Waart, Edo de. 56 Wachmann, Eduard 56



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Ward, John M(ilton)


(b Oakland, CA, 6 July 1917). American musicologist. He studied with Gombosi at the University of Washington (MM 1942), with Herzog at Columbia University (1945–6) and with Sachs and Reese at New York University (PhD 1953, with a dissertation on the vihuela de mano). From 1947 to 1953 he was an instructor at Michigan State University and from 1953 to 1955 an assistant and then an associate professor at the University of Illinois. In 1955 he joined the faculty of Harvard University, where he was William Powell Mason Professor of Music from 1961 to 1985. His special interests are in 16th-century instrumental music, especially that of Spain and England, Elizabethan music in general, and English popular and folk music from the 16th century to the present day. He has published the results of his research in a series of painstaking articles that are models of careful bibliographical technique, but his greatest impact on American musicology has been his influence on several generations of Harvard students, to whom he has taught sound musicological method, a healthy respect for accuracy, the importance of constructing well-reasoned arguments and the ideal of complete bibliographical control. He is the general editor of the Pantomime, Ballet and Social Dance group of the series Music for London Entertainment (London, 1990–).

WRITINGS


‘The “Dolfull Domps”’, JAMS, iv (1951), 111–21

‘The Editorial Methods of Venegas de Henestrosa’, MD, vi (1952), 105–13

‘The Use of Borrowed Material in 16th-Century Instrumental Music’, JAMS, v (1952), 88–98

The Vihuela de Mano and its Music (1536–1576) (diss., New York U., 1953)

‘Music for “A Handefull of Pleasant Delites”’, JAMS, x (1957), 151–80

‘Parody Technique in 16th-Century Instrumental Music’, The Commonwealth of Music, in Honor of Curt Sachs, ed. G. Reese and R. Brandel (New York, 1965), 208–28

Joan qd John and Other Fragments at Western Reserve University’, Aspects of Medieval and Renaissance Music: a Birthday Offering to Gustave Reese, ed. J. LaRue and others (New York, 1966), 832–55

‘Apropos The British Broadside Ballad and its Music’, JAMS, xx (1967), 28–86

‘The Lute Books of Trinity College, Dublin’, LSJ, ix (1967), 17–40; x (1968), 15–32

‘The Fourth Dublin Lute Book’, LSJ, xi (1969), 28–46

‘Spanish Musicians in Sixteenth-Century England’, Essays in Musicology in Honor of Dragan Plamenac, ed. G. Reese and R.J. Snow (Pittsburgh, 1969), 353–64

‘Barley’s Songs without Words’, LSJ, xii (1970), 5–22

‘Curious Tunes for Strange Histories’, Words and Music: the Scholar’s View … in Honor of A. Tillman Merritt, ed. L. Berman (Cambridge, MA, 1972), 339–58

‘The Maner of Dauncynge’, EMc, iv (1976), 127–42

‘The So-Called “Dowland Lute Book” in the Folger Shakespeare Library’, JLSA, ix (1976), 4–29

‘A Dowland Miscellany’, JLSA, x (1977) [Dowland issue]

‘The Hunt's Up!’, PRMA, cvi (1979–80), 1–26

‘Sprightly and Cheerful Musick: Notes on the Cittern, Gittern & Guitar in 16th- and 17th-Century England’, LSJ, xxi (1979–81) [whole vol.]

‘Changing the Instrument for the Music’, JLSA, xv (1982), 27–39

‘The Relationship of Folk and Art Music in 17th-Century Spain’, Studi musicali, xii (1983), 281–300

‘The Morris Tune’, JAMS, xxxix (1986), 294–331

‘Newly Devis'd Measures for Jacobean Masques’, AcM, lx (1988), 111–42

‘“And Who But Ladie Greensleeues?”’, The Well Enchanting Skill: … Essays in Honour of F.W. Sternfeld, ed. J.A. Caldwell, E.D. Olleson and S. Wollenberg (Oxford and New York, 1990), 181–212

‘The Lancashire Hornpipe’, Essays in Musicology: a Tribute to Alvin Johnson, ed. L. Lockwood and E.H. Roesner (Philadelphia, 1990), 140–73

‘“Excuse Me”: a Dance to a Tune of John Dowland's Making’, Libraries, History, Diplomacy and the Performing Arts: Essays in Honor of Carleton Sprague Smith, ed. I.J. Katz (Stuyvesant, NY, 1991), 379–88

‘Ophelia's Lute’, New Perspectives in Music: Essays in Honor of Eileen Southern, ed. J. Wright and S.A. Floyd (Warren, MI, 1992), 37–48

‘The Buffons Family of Tune Families: Variations on a Theme of Otto Gombosi's’, Themes and Variations: Writings on Music in Honor of Rulan Chao Pian, ed. B. Yung and J.S.C. Lam (Cambridge, MA, 1994), 290–351


EDITIONS


The Dublin Virginal Manuscript, WE, iii (1954, 3/1983)

Music for Elizabethan Lutes (Oxford, 1992)

The Lute Works of John Johnson, Monuments of the Lutenist Art, iii (Colombus, OH, 1994)

BIBLIOGRAPHY


A.D. Shapiro and P. Benjamin, eds.: Music and Context: Essays for John M. Ward (Cambridge, MA, 1985) [incl. list of writings, 477–80]

HOWARD MAYER BROWN/PAULA MORGAN


Ward, John Owen


(b Sydenham, 20 Sept 1919). English editor. He was educated at Dulwich College (1933–7) and at St Edmund Hall, Oxford. He was active as an antiquarian music dealer both before and after the war (1938–9, 1946–8) and in 1949 he became assistant to Percy Scholes. In 1957 he was appointed manager of the music department of Oxford University Press, New York, and during 1958–72 he had sole editorial responsibility for the Concise Oxford Dictionary of Music, the Oxford Junior Companion to Music and the Oxford Companion to Music, whose revised tenth edition he brought out in 1970. He is also the author of Careers in Music (New York, 1968). From 1972 to 1979 he was director of serious music for Boosey & Hawkes, New York, and in 1972 he was elected first vice-president of the Music Publishers’ Association of the United States (president, 1974–6).

PAULA MORGAN




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