogue) – third venue of the Guggenheim Museum exhibition

1995 Centro Galego de Arte Contemporaneo, Santiago de Compostella, Spain, “Felix Gonzalez-Torres (A Possible Landscape)”, December 12 - March 3, 1996 (catalogue) – second venue of the Guggenheim Museum exhibition

Andrea Rosen Gallery, New York, September 16 - October 14

Akademie der Bildende Kunst, Munich, Germany, with Roni Horn, May 16 - October 28, organized by Sammlung Goetz

(catalogue)

The Solomon R. Guggenheim Museum, NYC, March 3 - May 10, curated by Nancy Spector (catalogue)

1994 Printed Matter, NYC, “Felix Gonzalez-Torres: Details from Twenty Sculptures”, October 26 - November 24

The Museum of Contemporary Art, Los Angeles, CA, “Traveling”, April 24 - June 19, organized by Amada Cruz, Ann

Goldstein and-- Suzanne Ghez, travels to: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington

D.C., June 16 - September 11; The Renaissance Society at the University of Chicago, Chicago, IL, October 2 - November 6 (catalogue)

The Fabric Workshop, Philadelphia, PA, February 14 - March 31, in conjunction with Beaver College Art Gallery, Glenside,

PA, February 14 - March 14

Matrix Gallery, University of California, Berkeley, January 19 - March 27

1993 Museum in Progress, Vienna, Austria, December - January 1994

Galerie Jennifer Flay, Paris, France, "Travel #1", October 30 - December 1

Galerie Ghislaine Hussenot, Paris, France, "Travel #2", October 30 - December 1

Musee d'Art Moderne de la Ville de Paris, France, "Migrateurs: Felix Gonzalez-Torres", October 27 - November 28

Teweles Gallery, Milwaukee Art Museum, Milwaukee, WI, "Currents 22: Felix Gonzalez-Torres", May 28 - September 12

(pamphlet)

Andrea Rosen Gallery, NYC, April 23 - May 29

1992 Magasin 3 Stockholm Konshall, Sweden, October 15 - January 15, 1993 (catalogue)

Galerie Peter Pakesch, Vienna, Austria, October 9 - November 20

Andrea Rosen Gallery, NYC, June 18 - June 27

Museum of Modern Art, NYC “Projects 34: Felix Gonzalez-Torres”, 24 New York City locations, May 16 - June 30 (pamphlet)

1991 Luhring Augustine Hetzler, Los Angeles, October 19 - November 16

Massimo de Carlo, Milan, September 17 - October 19 (catalogue)

Andrea Rosen Gallery, NYC, "Every Week There Is Something Different", May 2 - June 1

Museum Fridericianum, Kassel, Germany, simultaneous one person exhibition with Cady Noland, February 8 - March 17

(catalogue)

Julie Sylvester Editions, NYC, "Untitled"(Implosion)

1990 Neue Gesellschaft fur Bildende Kunst, Berlin, simultaneous one person exhibition with Cady Noland, December 17 - January 30 (catalogue)

Billboard Project, NYC, 10 Manhattan locations, December - January, in cooperation with INTAR Gallery, with support from

Lannan Foundation

University of British Columbia, Vancouver, Canada, “Strange Ways, Here We Come”, simultaneous one person exhibition with

Donald Moffet, November 16 - December 22 (catalogue)

Andrea Rosen Gallery, NYC, January 20 - February 24

1989 Sheridan Square, NYC, billboard, sponsored by the Public Art Fund, March -September

Petrocino Park, NYC, sculpture project sponsored by the Lower Manhattan Cultural Council, June 7 - August 30

Brooklyn Museum, NYC, installation

1988 The New Museum of Contemporary Art, NYC, "The Workspace", September 16 - November 20, essay by Laura Trippi

INTAR Gallery, NYC (catalogue)

Rastovski Gallery, NYC

SELECTED GROUP EXHIBITIONS:

2005 PaceWildenstein, New York, NY, “Distillation to Complication: 40 Years of Rule-Based Art”, February 18 – March 26

Museum of Contemporary Art, Chicago, “Universal Experience: Art, Life and the Tourist’s Eye”, January 29 – September 30,

curated by Francesco Bonami

Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, “Material Matters”, January 22 – March 20 (catalogue)

2004 James Cohan Gallery, New York, NY, “Realm of the Senses”, December 11, 2004 – January 22, 2005

Frac Ile de France, Paris, France, “Ralentir Vite”, December 9, 2004 – February 20, 2005, curated by Caroline Bourgeois

Antiguo Arsenal de Marina, Old San Juan, Puerto Rico, “Trans/Migrations: Graphics as Contemporary Art – San Juan

Poly/Graphic Triennial: Latin America and the Caribbean”, December 4, 2004 – March 6, 2005, curated by Mari Carmen

Ramirez, Justo Pastor Mellado, Harper Montgomery, Jose Ignacio Roca and Margarita Fernandez Zavala (catalogue)

The Art Institute of Boston, Lesley University, Boston, MA, “Immersion”, November 10, 2004 – January 18, 1005, curated by Gary Sangster (brochure)

deSingel, International Arts Centre, Antwerp, Belgium, “Schoner Wohnen”, October 30, 2004 – January 16, 2005, curated by Moritz Kung (catalogue)

BAK- basis voor actuele kunst, Utrecht, Netherlands, “Cordially Invited”, one of the seven European exhibitions comprising "Who if not we...?", the visual art program of "Thinking Forward" October 30 – December 31, curated by Maria Hlavajova and Gerardo Mosquera (catalogue)

Terminal 5, John F. Kennedy International Airport, Queens, NY, “9/12” portion of “Terminal 5”, October 1, 2004 – January 31, 2005, curated by Tobias Wong

AR/GE Kunst Galerie Museum, Bolzano, Italy, “Entropie: uber das Verschwinden des Werkes”, September 19 – October 30, curated by Moritz Kung (catalogue)

Kunsthalle zu Kiel, Kiel, Germany, “Portrat ohne Antlitz. Abstrakte Strategien in der Bildniskunst”, July 24 – October 17 (catalogue)

Metropolitan Museum of Art, New York, NY, “Modern Photographs from the Collection”, July 20, 2004– January 16, 2005

White Cube, London, England, “Eclipse: Towards the Edge of the Visible”, July 16 – August 21, curated by Annushka Shani (catalogue)

Andrea Rosen Gallery, New York, NY, “Four Ply.”, July 15 – August 20

Modern Art, London, England, “Overcast”, July 8 – August 15

San Francisco Museum of Art, San Francisco, CA, “Between Art and Life: The Contemporary Painting and Sculpture Collection” (ongoing), July 1 – ongoing, curated by Madeleine Grynsztejn

Roth Horowitz, New York, NY, “Power Corruption and Lies”, June 23 – July 23, curated by Adam McEwen and Neville

Wakefield

Stiftung Deutsches Hygiene-Museum, Dresden, Germany, “Die Zehn Gebote”, June 19 – December 5, curated by Klaus

Biesenbach (catalogue)

Marian Goodman Gallery, New York, NY, “Reflecting the Mirror”, June 14 – August 27, curated by Karina Daskalov

San Francisco Museum of Modern Art, San Francisco, CA, “Between Art and Life: The Contemporary Painting and Sculpture

Collection”, June - September

Bruce Museum of Art and Science, Greenwich, CT, “Off the Wall: Works from the JP Morgan Chase Collection:”, May 15 – September 5 (catalogue)

Department of State, Washington DC, “Art in Embassies Program: Around the World in 40 Years”, May 6 – June 18 (pamphlet)

La Casa Encendida, Madrid, Spain,”Paisaje y Memoria”, March 31 – June 13, curated by Alicia Chillida; travls to Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain, June 30 – August 22 (catalogue)

Tucson Museum of Art, Az, “Contemporary Art and Latin America: Selections from the Diane and Bruce Halle Collection”, March 25 – July 4 (catalogue)

La Coleccion Jumex, CMD/ Galeria, Mexico City, Mexico, “La Colmena”, March 16 – October 29, curated by Guillermo Santamarina

Musee Departmental D’Art Contemporain de Rouchechouart, France, “La Fabrique du Sensible”, March 6 – May 23

Guggenheim Museum, New York, “Singular Forms (Sometimes Repeated): Art from 1951 to the Present”, March 4 – May 19 (catalogue)

El Museo del Barrio, New York, “MoMA at El Museo: Latin American and Caribbean Art from the Collection of The Museum of Modern Art”, March 4 – July 25, curated by Miriam Basilio, Gary Garrels and Luis Enrique Perez Oramas from MoMA and Fatima Bercht and Deborah Cullen from El Museo del Barrio (catalogue)

CCA Wattis Institute, San Francisco, CA, “Likeness: Portraits of Artists by Other Artists”, February 26 – May 8, 2004, curated by Matthew Higgs, traveling exhibition organized by Independent Curators Incorporated (catalogue) until May 2006

Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, “If it’s not love, it’s the bomb”, February 1 – 15, curated by Cecilia Alemani, Lyra Kilston, Jyeong Yeon Kim, Risa Puleo, Yasmeen Siddiqui and Pelin Uran (brochure)

Platform Garanti Contemproary Art Center, Istanbul, Turkey, “Last Winter Spring Never Came”, January 22 – February 28

2003 San Francisco Museum of Modern Art, San Francisco, CA, “SUPERNOVA: Art of the 1990’s from the Logan Collection”, December 13, 2003-May 23, 2004 (catalogue)

Rubell Family Collection, Miami, FL, “Not Afraid. Rubell Familyl Collection.”, December 1 , 2003 – May 30, 2004 (catalogue)

San Francisco Museum of Modern Art, San Francisco, CA, “Primary Matters: The Minimalist Sensibility, 1959 – Present”, November 8, 2003 – January 11, 2004

The Museum of Modern Art, New York, “Artist’s Choice: Mona Hatoum, Here is Elsewhere”, November 7, 2003 – February 2, 2004 (brochure)

Baltimore Museum of Art, Baltimore, MD, “Work Ethic”, October 12, 2003 – January 4, 2004; travels to Wexner Center for the Arts, Columbus, OH, September 17, 2004 – January 2, 2005 (catalogue)

Museum of Fine Arts, Houston, TX, “The Heroic Century: The Museum of Modern Art Masterpieces, 200 Paintings and Sculptures”, September 21, 2003 – January 4, 2004, organized by John Elderfield. Travels to Neue Nationalgalerie, Berlin, Germany, (titled: “Das MoMA in Berlin”), February 20 – September 19, 2004 (catalogue)

Dallas Museum of Art ,Dallas, TX, “Celebrating Sculpture: Modern and Contemporary Works From Dallas Collections”, September 7, 2003 – April 25, 2004

Hirshhorn Museum and Sculpture Garden, Washington DC, “Gyroscope”, August 1, 2003 – January 4, 2004, billboard sites in Washington DC, Maryland and Virginia, beginning July 15, including Corcoran Gallery of Art, National Gallery of Art

Artemis Greenberg Van Doren Gallery, New York, “puddle-wonderful”, July 9 – August 15, curated by Sima Familant

Dickinson Roundell Inc., New York, NY, “Aftershock: The Legacy of the Readymade in Post-War and Contemporary American Art”, May 5 - June 20 (catalogue)

Kunstmuseum Liechtenstein, Vaduz, Germany, “Migration”, June 28 – November 2, curated by Christiane Meyer-Stoll (catalogue)

Museum Ludwig, Cologne, Germany, “I promise it’s political”, June 20 – September 8 (catalogue)

Miami Art Museum, FL, “American Tableaux: Many Voices, Many Stories”, June 20 – September 7, organized by Walker Art Center (pamphlet)

Henry Art Gallery, University of Washington, Seattle, WA, “Crosscurrents at Century’s End: Selections from the Neuberger Berman Art Collection”, June 14 – September 21; travels to Norton Museum of Art, West Palm Beach, FL, October 18 – December 28, 2003; Tampa Museum of Art, Tampa, FL, January 25 – April 11, 2004; Chicago Cultural Center, Chicago, IL, April 24 – June 27, 2004 (catalogue)

The Contemporary Arts Center, Cincinnati, OH, “Somewhere better than this place./Nowhere better than this place. Alternative Social Experience in the Spaces of Contemporary Art”, June 7 – November 23 (catalogue)

Art Institute of Chicago, Chicago, IL, “Past, Present, Future”, July, 2003 – December 2004

Z33, Hasselt, Belgium, “Guided by Heroes”, May 25 – August 31, 2003, curated by Raf Simons

Institute of Contemporary Art, Boston, “Pulse: Art, Healing and Transformation”, May 14 – August 31 (catalogue)

Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA., “s(how)”, May 3 – July 27

Atelier Augarten, Zentrum fur zeitgenossische Kunst der Osterreichiscghen Galerie Belvedere, Vienna, Austria, “Trauer”, April 16 – July 27, curated by Thomas Trummer

The Approach, London, England, “Someone to Share My Life With”, March 31 – May 12, 2003

Kunstmuseum St. Gallen, Switzerland, "Striptease - Vom Verschleiern und Enthullen in der Kunst" March 29 – August 24

Antiguo Colegio de San Ildefonso, Mexico City, Mexico, “Eden”, March 18 – June 15, curated by Patricia Martin and Patrick Charpenel, traveled to Biblioteca Luis Angel Arango, Bogota, Colombia, May 15, 2004 – July 5, 2004 (catalogue)

University Art Museum, University of California, Santa Barbara, CA, “Social Strategies: Redefining Social Realism”, March 18 – May 11; curated by Pamela Auchincloss and Klaus Ottman; travels toUniversity Galleries, Illinois State University, Normal, IL, August 15 - October 19, 2003; The Richard E. Peeler Art Center, De Pauw University, Greencastle, IN, November 15, 2003 – February 15, 2004; Schick Art Gallery, Skidmore College, Saratoga Springs, NY, March 9 – April 11, 2004; The Newcomb Art Gallery, Tulane University, New Orleans, LA, August 21 – October 1, 2004 (catalogue)

Le Coleccion Jumex, Mexico, “Killing Time and Listening Between the Lines”, March 15, 2003 – February 13, 2004, curated by Douglas Fogle and Philippe Vergne

Vancouver Art Gallery, Vancouver, BC, Canada, “The Big Picture: Recent Acquisition from the Collection of Alison and Alan Schwartz”, March 15 – September 1

Foundation to Life, Inc., Mt. Kisco, NY, “Presence: An Examination of the Relationship Between Abstraction and Representation in Recent Art”, March 9, 2003 – March 9, 2004 (approximately), curated by Alan Schwartzman

Asheville Art Museum, Asheville, NC, “Self and Soul: The Architecture of Intimacy”, March 7 - May 25 (catalogue)

Fraenkel Gallery, San Francisco, CA, “Not Exactly Photographs”, March 6 – April 26

D’Amelio Terras, New York, “Stacked”, February 22 – March 22

Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, “Space Matters”, February 17 – 24, curated by Kazeem Adeleke, Jose Blondet, Ingrid Chu, Kate Green and na Vejzovic (brochure)

2002 Bass Museum of Art, Miami, FL, “globe>miami>island”, December 13, 2002 – February 3, 2003 (pamphlet)

Ville de Paris, Maison de Balzac, Paris, France, “Quel meilleur endroit?”, December 11, 2002 – March 16, 2003, organized by Cedric Aurelle (catalogue)

St. Louis Art Museum, St. Louis, MO, “A Day Without Art”, November 29 – December 3, 2002

Art Institute of Chicago, Chicago, IL, “Object, Image, Text: Contemporary Art from 1950 to the Present”, November 22, 2002 – June 15, 2003

Centro de Arte de Salamanca, Concorcio Salamanca 2002, “Comer o no Comer”, November 20 – January 20, 2003 (pamphlet)

Museum of Contemporary Art, Chicago, IL, “Life, Death, Love, Hate, Pleasure, Pain – Selected Works from the Museum of Contemporary Art, Chicago Collection”, November 16, 2002 – April 20, 2003 (catalogue)

San Francsico Art Institute, Walter and McBean Galleries, San Francisco, CA, “Touch: Relational Art from the 1990’s to Now”, October 18 – December 14, 2002, curated by Nicolas Bourriaud (catalogue)

Melbourne Festival of the Arts, Melbourne, Autralia, “A History of Happiness”, October 17 – November 2, curated by Juliana Engberg (catalogue)

Koldo Mitxelena Kulturunea, San Sebastian, Spain, “The Pons’ Archive”, October 17 – December 17

San Francisco Art Institute, San Francisco, CA; “Touch Relational Art from the 1990’s to Now”, curated by Nicolas Bourriaud October 16 – December 14, 2002

Wadsworth Atheneum, Hartford, CT, “Structures of Difference”, October 12, 2002 – July 2, 2003

Worcester Art Museum, Worcester, MA, “Mask or Mirror: A Play of Portraits”, October 6, - January 26, 2003, curated by Susan Stoops

Massachusetts Museum of Contemporary Art, North Adams, MA, “Mirror, Mirror”, October 5, 2002 – January 31, 2003

Worcester Art Museum, Worcester, MA, “Mask or Mirror: A Play of Portraits”, October 5 – January 26, 2003, curated by Susan Stoops (catalogue)

The University of New South Wales, Ivan Dougherty Gallery, Sydney, Australia, “With and Without You: Re-Visitations of Art in the Age of AIDS”, October 3 – November 9, 2002, curated by Royce W. Smith (brochure)

Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY, “The Arch of Desire: Women in the Marieluise Hessel Collection”, September 29 – December 13, co-curated by Ilaria Bonacossa and Cecilia Brunson

Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY, Re(f)use, September 29 – December 13, curated by Rachel Gugelberger

Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY,”Text, Texture and Touch”, September 29 – December 13, Tobias Ostrander

Logan Galleries, CCAC San Francisco Campus, San Francisco, CA, “To Whom It May Concern”, September 5 – October 26, 2002

California College of Arts and Crafts, San Francisco, CA, “To Whom it May Concern”, September 4 – October 26

United States Ambassador’s Resident, Paris, France, August 2002 – August 2005

Art Resources Transfer, NYC, “Chapter V”, August 1 – 23, curated by Aejandro Cesarco

Museum of Modern Art, NYC, “Tempo: Time Collapsed” and “Tempo: Liquid Time”, July 29 – September 9, 2002, curated by Paolo Herkenhoff, Roxana Marcoci and Miriam Basilio (catalogue)

American Embassy in Paris, France, July 2002 – July 2005 approximately

Centre d’Art Contemporain La Synagogue de Delme, France, “Surfaces de Projections”, June 29 – September 8

Guggenheim Museum, NYC, “Moving Pictures”, June 28, 2002 – January 12, 2003 (pamphlet)

Museum of Modern Art, MoMA QNS, NY, “To Be Looked At: Painting and Sculpture from the Collection”, an ongoing installation of works from the Museum’s collection at MoMA QNS, June, (catalogue)

City of Ieper, Belgium, “Anno 02”: “The Lost Past: Memorial Signs for the Present”, June 15 – September 15, curated by Moritz Kung (catalogue)

Wall Street Rising, “Art Downtown: New York Painting and Sculpture”, 48 Wall Street, NYC, June 14 – September 15, curated by Richard Marshall (pamphlet)

303 Gallery, NYC, “Sunday Afternoon”, May 30 – July 19, curated by Patricia Martin (pamphlet)

Museum Villa Stuck, Munich, Germany, “Hautnah – Die Sammlung Goetz”, May 29 – August 18 (catalogue)

Museum of Contemporary Canadian Art, Toronto, ON, Canada and The Koffler Gallery, Toronto, ON, Canada, “Regarding Landscape”, May 12 – July 30, curated by Gregory Salzman

Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, “Oral Fixations”, May 12 – 26, curated by Sandra Firmin

Giraud Pissarro Segalot, New York, NY, “Felix Gonzalez-Torres Perfect Lovers”, May 3 – 24; traveled to Giraud Pissarro Segalot, Paris, France, June 4 - 22

Arnolfini, Bristol, England, “Shimmering Substance”, April 27 – June 23, curated by Barry Schwabsky and Catsou Roberts (catalogue); travels to Cornerhouse, Manchester, England, July 13 – September 1

www.e-flux.com, on-line exhibition of “Do-It”, curated by Hans-Ulrich Obrist, May

Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, “Space Matters”, February 17 – 24, curated by Kazeem Adeleke, Jose Blondet, Ingrid Chu, kate Green and Ana Vejzovic

Laing Art Gallery, Newcastle, England, “Life is Beautiful”, February 9 – April 7, curated by Andrew Patrizio

University Gallery, University of Massachusetts Amherst, Fine Arts Center, Amherst, MA, “Culture of Violence”, February 2 – March 15 and April 2 – May 17, curated by Donna Harkavy and Helaine Posner; travels to Bowdoin College Museum of Art, Brunswick, ME, September 26 – December 8, 2002; the Samuel P. Harn Museum of Art, Universiry of Florida, Gainesville, FL, January 28 – April 27, 2003 (catalogue)

The Hudson River Art Museum, Yonkers, NY, “The Magic of Light”, February 1 – May 19, 2002 (catalogue)

Collegi Oficial d’Arquitectes de Catalunya, Barcelona, Spain, “Tencat per Obres. Els artistes s,aproprien l’arquitectura”, January 24 – March 10 (pamphlet)

Astrup Fearnley Museet fur Moderne Kunst, Oslo, Norway, “Passenger. The Viewer as Participant”, January 19 – April 21 (catalogue)

Greene Naftali Gallery, NYC, “Pictures”, January 18 – February 23

NeugerReimscheider, Berlin, Germany, “Hell”, January 17 - February 23

D’Amelio Terras, NYC, “5 Sculptures”, January 5 – February 9

2001 Espai D’Art Contemporani De Castello, Castello, Spain, “Lugares de la Memoria (Places of Memory), April 19 – June 10

Museum of Latin American Art, Buenos Aires, Argentina, “Politicas de la diferencia. Arte Iberoamericano fin de siglo”, December 12 – (catalogue)

Contemporary Arts Museum, Houston, Texas, “The Inward Eye: Transcendence in Contemporary Art”, December 8, 2001 – February 17, 2002 (catalogue)

Yale University Art Gallery, New Haven, CT, “Objective Color”, February 2 – March 25, curated by Jennifer Gross

Museum fur Gegenwartskunst Basel, Basel, Switzerland, “Weiss: Skulpturen des 20 Jahrhunderts From the Oeffentliche Kunstsammlung Basel and the Emmanuel Hofmann Foundation”, January 18 – March 18 (catalogue)

James Cohan Gallery, NYC, “The Passions: Brueghel to Viola”, December 2 – January 12, 2002

Le College FRAC/ Fonds Regional D’Art Contemporain Champagne – Ardenne, Champagne – Ardenne, France, “Alchimie de la Recontre”, November 23, 2001- - January 20, 2002

The Bertha and Karl Leubsdorf Art Gallery, Hunter College, NYC, “Everybody Now”, October 25 – December 8, curated by Katy Siegel Tate Liverpool, Liverpool, United Kingdom, “At Sea”, July 14 – September 23

Dundee Contemporary Arts, Dundee, Scotland, “Trauma”, July 7 – September 2, organized by Hayward Gallery Royal Festival Hall, London, and Dundee Contemporary Arts (catalogue), travels to First Site, Colchester, England, September 15 – November 17, 2001; Museum of Modern Art, Oxford, England, January 25 – April 7, 2002; Castle Museum, Nottingham, April 27 – June 23, 2002 (catalogue)

San Francisco Museum of Modern Art, San Francisco, CA, “Points of Departure: Connecting with Contemporary Art”, November 17, 2001 – June 9, 2002

The Bertha and Karl Leubsdorf Art Gallery, Hunter College, NYC, “Everybody Now”, October 25 – December 8, curated by Katy Siegel (catalogue)

Friedrich Petzel Gallery, NYC, “Summer Lights (Electrify Me), June 23 – August 31, curated by Mark Fletcher

Palazzo delle Papesse Centro Arte Contemporanea, Siena, Italy, June 2 – September 23; travels to Candiani Centro Culturale, Mestre, Venice, Italy, October 14, 2001 – January 6, 2002

Logan Galleries, California College of Arts and Crafts, San Francisco, CA, “Extra Art: A Survey of Artists’ Ephemera, 1960-1999”, October 12 – December 8 (catalogue)

Hamburger Kunsthalle, Hamburg, Germany, “Monet’s Legacy. Series – Order and Obsession”, September 28, 2001 – January 6, 2002

City University of New York, Graduate Center Art Gallery, NYC, “Play’s the Thing: Critical and Transgressive Practices in Contemporary Art”, May 25 – July 8 (catalogue)

Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, “The Absence of Presence”, April 25 – May 24, curated by Nina Felshin (catalogue)

Yokohama Art Museum, Yokohama, Japan, “Yokohama 2001: International Triennale of Contemporary Art”, September 2 – November 11

Susquehanna Art Museum, Harrisburg, PA, “Let’s Go To Work”, July 21 – October 20; travels to University of the Arts & Base Kamp, Philadelphia

Pavillao Pinacoteca do Estado, Sao Paolo, Brazil, “Politicas de la diferencia. Arte Iberoamericano fin de siglo”, March; travels to Museo De Bellas Artes, Buenos Aires, Argentina, April – May; Museo Sofia Imber, Caracas, Venezuela, August – September; Museo Carillo Gil, Museo de Arte Moderno, Mexico City, Mexico, November – December; Museo de Arte De Puerto Rico, San Juan, Puerto Rico, February – March, 2002; Chicago Cultural Center, Chicago, UL, June – August 2002; Atarazanas, Valencia, Spain, October – November, 2002 (catalogue)

Jumex Centro de Distribucion, Mexico City, Mexico. “La Colleccion Jumex”, March 3

Tate Liverpool, Liverpool, United Kingdom, “At Sea”, July 14 – September 23; travels to Sainsbury Centre for Visual Arts, Norwich, England, February 12 – April 28

Palazzo delle Papesse Centro Arte Contemporanea, Siena, Italy, “The Gift: ”, June 2 – September 23; travels to Candiani Centro Culturale, Mestre, Venice, Italy, October 19, 2001 – January 6, 2002; Scottsdale

MAK Center for Art and Architecture, L.A., Schindler House, Los Angeles, CA,. “In Between Art & Architecture”. February 16 – September 2 (catalogue)

Dallas Museum of Art, Dallas, Texas, “Felix Gonzalez-Torres/Joseph Beuys”, February 16 – May 6 (pamphlet)

Museum of Contemporary Art, Scottsdale, AZ, February 9 – May 5, Bronx Museum of Art, Bronx, NYC, Novemebr 27, 2002 – March 3, 2003 (catalogue)

The Metropolitan Museum of Art, NYC, “Places in the Mind: Modern Photorgaphs from the Collection”, May 17 – November 4

Greene Naftali, NYC, “Deliberate Living”, January 12 – February 10, curated by Sima Familant

Sammlung Hauser und Wirth, St. Gallen, Switzerland, Wechsel-strom”, May 13 – October 14 (catalogue)

Museum of Modern Art, NYC, “Parkett: Collaborations & Editions Since 1984”, April 5 – June 12 (catalogue)

Centre d’Art Contemporain, Geneve, Switzerland, “The Fabric Workshop and Museum, Philadelphia, at Centre d’Art Contemporain, Geneve”, March 8 – May 6

The Contemporary Arts Museum, Houston, TX, “Subject Plural: Crowds in Contemporary Art”, March 2 – April 29 (catalogue)

2000 Centre national de la photographie, Paris, France, “Bruit de fond” White Noise, December 15, 2000 – February 19, 2001, curated by Francois Piron

Miami Art Museum, Miami, FL, “Selections from the Collection”, December 13 – May 13, 2001

Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, “Versiones del Sur: Cinco Propuestas en Torno al Arte en America”: “F(r)icciones”, December 12 – March 26, curated by Adriano Pedrosa and Ivo Mesquita (catalogue)

Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, “Versiones del Sur: Cinco Propuestas en Torno al Arte en America”: “No Es Solo Lo Que Ves. Pervirtiendo el Minimalismo”, December 12 – March 26, curated by Gerardo Mosquera (catalogue)

The New Art Gallery Walsall, West Midlands, England, “In Memoriam”, November 22, 2000 – January 21, 2001 (catalogue)

Museum of Modern Art, NYC, “MoMA 2000, A Series of Exhibtions from the Collection of the Museum of Modern Art, New York”: “Open Ends, 11 Exhibitions of Contemporary Art from 1960 to Now”: “Counter-Monuments and Memory”, organized by Roxana Marcoci, November 5, 2000 – January 30, 2001 (brochure)

Museum of Modern Art, NYC, “MoMA 2000, A Series of Exhibtions from the Collection of the Museum of Modern Art, New York”: “Open Ends, 11 Exhibitions of Contemporary Art from 1960 to Now”: “Minimalism and After”, organized by Kirk Varnedoe, November 5, 2000 – January 30, 2001 (brochure)

Museum of Modern Art, NYC, “MoMA 2000, A Series of Exhibtions from the Collection of the Museum of Modern Art, New York”: “Open Ends, 11 Exhibitions of Contemporary Art from 1960 to Now”: “The Path of Resistance”, organized by Joshua Siegel and Susan Kismaric, November 5, 2000 – January 30, 2001 (brochure)

National Hispanic Cultural Center of New Mexico, NM, “La Luz: Contemporary Latino Art in the United States”, October 21 – May 27, 2001, curated by Andrew Connors (exhibition brochure)

Museum fur Moderne Kunst Frankfurt am Main, Frankfurt, Germany, “Change of Scene XVIII”, September 29, 2000 – March 4, 2001, curated by Mario Kramer (catalogue)

Museum of Modern Art, NYC, “MoMA 2000, A Series of Exhibtions from the Collection of the Museum of Modern Art, New York”: “Open Ends, 11 Exhibitions of Contemporary Art from 1960 to Now”: “Matter”, organized by September 28, 2000 – January 2, 2001 (brochure)

Bronx River Art Center and Gallery, Bronx, NY, “Environmentally Concerned 2”, September 23 – November 25, curated by Karen Jones

Whitechapel Art Gallery, London, “Protest and Survive”, September 15 – November 12, curated by Matthew Higgs and Paul Noble (catalogue)

Musee d’Art Moderne de la Ville de Paris, France, “Voila: Le monde dans la tete”, June 15 – October 29 (catalogue)

DeeGlasoe, NYC, “Innuendo”, June 3 – July 22, curated by Doug Wada

Dieu Donné, NYC, “Environmentaly Concerned”, June 1 – September 15, 2000, curated by Karen Jones

America’s Society, NYC, “Icon + Grid + Void: Art of the Americas from the Chase Manhattan Collection”, May 18 – July 30, curated by Joe Wollin (catalogue)

Wako Works of Art, Tokyo, Japan, “American Photographs”, May 17 – June 3

Neuesmuseum Staatliches Museum fur Kunst un Design in Nurnberg, Germany, “Proun ein neuer Platz”, May 16 – June

Sammlung Hauser und Wirth, St. Gallen, Switzerland, “The Oldest Possible Memory”, May 14 – October 15

Promotrice delle Belle Arti, Turin, Italy, “DIRE AIDS: Art in yhr Age of AIDS”, May 5 – June 4, curated by Gail Cochrane, Giorgio Verzotti and Angela Vettese (catalogue)

11 Duke Street, London, England, “After Life 1”, May 5 – July 7

Museum of Contemporary Art, Chicago, “Age of Influence: Reflections in the Mirror of American Culture”, April 8 – June 4, curated by Francesco Bonami

Virginia Museum of Fine Arts, Richmond, VA, “Vanitas: meditations on life and death in contemporary art”, April 4 – June 18, curated by John Ravenal (catalogue)

Museum of Modern Art, NYC, “MoMA 2000, A Series of Exhibitions from the Collection of the Museum of Modern Art, New York”: “Making Choices, 24 Exhibitions of Modern Art from 1920 to 1960”: “The Marriage of Reason and Squalor”, March 30- September 19 , curated by Paolo Herkenhoff (pamphlett)

Museum of Modern Art, NYC, “MoMA 2000, A Series of Exhibitions from the Collection of the Museum of Modern Art, New York”: “Making Choices, 24 Exhibitions of Modern Art from 1920 to 1960”: “Walker Evans & Company”, March 16 – August 22, curated by Peter Galassi (catalogue)

Museum of Contemporary Art, Chicago, IL, “Age of Influence: Reflections in the Mirror of Contemporary Culture”, March 14 – January 21, 2001

Beaver College Art Gallery, Glenside, PA, “The Sea and the Sky”, February 17 – April 25, travels to The Royal Hibernian Academy, Dublin, Ireland, June 15 – August 20, co-curated by Richard Torchia and Patrick Murphy

Ikon Gallery, Birmingham, England, “Lost”, February 16 – April 2, curated by Tania Kovts (catalogue)

Walker Art Center, Minneapolis, MN, “Let’s Entertain: Life’s Guilty Pleasures”, February 12 – April 30, curated by Philippe Vergne, travels to Portland Art Museum, Portland, Oregon, July 7 – September 17; Centre National d’Art Georges Pompidou, Paris, France, “Au-dela du spectacle”, November 22 – January 8, 2001; Museo Rufino Tamayo, Mexico City, Mexico, June 6 – August 8, 2001; Miami Art Museum, Miami, FL, September 12 – November 25, 2001 (catalogue)

Magasin Centre National d’Art Contemporain de Grenoble, Grenoble, France,”Micropolitiques”, February 6 – April 30, curated by Paul Ardenne and Christine Macel (catalogue)

Castello di Rivoli Museo d’Arte Contemporanea, Torino, Italy, “Quotidiana. The Continuity of the Everyday in the 20th Century Art”, February 4 – May 21, curated by David Ross, Nicholas Serota, Ida Gianelli, Jonathan Watkins (catalogue)

Casa de America, Madrid, Spain, “Territorios Ausentes”, January 28 – March 26; touring exhibition (catalogue)

Centre Georges Pompidou, Paris, France, “Le temps, vite”, January 12 – April 17; travels to Au Palazzo delle esposizioni, Rome, Italy, July 15 – October 23; Au Centre de Culture Conemporaine de Barcelone, Barcelona, Spain, November 28, 2000 – February 25, 2001 (catalogue)

Luhring Augustine Gallery, NY, January 8 – February 12

1999 Williams College Museum of Art, Williamstown, MA, “Permanent Change: Contemporary Works from the Collection”, December 11, 1999 – 2001, curated by Ian Berry

Susquehana Art Museum, “I’m Not Here: Contructing Identity at the Turn of the Century”, December 2, 1999- February 24, 2000, co-curated by Sean Mellyn and Jonathan VanDyke (pamphlett)

Galerie Klosterfelde, Berlin, Germany, “Au Delà”, November 27, 1999 – January 22, 2000.

Whitney Museum of Art at Champion, Stamford, CT, “Contemporary Narrative in American Prints”, November 19, 1999 – February 2, 2000, organized by David W. Kiehl

Musee d’Art Contemporain de Montreal, Quebec, Canada, “Culbutes Oevre d’impertinence” or “Head over Heels into the Millenium”, November 18 – April 23, 2000 (catalogue)

Carnegie Museum of Art, Pittsburgh, PA, “Carnegie International 1999/2000”, November 6, 1999 – March 26, 2000 (catalogue)

La Criee Centre d’art Contemporain, Rennes, France, “Ex-change”, November 5 – December 30 (catalogue)

Hirshhorn Museum and Sculpture Garden, Washington DC, “Regarding Beauty: A View of the Late Twentieth Century”, October 7, 1999 – January 17, 2000 (catalogue), travelled to Haus der Kunst, Munich, September 11 – April 30

Kunst-Werke Berlin, Berlin, Germany, “Warten” , September 30, 1999 – February 29, 2000

Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY, “Felix Gonzalez-Torres: snapshots”, September 26 – December (catalogue)

Whitney Museum of American Art, NYC, “The American Century: Art and Culture 1900-2000”, September 26, 1999 – February 13, 2000 (catalogue)

Contemporary Museum, Baltimore, MD, “IMPACT: Revealing Sources for New Art”, September 25 – December 18 (catalogue)

Fonds Regional d’Art Contemporain de Haute-Normandie, Rouen, France, “Larmes blanches”, September 20 – November 21 (catalogue)

Trans Hudson Gallery, NYC, “The Ecstatic” Part of a three-part project: “Ain’t Nobody’s Business”, September 2 – 18

Lodge Lane, Liverpool, England, “The Liverpool Billboard Project” August 1 – 31 Entire exhibition dates: May – October, organized by Godfrey Burke

Fundacio del Museo Guggenheim Bilbao, Spain, “International Currents in Contemporary Art”, July 23, 1999 – February 2000 (catalogue)

Massachusetts Museum of Contemporary Art, North Adams, MA, “Billboards”, May 28 – September 30

Miami Art Museum, Miami, FL, “New Acquisitions: Dream Collection…part five”, May 14 – October 31

Contemporary Arts Museum, Houston, TX, “Other Narratives”, May 14 – July 4 (catalogue)

Institut de Cultura, Barcelona, Spain, “Dobles Vides”, May 14 – September 26 (catalogue)

Center for Curatorial Studies, Bard College, Annandale-on-Hudson. “Where Are You?”, May 9 – May 23, curated by Tatjana von Prittwitz

Museum van Hedendaagse Kunst Antwerpen, Belgium, “Trouble Spot. Painting”, May 8 – August 22, organized by Luc Tuymans and Narcisse Tordoir (catalogue)

Museo de Arte Carillo Gil, San Angel, Mexico. “Colección Jumex”, April 21- August 8, 1999. (catalogue)

Hara Museum of Contemporary Art, Tokyo, Japan, “Crosscurrrents: New Art from MoMA”, April 2 – May 28 (catalogue)

The Institute of Contemporary Art, Boston, MA, “Collectors Collect Contemporary: 1990-1999”, March 31 – May 28 (catalogue)

Museum Villa Stuck, Munich, Germany, ‘Dream City”, March 25 – June 20, curated by Dirk Luckow (catalogue)

Official residence of Ambassador Paul and Trudy Cejas, the US Ambassador to Belgium, Brussels, Belgium, “American Art at the Residence of the United States Ambassador to Belgium”, March 15 – January 22, 2000

Kunsthalle Wien, Wien, Austria, “Cuba- Landkarten der Sehnsucht” (“Cuba- Maps of Desire”), March 12 – May 30, curated by Dr. Gerald Matt (catalogue), travelled to Kunstraum Innsbruck, Innsbruck, Austria, June 9 – September 18; Nikolaj Copenhagen Contemporary Art Center, Copenhagen, Denmark, June 18 – August 15

The Museum of Contemporary Art, Los Angeles, CA, “Proliferation”, March 7 – June 20

Art Institute of Chicago, Chicago, IL, “Selections from the Permanent Collection”, March 6 – September 1

Contemporary Arts Museum, Houston, TX, “Art at Work: Forty Years of The Chase Manhattan Collection”, March 3 – May 2, curated by Robert Rosenblum (catalogue)

Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, “Positioning”, February 7 - 21

Rooseum, Center for Contemporary Art, Malmo, Sweden, “…on the sublime”, January 23 – March 21 (catalogue)

Birmingham Museum of Art, , Birmingham, AL, “Art at the End of a Century: Contemporary Art from the Milwaukee Art Museum”, January 31 – April 4

1998 Rubell Family Collection, Miami, FL, “Hanging #3”, December 30 – March 31, 1999

The Jewish Museum, NYC, “Light x Eight: The Hanukkah Project”, December 13 – January 31, 1999, curated by Heidi Zuckerman Jacobson

Hamburger Kunsthalle, Hamburg, Germany, “ Erster Umbau in der Galerie der Gegenwart” (The First Reorganization of the Collection), November 29 – May 31, 1999

Museum Ludwig, Koln, Germany, “I Love New York: Crossover der aktuellen Kunst” (Crossover of Contemporary Art), November 6 – February 1, 1999 (catalogue)

Tel Aviv Museum of Art, Tel Aviv, Israel, “On the Edge: New Art from Private Collections in France”, November 2 – January 16, 1999 (catalogue)

Fisher Landau Center, Long Island City, NY, “Shared Vision: Photographs from the Collection of Emily Fisher Landau and Anne E. and M. Anthony Fisher”, October 31 – September 15, 1999

Kunstlerwerkstatt Lothringerstrasse, Munich, Germany, “Stillehalten (keeping the stillness): Richaed Basquie, Olafur Gislason, Felix Gonzalez-Torres, Iris Haussler”, October 30 – December 6, curated by Christiane Meyer-Stoll and Axel Jablonski (catalogue-brochure)

Kunsthalle Zurich, Switzerland, “Auf der Spur – Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen” (Contemporary Art in the Mirror of Swiss Collections), October 31 – December 27 (catalogue)

Camden Arts Centre, London, England, “Untitled” (America), October 26 – November 29 show postponed

Nylistasafnid - The Living Art Museum, Reykjavik, Iceland, “neithor nor”, October 24 – November 8, curated by Marina Fokidis and Hanna Styrmisdottir

Neues Museum Weserburg Bremen, Germany, “Minimal – Maximal: Minimal Art and its influence on international art of the 1990’s”, October 11 - January 3, 1999; travels to Baden Baden (January 22 – March 3, 1999), Centro Galego de Arte Contemporanea, Santiago di Compostela, Spain (April) (catalogue)

Museo Rufino Tamayo, Mexico City, Mexico, “PhotoSeptiembre: Felix Gonzalez-Torres: Actor de Presencia”, September 21 – November 30, curated by Manuel Gonzalez (pamphlett)

Berlin Biennale, Germany, “Berlin/Berlin”, September 30 – January 3, 1999 (catalogue)

Milwaukee Art Museum, WI, “From Figure to Floor: Sculpture in the 20th Century”, September 11 – November 8

Gallery 400, University of Illinois at Chicago, IL, “Word Perfect”, September 1 – October 23

The Fabric Workshop and Museum, Philadelphia, PA, “Cut on the Bias: Social Projects of the 90’s from the Permanent Collection”, July 8 – September 19, curated by Thelma Golden

Casino Luxembourg, Forum d’art contemporain, Luxembourg, “Manifesta 2: European Biennial of Contemporary Art”, June 28 – October 11, curated by Robert Fleck, Maria Lind and Barbara (catalogue)

Galerien de Stadt Esslingen, Germany, “Fotografie als Handlung (Photography as Concept): Fourth International Foto-Triennale Esslingen”, June 28 – September 6 (catalogue)

The Power Plant, Toronto, Ontario, Canada, “Changing Spaces: Artists’ Projects from The Fabric Workshop and Museum, Philadelphia”, June 26 – September 7, curated by Mary Jane Jacob

Tate Gallery Liverpool, England, “Art Transpennine 98”, May 23 – August 16 (catalogue)

Miami Art Museum, Miami, FL, “New Acquisitions: Dream Collection…part three”, May 21 – November 1 (pamphlett)

Nordiska Museum, Stockholm, Sweden, “Arkipelag: Insertions: Notes Towards the Dematerialization of the Art Exhibition”, May 16 – July 12, this section curated by Carlos Basualdo (catalogue)

148 St. John Street, London, England, “Blue Horizon”, May 13 – June 3

Kunstverein in Hamburg, Germany, “Fast Forward: trademarks”, May 8 – August 21 (second of five-part show) (catalogue); third of five-part show: “Fast Forward: body checks”, September 11 – November 31f

Paula Cooper Gallery, NYC, “Travel and Leisure”, May 2 – June 26, curated by Steve Henry

The Light Factory, Charlotte, NC, “(Not Pictured) The Presence of Absence”, April 4 – June 7

Art Gallery of South Australia, Adelaide, Australia, “pure”, February – April, curated by Christopher Chapman and George Popperwell

Henry Art Gallery, University of washington, Seattle, WA, “Thinking Print Books to Billboards 1980-1995”, February 19 – May 3

Moderna Museet, Stockholm, Sweden, “Wounds: between democracy and redemption in contemporary art”, February 14 – April 19, curated by Pier Luigi Tazzi and David Elliot

Walker Art Center, Minneapolis, MN, “100 Years of Sculpture: From the Pedestal to the Pixel”, February 22-May 22

Yuill/Crowley Gallery, South Australia, Adelaide, Australia, “Visual Arts Program, 1998 Gay and Lesbian Mardi Gras Cultural Festival”, February 5 – March 14; “Felix Gonzalez-Torres”, Art Gallery of South Australia, Adelaide, Australia, July 4 – August 2; “Felix Gonzalez-Torres”, Art Gallery of Western Australia, July 31 – August 30, curated by Christopher Chapman (catalogue)

Museu d’Art Contemporani, Barcelona, Spain, “Artificial. Contemporary Figures”, January 20 – March 15

1997 Samuel P. Harn Museum, University of Florida, Gainesville, FL, “MOSAIC”, December 15, 1997 – March 31, 1998 (catalogue)

Centro Cultural Light, Rio de Janeiro, Brazil, “Fotogramas: Arte e Cinema na colecao Marieluise Hessel (Stills: Art and Cindema in the Marieluise Hessel Collection”, November 19 - January 4, 1998, curated by Ivo Mesquita; travels to Museu de Arte Moderna, Sao Paolo, Brazil, January 15 - March 1, 1998; Bard College Center for Curatorial Studies, Annandale-on-Hudson, June 14 – September 6, 1998 (catalogue)

Henry Art Gallery, University of Washington, Seattle, WA, “Simple Form”, November 13, 1997 – February 1, 1998

Museum fur Gestaltung, Zurich, Switzerland, “Virus Express”, October 21 – December 14

Lehmann Maupin, “Patrick Painter Editions”, October 18 – November 29

2nd Johannesburg Biennial 1997, South Africa, October 12 - January 18, 1998, organized by AICA, Africus Institute for Contemporary Art (catalogue)

5th International Istanbul Biennial, Istanbul, Turkey, “On Life, Beauty, Translations and Other Difficulties”, October 5- November 9 (catalogue)

Museum of Modern Art, NYC, “On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection”, September 30, 1997 – January 20, 1998 (catalogue)

Neues Museum Weserburg Bremen, Germany, “Produkt: Kunst!: Wo Bleibt das Original?”, September 28 – November 30; travels to Kunstsammlung Gera, Germany, December 11, 1997 – February 8, 1998; Ludwig Museum Koblenz, February 28 – May 8, 1998 (catalogue)

Kunsthaus Bregenz, Bregenz, Austria, “KunstlerInnen: 50 Positionen”, September 28 – November 30 (catalogue)

San Francisco Musuem of Modern Art, San Francisco, CA, “Present Tense: Nine Artists in the Nineties”, September 13 - January 13, 1998 (catalogue)

Milwaukee Art Museum, Milwaukee, WI, “Identity Crisis: Self Portraiture at the End of the Century”, September 12 - November 16 (catalogue)

Kent, NYC, “Is There Still Life”, September 6 – October 18

Fundacio Joan Miro, Barcelona, Spain, “Lux/Lumen”, June 19 - September 14, curated by Frederic Montornes (catalogue)

Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY, “Landscape: The Pastoral to the Urban”, June 15 – August 23

Whitney Musuem of American Art at Champion, Stamford, CT, “As Time Goes By: History, Memory and Sentimentality”, June 6 - August 20 (catalogue)

Hirshhorn Museum and Sculpture Garden The Smithsonian Institution, Washington D.C., “The Hirshhorn Collects: Recent Acquisitions 1992-1996”, June 3 - September 7 (catalogue)

The Museum of Modern Art, NYC, “Selections from the Collection”, May 29 - August 19

GreeneNaftali Gallery, NYC, “Broken Home”, May 3 - June 7, curated by Meg O’Rourke and Caroline Schneider (catalogue)

Miami Art Museum, Miami, FL, “Words and Images”, May 2 – June 29, curated by Lorie Mertes

Kunstnernes Hus, Oslo, Norway, “Laying Low”, April 12 - May 25, curated by Asmund Thorkildsen (catalogue)

Magasin, Centre National s’Arty Contemporain de Grenoble, France, “Moment Ginza”, April 6 - September 7, curated by Dominique Gonzalez-Foerster; travels to Fargfabriken – Centre for Contemporary Art and Architcture, Stockholm, Sweden, October 18 – December 7 (catalogue)

Art Tower Mito, Ibaraki, Japan, “Mito Annual ‘97: Flexible Coexistence”, April 5 - June 1 (catalogue)

Galerie Jennifer Flay, Paris, France, “Skin Deep”, April 1 –May 17

Lehmann Maupin, NYC, “The Crystal Stopper”, March 22 - April 19, curated by Carlos Basualdo

The Whitney Museum of American Art, NYC, “The Whitney Biennial”, March 19 - May 1, curated by Louise Neri and Lisa Philipps (catalogue)

Centre d’Art Contemprorain, Geneva, Switzerland, “Veronica’s Revenge”, February 28 – May 11, 1997: travels to Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium, November 21 – January 18, 1998; Deichtorhallen Hamburg, Hamburg, Germany, february 15 – June 1, 1998; City of Prague Gallery, Prague, Czechoslovakia, June 15 – September 15, 1998; Het Domein, Holland, October – November 1998; Musee Nationale d’Histoire et d’Art, Luxembourg, March 15 – April 30, 1999; Greece, May – June 1999; Irish Museum of Modern Art, July – September, 1999: Centro Portugues de fotografia, Porto, Portugal, October – December 1999; Museu d’Art Contemporani, Barcelona, Spain, January – March 2000

Index Gallery, Stockholm, Sweden, “NDXLRTE”, February 15 - March 23, curated by Karl Holmqvist and Jack Jaeger

Museu d’Art Contemporani, Barcelona, Spain, “Introversions: aspectes de la Colleccio”, February 7 - August 24

Linda Kirkland, New York, “Poetic Obsession”, January 22 - February 23

Robert Miller Gallery, NYC, “Twenty Years...almost”, January 8 - February 8

D’Amelio Terras, NYC, “Spaces Between”, January 9 - February 9

1996 Museum of Contemporary Art, Los Angeles, CA, “A Day Without Art”, December 1

The Contemporary Arts Center, Cincinnati, OH, “Momento Mori”, November 29 - January 5, 1997, organized by Peter Huttinger

Museo Alejandro Otero, Caracas, Venezuela, “Sin Fronteras”, November 11 – March 16, 1997 (catalogue)

Miami Art Museum. Miami, FL, “Dream Collection Gifts and just a few Hidden Desires...part one”, October 26 – April 27, 1997 (pamphlet)

The Museum of Contemporary Art, Los Angeles, CA, “Just Past: The Contemporary in MOCA’s Permanent Collection”, September 29, 1996 - January 19, 1997, organized by Anne Goldstein

Lawing Gallery, Houston, TX, “Silence”, September 12 - October 19

Deutsche Stadtereklame, Hannover, Germany, 5 outdoor billboard locations throughout the city, organized by Lutz Hieber

Neue Gesellschaft fur Bildende Kunst, Berlin, Germany, August 3 - September 1

Wako Works of Art, Tokyo, Japan, “American Contemporary Prints”, July 9 - August 9

Musee Departmental de Rochechouart, Chateau de Rochechouart, Haute-Vienne, France, “Propositions”, June 28 - October 6 (catalolgue)

The Gunnery, Sydney, Australia, “Tenth Biennale of Sydney”, June 27 - September 22, curated by Lynn Cooke (catalogue)

The Museum of Modern Art, New York, NY, “Thinking Print: Books to Billboards, 1980-95”, June 10 - September 10, organized by Deborah Wye (catalogue)

Milwaukee Museum of Art, WI, “Recent Acquisitions”, June 7 - August 18

Galerie Rodolphe Janssen, Brussels, Belgium, “Pictures of Modern Life”, June 7 - August 3, curated by Robert Nickas, traveled to Ecole regionale des beaux-arts de Tours, Belgium, October 25 - December 6

Louisiana Musseum, Copenhagen, Denmark, “Walking and Thinking and Walking”, May 15 - September 8, curated by Bruce Ferguson

Museo Jacobo Borges, Caracas, Venezuela, “Quarta Pared”, March 24 – May 12, 1996.

EV+A - Exhibition of Visual Art, Limerick, Ireland, public art exhibition, March 8 - May 4, curated by Guy Tortosa

Galerie Jennifer Flay, Paris, France, “Passage a l’Acte”, March 2 - April 20

International Center of Photography, NYC, “Pulse Art”, February 29 - March 23

The Museum of Contemporary Art, North Miami, FL, “Defining the 90’s: Consensus Making in New York, Miami and Los Angeles”, February 23 - April 1996 (catalogue)

Sprengel Museum in Hannover, Germany, “Sex & Crime: Von den Verhaltnissen der Menschen”, February 18 - May 12,

Wexner Center for the Arts, Columbus, OH, “Face Value: American Portraits”, February 3 - April 21

Bloom Gallery, Amsterdam, The Netherlands, “Patrick Painter Editions Canada”, February 3 - March 3

The Art Institute of Chicago, Chicago, IL (informal installation)

Barbara Krakow Gallery, Boston, MA, “The Abstracted Image in Photography”, December 9 - Janaury 24, 1996

Feature Inc, NYC, “B/W Photos”, December 1 - January 6, 1996

1995 Musee d’Art Moderne de la Ville de Paris, France, “Passions Privees: Collections particulieres d’art moderne et contemporain en France”, December 14 - March 24, 1996 (catalogue)

The Felt Factory, Piqua, OH, “Open House”, November 11

Museu de Arte de Sao Paulo, Sao Paulo, Brazil, “Das Americas”, November 7 - December 10, organized by Isabella Prata Consultoria de Arte, Galerie Luisa Strina and Museu de Arte de Sao Paulo (catalogue)

Milwaukee Art Museum, WI, “Featured Acquisition”, November 1 - 30

The New York Public Library, NYC, “The Hand of the Poet”, October 17 - April 27, 1996

Margo Leavin Gallery, Los Angeles, CA, “25 Years: An Exhibition of Selected Works”, September 23 - October 28 (catalogue)

Cabinet des estampes, Geneve, Switzerland, “Notes on Print: With and After Robert Morris”, September 21 - October 29 (catalogue)

Milwaukee Institute of Art and Design, Milwaukee, WI, “The Friendly Village”, September 19 - October 21, organized by Michelle Grabner and Brad Killam

The McKinney Contemporary, Dallas, TX, “Gang Warfare”, September 9 - October 26; travels to The Independant Art Space, London, England, October 19 - December 16

The Parrish Art Museum, Southampton, NY, “Face Value: American Portraiture”, July 30 - October 1, curated by Donna De Salvo (catalogue); travels to Wexner Center for the Arts, Columbus, OH, February 3 - April 21, 1996; Tampa Museum of Art, Tampa, FL, July 14 - September 8, 1996

The Institute of Contemporary Art, Boston, MA, “Currents ‘95: Familiar Places”, July 26 - October 1, curated by Lia Gangitano and Milena Kalinovska

Museum of Fine Arts/Site Santa Fe, Santa Fe, NM, “Longing and Belonging: From the Faraway Nearby”, July 14 - October 8

Margo Leavin Gallery, Los Angeles, CA, “Untitled (Reading Room)”, July 8 - August 19

Paula Cooper Gallery, NYC, “Cornered”, June 9 - July 28

Feature, NYC, “The Moderns”, June 1 - July 28, curated by Tony Payne

Cahors, France, “Day and Night” in conjunction with the festival “The Printemps de Cahors”, May 12 - 26, curated by Stephanie Moisdon and Nicolas Trembley

Tramway, Glasgow, Scotland, “Trust”, May 6 - June 18

David Winton Bell Gallery, List Art Center, Brown University, Providence, RI, “Color In Space: Pictorialism in Contemporary Sculpture”, April 22 - June 4 (catalogue)

Forum for Contemporary Art, St. Louis, MO, “Altered States: Amercian Art in the 90’s”, March 24 - May 6, curated by Robert Nickas and Jeanne Greenberg (catalogue)

The Art Institute of Chicago, Chicago, IL, “About Place: Recent Art of the Americas”, March 11 - May 21, curated by Madeleine Grynsztejn (catalogue)

Museum of Contemporary Art, Finnish National Gallery, Helsinki, Finland, “Ars 95”, February 11 - May 28 (catalogue)

Feature, NYC, “Strung Into the Appolonian Dream”, January 20 - February 24

Southeastern Center for Contemporary Art, Winston-Salem, NC, “Civil Rights Now”, January 28 - April 15, curated by Bruce Lineker; travels to Cleveland Center for Contemporary Art, Cleveland, OH, May 10 - August 13 (catalogue)

San Francisco Museum of Modern Art, San Francisco, CA, “Public Information: Desire, Disaster, Document”, January 18 - April 30 (catalogue)

Pace Roberts Foundation, San Antonio, TX, “New Works for a New Space: Annette Messager, Felix Gonzalez-Torres, Jesse Amado”, January 15 - February 26 (catalogue)

Betsy Senior Gallery, NYC, “A.R.T. Press Multiples”, January 12 - February 4

1994 Peter Blum, NYC, “10 Years of Parkett: 63 Artists’ Editions”, December 15, 1994 - January 28, 1995

Neue Gesellschaft fur Bildende Kunst, Berlin, Germany, “GEWALT/Geschaftse (Violence/Business)”, December 10 - February 19, 1995, curated by Frank Wagner (catalogue)

Faret Tachikawa Public Art Project, Tachikawa City/Tokyo, Japan, “Urban Renewal”, December 2 (permanent installation)

The Lowe Art Museum, The University of Miami, Coral Gables, FL, “Latin American Art in Miami Collections”, December 8 - February 6, curated by Giulio Blanc (catalogue)

Art Center College of Design, Pasadena, CA, “Romance”, November 20, 1994 - February 5, 1995

Exit Art, NYC, “...it’s how you play the game...”, November 5 - January 28, 1995, curated by Thelma Golden, Nancy Spector, Robert Storr, Jeanette Ingberman and Papo Colo

Andrea Rosen Gallery, NYC, “A series of rotating installations” (Week 2: November 1 - 5: Felix Gonzalez-Torrres and On

Kawara), October 26 - November 26

Margo Leavin Gallery, Los Angeles, CA, “In the Field: Landscape in Recent Photography”, October 22 - November 26

Bard College Center for Curatorial Studies, Anandale-on-Hudson, NY, “Recent Acquisitions from the Rivendell Collection”,

October 22 - December 23

Studio Oggetto Milano, Italy, “Possibilismo Americano”, September 29 - October 27, curated by Enrico Pedrini

Metro Pictures and Petzel Borgmann Gallery, New York, NY, “Notational Photographs”, September 17 - October 15

Milwaukee Art Museum, Milwaukee, WI, “Photoconceptualism: Selections from the Permanent Collection, 1965 - 1993”,

September 16 - December 31

Deichtorhallen Hamburg, Hamburg, Germany, “Das Jahrhundert des Multiple Von Duchamp bis zur Gegenwart (The Century

of the Multiple)”, September 2 - October 30

The Museum of the City of St. Petersburg, St. Petersburg, Russia, “Edition Julie Sylvester St. Petersburg: Editions by Felix

Gonzalez-Torres, Mike Kelley, Richard Prince, David Salle and Sue Williams”, July

The Fabric Workshop, Philadelphia, PA, “Cool”, July 15 - October 3

Cohen Gallery, NYC, “Drawing on Sculpture”, June 9 - July 28

Fischbach Gallery, NYC, “Absence, Activism, and the Body Politic”, June 2 - 25, curated by Joe Wolin

Inter Nos and Galerie Pasquale Leccese, Milan, Italy, “Arte in Video: 22 Inches”, May 26 - June 2, curated by Tommaso Corvi

Mora

New Museum of Contemporary Art, NYC, “Who Chooses Who Benefit Auction”, April 20-24

The Renaissance Society, Chicago, IL, "After and Before", March 13 - April 17, curated by Susanne Ghez

API Gallery, New York, NY, "Live Art", March 10 - April 7, curated by Gerald Pryor

Loyola Hall Gallery, Fairfield University, Fairfield, CT, "Public Art by Other Means: Recent Artists' Books", February 28 - March

18, curated by Nancy Princenthal

Paula Cooper Gallery, NYC, "Pictures of the Real World (In Real Time), February 10 - March 12, organized by Robert Nickas, traveled to Le Capitou, Art Contemporain Frejus, Frejus, France; November 19 - January 6, 1995; Stadtische Galerie Goppingen, Goppingen, Germany, January 22 - February 26, 1995; Galleria Massimo De Carlo, Milan, Italy, April 6 - May 13, 1995; Hara Museum of Contemporary Art, Tokyo, Japan, June 24 - September 3, 1995

Neue Galerie, Graz, Austria, "Felix Gonzalez-Torres, Rudolf Stingel", January 27-March 6

Thread Waxing Space, NYC, "Don't Look Now", January 22 - February 26, organized by Joshua Decter (catalogue)

Massimo Minini, Italy, "Not Quiet", January 20 - February 28

Camden Arts Centre, London, England, "Symptoms of Interference, Conditions of Possibility: Ad Reinhardt, Joseph Kosuth,

Felix Gonzalez-Torres", January 7 - March 6 (two catalogues)

1993 Achim Kubinski Gallery, NYC, "Martin Zimmerman - (In and of Itself)..Guest Room with Andrew Ong", October 26 - December

18, curated by Andrew Ong

Florida International University, Miami, FL, "Photography by Cintas Fellows", October 29 - November 27 (catalogue)

Rhona Hoffman Gallery, Chicago, IL, "Legend in My Living Room", October 22 - November 22, curated by Terry R. Myers

(pamphlett)

Museo del Oeste, Caracas, Venezuela, "Cuarta Pared", October 16 - October 31, curated by Jesus Fuenmayor (catalogue)

The Morris Museum, Morristown, NJ, "The Ellyn and Saul Dennison Collection", October 16 - November 21 (catalogue)

White Columns, New York, "Markets of Resistance", October 7 - November 6, curated by Karen Jones

America's Society, New York, "Space of Time: Contemporary Art from the Americas", September 24 - January 2, 1994,

curated by Sandra Antelo Suarez and Alisa Tager, travels to Center for Fine Arts, Miami, FL , June 1 - August 20 (catalogue)

Sprengel Museum Hannover, Germany, "Construction Quotation: Collective Images in Photography", August 29 - October 31

(catalogue)

Hotel Carlton Palace, Room 763, Paris, France, August 22 - September 22, curated by Hans-Ulrich Obrist

Tavelli Gallery, Aspen, CO, July 15 - August 7

Marian Goodman Gallery, NYC, June 25 - August 27

Aperto 1993, in conjunction with the Venice Biennale, Italy, June 13 - October 10, section curated by Robert Nickas, An Essay

on Liberation (catalogue)

Galerie Jennifer Flay, Paris, France, "Just what is it that makes today's homes so different, so appealing?", June/July

Museum Fridericianum, Kassel, Germany, "The Nightshade Family", May 16 - August 8 (calalogue)

Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, "Personal Choice- Selections from Four Penn

Alumni Collections", May 15 -July 18, selected by Patrick T. Murphy

Sonja Henie-Niels Onstad Art Center, Hovikodden, Norway, "Tema AIDS", May 8 - July 8, curated by Kim Levin, travels to

Norway Museum, Bergen (accompanying publication)

White Columns, "The Naming of the Colors", April 30 - May 23, curated by Kirby Gookin and Bill Arning (catalogue)

Kunst-Werke Berlin, Germany, "Prints and Issues", April 24 - June 30, curated by Kim Levin

Radio Building, Brussels, Belgium, February 27 - April 30, in conjunction with Ars Musica Festival, organized by Xavier

Hufkens

The Museum of Modern Art, NYC, “Contemporary Works from the Collection”, February 27 -

Espaces Lyonnais D'Art Contemporain, Lyon, France, "Here's Looking At Me: Contemporary Self-Portraits", January 29 - April

30, curated by Bernard P. Brunon (catalogue)

The Aldrich Museum of Contemporary Art, Ridgefield, CT, "Simply Made in America", January 24 - May 2, curated by Barry

Rosenberg (catalogue)

Art Gallery of Ontario, Toronto, Ontario, “Works on loan from the Collection of Vivian and David Campbell”, January 21 –

August 6

Spazio Opos, Milan, Italy, "Privacy", January 15 - 30, curated by Gianni Romano

Heiligen Kreuzerhof, Hochschule fur Angewandte Kunst, Vienna, Austria, "Lebe in Heinem Kopf" (Live in Your Head), January

8 - February 12, curated by Bob Nickas (catalogue)

Center for the Fine Arts, Miami, Florida, "Photoplay: Works from The Chase Manhattan Collection", organized by Lisa Phillips and Manuel E. Gonzalez, travels to Museum Amparo, Puebla, Mexico; Museo de Arte Contemporaneo de Monterrey, Monetrrey, Mexico; 1994 - Centro Cultural Consolidado, Caracas, Venezuela; MASP/Museu de Arte de Sao Paulo, Sao Paulo, Brazil; Museo Nacional de Bellas Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile

1992 Thea Westreich, New York, "Multiplicity", December 1 - December 19

Usdan Gallery, Bennington College, Vermont, "Transgressions In The White Cube: Territorial Mappings", November 17 –

December 21, curated by Joshua Decter (catalogue)

New Jersey Center for Visual Arts, Summit, "New Jersey Collects: Photography", November 15 - January 8, 1993

Centro Cultural Arte Contemporaneo, Mexico City, Mexico, "Selecciones de la Coleccion Permanente", October 30 - January

Tramway, Glasgow, Scotland, "Read My Lips: New York AIDS Polemics", October 20 - December 1 (catlogue)

Le Consortium, Dijon, France, "1968", October 17 - December 31, curated by Robert Nikas (catalogue)

The Fundacao Cultural Curitiba/Museu da Gravura, Curitiba, Brazil, "X Mostra da Gravura Cidade de Curitiba/Mostra

America", October 16 - December 6

Margo Leavin Gallery, Los Angeles, CA, "Felix Gonzalez-Torres, Albert Oehlen, Christopher Williams - theatre verite",

October 10 - December 20

Bruno Brunnet Fine Arts, Berlin, Germany, "New Deal", October 5 - November 4

Grazer Kunstverien , Graz, Austria, "America Nowhere", billboard project curated by Peter Pakesch, October 3 - November 3

(catalogue)

Wacoal Art Center, Tokyo Japan, "Three or More - A Multiple Exhibition", October 1 - October 24, curated by Daniel Bucholz

(catalogue)

Magasin - Centre National D'Art Contemporain De Grenoble, France, "I, Myself and Others", September - November

(catalogue)

Portland Art Museum, Portland, Oregon, "Dissent, Difference, and the Body Politic", August 20 - October 18, curated by

Simon Watson, travels to Otis School of Art and Design, Los Angeles (catalogue)

Paradise Europe, Copenhagen, Denmark, July, billboard project with video installation at Ny Carlsberg Glyptotek, organized

by Bizart and curated by Andrea Rosen Gallery, New York; Daniel Bucholz, Koln;

Galerie Maquina Espanola, Madrid; Stalke Out of Space, Copenhagen; and Galleria Paolo Vitolo, Rome (catalogue)

Musee D'Art Contemporain, Pully/Lausanne, Switzerland, "Post Human", June 14 - September 13, travels to Castello di Rivoli,

Rivoli, Italy, June 14 - September 13; Deste Foundation for Contemporary Art, Athens, Greece, December 3 - February 14, 1993;

Deichtorhallen Hamburg, Germany, March 12, 1993 - May 9; The Israel Museum, Jerusalem, June 21 - October 10

(catalogue)

Kunst-Werke Berlin, Germany, organizers, "37 Raume - Eine Feldforschung", June 14 - June 22 (catalogue)

Jack Hanley Gallery, San Francisco, June 4 - June 27

Monika Spruth Galerie, Cologne, "Lying on a top of a building the clouds seemed no nearer than they had when I was lying on

the street.", May 23 - July 8

Cartier Foundation, Room 209, France, "Wor(l)d", May - June, curated by Laura Cottingham

Kunstverein in Hamburg, Germany, "Gegendarstellung - Ethics/Aesthetics in Times of AIDS", May 14 - June 21, travels to

Kunstmuseum Luzern, Switzerland, October 4 - November 22 (catalogue)

Museum of Modern Art, New York, "More Than One Photography", May 14 - August 9

Galerie Jennifer Flay, Paris, "Not Quiet", March 21 - April 18 (catalogue)

Terrain Gallery, San Francisco, "A Celebration", February 25 - March 16

Wooster Gardens, NYC, "Healing", February 29 - April 25, traveled to Rena Bransten Gallery, San Francisco, May 12 - June

13

Ghislaine Hussenot, Paris, "By Appointment", curated by Lynn Gumpert, February 22 - March 21

Bucholz, Koln, and Andrea Rosen Gallery, New York

Luhring Augustine, NYC, February 15 - March 14

RubinSpangle, NYC, February 15 - March 14

Tanja Grunert and Michael Janssen, Koln, Germnay, "Teppiche", January 9 - 20

Walker Art Center, Minneapolis, "Portraits, Plots and Places; The Permanent Collection Revisited", January 7

Emerson Gallery, Hamilton College, Clinton, NY, "From Media to Metaphor: Art About Aids", January 20 - March 15; Center for Contemporary Art, Seattle, WA, June 19 - August 8; Sharadin Art Gallery, Kutztown University, Kutztown, PA, September 8 - October 6; Musee d’Art Contemporain de Montreal, Montreal, Quebec, Canada, October 29, 1992- January 3, 1993; Bass Museum of Art, Miami Beach, FL, February 12 - April 4; McKissick Museum, University of South Carolina, Columbia, SC, May 15 - July 15; Fine Art Gallery, Indiana University, Bloomington, IN, September 3 - October 23; Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, November 6 - December 23; and the Grey Art Gallery and Study Center, New York University, New York, NY, January 18 - March 3,

1994, guest curated by Thomas Sokolowski and Robert Atkins.

1991 Whitney Museum of American Art, NYC, "Variations on Themes: Prints Acquired for the Permanent Collection", organized by

Judith Goldman, December 13, 1991 - March 15, 1992

Randy Alexander, NYC, "At the End of the Day", December 3 - 21, curated by Michael Jenkins

Ninart Centro de Cultura, Mexico City, "Fifteen Cuban Artists: The Diaspora of the 80's", November (catalogue)

La Galerie du Mois, Paris, "L'Esprit Biblioteque" November 9 - 30

Grazer Kunstverein, Graz, Austria, "Korper und Korper", October 6 - November 14

Parrish Art Museum, Southampton, Long Island, NY, "Selections from the Elaine and Werner Dannheisser Collection: Painting

and Sculpture from the 80's and 90's", September 22 - November 17

Simon Watson Gallery, NYC, "(Dis)member: On the Hundredth Anniversary of Gericault’s Death" September 10 - October 5

Castello di Rivara, Turino, Italy, "Proiezioni", curated by Gregorio Magnioni, September 14 - October 26

Barbara Krakow Gallery, Boston, "Connected Past", September 13 - October 16

The Archives, Art Information Centre, Rotterdam, The Netherlands, "Books By Artists", September 8 - October 25

Andrea Rosen Gallery, NYC, September 7 - October 5

The Hyde Collection, Glens Falls, NY, "Just What Is It that Makes Today's Home So Different, So Appealing?, curated by Dan

Cameron August 19 - December 8

Simon Watson Gallery, NYC, "The Subversive Stitch," June 22 - July 27, curated by Maurice Berger and Simon Watson

(essay)

Castello di Rivara, Turino, Italy, "Itinerari", June 8 - July 31, curated by Benjamin Weil

Meyers/Bloom Gallery, Santa Monica, "Someone or Somebody", curated by Simon Watson, May 21 - June 15

Barbara Farber Gallery, Amsterdam, Holland, "The Museum of Natural History", April 27 - June 15, curated by Bob Nickas

(catalogue)

Whitney Museum of American Art, Biennial Exhibition, NYC, April 9 - June 23 (catalogue)

Richard Brush Gallery, St. Lawrence University, NY, "From Desire: A Queer Diary", March 25 - April 19

Simon Watson Gallery, NYC, "Something Pithier and More Psychological", February 23 - March 23

The Renaissance Society, Chicago, "The Body", March 10 - April 21

Xavier Hufkens Gallery, Brussels, Belgium, with Michael Jenkins, March 2-June 5

Fundacion Caja de Pensiones, Madrid, Spain, "The Savage Garden", curated by Dan Cameron, January 21 - March 10

(catalogue)

1990 The New Museum, NYC, "Rhetorical Image", December 9 - February 3, 1991 (catalogue)

Sous-Sol, Ecole Superieure d'Art Visual, Geneva, Switzerland, "Hyperbate", October - January (catalogue)

Jay Gorney Modern Art, NYC, "Felix Gonzalez-Torres, Michael Jenkins, and Tim Rollins + KOS", October - November

Andrea Rosen Gallery, NYC, "Stendhal Syndrome: The Cure", July (catalogue)

Massimo Audiello Gallery, NYC, "Loving Correspondence", June 1 - 30

Musei di Spoleto, Spoleto, Italy, “Artedomani: 1990 punto di vista”, May 27 - June, curated by Cecilia Casorati, Cornelia Lauf,

Tatiana Salzirn (catalogue)

Barbara Krakow Gallery, Boston, "Constructive Anger", May - June

Andrea Rosen Gallery, NYC, "Collaborations", back gallery, May - June

Robbin Lockett Gallery, Chicago, "Get Well Soon", May 4 - 30

Galerie Christine & Isy Brachot, Brussels, Belgium, "Red", organized by Bob Nickas, June 27 -September 29 (catalogue)

Terrain, San Francisco, "This Symphony Will Always Remain Unfinished", February 8 - March 10

Neue Gesellschaft Fur Bildende Kunst, Berlin, Germany, “Ubers Sofa - Auf Die Strasse!”, curated by Frank Wagner, February

24 - March 30 (catalogue)

Simon Watson Gallery, NYC, "The Clinic", curated by Steven Evans and Simon Watson, February

Tom Cugliani, NYC, January

New Langton Arts, San Francisco, CA, “The Word: text - object - ontology”, curated by Nayland Blake, January 25 - February

17

Terrain Gallery, San Francisco, "Information", organized by Bob Nickas, January

Freedman Gallery, Albright College, Reading, PA, "Art about Aids", December - January

Paula Allen Gallery, NYC, "Tom Burr, Felix Gonzalez-Torres, Michael Jenkins, John Lindell", November

Hallwalls, Buffalo, NY, "Amerikarma", curated by Daniel Levine, November

Wessell-O'Conner Gallery, NYC, "To Probe and to Push: Artists of Provocation", October

Contemporary Arts Center, Cinncinati, "Double Take", organized by Hudson, June

Annina Nosei Gallery, NYC, "Summer Group Show: an AIDS Benefit"

Leo Castelli Gallery, NYC, "A Benefit for NEST", May

Massimo Audiello Gallery, NYC, "In the Center of Doubt", May

Longwood Arts Center/Franklin Furnace, NYC/Hallwalls, Buffalo, NY, "Cultural Literacy"

Milford Gallery, NYC, "After the Gold Rush", curated by Howard Halle, March

Terrain, San Francisco, "Matter/Anti-Matter: Defects in the Model", Janaury - February

1988 White Columns, NYC, "Real World", October 13 - November 5

Stux Gallery, Boston, "The Text is Not Explained", curated by Bill Arning

Group Material, "Inserts", advertisement supplement inserted into the Sunday edition of The New York Times, NYC, March

1987 Installation, San Diego, CA, "Corporate Crime/Malicious Mischief, Power and Mediation: A Fin de Siecle Tautology",

November/December, curated by Armando Rascon (catalogue)

Artists Space, NYC, "Selections", curated by Kellie Jones

Artists Space, NYC, "The Fairy Tale"