Auction 148 auction closing Date: Wednesday, 12 April, 2017
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| Composer). 12” V 92009 (1215½c), POM-1907. A-, lovely copy has faintest rubs, inaud. MB 12
J0756. ANTONIO PAOLI, HUGUET, CIGADA & GAETANO PINI-CORSI: PAGLIACCI – Versa il filtro (Cond. By the Composer). 10” red Milano G & T G.C. 54339 (10609b), POM-1907. A-, lovely copy has faintest rubs, inaud. MB 20 J0757. ANTONIO PAOLI, HUGUET, BADINI, CIGADA & GAETANO PINI-CORSI: PAGLIACCI – Bravo…Ebben, Se mi giudici di te indegna (Finale) (Cond. By the Composer). 12” Pat.’12 Vla 92013 (1231), POM-1907. A to M-A, an extraordinary copy! MB 15 “A Puerto Rican tenor who, at the height of his fame, was known as ‘The King of Tenors’ and ‘The Tenor of Kings’. Paoli is considered to be the first Puerto Rican to reach international fame in the musical arts. Paoli has been recognized as ‘one of the most outstanding opera singers of all time’, and as one who had ‘one of the most lyric and powerful voices...superior even to his contemporary rival, Enrico Caruso’." - Juan Llanes Santos, National Register of Historic Places Registration: Casa Paoli J0758. JOSÉ PALET: GUGLIELMO TELL- Andiam, Corrian (Rossini) / BALLO – La rivedrà nell’estasi (Verdi). 10” Vla 919, POM-1921. Never listed in a North American Victor catalogue. M-A, choice copy has faintest rubs, inaud. & hardly worth mention. MB 20 J0759. JOSÉ PALET: GIGANTES Y CABEZUDOS – Coro de repatriados (Caballero). 12” Vla 74761, POM-1921. Never listed in a North American Victor catalogue. M-A MB 15
12” Vla 6390, POM-23 Aug., 1917 / 1921. Never listed in a North American Victor catalogue. M-A, choice copy has faintest rubs, inaud. & hardly worth mention. [Sd.1 is a phenomenally ‘forward’ recording!] MB 25
12" Vla 6393, POM-1921. Never listed in a North American Victor catalogue. M-A MB 25 J0762. JOSÉ PALET: LA DOLORES – Di que es verdad (Bretón) / LUCREZIA BORGIA – Di pescatori ignobile (Donizetti). 10” Vla 927, POM-4 / 11 Sept., 1917. Never listed in a North American Victor catalogue. M-A, choice copy. MB 20 “Palet's international career, mainly in Latin countries, won him acclaim principally in dramatic rôles, but he is best remembered now for his assumption of the tenor lead in Bretón's opera LA DOLORES.” – Boris Semeonoff J0763. JOSÉ PALET: LA DOLORES – Grande como el mismo sol (Bretón) / JOSÉ PALET & MERCEDES FARRY: MARINA – Piensa en el que amante (Arietta). 12” Vla 6384, POM-1916. Never listed in a North American Victor catalogue. M-A MB 20 “Valencian soprano Farry had a notable career in Spain in major zarzuela and operatic roles (such as Ophelia in Thomas’ HAMLET). She made her U.S. début in 1922 in concert at Aeolian Hall, New York. One critic indicated that the coloratura arias were ‘exceedingly well sung’ and that ‘Mme. Farry exhibited coloratura abilities of a high order. Her scales were sung with admirable clarity’.” - Lawrence F. Holdridge J0764. JOSÉ PALET: MARINA – Costa la da levante (Arietta), 2s. 10” Vla 928, POM-1921. Never listed in a North American Victor catalogue. M-A, lovely copy has, Sd.1 only, wee pressing bump. MB 20 J0765. HIPÓLITO LÁZARO: La Partida – Canción española (Álvarez) / LA BRUJA - Jota (Chapí). 12” dark-blue Spanish Viva-Tonal Regal Col. RS 6503 (KX181/183), POM-1929, [both sides missing entirely in the J. B. Richards discography.] A-, lovely copy has faint rubs, inaud. Elusive! MB 35 J0766. HIPÓLITO LÁZARO: Rinconcito Lajano (Oteo) / Come col capo sotto l’ala bianca - Serenata (Mascagni). 10” red Spanish Viva-Tonal Regal Col. RS 6502 (K1640/76), POM-1929. [Sd.2 is missing entirely in the J. B. Richards discography.] A to M-A, lovely copy has hint of grey on peaks, inaud.; Sd.2 only has light, superficial scr, inaud. MB 35 J0767. HIPÓLITO LÁZARO: Caminito de la serra (Paradavé) / Noches Brujas(Contini). 10” red Spanish Viva-Tonal Regal Col. RS 6503 (K1636/77), POM-1929. A to M-A, lovely copy has hint of grey on peaks, inaud.; Sd.1 only has wee pressing bump, faintly audible 4 turns. MB 25 J0768. HIPÓLITO LÁZARO: Desde Jejos (Contini) / A Granada (Álvarez). 10” red Spanish Viva-Tonal Regal Col. RS 6105 (K1649/72), POM-1929. A-, lovely copy has faintest rubs, inaud. MB 25 J0769. HIPÓLITO LÁZARO: La negra noche (Uranga) / SÉLICA PÉREZ CARPIO & MARCOS REDONDO: La Alsaciana (Guerrero). 10” blue Spanish Col. A 4086 (WK1638/2848), POM-1929. [Sd.1 is missing entirely in the J. B. Richards discography.] A-, lovely copy has faintest rubs, inaud. MB 25 J0770. HIPÓLITO LÁZARO: ISABEAU – Non colombelle! Tu ch’odi lo mio grido (Mascagni) / LA FAVORITA – Spirto gentil. 12” blue Spanish Col. AG 8013 (WKX 349/350), POM-1931. A to M-A, lovely copy has faintest rubs, inaud. MB 25 J0771. HIPÓLITO LÁZARO: LA FANCIULLA DEL WEST – Ch’elle mi creda / O son sei mesi. 12” red Spanish Viva-Tonal Regal Col. RS 5567 (BX 33/34), POM-1926. A to M-A, lovely copy has faintest rubs, inaud. MB 15 J0772. HIPÓLITO LÁZARO: TURANDOT – Non piangere, Liù / Nessun dorma. 12” red Spanish Viva-Tonal Regal Col. RS 5562 (BX 29/30), POM-1926. A to M-A/A-, lovely copy has faint rubs, inaud. MB 15 J0773. HIPÓLITO LÁZARO: GLI UGONOTTI – Bianca al par / L’AFRICANA – O Paradiso! 12” dark-blue early Col. 8936-M (KX 27/32), POM-1926. M-A, a spectacular copy! MB 15 J0774. HIPÓLITO LÁZARO: MEFISTOFELE – Giunto sul passo / Dai campi, dai prati. 12” dark-blue early Eng. Col. D 18005 (BX 40/41), POM-1926. M-A, a spectacular copy! MB 15 J0775. HIPÓLITO LÁZARO: RIGOLETTO – La donna è mobile / Questa o quella. 12” black Barcelona Disco Gramófono 2-052045/46 (z5271/72f), POM-1911, [Lázaro’s first recordings]. A-, lovely copy has faint rubs, inaud. MB 20 J0776. HIPÓLITO LÁZARO & MAFALDA de VOLTRI: IL PICCOLO MARAT – Sei tu? Che cosa vieni a far (Mascagni), 4s. 2-12” dark-blue PW Eng. Col. D 18006 / 18003, POM-1926. A to M-A, lovely copy has very occasional faintest pap. rub, inaud.; Sds 3 & 4 only have faintest rubs, inaud. & hardly worth mention. MB 45, the Pair.
A-, lovely copy has faintest rubs, inaud.; minor writing on label. contemporaneous Spanish import sticker remains! MB 10 J0778. EMILIO SAGI-BARBA: La Partida – Canción española (Alvarez) / Patria (Canción Española). 12” blue Victor 55144 (02897v/493ac), POM-28 Feb., 1914 / 27 Nov., 1912. M-A, an extraordinary copy. MB 25 J0778a. EMILIO SAGI-BARBA: El niño de Nazareth (La Virgen durmienolo el niño) (Titto) / Plegaria a la Santisima Virgen del Pilar (Agüeral). 10” blue Victor 454284 (17579u/18709u), POM-6 Feb., 1913 / 26 Feb./, 1914. M-A, an extraordinary copy. MB 25 J0779. EMILIO SAGI-BARBA: Widmung (in Spanish) (Schumann) / Plegaria (Alvarez). 10” blue Victor 45286 (17591u/524y), POM-10 Feb., 1913 / 23 March, 1909. M-A, exemplary copy has, Sd 2 only, tiny pressing bump, audible a few turns. The most persuasive rendition of ‘Widmung’ on record; both sides present Sagi-Barba at his most lyrically beautiful! MB 35 J0780. EMILIO SAGI-BARBA: Lolita (Buzzi-Peccia). 10” Pat.’12 V 64179 (H151), POM-6 Jan., 1910. Never listed in a North American Catalogue; no known record of foreign issuance. A to M-A, superb copy has tiny label scr. MB 15 J0781. EMILIO SAGI-BARBA: Mis amores (Alfonso). 10” Pat.’12 V 64366 (17580u), POM-6 Feb., 1913, Orig. ‘A’ Plate Issue. Never listed in a North American Catalogue. A to M-A, superb copy has faintest hint of grey on peaks, inaud.; initial grooves are sl.stressed, thus noisy during orchestral intro only. MB 12
A-, lovely copy has faintest rubs, inaud.; contemporaneous Spanish import sticker remains! MB 10 J0783. EMILIO SAGI-BARBA: Humming (Golden) / Avalon (Rose) (both in Spanish). 10” blue Victor 45446 (BP53-2/58-1), POM-1 / 2 June, 1923. [A rare excursion into American popular fare for this noted artist of the Zarzuela! These WW-I songs were a significant part of American ‘pop’ culture at the time, ‘Avalon’ having been the cause of a lawsuit brought by Giacomo Puccini who claimed that it infringed on his melody for the aria ‘E lucevan le stelle’. He won a settlement of $25,000 – a substantial sum for those years!] M-A, an extraordinary copy. MB 25 J0784. EMILIO SAGI-BARBA: El Canto del Presidiario (Álvarez). 12” Vla 74389 (02898½v), POM-28 Feb., 1914. Never listed in a North American Catalogue. A to M-A, superb copy has faintest rubs, inaud & hardly worth mention. MB 15 J075. EMILIO SAGI-BARBA: Á tus ojos (Fuster). 12” Pat.’12 V 74350 (492ac), POM-26 Nov., 1912. Never listed in a North American Catalogue. A to M-A, superb copy has faintest rubs, inaud & hardly worth mention; tiny pressing bump is momentarily ltly audible. Remarkably quiet surface! MB 15 J0786. EMILIO SAGI-BARBA: ENTRE MI MUJER Y EL NEGRO - Playas americanas (Barbieri). 10” Pat.’08 [5 line] V 64125 (396y), POM-15 Feb., 1909, never listed in a North American Victor catalogue. A-, excellent copy has sev minuscule scrs, barely audible only a few turns. MB 12
12” Pat.’08 [5 line] V 71047(27z), POM-15 Feb., 1909. M-A, extraordinary copy has remarkably quiet surface! MB 45 J0788. EMILIO SAGI-BARBA: JUGAR CON FUEGO – Coro de locos (Barbieri) / MUJER Y REINA – Serenata (Chapí). 10” blue Victor 45279 (514/513y), POM-20 March, 1909. M-A MB 20 J0789. EMILIO SAGI-BARBA: MOLINOS DE VIENTO - Qué tienes en la mirada? (Luna) / Voreta al mar (de Palau). 10” blue Victor 45288 (17577½u/17586u), POM-6 / 8 Feb., 1913. M-A, exemplary copy has faintest rubs, inaud.; contemporaneous Spanish import stickers remain! MB 15
POM-19 Dec., 1908, Never Doubled, USA; never listed in a North American Victor catalogue. M-A, beautiful copy has microscopic mk at very beg., ltly audible 3 turns; w.orig. Caballero serial sticker. MB 15
10” V 61190 (33ab), POM-14 Oct., 1908, Original ‘A’ Plate Issue, never listed in a North American Victor catalogue. A-, lovely copy has label nr, plus light nr & minuscule scr, very ltly audible a few turns. MB 15
12” black Madrid Gram. Monarch 062010 (33z), POM-26 Feb., 1909, Never Doubled. A to M-A, lovely copy has faintest rubs, inaud.; very beg. has wee nr, audible only during initial turns. Choudens serial number is affixed. MB 25 J0793. EMILIO SAGI-BARBA: LA MASCOTA – Balada de Pipo (Audran). 12” Pat.’12 V 74162 (29z), POM-15 Feb., 1909. M-A, extraordinary copy has minuscule pressing bump & faintest edge rub, inaud. Remarkably quiet surface! MB 25 J0794. EMILIO SAGI-BARBA: EL GRUMETE - Despedida (Romanza) (Arietta). 10” Pat.’08 [5 line] V 61195 (31ab), POM-13 Oct., 1908, Original ‘A’ Plate Issue Issue. M-A, choice copy has microscopic scr, barely visible & inaud.; faint incipient hlc is just barely visible. MB 15
Original ‘A’ Plate Issue Issue. M-A, extraordinary copy has label nr. Remarkably quiet surface! MB 25 J0796. EMILIO SAGI-BARBA & LUISA VELA: LA PRINCESA DEL DOLLAR – Dúo Final (Leo Fall). 10” Pat.’08 [3 line] V 74226 (J 147), POM-6 Jan., 1910, never listed in a North American Victor catalogue. A, lovely copy has faint rubs, inaud. MB 15 J0797. EMILIO SAGI-BARBA & LUISA VELA: LES SALTIMBANQUES – Vals (Finale, Act I, in Spanish) (Ganne). 12” dark-green Madrid G & T Z-54000 (40z), POM-24 March, 1909, Never Doubled. A-, lovely copy has faintest rubs, inaud. Choudens serial number is affixed. MB 25 J0798. EMILIO SAGI-BARBA & LUISA VELA: LOS CADETES DE LA REINA – (Dúo Finale, Act I) (Luna), 2s. 2-12” dark-green Madrid Disco Gramóphone 0264068/69 (02677½ /02678½ ), POM-10 Feb., 1913. [Creator Record, 18 Jan., 1913, Teatro Príncipe Gran Vía, Madrid] A to M-A, superb copy has faintest rubs, inaud.; Sd.1 only has minuscule pressing bump, inaud. MB 25, the Pair. J0799. EMILIO SAGI-BARBA & LUISA VELA: EL JURAMENTO – Dúo del piano (Gaztambide). 12” Pat.’08 [5 line] V 71052 (28z), POM-15 Feb., 1909. A-, lovely copy has faintest rubs & microscopic scr, inaud. MB 15 J0800. EMILIO SAGI-BARBA: DON JOAN DE SERRALLONGA – Jo vull morir / EMILIO SAGI-BARBA, LUISA VELA & PEDRO QUER: Adéu, adéu senyora (Morera). 10” violet PW Disco Gramófono AC 19 (2-62284/64475 [BK 1172/1179-2]), POM-1922. [Creator Record, 7 Oct., 1922, Teatro Tívoli, Barcelona] A- lovely copy has hint of grey on peaks. MB 25 “Few singers of zarzuela have enjoyed for more than thirty years of so much popularity, the same in Spain as in South America. Sagi-Barba was, in this genre, a unique figure. He captivated audiences by his beautiful voice, his correct diction and his characteristic singing school. At age nineteen, eager to triumph and see much of the world, he went to Buenos Aires with a modest lyric company where he replaced the baritone who was to play the part of ‘Melchor’ at the premiere of Bretón’s LA DOLORES. He gradually expanded his repertoire to include MARINA, LA TEMPESTAD, LA BRUJA, LA MASCOTA, LOS MADGYARES, EL POSTILLÓN DE LA RIOJA, EL GUITARRICO and EL ANILLO DE HIERRO, which earned him great triumphs in several countries of that continent. In 1905 Sagi-Barba made a rare display of his faculties. While performing at the Victoria Theater in the Argentine capital, the Italian opera company at the Politeama organized a gala function to commemorate the fourth anniversary of Verdi's death where he achieved the greatest success of his career. Both comrades and the press filled him with praise. Later, in Havana, he sang a magnificent RIGOLETTO. During his remarkable career, his most famous roles were in EL GUITARRICO (1900), MOLINOS DE VIENTO (1910), LOS CADETES DE LA REINA (1913), LAS GOLONDRINAS (1914), LOS CALABRESES (1918), LA DOGARESA (1920), EL PÁJARO AZUL (1921), POR UNA MUJER (1922), EL DICTADOR (1923), LA PASTORELA (1926), LA DEL SOTO DEL PARRAL (1927), LA ROSA DEL AZAFRÁN (1930) and LUISA FERNANDA (1932). For six years he remained in America, and when he turned twenty-five he decided to return to Spain. His first performance was in the Calvo and Vico Theater in Barcelona. He sang Arietta’s EL GRUMETE with great success. A great triumph awaited him with the premiere in Spain of Franz Lehár’s LA VIUDA ALEGRE that he sang with the great Luisa Vela who later became his wife and ideal companion. From that day, Sagi-Barba was the favorite baritone of the public of all Spain who cheered him with delirium. The date that has great value for the Vela / Sagi-Barba marriage is 5 February, 1914, at the premiere LAS GOLONDRINAS, a score that Usandizaga himself dedicated to the baritone, at the Teatro Circo Price in Madrid.” - lazarzuela.webcindario.com J0801. VICTORIA de los ANGELES, w.Renata Tarragó Fábregas (Guitar): Spanish Folk Songs, 12s. 6-10” HMV DA 1970-75, POM-1950, in Elaborate pale-blue buckram HMV Album 461. MINT MB 45, the Set. J0802. VICTORIA de los ANGELES, w.Renata Tarragó Fábregas & Graciano Tarragó (Guitars): El cant des oclls / Din dan boleran (both arr.: Tarragó). 10” HMV DA 1977, only form of issue, 1952. MINT MB 6 J0803. VICTORIA de los ANGELES, w.Gerald Moore (Pf.): CANCIÓNES EPIGRAMÁTICAS - El amor y tos ojos / El retrato de Isabela (both Vives). 10” HMV DA 2059, only form of issue, 1953. M-A MB 8 J0804. VICTORIA de los ANGELES, w.Gerald Moore (Pf.): El Vito / Paño murciano (both arr.: Nin). 10” HMV DA 2046, only form of issue, 1953. M-A MB 8 J0805. VICTORIA de los ANGELES, w.Gerald Moore (Pf.): Stornellatrice / w.Ivor Newton (Pf.): E se un giorno tornasse (both Respighi). 10” HMV DA 1930, only form of issue, 1950. M-A MB 6 J0806. VICTORIA de los ANGELES, w.Gerald Moore (Pf.): DOS CANCIÓNES CASTELLANAS - Non quiero tus avellannas / Jota (Guridi). 10” HMV DA 1961, only form of issue, 21 June, 1950. M-A MB 6 J0807. VICTORIA de los ANGELES, w.Gerald Moore (Pf.): Von ewiger liebe (Brahms) / Der Nussbaum (Schumann). 12” HMV DB 21457, only form of issue, 1952. M-A MB 10 J0808. VICTORIA de los ANGELES, w.Gerald Moore (Pf.): SIETE CANCIONES POPULARES ESPAÑOLAS (de Falla), 4s. 2-12” HMV DB 9731/32, only form of issue, 1951. M-A MB 15, the Pair. J0809. VICTORIA de los ANGELES, w.Gerald Moore (Pf.): TONADILLAS – El majo discreto / La Maja dolorosa (Granados). 10” HMV DA 1976, only form of issue, 21 June, 1950. M-A MB 6 J0810. VICTORIA de los ANGELES, w.Gerald Moore (Pf.): Háblame de amores (Fuste) / TONADILLAS – El mirar de la maja (Granados). 10” HMV DA 1913, only form of issue, 7 May, 1949. MINT MB 6 J0811. VICTORIA de los ANGELES, w.Gerald Moore (Pf.): Háblame de amores (Fuste) / TONADILLAS – El mirar de la maja (Granados). 10” LVDP DA 1913, only form of issue, 7 May, 1949. M-A MB 8 J0812. VICTORIA de los ANGELES, w.Gerald Moore (Pf.): Clavelitos (Valverde) / TRIPTICO - Farruca (Turina). 10” HMV DA 1926, only form of issue, 1949. MINT MB 6 J0813. VICTORIA de los ANGELES, w.Robinson Cond. Philharmonia Orch.: LA VIDA BREVE – Vivan los que rien! / Alli esta rivendo (de Falla). 12” HMV DB 6702, only form of issue, 14 March, 1948. MINT MB 10 J0814. VICTORIA de los ANGELES, w.Fistoulari Cond. Philharmonia Orch.: GOYESCAS - La Maja y el Ruiseñor (Granados), 2s. 12” HMV DB 21069, only form of issue, 11 May, 1949. MINT MB 6 J0815. VICTORIA de los ANGELES, w.Fistoulari Cond. Philharmonia Orch.: TANNHÄUSER – Dich, teure Halle / LOHENGRIN – Einsam in trüben Tagen. 12” HMV DB 21095, POM-6 March, 1950. MINT MB 8 J0816. VICTORIA de los ANGELES, w.Fistoulari Cond. Philharmonia Orch.: TANNHÄUSER – Dich, teure Halle / LOHENGRIN – Einsam in trüben Tagen. 12” RCA 12-3213, POM-6 March, 1950. M-A MB 10 "[de los Angeles'] singing has the mysterious power of moving and captivating those who hear her. Her voice possesses subtle and passionate inflections, and her diction and tone are pure and clear....She has a personality, a cordiality and charm which are all her own...." - John Freestone, RECORD NEWS, 1950 J0817. VICTORIA de los ANGELES, w.Süsskind Cond. Philharmonia Orch.: POEMA EN FORME DE CANCIONES – Saeta / Cantares (Turina). 10” HMV DA 1929, only form of issue, 1950. MINT MB 6 J0818. VICTORIA de los ANGELES, w.Süsskind Cond. Philharmonia Orch.: NOZZE - Porgi amor / MANON - Adieu, notre petite table. 12” HMV DB 6994, POM-9 May, 1949. MINT MB 6 J0819. VICTORIA de los ANGELES, w.Süsskind Cond. Philharmonia Orch.: NOZZE - Porgi amor / MANON - Adieu, notre petite table. 12” RCA 12-3227, POM-9 May, 1949. M-A MB 10 J0820. VICTORIA de los ANGELES, w.Süsskind Cond. Philharmonia Orch.: FAUST - Le Roi de Thulé / Air des bijoux. 12” HMV DB 6938, only form of issue, 12 May, 1949. MINT MB 6 J0821. VICTORIA de los ANGELES, w.Serafin Cond. Milano S.O.: BARBIERE – Una voce poco fa, 2s. 10” HMV DA 2030, only form of issue, 1952. MINT MB 6 “For sheer loveliness of timbre, affecting sensitivity, elegance of line and utter ease in florid passagework, de los Angeles was hard to top. By the 1950s she was a mainstay of opera houses around the world and widely admired for her portrayals of leading lyric soprano roles, including Puccini's Mimi and Madama Butterfly, Verdi's Violetta, Massenet's Manon, Bizet's Carmen and Debussy's Mélisande. Though her sound was not enormous, she knew how to project her voice so that it carried effortlessly in the opera house. She even sang lighter Wagner roles with effectiveness and allure, including Elisabeth in TANNHÄUSER, the role of her 1961 Bayreuth Festival debut in Germany, and Eva in DIE MEISTERSINGER. - Anthony Tommasini, THE NEW YORK TIMES, 16 Jan., 2005 J0822. ANGELES OTTEIN, w. Godés Cond.: Ave Verum, K.618 (Mozart) / Ave Maria (Bach-Gounod). 10” dark-blue Barcelona Odeon 184.331 (SO 8012/13), POM-c.1933. [In 1921 Ottein was signed as the first soprano with the Scotti Grand Opera Company a North American tour. Antonio Scotti provided an engagement for her to the New York Metropolitan Opera where she sang Rosina, Lisina & Gilda in 1922.] A to M-A, beautiful copy has faintest rubs, inaud. MB 15 J0823. TAURINO PARVIS: Occhi di fata (Denza). 10” dark-green Zonophone 12558 (5655), POM-1905. A-, lovely copy has faintest rubs, inaud; uncommonly bright label. MB 15 J0824. TAURINO PARVIS: Malia (Tosti). 10” dark-green Zonophone 12562 (5669), POM-1905. A-, lovely copy has faintest rubs, inaud; uncommonly bright label. MB 12 J0825. TAURINO PARVIS: Marechiare (Tosti). 10” dark-green Zonophone 12516, POM-1905; [label indicates ‘of the Concied (Conried?) Metropolitan Opera Company of New York’]. A-, lovely copy has faintest rubs, inaud. MB 15 J0826. TAURINO PARVIS: PAGLIACCI - Un nido di memorie (Prologo). 10” flush black & silver Col. 3079, POM-1905. A-, beautiful copy has faint rubs, wee pressing bumps & lt. grey on peaks; uncommonly large & bright label. MB 20 J0827. TAURINO PARVIS: LA TRAVIATA – Un dì quando. 10” flush black & silver Col. 10583, POM-c.1905; [no listing for this issue can be found anywhere!] A-, beautiful copy has 2 wee scuffs, inaud. MB 15 J0828. TAURINO PARVIS: IL TROVATORE – Il balen. 10” flush black & silver Col. 3139, POM-1905. A-, beautiful copy has faint rubs & few superficial tiny scrs; uncommonly bright label. MB 15 J0829. TAURINO PARVIS: IL TROVATORE – Il balen. 10” dark-green Zonophone 12512, POM-1905; [label indicates ‘of the Concied (Conried?) Metropolitan Opera Company of New York’]. A-, lovely copy has faint rubs & few superficial tiny scrs. MB 15 J0830. TAURINO PARVIS: CARMEN – Chanson du Toréador / ELVINO VENTURA: C’est toi? (both in Italian). 10” dark-green Zonophone 40076 (4491/A425), POM-1905. A-, lovely copy has faintest rubs, inaud; uncommonly bright label. MB 12 “Elvino Ventura made his début in 1894 at the Teatro Epicarmo in Noto and was soon widely recognized as one of the most important tenors in Italy. In 1896 he appeared at the Teatro Regio in Turin as Marziale in Buzzi-Peccia‘s FORZA DELL’AMORE. In 1900 he sang Alfredo in LA TRAVIATA at the Teatro Carlo Felice in Genoa. The next year, Ventura appeared at the Teatro Massimo in Palermo as Osaka, one of his most famous roles, in Mascagni's IRIS with Fausta Labia. In 1901 he created the role of Florindo in the premiere of Mascagni's LE MASCHERE at the Teatro La Fenice in Venice. He appeared in almost all significant italian opera stages, also made guest appearances in London, Paris, Buenos Aires, Madrid, St. Petersburg and Warsaw. In his book Titta Ruffo wrote that he had the honour to sing with Elvino Ventura and soprano Pandolfini in LA TRAVIATA. He was one of the most prolific recording opera singers of his time.” - Ashot Arkelyan J0831. TAURINO PARVIS & GINA CIAPARELLI: IL TROVATORE - Mira d’acerbe lagrime. 10” flush black & silver Col. 3158, POM-1905. A-, lovely has faint rubs & infinitessimal nr, inaud. Tiny nd is ltly audible; uncommonly bright label. MB 12
A-, beautiful copy has faint rubs & tiny audible nd at end; uncommonly bright label. MB 20 J0833. TAURINO PARVIS & GINA CIAPARELLI: Morremo (att. Mozart). 10” flush black & silver Col. 3495, POM-1906. M-A, a stunningly beautiful, bright copy, amazing for this era; uncommonly large & bright label. MB 20 J0834. TAURINO PARVIS & GINA CIAPARELLI: CARMEN – Si tu m’aimes (in Italian). 10” flush black & silver Col. 3496, POM-1906. M-A, a stunningly beautiful, bright copy, amazing for this era; uncommonly large & bright label. MB 20 “Parvis appears to have made his début in 1900 at the Teatro Lirico in Rio de Janeiro as Kyoto in IRIS. In 1901 he sang at the Teatro Carignano in Turin as Marcello in Puccini’s LA BOHEME. Then appearances followed at the Teatro Nazionale in Bucharest and at the Teatro Vittorio Emanuele, Turin (1902). From 1904 to 1906 he was a member of the Metropolitan Opera, New York. In 1908 he appeared at La Scala, in the premiere of Mancinelli’s PAOLO E FRANCESCA. In 1917 he again sang at La Scala where he appeared with Ninon Vallin in the premiere of Wolf-Ferrari’s SEGRETO DI SUSANNA. In the 1926-27 season he performed once more at La Scala in the premiere of Pedrollo’s DELITTO E CASTIGO. At the Teatro dell'Opera in Rome he appeared in 1922 in the premiere of Mascagni’s IL PICCOLO MARAT, and in 1923 in Riccitelli’s I COMPAGNACCI. In 1925 he returned to the Teatro dell'Opera in Rome in the premiere of Zandonai’s I CAVALIERI DI EKEBU.” - Ashot Arkelyan J0835. GINA C. VIAFORA: LA BOHEME – Quando m’en vo. 10” Pat.’08 [5 line] V 64085, POM-15 May, 1908, Never Doubled. M-A MB 8 J0836. GINA C. VIAFORA: LA BOHEME - Mi chiamano Mimi. 12” S/S Special Directory: lib lib -> Security Survey lib -> Strategic Plan South Sudan Country Office Context lib -> The World Order of Bahá’u’lláh Selected Letters lib -> 1. naclo 2015 – North American Computational Linguistics Olympiad lib -> Ieee/iee electronic Library (iel) lib -> Lnpa wg position on Porting of Telephone Numbers Used by Voip service Providers lib -> 1. naclo 2017 – North American Computational Linguistics Olympiad lib -> [0] B. Hardware [2] lib -> [1] B. Hardware [1] lib -> Chem I honors Unit 2 Notes: Numbers in Chemistry Measurement Download 1.56 Mb. Share with your friends:
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