Angela's Ashes by Frank McCourt

What's a diversion?

I have the money to go and when I get in I'll pretend to have the fit and the ticket man will be out of his mind and you can slip in when I let out the big scream. I'll be watching the door and when I see you in I'll have a miraculous recovery.That's a diversion.That's what I do to get my brothers in all the time.

Mam said, Oh, I don't know about that, Mikey.Wouldn't that be a sin and surely you wouldn't want Frank to commit a sin on his First Communion day.

Mikey said if there was a sin it would be on his soul and he wasn't a proper Catholic anyway so it didn't matter. He let out his scream and

130 I slipped in and sat next to Question Quigley and the ticket man, Frank Goggin, was so worried over Mikey he never noticed. It was a thrilling film but sad in the end because James Cagney was a public enemy and when they shot him they wrapped him in bandages and threw him in the door, shocking his poor old Irish mother, and that was the end of my First Communion day.

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V Grandma won't talk to Mam anymore because of what I did with God in her backyard. Mam doesn't talk to her sister,Aunt Aggie, or her brother Uncle Tom. Dad doesn't talk to anyone in Mam's family and they don't talk to him because he's from the North and he has the odd manner. No one talks to Uncle Tom's wife, Jane, because she's from Galway and she has the look of a Spaniard. Everyone talks to Mam's brother Uncle Pat,because he was dropped on his head,he's simple,and he sells newspapers. Everyone calls him The Abbot or Ab Sheehan and no one knows why.Everyone talks to Uncle Pa Keating because he was gassed in the war and married Aunt Aggie and if they didn't talk to him he wouldn't give a fiddler's fart anyway and that's why the men in South's pub call him a gas man.

Uncle Tom and Galway Jane have children but we're not supposed to talk to them because our parents are not talking.They have a son and daughter, Gerry and Peggy, and Mam will yell at us for talking to them but we don't know how not to talk to our cousins.

People in families in the lanes of Limerick have their ways of not

132 talking to each other and it takes years of practice.There are people who don't talk to each other because their fathers were on opposite sides in the Civil War in 1922. If a man goes off and joins the English army his family might as well move to another part of Limerick where there are families with men in the English army. If anyone in your family was the least way friendly to the English in the last eight hundred years it will be brought up and thrown in your face and you might as well move to Dublin where no one cares. There are families that are ashamed of themselves because their forefathers gave up their religion for the sake of a bowl of Protestant soup during the Famine and those families are known ever after as soupers. It's a terrible thing to be a souper because you're doomed forever to the souper part of hell.It's even worse to be an informer. The master at school said that everytime the Irish were about to demolish the English in a fair fight a filthy informer betrayed them. A man who's discovered to be an informer deserves to be hanged or, even worse, to have no one talk to him for if no one talks to you you're better off hanging at the end of a rope.

In every lane there's always someone not talking to someone or everyone not talking to someone or someone not talking to everyone. You can always tell when people are not talking by the way they pass each other.The women hoist their noses, tighten their mouths and turn their faces away. If the woman is wearing a shawl she takes a corner and flings it over her shoulder as if to say,One word or look from you,you ma-faced bitch, and I'll tear the countenance from the front of your head.

It's bad when Grandma won't talk to us because we can't run to her when we need to borrow sugar or tea or milk.There's no use going to Aunt Aggie. She'll only bite your head off. Go home, she'll say, and tell your father to get off his northern arse and get a job like the decent men of Limerick.

They say she's always angry because she has red hair or she has red hair because she's always angry.

Mam is friendly with Bridey Hannon, who lives next door with her mother and father. Mam and Bridey talk all the time. When my father goes for his long walk Bridey comes in and she and Mam sit by the fire drinking tea and smoking cigarettes. If Mam has nothing in the house Bridey brings tea, sugar and milk. Sometimes they use the same tea leaves over and over and Mam says the tea is stewed, coddled and boiled.

133 Mam and Bridey sit so close to the fire their shins turn red and purple and blue.They talk for hours and they whisper and laugh over secret things. We're not supposed to hear the secret things so we're told go out and play. I often sit on the seventh step listening and they have no notion I'm there. It might be lashing rain out but Mam says, Rain or no, out you go, and she'll tell us, If you see your father coming, run in and tell me. Mam says to Bridey, Did you ever hear that poem that someone must have made up about me and him? What poem,Angela? 'Tis called "The Man from the North." I got this poem from Min- nie MacAdorey in America. I never heard that poem. Say it for me. Mam says the poem but she laughs all through it and I don't know why,

He came from the North so his words were few

But his voice was kind and his heart was true.

And I knew by his eyes that no guile had he,

So I married my man from the North Country.

Oh, Garryowen may be more gay

Than this quiet man from beside Lough Neagh

And I know that the sun shines softly down

On the river that runs through my native town.

But there's not-and I say it with joy and with pride

A better man in all Munster wide

And Limerick town has no happier hearth

Than mine has been with my man from the North.

I wish that in Limerick they only knew

The kind kind neighbors I came unto.

Small hate or scorn would there ever be

Between the South and the North Country. She always repeats the third verse and laughs so hard she's crying and I don't know why. She goes into hysterics when she says,

134

Than mine has been with my man from the North.

If he comes back early and sees Bridey in the kitchen the man from the North says, Gossip, gossip, gossip, and stands there with his cap on till she leaves.

Bridey's mother and other people in our lane and lanes beyond will come to the door to ask Dad if he'll write a letter to the government or a relation in a distant place. He sits at the table with his pen and bot- tle of ink and when the people tell him what to write he says, Och, no, that's not what you want to say, and he writes what he feels like writ- ing.The people tell him that's what they wanted to say in the first place, that he has a lovely way with the English language and a fine fist for the writing.They offer him sixpence for his trouble but he waves it away and they hand it to Mam because he's too grand to be taking sixpence. When the people leave he takes the sixpence and sends me to Kathleen O'Connell's shop for cigarettes. Grandma sleeps in a big bed upstairs with a picture of the Sacred Heart of Jesus over her head and a statue of the Sacred Heart on the mantel- piece. She wants to switch from gaslight to electric light someday so that she'll have a little red light under the statue forever. Her devotion to the Sacred Heart is known up and down the lane and in lanes beyond.

Uncle Pat sleeps in a small bed in a corner of the same room where Grandma can make sure he comes in at a proper hour and kneels by the bed to say his prayers. He might have been dropped on his head, he may not know how to read and write, he may drink one pint too many, but there's no excuse for not saying his prayers before he goes to sleep.Uncle Pat tells Grandma he met a man who is looking for a place to stay that will let him wash himself morning and night and give him two meals a day, dinner and tea. His name is Bill Galvin and he has a good job down at the lime kiln. He's covered all the time with white lime dust but surely that's better than coal dust.

Grandma will have to give up her bed and move into the small room. She'll take the Sacred Heart picture and leave the statue to watch

135 over the two men. Besides, she has no place for a statue in her little room.

Bill Galvin comes after work to see the place. He's small, all white, and he snuffles like a dog. He asks Grandma if she'd mind taking down that statue because he's a Protestant and he wouldn't be able to sleep. Grandma barks at Uncle Pat for not telling her he was dragging a Protestant into the house. Jesus, she says, there will be gossip up and down the lane and beyond.

Uncle Pat says he didn't know Bill Galvin was a Protestant.You could never tell by looking at him especially the way he's covered with lime. He looks like an ordinary Catholic and you'd never imagine a Protestant would be shoveling lime.

Bill Galvin says his poor wife that just died was a Catholic and she had the walls covered with pictures of the Sacred Heart and the Virgin Mary showing their hearts. He's not against the Sacred Heart himself, it's just that seeing the statue will remind him of his poor wife and give him the heartache.

Grandma says,Ah, God help us, why didn't you tell me that in the first place? Sure I can put the statue on the windowsill in my room and your heart won't be tormented at the sight of it.

Every morning Grandma cooks Bill's dinner and takes it to him at the lime kiln.Mam wonders why he can't take it with him in the morn- ing and Grandma says, Do you expect me to get up at dawn and boil cabbage and pig's toes for his lordship to take in his dinner can?

Mam tells her, In another week school will be over and if you give Frank sixpence a week he'll surely be glad to take Bill Galvin his dinner.

I don't want to go to Grandma's every day. I don't want to take Bill Galvin his dinner all the way down the Dock Road, but Mam says that's sixpence we could use and if I don't do it I'm going nowhere else.You're staying in the house,she says.You're not playing with yourpals.

Grandma warns me to take the dinner can directly and not be meandering, looking this way and that, kicking canisters and ruining the toes of my shoes.This dinner is hot and that's the way Bill Galvin wants it.

There's a lovely smell from the dinner can, boiled bacon and cab- bage and two big floury white potatoes. Surely he won't notice if I try

136 half a potato. He won't complain to Grandma because he hardly ever talks outside of a snuffle or two.

It's better if I eat the other half potato so that he won't be asking why he got a half. I might as well try the bacon and cabbage too and if I eat the other potato he'll surely think she didn't send one at all.

The second potato melts in my mouth and I'll have to try another bit of cabbage, another morsel of bacon.There isn't much left now and he'll be very suspicious so I might as well finish off the rest.

What am I going to do now? Grandma will destroy me, Mam will keep me in for a year.Bill Galvin will bury me in lime.I'll tell him I was attacked by a dog on the Dock Road and he ate the whole dinner and I'm lucky I escaped without being eaten myself.

Oh, is that so? says Bill Galvin.And what's that bit of cabbage hang- ing on your gansey? Did the dog lick you wit his cabbagey gob? Go home and tell your grandmother you ate me whole dinner and I'm falling down with the hunger here in this lime kiln.

She'll kill me.

Tell her don't kill you till she sends me some class of a dinner and if you don't go to her now and get me a dinner I'll kill you and throw your body into the lime there and there won't be much left for your mother to moan over.

Grandma says, What are you doin' back with that can? He could bring that back by himself.

He wants more dinner.

What do you mean more dinner? Jesus above, is it a hole he has in his leg?

He's falling down with the hunger below in the lime kiln.

Is it coddin' me you are?

He says send him any class of a dinner.

I will not. I sent him his dinner.

He didn't get it.

He didn't? Why not?

I ate it.

What?

Jesus, Mary and holy St. Joseph.

She gives me a clout on the head that brings tears to my eyes. She screams at me like a banshee and jumps around the kitchen and threat-

137 ens to drag me to the priest, the bishop, the Pope himself if he lived around the corner. She cuts bread and waves the knife at me and makes sandwiches of brawn and cold potatoes.

Take these sandwiches to Bill Galvin and if you even look cross- eyed at them I'll skin your hide.

Of course she runs to Mam and they agree the only way I can make up for my terrible sin is to deliver Bill Galvin's dinner for a fortnight without pay. I'm to bring back the can every day and that means I have to sit watching him stuff the food into his gob and he's not one that would ever ask you if you had a mouth in your head.

Every day I take the can back Grandma makes me kneel to the statue of the Sacred Heart and tell Him I'm sorry and all this over Bill Galvin, a Protestant. Mam says, I'm a martyr for the fags and so is your father.

There may be a lack of tea or bread in the house but Mam and Dad always manage to get the fags, the Wild Woodbines.They have to have the Woodbines in the morning and anytime they drink tea.They tell us every day we should never smoke, it's bad for your lungs, it's bad for your chest, it stunts your growth, and they sit by the fire puffing away. Mam says, If 'tis a thing I ever see you with a fag in your gob I'll break your face. They tell us the cigarettes rot your teeth and you can see they're not lying.The teeth turn brown and black in their heads and fall out one by one.Dad says he has holes in his teeth big enough for a spar- row to raise a family. He has a few left but he gets them pulled at the clinic and applies for a false set.When he comes home with the new teeth he shows his big new white smile that makes him look like an American and whenever he tells us a ghost story by the fire he pushes the lower teeth up beyond his lip to his nose and frightens the life out of us. Mam's teeth are so bad she has to go to Barrington's Hospital to have them all pulled at the same time and when she comes home she's holding at her mouth a rag bright with blood. She has to sit up all night by the fire because you can't lie down when your gums are pumping blood or you'll choke in your sleep. She says she'll give up smoking entirely when this bleeding stops but she needs one puff of a fag this minute for the comfort that's in it. She tells Malachy go to Kathleen O'Connell's shop and ask her would she ever let her have five Wood- bines till Dad collects the dole on Thursday. If anyone can get the fags

138 out of Kathleen, Malachy can. Mam says he has the charm, and she tells me,There's no use sending you with your long puss and your father's odd manner.

When the bleeding stops and Mam's gums heal she goes to the clinic for her false teeth. She says she'll give up the smoking when her new teeth are in but she never does.The new teeth rub on her gums and make them sore and the smoke of the Woodbines eases them. She and Dad sit by the fire when we have one and smoke their ciga- rettes and when they talk their teeth clack.They try to stop the clack- ing by moving their jaws back and forth but that only makes it worse and they curse the dentists and the people above in Dublin who made the teeth and while they curse they clack. Dad claims these teeth were made for rich people in Dublin and didn't fit so they were passed on to the poor of Limerick who don't care because you don't have much to chew when you're poor anyway and you're grateful you have any class of a tooth in your head.If they talk too long their gums get sore and the teeth have to come out.Then they sit talking by the fire with their faces collapsed. Every night they leave the teeth in the kitchen in jam jars filled with water. Malachy wants to know why and Dad tells him it cleans them. Mam says, No, you can't have teeth in your head while you're sleeping for they'll slip and choke you to death entirely.

The teeth are the cause of Malachy going to Barrington's Hospital and me having an operation. Malachy whispers to me in the middle of the night, Do you want to go downstairs and see if we can wear the teeth?

The teeth are so big we have trouble getting them into our mouths but Malachy won't give up. He forces Dad's upper teeth into his mouth and can't get them out again.His lips are drawn back and the teeth make a big grin. He looks like a monster in a film and it makes me laugh but he pulls at them and grunts, Uck, uck, and tears come to his eyes.The more he goes Uck, uck, the harder I laugh till Dad calls from upstairs, What are you boys doing? Malachy runs from me,up the stairs,and now I hear Dad and Mam laughing till they see he can choke on the teeth. They both stick their fingers in to pull out the teeth but Malachy gets frightened and makes desperate uck uck sounds. Mam says,We'll have to take him to the hospital, and Dad says he'll take him. He makes me go in case the doctor has questions because I'm older than Malachy and that means I must have started all the trouble. Dad rushes through the streets with Malachy in his arms and I try to keep up. I feel sorry for

139 Malachy up there on Dad's shoulder, looking back at me, tears on his cheeks and Dad's teeth bulging in his mouth.The doctor at Barring- ton's Hospital says, No bother. He pours oil into Malachy's mouth and has the teeth out in a minute.Then he looks at me and says to Dad,Why is that child standing there with his mouth hanging open?

Dad says,That's a habit he has, standing with his mouth open.

The doctor says, Come here to me. He looks up my nose, in my ears, down my throat, and feels my neck.

The tonsils, he says. The adenoids. They have to come out. The sooner the better or he'll look like an idiot when he grows up with that gob wide as a boot.

Next day Malachy gets a big piece of toffee as a reward for sticking in teeth he can't get out and I have to go to the hospital to have an oper- ation that will close my mouth. On a Saturday morning Mam finishes her tea and says,You're going to dance.

Dance? Why?

You're seven years old, you made your First Communion, and now 'tis time for the dancing. I'm taking you down to Catherine Street to Mrs. O'Connor's Irish dancing classes.You'll go there every Saturday morning and that'll keep you off the streets.That'll keep you from wan- dering around Limerick with hooligans.

She tells me wash my face not forgetting ears and neck, comb my hair, blow my nose, take the look off my face, what look? never mind, just take it off, put on my stockings and my First Communion shoes which, she says, are destroyed because I can't pass a canister or a rock without kicking it. She's worn out standing in the queue at the St.Vin- cent de Paul Society begging for boots for me and Malachy so that we can wear out the toes with the kicking.Your father says it's never too early to learn the songs and dances of your ancestors.

What's ancestors?

Never mind, she says, you're going to dance.

I wonder how I can die for Ireland if I have to sing and dance for Ireland, too. I wonder why they never say,You can eat sweets and stay home from school and go swimming for Ireland.

Mam says, Don't get smart or I'll warm your ear.

140

Cyril Benson dances. He has medals hanging from his shoulders to his kneecaps.He wins contests all over Ireland and he looks lovely in his saffron kilt.He's a credit to his mother and he gets his name in the paper all the time and you can be sure he brings home the odd few pounds. You don't see him roaming the streets kicking everything in sight till the toes hang out of his boots, oh, no, he's a good boy, dancing for his poor mother.

If my pals see my mother dragging me through the streets to an Irish dancing class I'll be disgraced entirely.They think it's all right to dance and pretend you're Fred Astaire because you can jump all over the screen with Ginger Rogers. There is no Ginger Rogers in Irish dancing and you can't jump all over.You stand straight up and down and keep your arms against yourself and kick your legs up and around and never smile. My uncle Pa Keating said Irish dancers look like they have steel rods up their arses, but I can't say that to Mam, she'd kill me.

There's a gramophone in Mrs. O'Connor's playing an Irish jig or a reel and boys and girls are dancing around kicking their legs out and keeping their hands to their sides. Mrs. O'Connor is a great fat woman and when she stops the record to show the steps all the fat from her chin to her ankles jiggles and I wonder how she can teach the dancing. She comes over to my mother and says, So, this is little Frankie? I think we have the makings of a dancer here. Boys and girls, do we have the mak- ings of a dancer here?

We do, Mrs. O'Connor.

Mam says, I have the sixpence, Mrs. O'Connor.

Ah, yes, Mrs. McCourt, hold on a minute.

She waddles to a table and brings back the head of a black boy with

141 kinky hair, big eyes, huge red lips and an open mouth. She tells me put the sixpence in the mouth and take my hand out before the black boy bites me.All the boys and girls watch and they have little smiles. I drop in the sixpence and pull my hand back before the mouth snaps shut. Everyone laughs and I know they wanted to see my hand caught in the mouth. Mrs. O'Connor gasps and laughs and says to my mother, Isn't that a howl, now? Mam says it's a howl. She tells me behave myself and come home dancing.

I don't want to stay in this place where Mrs. O'Connor can't take the sixpence herself instead of letting me nearly lose my hand in the black boy's mouth. I don't want to stay in this place where you have to stand in line with boys and girls, straighten your back, hands by your sides, look ahead, don't look down, move your feet, move your feet, look at Cyril, look at Cyril, and there goes Cyril, all dressed up in his saffron kilt and the medals jingling, medals for this and medals for that and the girls love Cyril and Mrs. O'Connor loves Cyril for didn't he bring her fame and didn't she teach him every step he knows, oh, dance, Cyril, dance, oh, Jesus, he floats around the room, he's an angel out of heaven and stop the frowning, Frankie McCourt, or you'll have a puss on you like a pound of tripe, dance, Frankie, dance, pick up your feet for the love o' Jesus, onetwothreefourfivesixseven onetwothree and a onetwothree, Maura, will you help that Frankie McCourt before he ties his two feet around his poll entirely, help him, Maura.

Maura is a big girl about ten. She dances up to me with her white teeth and her dancer's dress with all the gold and yellow and green fig- ures that are supposed to come from olden times and she says, Give me your hand, little boy, and she wheels me around the room till I'm dizzy and making a pure eejit of myself and blushing and foolish till I want to cry but I'm saved when the record stops and the gramophone goes hoosh hoosh.