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BIBLIOGRAPHY


A Collected editions, anthologies. B Indexes, bibliographical sources. C Biographical dictionaries, encyclopedias. D Special periodicals. E Special periodical numbers. F General historical studies. G The ancient world. H 500–1500. I 1500–1800. J Since 1800. K Jazz, popular music. L Disciplinary and professional studies.

a: collected editions, anthologies

b: indexes, bibliographical sources

c: biographical dictionaries, encyclopedias

d: special periodicals

e: special periodical numbers

f: general historical studies

g: the ancient world

h: 500–1500

i: 1500–1800

j: since 1800

k: jazz, popular music

l: disciplinary and professional studies

Women in music, §II: Western classical traditions in Europe and the USA, Bibliography

a: collected editions, anthologies


Da Capo Press Women Composers Series (New York, 1979–92)

C.A. Lindeman, ed.: Women Composers of Ragtime: a Collection of Six Selected Rags by Women Composers (Bryn Mawr, PA, 1985)

E. Rieger and K. Walter, eds.: Frauen komponieren: 22 Klavierstücke des 18–20. Jahrhunderts (Mainz, 1985, 2/1992)

J. Briscoe, ed.: Historical Anthology of Music by Women (Bloomington, IN, 1987)

B. Harbach, ed.: Women Composers for the Harpsichord (Bryn Mawr, PA, 1987)

B.G. Jackson, ed.: Lieder By Women Composers of the Classic Era (Fayetteville, AR, 1987)

B.G. Jackson, ed.: Arias from Oratorios by Women Composers of the Eighteenth Century (Fayetteville, AR, 1987–92)

R. Drucker and H. Strine, eds.: A Collection of Art Songs by Women Composers (Fulton, MD, 1988)

S. Glickman, ed.: American Women Composers: Piano Music from 1865–1915 (Bryn Mawr, PA, 1990)

M. Hinson, ed.: At the Piano With Women Composers (Van Nuys, CA, 1990)

B. Harbach, ed.: Eighteenth Century Women Composers for the Harpsichord or Piano (Pullman, WA, 1992)

E. Rieger and K. Walter, eds.: Frauen komponieren: 25 Lieder für Singstimme und Klavier (Mainz, 1992)

H. Walker-Hill, ed.: Black Women Composers: a Century of Piano Music (Bryn Mawr, PA, 1992)

C. Johnson, ed.: Organ Music by Women Before 1800 (Pullman, WA, 1993)

J.N. Straus, ed.: Music by Women for Study and Analysis (Englewood Cliffs, NJ, 1993)

E. Rieger and B. Heller, eds.: Frauen komponieren: 13 Stücke für Violine und Klavier (Mainz, 1994)

B.G. Jackson, ed.: Lieder and other Songs by Women Composers of the Classic Era, iii–iv (Fayetteville, AR, 1994–7)

S. Glickman and M.F. Schleifer, eds.: Women Composers: Music through the Ages, i (Boston, 1996)

J. Briscoe, ed.: Contemporary Anthology of Music by Women (Bloomington, IN, 1997)

Treasury of Art Songs by Women before 1800 (Louisville, KY, 1997)

Women Composers on Microform (Women Composers Sheet Music Collection, University of Michigan, 28×35 mm microfilm reels; Primary Source Media, Woodbridge, CT, 1998)

Women in music, §II: Western classical traditions in Europe and the USA, Bibliography

b: indexes, bibliographical sources


J.G. Pool: Women in Music History: a Research Guide (New York, 1977)

J. Skowronski: Women in American Music: a Bibliography (Metuchen, NJ, 1978)

A.F. Block and C. Neuls-Bates: Women in American Music: a Bibliography of Music and Literature (Westport, CT, 1979)

M. Stewart-Green: Women Composers: a Checklist of Works for the Solo Voice (Boston, 1980)

D. Hixon and D. Hennessee: Women in Music: an Encyclopedic Biobibliography (Metuchen, NJ, 1981, 2/1993)

E. Ludewig-Verdehr and J.L. Raines: ‘Music for Clarinet by Women Composers’, The Clarinet [Denton, TX], viii/2 (1981), 12–19

J.M. Meggett: Keyboard Music by Women Composers: a Catalog and Bibliography (Westport, CT, 1981)

J. Frasier: Women Composers: a Discography (Detroit, 1983)

J. Leder: Women in Jazz: a Discography of Instrumentalists, 1913–1968 (Westport, CT, 1985)

H. Boenke: Flute Music by Women Composers: an Annotated Catalog (Westport, CT, 1988)

A. Olivier and K. Weingartz-Perschel, eds.: Frauen als Komponistinnen: eine Bestandsaufnahme (Düsseldorf, 2/1988)

N.B. Reich, ed.: ‘An Annotated Bibliography of Recent Writings on Women in Music’, Women's Studies, Women's Status (Boulder, CO, 1988), 1–77 [CMS report]

R.M. Johnson: Violin Music by Women Composers: a Bio-Bibliographical Guide (Westport, CT, 1989)

E. Rieger, M. Oster and S. Schmidt, eds.: Sopran contra Bass: die Komponistin im Musikverlag: Nachschlagwerk aller lieferbaren Noten (Kassel, 1989)

A. Olivier: Komponistinnen: eine Bestandsaufnahme: die Sammlung des europäischen Frauenmusikarchivs (Düsseldorf, 1990, 2/1994)

J.M. Bowers and U. Bareis: ‘Bibliography on Music and Gender – Women in Music’, World of Music, xxxiii/2 (1991), 65–103

M. Buzzarté: ‘Women's Contributions to the Brass Repertoire: a List of Works’, The Musical Woman: an International Perspective, iii: 1986–1990, ed. J.L. Zaimont (New York, 1991), 547–651

A. Heinrich: Organ and Harpsichord Music by Women Composers: an Annotated Catalog (Westport, CT, 1991)

L. Jennings: ‘Harp Music by Women Composers of the United States and Canada’, The Musical Woman: an International Perspective, iii: 1986–1990, ed. J.L. Zaimont (New York, 1991), 517–46

H. Walker-Hill: Piano Music by Black Women Composers: a Catalog of Solo and Ensemble Works (Westport, CT, 1992)

E.G. Schlegel: Catalogue of Published Works for String Orchestra and Piano Trio by Twentieth-Century American Women Composers (Bessemer, AL, 1993)

B.G. Jackson: Say Can You Deny Me: a Guide to Surviving Music by Women from the Sixteenth through the Eighteenth Centuries (Fayetteville, AR, 1994)

H. Walker-Hill: Music by Black Women Composers: a Bibliography of Available Scores (Chicago, 1995)

M.D. Ericson: Women and Music: a Selective Annotated Bibliography on Women and Gender Issues in Music, 1987–1992 (New York, 1996)

C. Mayer: KOM: Komponistinnen im Musikverlag: Katalog lieferbarer Musikalien (Kassel, 1996)

J. Macauslan and K. Aspen: Guitar Music by Women Composers: an Annotated Catalog (Westport, CT, 1997)

E. Rieger, ed.: Frau und Musik: Bibliographie 1970–1996 (Hildesheim, 1999)

Women in music, §II: Western classical traditions in Europe and the USA, Bibliography

c: biographical dictionaries, encyclopedias


Anderson2

GroveW

A.T.F. Michaelis: Frauen als schaffende Tonkünstler: ein biographisches Lexicon (Leipzig, 1888)

J. Towers: Women in Music (Winchester, VA, 1897)

O. Ebel: Women Composers: a Biographical Handbook of Women's Work in Music (Brooklyn, NY, 1902, 3/1913)

S. Stern: Women Composers: a Handbook (Metuchen, NJ, 1978)

J.W. LePage: Women Composers, Conductors, and Musicians of the Twentieth Century (Metuchen, NJ, 1980–8)

A. Cohen: International Encyclopedia of Women Composers (New York, 1981, 2/1987)

D.A. Handy: Black Women in American Bands and Orchestras (Metuchen, NJ, 1981)

S.J. Rogal: Sisters of Sacred Song: a Selected Listing of Women Hymnodists in Great Britain and America (New York, 1981)

J.L. Zaimont and K. Famera: Contemporary Concert Music by Women: a Directory of the Composers and their Works (Westport, CT, 1981)

S.C. Cook and T.K. LaMay: Virtuose in Italy 1600–1640: a Reference Guide (New York, 1984)

N. Baroncelli, ed.: Mulheres compositoras: elenco e repertório (Sao Paulo, 1987)

A. Olivier and K. Weingartz-Perschel: Komponistinnen von A–Z (Düsseldorf, 1988)

R. van Hessen and H. Metzelaar: Vrouw & muziek: informatiegids (Amsterdam, 1989)

V.L. Grattan: American Women Songwriters: a Biographical Dictionary (Westport, CT, 1993)

S. Fuller: The Pandora Guide to Women Composers: Britain and the United States (1629–Present) (London, 1994)

C.E. Claghorn: Women Composers and Songwriters: a Concise Biographical Dictionary (Lanham, MD, 1996)

Women in music, §II: Western classical traditions in Europe and the USA, Bibliography

d: special periodicals


Women in Music, ed. F. Petrides (1935–40)

Paid my Dues: a Quarterly Journal of Women and Music (1974–80)

American Women Composers [AWC] News (1977–82)

International League of Women Composers Newsletter (1981–9)

Association of Canadian Women Composers [ACWC] Newsletter (1982–90)

American Women Composers [AWC] News/Forum (1983–93)

International Congress on Women in Music: Newsletter (1983–9)

Women and Performance: a Journal of Feminist Theory (1984–)

International League of Women Composers [ILWC] Journal (1989–95)

Association of Canadian Women Composers [ACWC] Bulletin (1990–)

Vivavoce [Internationaler Arbeitskreis Frau und Musik] (1991–)

Women of Note Quarterly (1993–)

International Alliance for Women in Music [IAWM] Journal (1995–)

Maud Powell Signature (1995–)

Women and Music: a Journal of Gender and Culture (1997–)

Women in music, §II: Western classical traditions in Europe and the USA, Bibliography

e: special periodical numbers


The Etude, xix/9 (1901), xxvii/7 (1909), xxxvi/11 (1918), xlvii/11 (1929) [‘Woman's Work in Music’ issues]

BMI: The Many Worlds of Music (1977), no.4

Music Educators Journal, lxv/5 (1978–9)

Ear Magazine East, vi/3 (1981)

ASCAP in Action (1987), wint.

Journal of American Folklore, c/Oct–Dec (1987) [‘Folklore and Feminism’ issue]

Musician [New York] no.116 (1988), 36–60ff [‘The Women's Movement of 1988’]

Musik und Gesellschaft, xxxviii/3 (1988)

Flutist Quarterly [Santa Clarita, CA], xv/2 (1990)

ÖMz, xlvi/7–8 (1991)

World of Music, xxx/2 (1991)

Music Educators Journal, lxxviii/7 (1991–2)

du: die Zeitschrift der Kultur [Zürich], no.4 (1992) [on women jazz singers]

Journal of Country Music, xv/1 (1992)

ON, lvii/July (1992)

TENSO: Bulletin of the Société Guilhem IX [Louisville, KY], vii/2 (1992) [on the trobairitz]

Women: a Cultural Review [Oxford], iii/1 (1992)

British Journal of Music Education, x/3 (1993)

Quarterly Journal of Music Teaching and Learning [Greely, CO], iv/4–v/1 (1993–4)

Contemporary Music Review, xi (1994) [S. Fuller and N. LeFanu: ‘Reclaiming the Muse’]

Harmony: Forum of the Symphony Orchestra Institute [Deerfield, IL] no.6 (1998), 46–110

Women in music, §II: Western classical traditions in Europe and the USA, Bibliography

f: general historical studies


GroveA (J. Tick)

F.M.R. Ritter: Woman as a Musician: an Art-historical Study (New York, 1876); excerpt in Dwight's Journal of Music (6 Jan 1877), 364–5

G.P. Upton: Woman in Music: an Essay (Boston, 1880, 2/1886)

S. Stratton: ‘Woman in Relation to Musical Art’, PMA, ix (1882–3), 115–46

E. Brower: ‘Is the Musical Idea Masculine’, Atlantic Monthly (1894), March, 332–9

R. Hughes: ‘Women Composers’, Century Magazine, lv/March (1898), 768–79

S. Jessel: Warum giebt es so wenige Componistinnen: Vortrag, verfasst und gehalten (…) in der Ortsgrube des Allgemeinen Deutschen Frauenvereins zu Frankfurt (Frankfurt, 1898)

A. Fay: ‘Women and Music’, Music [USA], xviii (1900), 505–7

A. Elson: Woman's Work in Music (Boston, 1903/R)

E. Newman: ‘Women and Music’, MT, li (1910), 359–61

H. Möller: ‘Can Women Compose?’, Musical Observer, xv/5 (1917), 9–10; xv/6 (1917), 11–12

A. Bonaventura: ‘Le donne italiane e la musica’, RMI, xxxii (1925), 519–34

R. Brancour: ‘Les femmes et la musique’, RMI, xxxii (1925), 363–80

R. Barbacci: ‘La inferioridad mental de la mujer y su reflejo en la actividad musical’, Revista musical peruana, i/9 (1939), 1–5

C. Seashore: ‘Why No Great Women Composers’, Music Educators Journal, xxvi (1939–40), 21, 88; also in In Search of Beauty in Music: a Scientific Approach to Musical Esthetics (New York, 2/1947), 363–7

S. Drinker: Music and Women: the Story of Women in their Relation to Music (New York, 1948/R, 2/1995)

Z. Rosés Lacoigne: Mujeres compositoras (Buenos Aires, 1950)

E. Pulido: La mujer mexicana en la música (hasta la tercera decada del siglo xx) (Mexico City, 1958)

P. Oliveros: ‘And Don't Call Them “Lady” Composers’, New York Times (13 Sept 1970), 23, 30

H. Roth: ‘Women and the Violin’, The Strad, lxxxiii (1972–3), 551–63

J. Rosen and G. Rubin-Rabson: ‘Why Haven't Women Become Great Composers’, High Fidelity/Musical America, xxiii/2 (1973), 46–53

E. Borroff: ‘Women Composers: Reminiscence and History’, College Music Symposium, xv (1975), 26–33

L. Keefer: Music Angels: a Thousand Years of Patronage (Baltimore, 1976)

C. Neuls-Bates: ‘Sources and Resources for Women's Studies in American Music: a Report’, Notes, xxxv (1977–8), 269–83

C. Ammer: Unsung: a History of Women in American Music (Westport, CT, 1980)

E. Rieger, ed.: Frau und Musik: mit Texten von Nina D'Aubigny, Louise Adolpha le Beau und 16 anderen (Frankfurt, 1980, 2/1990)

E. Rieger: Frau, Musik und Männerherrschaft: zum Ausschluss der Frau aus der deutschen Musikpädagogik, Musikwissenschaft und Musikausübung (Frankfurt, 1981, 2/1988)

E. Weissweiler: Komponistinnen aus 500 Jahren: eine Kultur- und Wirkungsgeschichte in Biographien und Werkbeispielen (Frankfurt, 1981)

P. Adkins Chiti: Donne in musica (Rome, 1982, 2/1996)

C. Neuls-Bates, ed.: Women in Music: an Anthology of Source Readings from the Middle Ages to the Present (New York, 1982, 2/1996)

J. Tick: American Women Composers before 1870 (Ann Arbor, 1983/R)

J.L. Zaimont, C. Overhauser and J. Gottlieb, eds.: The Musical Woman: an International Perspective (Westport, CT, 1983–90)

R. Christiansen: Prima Donna: a History (London, 1984)

J.M. Bowers and J. Tick, eds.: Women Making Music: the Western Art Tradition, 1150–1950 (Urbana, IL, 1986)

B. Sonntag and R. Matthei, eds.: Annäherung – an sieben Komponistinnen: mit Berichten, Interviews und Selbstdarstellungen, i (Kassel, 1986–)

B. Brand: Komponistinnen in Berlin: 750 Jahre Berlin (Berlin, 1987)

R. Kydd: ‘Les femmes compositeurs au Canada: données sociologiques et historiques’, Sonances: revue musicale québecoise, vi/3 (1987), 16–22

E. Pulido: ‘Mexico's Women Musicians’, The Musical Woman: an International Perspective, ii:1984–1985, ed. J.L. Zaimont (Westport, CT, 1987), 313–34

P. Fromm: ‘Creative Women in Music: a Historical Perspective’, A Life for New Music: Selected Papers of Paul Fromm, ed. D. Gable and C. Wolff (Cambridge, MA, 1988), 42–51

L. Neuenschwander, A. Sutter and B. Höft: ‘Die Rolle der Frau in der Musik’, Humane Zukunft, ed. H. Kessler (Mannheim, 1988), 267–80

C. Rhéaume: ‘La création musicale chez les religieuses enseignantes de Montréal’, Les cahiers de l'ARMuQ [Association pour l'Avancement de la Recherche en Musique du Québec] no.10 (1988), 34–40

D.P. Jezic: Women Composers: the Lost Tradition Found (New York, 1989, 2/1994)

R. Cox: ‘A History of Music’, Journal of Aesthetics and Art Criticism, xl/4 (1990), 281–91 [Feminism issue]

S. McClary: Feminine Endings: Music, Gender and Sexuality (Minneapolis, 1990)

R.M. Story: And So I Sing: African-American Divas of Opera and Concert (New York, 1990)

C. Tremblay-Matte: La chanson écrite au féminin: de Madeleine de Verchères à Mitsou, 1730–1990 (Laval, 1990)

F. Hoffman: Instrument und Körper: die musizierende Frau in der bürgerlichen Kultur (Frankfurt, 1991)

H. Metzelaar and others: Zes vrouwelijke componisten (Hilversum, 1991)

K. Pendle, ed.: Women and Music: a History (Bloomington, IN, 1991)

J. Polk: ‘Distaff Dynasties’, The Musical Woman: an International Perspective, iii: 1986–1990, ed. J.L. Zaimont (New York, 1991), 739–68

E. Richmond: ‘Finnish Women Composers’, ibid., 439–55

F. Hoffman and E. Rieger, eds.: Von der Spielfrau zur Performance-Künstlerin: auf der Suche nach einer Musikgeschichte der Frauen (Kassel, 1992)

J. Roselli: Singers of Italian Opera: the History of a Profession (Cambridge, 1992)

R.A. Solie: ‘Sophie Drinker's History’, Disciplining Music: Musicology and its Canons, ed. K. Bergeron and P. Bohlman (Chicago, 1992), 23–43

M.J. Citron: Gender and the Musical Canon (Cambridge, 1993)

R. Leppert: The Sight of Sound: Music, Representation and the History of the Body (Berkeley, 1993)

K. Marshall, ed.: Rediscovering the Muses: Women's Musical Traditions (Boston, 1993)

R. Solie, ed.: Musicology and Difference: Gender and Sexuality in Music Scholarship (Berkeley, 1993)

S.C. Cook and J.S. Tsou, eds.: Cecilia Reclaimed: Feminist Perspectives on Gender and Music (Urbana, IL, 1994)

L.C. Dunn and N.A. Jones, eds.: Embodied Voices: Representing Female Vocality in Western Culture (Cambridge, 1994)

P. Moisala and R. Valkeila: Musiikin toinen sukupuoli: Naissäveltäjiä keskiajalta nykyaikaam [The Other Sex in Music: Women Composers from Medieval Times to the Present] (Helsinki, 1994)

C. Blackmer and P.J. Smith, eds.: En Travesti: Women, Gender Subversion, Opera (New York, 1995)

Women in music, §II: Western classical traditions in Europe and the USA, Bibliography

g: the ancient world


M. Alexiou: The Ritual Lament in Greek Tradition (London, 1974)

C. Calame: Les choeurs de jeunes filles en Grèce archaïque: morphologie, fonction religieuse et sociale (Rome, 1977; Eng. trans., 1997)

S. Pomeroy: ‘Techinkē kai mousikē’ [Artists and musicians], American Journal of Ancient History, ii (1977), 51–68

M.R. Lefkowitz and M.B. Fant: Women's Life in Greece and Rome (London and Baltimore, MD, 1982, 2/1992)

G. Haas: ‘Musikarchäologie aus “anderer” Sicht’, SMw, xxxviii (1987), 7–21

H.W. Barker: ‘Public Music as “Fine Art” in Archaic Greece’, Antiquity and the Middle Ages, ed. J. McKinnon (London, 1990), 45–67

A.J. Neubecker: ‘Frauen im altgriechischen Musikleben’, Musik und Dichtung: Neue Forschungsbeiträge: Viktor Pöschl zum 80. Geburstag gewidmet, ed. M. von Albrecht and W. Schubert (Frankfurt, 1990), 13–23

A.N. Michelini: ‘Women and Music in Greece and Rome’, Women and Music: a History, ed. K. Pendle (Bloomington, IN, 1991), 3–7

F. Lissarrague: ‘Figures of Women’, A History of Women in the West, i, ed. P.S. Pantel (Cambridge, MA, 1992), 139–230

C. Meyers: ‘Drum-Dance-Song Ensemble: Women's Performance in Biblical Israel’, Rediscovering the Muses: Women's Musical Traditions, ed. K. Marshall (Boston, 1993), 49–67

N. Sultan: ‘Private Speech, Public Pain: the Power of Women's Laments in Ancient Greek Poetry and Tragedy’, ibid., 92–110

E. Teeter: ‘Female Musicians in Pharaonic Egypt’, ibid., 68–91

D. Touliatos: ‘Traditional Role of Greek Women in Music from Antiquity to the End of the Byzantine Empire’, ibid., 111–23

C. Murphy: The Word According to Eve: Women and the Bible in Ancient Times and Our Own (Boston, 1998)

Women in music, §II: Western classical traditions in Europe and the USA, Bibliography

h: 500–1500


L. Eckenstein: Woman under Monasticism: Chapters on Saint-Lore and Convent Life between A.D. 500 and A.D. 1500 (Cambridge, 1896/R)

K. Meyer: Der chorische Gesang der Frauen mit besonderer Bezugnahme seiner Betätigung auf geistlichem Gebeit (Mittenwald, 1917)

Y. Rokseth: ‘Les femmes musiciennes du XIIe au XIVe siècle’, Romania, lxi (1935), 464–80

R. Kelso: Doctrine for the Lady of the Renaissance (Urbana, IL, 1956)

M. Bogin: The Women Troubadours (New York, 1976)

J. Kelly-Gadol: ‘Did Women Have a Renaissance?’, Becoming Visible: Women in European History, ed. R. Bridenthal and C. Koonz (Boston, 1977), 134–64

M. Shapiro: ‘The Provençal Trobairitz and the Limits of Courtly Love’, Signs, iii (1978), 560–71

P. Bec: ‘Trobairitz et chansons de femmes: contribution à la connaissance du lyrisme féminin au moyen âge’, Cahiers de civilisation Mediévale, xxii (1979), 235–62

P. Dronke: Women Writers of the Middle Ages: a Critical Study of Texts from Perpetua (d. 203) to Marguerite Porete (d. 1310) (Cambridge, 1984)

H.M. Brown: ‘Women Singers and Women's Songs in Fifteenth-Century Italy’, Women Making Music: the Western Art Tradition, 1150–1950, ed. J. Bowers and J. Tick (Urbana, IL, 1986), 62–89

M.V. Coldwell: ‘“Jougleresses” and “Trobairitz”: Secular Musicians in Medieval France’, ibid., 39–61

E. Taitz: ‘Kol Isha: the Voice of Woman: Where was it Heard in Medieval Europe?’, Conservative Judaism, xxxviii (1986), 46–61

A.B. Yardley: ‘“Full Weel She Soong the Service Dyvyne”: the Cloistered Musician in the Middle Ages’, Women Making Music: the Western Art Tradition, 1150–1950, ed. J. Bowers and J. Tick (Urbana, IL, 1986), 15–39

D.L.C.M. Galles: ‘Canonesses and Plainchant’, Sacred Music, cxiv/1 (1987), 7–11

T. Seebass: ‘Lady Music, and her Proteges from Musical Allegory to Musicians’ Portraits’, MD, xlii (1988), 23–61

U. Mölk, ed.: Romanische Frauenlieder (Munich, 1989)

W.D. Paden, ed.: The Voice of the Trobairitz: Perspectives on the Women Troubadours (Philadelphia, 1989)

A.B. Yardley: ‘The Marriage of Heaven and Earth: a Late Medieval Source of the “Consecratio virginum”’, CMc, nos.45–7 (1990), 305–24

E. Borroff: ‘Women and Music in Medieval Europe’, Mediaevalia, xiv (1991), 1–21

A. Callahan: ‘The Trobairitz (c. 1170–1260)’, French Women Writers: a Bio-Bibliographical Sourcebook, ed. E.M. Sartori and D.W. Zimmerman (Westport, CT, 1991), 495–502

J.M. Edwards: ‘Women in Music to ca. 1450’, Women and Music: a History, ed. K. Pendle (Bloomington, IN, 1991), 8–28

P. Higgins: ‘Parisian Nobles, a Scottish Princess, and the Woman's Voice in Late Medieval Song’, EMH, x (1991), 145–200

A. Rieger: Trobairitz der Beitrag der Frau in der altokzitanischen höfischen Lyrik (Tübingen, 1991)

L.W. Macy: ‘Women's History and Early Music’, Companion to Medieval and Renaissance Music, ed. T. Knighton and D. Fallows (London, 1992), 93–8

E. Rosenn: Feminine Discourse in Medieval Provencal, Old French and Galician-Portuguese Lyrics (diss., Columbia U., 1992)

E. Amt, ed.: Women's Lives in Medieval Europe: a Sourcebook (New York, 1993)

P. Higgins: ‘The “Other Minervas”: Creative Women at the Court of Margaret of Scotland’, Rediscovering the Muses: Women's Musical Traditions, ed. K. Marshall (Boston, 1993), 169–85

K. Marshall: ‘Symbols, Performers, and Sponsors: Female Musical Creators in the Late Middle Ages’, ibid., 140–68

R.T. Rollins: ‘The Singing of Women in the Early Christian Church’, Music in Performance and Society: Essays in Honor of Roland Jackson, ed. M. Cole and J. Koegel (Warren, MI, 1997), 37–57

Women in music, §II: Western classical traditions in Europe and the USA, Bibliography

i: 1500–1800


M. Brenet: ‘Quatre femmes musiciennes’, L'art, lix (1894), 142–7

M. Brenet: La musique dans les couvents de femmes depuis le moyen âge jusqu’à nos jours (Paris, 1898); also pubd in Tribune de St-Gervais, iv (1898), 25, 58, 73

L. de La Laurencie: ‘Les femmes et le luth en France aux XVIe et XVIIe siècles’, Le correspondant (10 May 1925), 443–51

A. Krille: Beiträge zur Geschichte der Musikerziehung und Musikübung der deutschen Frau (von 1750 bis 1820) (Berlin, 1938)

D. Arnold: ‘Orphans and Ladies: the Venetian Conservatories (1680–1790)’, PRMA, lxxxix (1962–3), 31–47

M. Bert: ‘La musique à la Maison Royale Saint-Louis de Saint-Cyr: son rôle, sa valeur’, RMFC, iii (1963), 55–71; iv (1964), 127–31; v (1965), 91–127

M. Benoit: ‘Les femmes’, Versailles et les musiciens du roi 1661–1733: étude institutionnelle et Sociale (Paris, 1971), 252–63

M. Vilcosqui: La femme dans la musique française de 1671 à 1871: étude d'histoire musicale et sociale (diss., U. of Paris, Sorbonne, 1977)

G. Ellero, J. Scarpa and M.C. Paolucci, eds.: Arte e musica all'Ospedaletto (Venice, 1978)

E. Durante and A. Martellotti: Cronistoria del Concerto delle dame principalissime di Margherita Gonzaga d'Este (Florence, 1979)

M.V. Constable: ‘The Venetian “Figlie del Coro”: their Environment and Achievement’, ML, lxiii (1982), 181–212

U. Rempel: ‘Women and Music: Ornament of the Profession?’, French Women and the Age of Enlightenment, ed. S.I. Spencer (Bloomington, 1984), 170–80

D. Hayes: ‘Some Neglected Women Composers of the Eighteenth Century and their Music’, CMc, no.39 (1985), 42–65

J. Bowers: ‘The Emergence of Women Composers in Italy, 1566–1700’ [with appx: ‘Compositions by Italian Women Published 1566–1700’], Women Making Music: the Western Art Tradition, 1150–1950, ed. J. Bowers and J. Tick (Urbana, IL, 1986), 116–67

A. Newcomb: ‘Courtesans, Muses, or Musicians? Professional Women Musicians in Sixteenth-Century Italy’, ibid., 90–115

J.A. Sadie: ‘“Musiciennes” of the Ancien Régime’, ibid., 191–223

L. Sawkins: ‘For and Against the Order of Nature: Who Sang Soprano’, EMc, xv (1987), 315–24

R. Kroll: ‘La chanson des femmes poètes au XVIIe siècle: Mme de la Suze et Mme Deshoulières – une contribution féminine à la poésie chantée’, La chanson française et son histoire, ed. D. Rieger (Tübingen, 1988), 27–45

R. Leppert: Music and Image: Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-Century England (Cambridge, 1988)

J.T. Quintana: ‘Educating Women in the Arts: Mme. Campan's School’, Eighteenth-Century Women and the Arts, ed. F.M. Keener and S.E. Lorsch (Westport, CT, 1988), 237–44

L.P. Austern: ‘“Sing Againe Syren”: the Female Musician and Sexual Enchantment in Elizabethan Life and Literature’, Renaissance Quarterly, xlii (1989), 420–48

J. Ruiter: ‘Zum Dualismus des Männlichen und des Weiblichen’, Der Charakterbegriff in der Musik: Studien zur deutschen Ästhetik der Instrumentalmusik 1740–1850 (Stuttgart, 1989), 159–70

H. Metzelaar: ‘An Unknown 18th-Century Dutch Woman Composer, Josina Boetzelaer (1733–1797): Introduction: Overview of Early Dutch Women Composers’, TVNM, xl/2 (1990), 3–56

B.G. Jackson: ‘Musical Women of the Seventeenth and Eighteenth Centuries’, Women and Music: a History, ed. K. Pendle (Bloomington, IN, 1991), 31–53

W.F. Prizer: ‘Games of Venus: Secular Vocal Music in the Late Quattrocento and Early Cinquecento’, JM, ix (1991), 3–56

R.J. Viano: ‘By Invitation Only: Private Concerts in France during the Second Half of the Eighteenth Century’, RMFC, xxvii (1991–2), 131–62

R. Kendrick: ‘The Traditions of Milanese Convent Music and the Sacred Dialogues of Chiara Margarita Cozzolani’, The Crannied Wall: Women, Religion, and the Arts in Early Modern Europe, ed. C.A. Monson (Ann Arbor, 1992), 211–33

P. Macey: ‘“Infiamma il mio cor”: Savonarolan Laude by and for Dominican Nuns in Tuscany’, ibid., 161–89

L.P. Austern: ‘“Alluring the Auditorie to Effeminacie”: Music and the Idea of the Feminine in Early Modern England’, ML, lxxiv (1993), 343–54

S.G. Cusick: ‘Gendering Modern Music: Thoughts on the Monteverdi–Artusi Controversy’, JAMS, xlvi (1993), 1–25

S.G. Cusick: ‘Of Women, Music and Power: a Model from Seicento Florence’, Musicology and Difference: Gender and Sexuality in Music Scholarship, ed. R. Solie (Berkeley, 1993), 281–304

R. Kendrick: ‘Feminized Devotion, Musical Nuns, and the ‘New Style’ Lombard Motet of the 1640s’, Rediscovering the Muses: Women's Musical Traditions, ed. K. Marshall (Boston, 1993), 124–39

W.F. Prizer: ‘Renaissance Women as Patrons of Music: the North-Italian Courts’, ibid., 186–205

L.P. Austern: ‘Music and the English Renaissance Controversy over Women’, Cecilia Reclaimed: Feminist Perspectives on Gender and Music, ed. S.C. Cook and J.S. Tsou (Urbana, IL, 1994), 52–69

S.G. Cusick: ‘“There Was Not One Lady who Failed to Shed a Tear”: Arianna's Lament and the Construction of Modern Womanhood’, EMc, xxii (1994), 21–41

B.L. Glixon: ‘Private Lives of Public Women: Prima Donnas in Mid-Seventeenth-Century Venice’, ML, lxxvi (1995), 509–31

W. Heller: Chastity, Heroism and Allure: Women in the Opera of Seventeenth-Century Venice (diss., Brandeis U., 1995)

C. Monson: Disembodied Voices: Music and Culture in an Early Modern Italian Convent (Berkeley, 1995)

D.M. Raessler: ‘London's Dancing Dogs, or, The Other Pianoforte School’, Early Keyboard Journal, xiii (1995), 81–105

J.L.B. Berdes: Women Musicians of Venice: Musical Foundations, 1525–1855 (Oxford, 2/1996)

O. Hufton: The Prospect before Her: a History of Women in Western Europe, 1500–1800 (New York, 1996)

R. Kendrick: Celestial Sirens: Nuns and their Music in Early Modern Milan (Oxford, 1996)

H. Metzelaar: From Private to Public Spheres: an Exploration of Women's Role in Dutch Musical Life from c. 1700 to c. 1880 and Three Case Studies (diss., U. of Utrecht, 1996)

D. Goodman: ‘Women and the Enlightenment’, Becoming Visible: Women in European History, ed. R. Bridenthal, S.M. Stuard and M. Weisner (Boston, 3/1998)

Women in music, §II: Western classical traditions in Europe and the USA, Bibliography

j: since 1800


N. d'Aubigny von Engelbronner: Briefe an Natalie über den Gesang, als Beförderung der häuslichen Glückseligkeit und des geselligen Vergnügens: ein Handbuch für Freunde des Gesanges, die sich Selbst, oder für Mütter und Erzieherinnen, die ihre Zöglinge für diese Kunst bilden wollen (Leipzig, 1803, 2/1824)

M. Bourges: ‘Des femmes-compositeurs’, RGMP, xiv (1847), 305–7, 313–15; suppl. by A. de La Fage, 323–5

J. Kinkel: ‘Musik als Mode und Musiktheorie für Mädchen’, Acht Briefe an eine Freundin über Clavier-Unterricht (Stuttgart, 1852/R), 37–44, 53–6

E. Creathorne Clayton: Queens of Song: Being Memoirs of Some of the Most Celebrated Female Vocalists (London, 1863/R)

L.A. Le Beau: ‘Über die musikalische Erziehung der weiblichen Jugend’, Allgemeine Deutsche Musik-Zeitung (1 Nov 1878), 365–6

La Mara [pseud. of M. Lipsius]: Die Frauen im Tonleben der Gegenwart, v (Leipzig, 1882/R)

M. Powell: ‘Women and the Violin’, Ladies Home Journal (Feb 1896); repr. in Journal of the Violin Society of America, viii (1987), 112–16

H. Brower: ‘American Women Pianists: Their Views and Achievements’, Musical America, xxviii/26 (1918), 18–19

H.T. Randolph: ‘The Feminization of Music’, Music Teachers National Association: Proceedings, xvii (1923), 194–200

E. Smyth: Female Pipings in Eden (London, 1933)

O. Samaroff Stokowski: An American Musician's Story (New York, 1939)

J. Tick: ‘Women as Professional Musicians in the United States, 1870–1900’, Yearbook for Inter-American Musical Research, ix (1973), 95–133

B. Jepson: ‘American Women in Conducting’, Feminist Art Journal, iv/4 (1976), 13–18

C. Clément: L'opéra, ou La défaite des femmes (Paris, 1979; Eng. trans., 1988)

‘In Retrospect: Black Prima Donnas of the Nineteenth Century’, BPM, vii (1979), 95–106



P. Schick: ‘Die Frau als Komponistin’ [lecture delivered at Hochschule für Musik, Leipzig, 26 Nov 1943], in Frau und Musik: mit Texten von Nina D'Aubigny, ed. E. Rieger (Frankfurt, 1980, 2/1990), 194–8

E. Barkin: ‘Questionnaire’, PNM, xix (1980–81), 460–62

E. Barkin and others: ‘In Response’, PNM, xx (1981–2), 288–329

M.D. Green: Black Women Composers: a Genesis (Boston, 1983)

B. Grigsby: ‘Women Composers of Electronic Music in the United States’, The Musical Woman: an International Perspective, 1983, ed. J.L. Zaimont (Westport, CT, 1984), 151–96

D. Hyde: New-Found Voices: Women in Nineteenth-Century English Music (Liskeard, 1984, 3/1997)

B. Jepson: ‘Women Music Critics in the United States’, The Musical Woman: an International Perspective, 1983, ed. J.L. Zaimont (Westport, CT, 1984), 244–64

V. O'Brien: ‘Living British Women Composers: a Survey’, ibid., 209–34

S. Ehrismann and T. Meyer, eds.: Schweizer Komponistinnen der Gegenwart: eine Dokumentation (Zürich, 1985)

C. Ehrlich: The Music Profession in Britain since the Eighteenth Century: a Social History (Oxford, 1985)

J. Gottlieb: ‘Women in Music Organizations: a Preliminary Checklist’, ibid., 652–62

M. Citron: ‘Women and the Lied, 1775–1850’, Women Making Music: the Western Art Tradition, 1150–1950, ed. J. Bowers and J. Tick (Urbana, IL, 1986), 224–48

C. Neuls-Bates: ‘Women's Orchestras in the United States, 1925–45’, ibid., 349–69

D. Allen: ‘Women's Contributions to Modern Piano Pedagogy’, The Musical Woman: an International Perspective, ii: 1984–1985, ed. J.L. Zaimont (Westport, CT, 1987), 411–44

C. Dahm: Kvinner komponerer: ni portretter av norske kvinnelige komponister i tiden 1840–1930 [Women Composers: Nine Portraits of Women Composers, 1840–1930] (Oslo, 1987)

C.A. Feather: ‘Women Band Directors in American Higher Education’, The Musical Woman: an International Perspective, ii: 1984–1985, ed. J.L. Zaimont (Westport, CT, 1987), 388–410

N. LeFanu: ‘Master Musician: an Impregnable Taboo?’, Contact, no.31 (1987), 4–8

E. Öhrström: Borgerliga kvinnors musicerande i 1800-talets Sverige [Bourgeois Women Musicians in 19th-Century Sweden] (Göteborg, 1987)

G. Peeples: ‘Nineteenth-Century Strictures against Female Wind Players’, National Association of College Wind and Percussion Instructors Journal, xxxvi/1 (1987), 11–16

J. Rosen: ‘Composers Speaking for Themselves: an Electronic Music Panel Discussion’, The Musical Woman: an International Perspective, ii: 1984–1985, ed. J.L. Zaimont (Westport, CT, 1987), 280–312

G. Haas: ‘Ein Urteil lässt sich widerlegen aber niemals ein Vorurteil: Gedanken zur Konzeption eines Komponistinnenporträts’, SMw, xxxix (1988), 387–99

C.M. Jordan: ‘Black Female Concert Singers of the Nineteenth Century: Nellie Brown Mitchell and Marie Selika Williams’, Feel the Spirit: Studies in Nineteenth-Century Afro-American Music, ed. G.R. Keck and S.V. Martin (Westport, CT, 1988), 35–48

R. Samuel: ‘Women Composers Today: a Personal View’, Contact, no.32 (1988), 53–4

‘The Women's Issue: Personal Narratives of Four American Conductors: Victoria Bond, Beatrice Brown, Eve Queler, and Alice Parker’, Journal of the Conductors' Guild, ix/2 (1988), 42–59



A. Ballstaedt and A. Widmaier: Salonmusik: zur Geschichte und Function einer bürgerlichen Musikpraxis (Stuttgart, 1989)

D. Kaufmann: ‘“Tüchtige Dirigentin und routinierte Trommlerin per sofort gesucht”: Musikerinnen in der “Popmusik” des 19. Jahrhunderts’, Zeitschrift für Musikpädagogik, xiv (1989), 21–6

D. Scott: ‘Rise of the Woman Ballad Composer’, The Singing Bourgeois: Songs of the Victorian Drawing Room and Parlour (Milton Keynes, 1989), 60–80

L. Shropshire: ‘Where are the Woman Composers?’, [on women film music composers] Cue Sheet, vi/2 (1989), 53–62

L. Whitesitt: ‘The Role of Women Impresarios in American Concert Life, 1871–1933’, American Music, vii/2 (1989), 159–80

P. Cohen: ‘Vintage Saxophones Revisited: Early Professional Women Saxophonists’, Saxophone Journal, xv/1 (1990), 8–13

J.M. Edwards: ‘All-Women's Musical Communities – Fostering Creativity and Leadership’, Bridges of Power: Women's Multicultural Alliances, ed. L. Albrecht and R.M. Brewer (Philadelphia, 1990), 95–107

C.M. Gruber: Nicht nur Mozarts Rivalinnen: Leben und Schaffen der 22 österreichischen Opern-Komponistinnen (Vienna, 1990)

G. Haas: ‘Ein Aspekt bürgerlicher Musikkultur – dargestellt anhand eines “Musikeralbums”’, ‘Das Weib existiert nicht für sich’: Geschlechterbeziehungen in der bürgerlichen Gesellschaft, ed. H. Dienst and E. Saurer (Vienna, 1990), 162–73

J.E. Koza: ‘Music Instruction in the Nineteenth Century: Views from Godey's Lady's Book, 1830–77’, JME, xxxviii (1990), 245–57

A. Lindmayr: ‘“Weibsbilder, junge oder alte, haben auf dem Domchor überhaupt nichts zu suchen!” Allgemeines und spezielles zum Thema “Frau und Kirchenmusik”’, KJb, lxxiv (1990), 67–86

S. Mabry: ‘Music by Contemporary Women Composers’, NATS Journal, xlvii (1990–91), no.1, p.33; no.2, p.28; no.3, p.40; no.4, p.32

A.E. Feldman: ‘Being Heard: Women Composers and Patrons at the 1893 World's Columbian Exposition’, Notes, xlvii (1990–91), 7–20

L. Andersen: ‘Women Film and Television Composers in the United States’, The Musical Woman: an International Perspective, iii: 1986–1990, ed. J.L. Zaimont (New York, 1991), 353–70

C. Baier and others: ‘Österreichische Komponistinnen des 20. Jahrhunderts’, ÖMz, xlvi (1991), 377–91

E. Carpenter: ‘Women Music Scholars in the Soviet Union’, The Musical Woman: an International Perspective, iii: 1986–1990, ed. J.L. Zaimont (New York, 1991), 456–516

E.L. Diemer: ‘Women Composers as Professors of Composition’, ibid., 714–38

S. Glickman: ‘Women's Performance in Music Competitions, 1967–1988’, ibid., 293–320

P. Gradenwitz: Literatur und Musik in geselligem Kreise: Geschmacksbildung, Gesprächsstoff und musikalische Unterhaltung in der bürgerlichen Salongesellschaft (Stuttgart, 1991)

J.B. Groh: Evening the Score: Women in Music and the Legacy of Frédérique Petrides (Fayetteville, AR, 1991)

B. Jepson: ‘Women in the Classical Recording Industry’, The Musical Woman: an International Perspective, iii: 1986–1990, ed. J.L. Zaimont (New York, 1991), 337–52

F. Kämpfer: ‘Sozialer Freiraum, ästhetische Nische: Frauen und Musik in der ehemaligen DDR’, NZM, Jg.152, no.10 (1991), 25–8

J.E. Koza: ‘Music and the Feminine Sphere: Images of Women as Musicians in Godey's Lady's Book, 1830–1877’, MQ, lxxv (1991), 103–29

K. Lawson: ‘Women Conductors: Credibility in a Male-Dominated Profession’, The Musical Woman: An International Perspective, iii, 1986–1990, ed. J.L. Zaimont (New York, 1991), 197–219

M.T. Lefebvre: La création musicale des femmes au Québec (Montreal, 1991)

H. Matheopoulos: Diva: Great Sopranos and Mezzos Discuss their Art (London, 1991)

R. Matthei, ed.: Komponistinnen in Japan und Deutschland: eine Dokumentation (Kassel, 1991)

N.B. Reich: ‘European Composers and Musicians, ca. 1800–1890’, Women and Music: a History, ed. K. Pendle (Bloomington, IN, 1991), 8–28

J. Shatin: ‘Women in Computer Music: a Sampling’, AWC News/Forum, ix (1991), March, 3–7

D. Bruenger: ‘Women Trombonists in North American Orchestras and Universities’, International Trombone Association Journal, xx/2 (1992), 12–21

L. Elkins-Marlow: ‘“Music at Every Meeting”: Music in the National League of American Pen Women and the General Federation of Women's Clubs, 1920–1940’, Politics, Gender and the Arts: Women, the Arts and Society, ed. R. Dotterer and S.R. Bowers (Selinsgrove, PA, 1992), 185–99

S. Fuller: ‘Unearthing a World of Music: Victorian and Edwardian Women Composers’, Women: a Cultural Review, iii/1 (1992), 16–22

E. Hinkle-Turner: ‘Recent Electro-Acoustic Music by Women’, ILWC Journal (1992), Oct, 8–14

D.E. McGinty: ‘Black Women in the Music of Washington, D.C., 1900–1920’, New Perspectives on Music: Essays in Honor of Eileen Southern, ed. J. Wright (Warren, MI, 1992), 409–49

J. Moore: ‘Women and the Flute in the Nineteenth Century’, Fluting and Dancing: Articles and Reminiscences for Betty Bang Mather on her 65th Birthday, ed. D. Lasocki (New York, 1992), 51–60

E. Rieger: ‘“Ich recycle Töne”: Schreiben Frauen anders? Neue Gedanken zu einem alten Thema’, NZM, Jg.153, no.2 (1992), 14–18

S. Rutherford: ‘The Voice of Freedom: Images of the Prima Donna’, The New Woman and her Sisters: Feminism and the Theatre 1850–1914, ed. V. Gardner and S. Rutherford (Ann Arbor, 1992), 95–113

G. Stout: ‘Women and the Flute: Three Early 20th Century Flutists’, Flutist Quarterly, xvii/2 (1992), 17–27

H. Walker-Hill: ‘Black Women Composers in Chicago: Then and Now’, Black Music Research Journal, xii (1992), 1–23

M. Wohlthat: ‘Störfaktor im Männerclub?’, NZM, Jg.153, no.11 (1992), 4–6

J. Wright: ‘Black Women in Classical Music in Boston During the Late Nineteenth Century: Profiles of Leadership’, New Perspectives on Music: Essays in Honor of Eileen Southern, ed. J. Wright (Warren, MI, 1992), 373–407

M. Myers: Blowing her Own Trumpet: European Ladies' Orchestras and other Women Musicians 1870–1950 in Sweden (Göteborg, 1993)

B. Philipp, ed.: Komponistinnen der Neuen Musik: Alice Samter, Felicitas Kukuck, Erna Woll, Ruth Bodenstein-Hoyme, Ruth Zechlin, Eva Schorr und Siegrid Ernst: eine Dokumentation (Kassel, 1993)

N.B. Reich: ‘Women as Musicians: a Question of Class’, Musicology and Difference: Gender and Sexuality in Music Scholarship, ed. R. Solie (Berkeley, 1993), 125–46

R. Robertson: ‘Women Winners of the Prix de Rome: a Chronological Analysis’, ILWC Journal (1993), Feb 4–7

K. Blair: The Torchbearers: Women and their Amateur Arts Associations in America, 1890–1930 (Bloomington, IN, 1994)

H. Hadlock: ‘Return of the Repressed: the Prima Donna from Hoffmann's Tales to Offenbach's Contes’, COJ, vi (1994), 221–43

J. Horowitz: ‘Finding a “Real Self”: American Women and the Wagner Cult of the Late Nineteenth Century’ MQ, lxxviii (1994), 189–205

R. Locke: ‘Paradoxes of the Woman Music Patron in America’, MQ, lxxviii (1994), 798–825

B.H. Miller: ‘Ladies' Companion, Ladies' Canon? Women Composers in American Magazines from Godey's to the Ladies Home Journal’, Cecilia Reclaimed: Feminist Perspectives on Gender and Music, ed. S.C. Cook and J.S. Tsou (Urbana, IL, 1994), 156–82

D. Scott: ‘The Sexual Politics of Victorian Musical Aesthetics’, JRMA, cxix (1994), 91–114

C.P. Smith: ‘“Distinguishing Virility”: Feminism and Modernism in American Art Music’, Cecilia Reclaimed: Feminist Perspectives on Gender and Music, ed. S.C. Cook and J.S. Tsou (Urbana, IL, 1994), 90–126

K. O'Brien: Hymn to Her: Women Musicians Talk (London, 1995)

M. Buzzarté: ‘Advocacy: Vienna Philharmonic Orchestra’, IAWM Journal, iii/2 (1997), 3–7

K. Ellis: ‘Female Pianists and their Male Critics in Nineteenth-Century Paris’, JAMS, l (1997), 353–85

J. Halstead: The Woman Composer: Creativity and the Gendered Politics of Musical Composition (Aldershot, 1997)

R. Locke and C. Barr, eds.: Cultivating Music in America: Women Patrons and Activists since 1860 (Berkeley, 1997)

D.E. McGinty: ‘“As Large as She Can Make It”: the Role of Black Women Activists in Music, 1880–1945’, ibid. 214–36

C.J. Oja: ‘Women Patrons and Crusaders for Modernist Music: New York in the 1920s’, ibid., 237–66

L. Whitesitt: ‘Women as “Keepers of Culture”: Music Clubs, Community Concert Series, and Symphony Orchestras’, ibid., 65–89

A. Fauser: ‘“La Guerre en dentelles”: Women and the “Prix de Rome” in French Cultural Politics’, JAMS, li (1998), 83–129

Women in music, §II: Western classical traditions in Europe and the USA, Bibliography

k: jazz, popular music


H. Jones: Big Star Fallin' Mamma: Five Women in Black Music (New York, 1974)

S. Cavin: ‘Missing Women: on the Voodoo Trail to Jazz’, JJS, iii/1 (1975), 4–27

S. Placksin: Jazzwomen: 1900 to the Present (New York, 1982)

M. Unterbrink: Jazz Women at the Keyboard (Jefferson, NC, 1983)

L. Dahl: Stormy Weather: the Music and Lives of a Century of Jazzwomen (New York, 1984)

J. McManus: ‘Women Jazz Composers and Arrangers’, The Musical Woman: an International Perspective, 1983, ed. J.L. Zaimont (Westport, CT, 1984), 197–208

W. Mellers: Angels of the Night: Popular Female Singers of our Time (Oxford, 1986)

D.D. Harrison: Black Pearls: Blues Queens of the 1920's (New Brunswick, NJ, 1988)

C. Greig: Will You Still Love Me Tomorrow? Girl Groups from the 50s on (London, 1989)

M. Bayton: ‘How Women become Musicians’, On Record: Rock, Pop, and the Written Word, ed. S. Frith and A. Goodwin (New York, 1990), 238–57

B. Bradby: ‘Do-Talk and Don't-Talk: the Division of the Subject in Girl-Group Music’, ibid., 341–68

R. Pratt: ‘Women's Voices, Images and Silences’, Rhythm and Resistance: Explorations in the Political Uses of Popular Music (New York, 1990), 143–74

U. Büchter-Römer: New Vocal Jazz: Untersuchungen zur zeitgenössischen improvisierten Musik mit der Stimme anhand ausgewählter Beispiele (Frankfurt, 1991)

A. Wells: ‘Women on the Pop Charts: a Comparison of Britain and the United States, 1960–1988’, Popular Music and Society, xv/1 (1991), 25–32

G. Gaar: She's a Rebel: the History of Women in Rock & Roll (Seattle, 1992)

M. Bayton: ‘Feminist Musical Practice: Problems and Contradictions’, Rock and Popular Music: Politics, Policies, Institutions, ed. T. Bennett and others (London, 1993), 177–92

M.A. Bufwack and R.K. Oermann: Finding her Voice: the Saga of Women in Country Music (New York, 1993)

P. Antelyes: ‘Red Hot Mamas: Bessie Smith, Sophie Tucker, and the Ethnic Maternal Voice in American Popular Song’, Embodied Voices: Representing Female Vocality in Western Culture, ed. L. Dunn and N. Jones (Cambridge, 1994), 212–29

V.T. Berry: ‘Feminine or Masculine: the Conflicting Nature of Female Images in Rap Music’, Cecilia Reclaimed: Feminist Perspectives on Gender and Music, ed. S.C. Cook and J.S. Tsou (Urbana, IL, 1994), 183–201

T. Rose: ‘Bad Sistas’, Black Noise: Rap Music and Black Culture in Contemporary America (Hanover, NH, 1994), 146–82

L. Gourse: Madame Jazz: Contemporary Women Instrumentalists (New York, 1995)

L. O'Brien: She Bop: the Definitive History of Women in Rock, Pop and Soul (New York, 1995)

S. Reynolds and J. Press: Sex Revolts: Gender, Rebellion, and Rock ‘n’ Roll (Cambridge, 1995)

B. Weinbaum: ‘Matriarchal Music Making’, Sounding Off: Music as Subversion/Resistance/Revolution, ed. R. Sakolsky and F. Wei-han Ho (Brooklyn, NY, 1995), 41–51

S. Cooper, ed.: Girls! Girls! Girls!: Essays on Women and Music (New York, 1996)

R. Roberts: Ladies First: Women in Music Videos (Jackson, MS, 1996)

A. Davis: Blues Legacies and Black Feminism: Gertrude ‘Ma’ Rainey, Bessie Smith, and Billie Holiday (New York, 1998)

Women in music, §II: Western classical traditions in Europe and the USA, Bibliography

l: disciplinary and professional studies


College Music Society: Status of Women in College Music: Preliminary Studies, ed. C. Neuls-Bates (Binghamton, NY, 1976)

E. Wood: ‘Review Essay: Women In Music’, Signs, vi/2 (1980), 283–97

C. Neuls-Bates: ‘Creating a College Curriculum for the Study of Women in Music’, The Musical Woman: an International Perspective, 1983, ed. J.L. Zaimont (Westport, CT, 1984), 265–82

E. Durbin: ‘Women and the Arts: a Survey of Recent Progress’, ‘The Green Stubborn Bud’: Women's Culture at the Century's Close, ed. K.F. Clarenbach and E.L. Kamarck (Metuchen, NJ, 1987), 199–351

E. Rieger: ‘Feministische Musikpädagogik: sektiererischer Irweg oder Chance zu einer Neuorientierung’, Musikpädagogische Forschung, viii (1987), 123–32

A.F. Block: ‘The Status of Women in College Music, 1986–1987: a Statistical Report’, Women's Studies, Women's Status (Boulder, CO, 1988), 79–165

College Music Society: Committee on the Status of Women in Music: Women's Studies, Women's Status (Boulder, CO, 1988)



E. Gates: ‘The Female Voice: Sexual Aesthetics Revisited’, Journal of Aesthetic Education, xxii/4 (1988), 59–68

J.M. Bowers: ‘Feminist Scholarship and the Field of Musicology: I’, College Music Symposium, xxix (1989), 81–92

S.C. Cook: ‘Women, Women's Studies, Music and Musicology: Issues in Pedagogy and Scholarship’, College Music Symposium, xxix (1989), 93–100

J.M. Edwards: ‘Women and Music’, National Women's Studies Association Journal, i (1989), 506–18

P. Picard: ‘Does Gender Matter? an Evaluation of the Arts Curriculum’, The Claims of Feeling: Readings in Aesthetic Education (London, 1989), 200–279

J.M. Bowers: ‘Feminist Scholarship and the Field of Musicology: II’, College Music Symposium, xxx/1 (1990), 1–13

S. Cant: ‘Women Composers and the Music Curriculum’, British Journal of Music Education, vii/1 (1990), 5–13

C. Rabson: ‘Women's Contributions to Music Scholarship’, The Musical Woman: an International Perspective, iii: 1986–1990, ed. J.L. Zaimont (New York, 1991), 238–92

A.D. Shapiro: ‘A Critique of Current Research on Music and Gender’, World of Music, xxxiii/2 (1991), 5–13

R. Solie: ‘What Do Feminists Want? a Reply to Pieter van den Toorn’, JM, ix (1991), 399–410

P.C. van den Toorn: ‘Politics, Feminism and Contemporary Music Theory’, JM, ix (1991), 275–99

R. Samuel: ‘Feminist Musicology: Endings or Beginnings?’, Women: a Cultural Review, iii/1 (1992), 65–9

R. Jezer: ‘Women in Music Academia: a Statistical and Humanistic Analysis’, Gender, Culture and the Arts: Women, the Arts, Society, ed. R. Dotterer and S. Bowers (Selinsgrove, PA, 1993), 152–67

S. McClary: ‘Reshaping a Discipline: Musicology and Feminism in the 1990s’, Feminist Studies, xix (1993), 399–423

R. Solie: ‘Changing the Subject’, CMc, no.53 (1993), 55–65

L. Treitler: ‘Gender and other Dualities of Music History’, Musicology and Difference: Gender and Sexuality in Music Scholarship, ed. R. Solie (Berkeley, 1993), 23–45

P. Higgins: ‘Women in Music, Feminist Criticism, and Guerrilla Musicology: Reflections on Recent Polemics’, 19CM, xvii (1993–4), 174–92

E. Sala: ‘Women Crazed by Love: an Aspect of Romantic Opera’, OQ, x/3 (1993–4), 19–41

G. Cowart: ‘Of Women, Sex and Folly: Opera under the Old Regime’, COJ, vi (1994), 205–20

S.G. Cusick: ‘Feminist Theory, Music Theory, and the Mind/Body Problem’, PNM, xxxii/1 (1994), 8–27

M. Guck: ‘A Woman's (Theoretical) Work’, PNM, xxxii/1 (1994), 28–43

J. Hepokoski: ‘Masculine-Feminine’, MT, cxxxv (1994), 494–9

M. Kielian-Gilbert: ‘Of Poetics and Poiesis, Pleasure and Politics – Music Theory and Modes of the Feminine’, PNM, xxxii/1 (1994), 44–67

R.K. Lamb: ‘Feminism as Critique in Philosophy of Music Education’, Philosophy of Music Education, ii/2 (1994), 59–74

S. McClary: ‘Of Patriarchs … Matriarchs, Too’, MT, cxxxv (1994), 364–9

S. McClary: ‘Paradigm Dissonances: Music Theory, Cultural Studies, Feminist Criticism’, PNM, xxxii/1 (1994), 68–85

J. Rycenga: ‘The Uncovering of Ontology in Music: Speculative and Conceptual Feminist Music’, Repercussions, iii/1 (1994), 22–46

E. Rieger: ‘“Gender Studies” und Musikwissenschaft – ein Forschungsbericht’, Mf, xlviii (1995), 235–50 [review essay]

B. Coeyman: ‘Applications of Feminist Pedagogy to the College Music Major Curriculum: an Introduction to the Issues’, College Music Symposium, xxxvi (1996), 73–90

B. Payne: ‘The Gender Gap: Women on Music Faculties in American Colleges and Universities, 1993–1994’, College Music Symposium, xxxvi (1996), 91–102

L. Green: Music, Gender, Education (Cambridge, 1997)

R.K. Lamb: ‘Music Trouble: Desire, Discourse, Education’, Canadian University Music Review, xviii (1997), 84–98

Women in music


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