Brian rust jazz records, 1917–1934 / Free Personal-Use Edition Not for sale; all commercial use is prohibited. For personal, non-commercial use only. Notice

Pseudonym on American Parlophone for Fred Rich and his Orchestra, q.v.

Vocal, acc. by Fletcher Henderson, p. New York, c. October 3, 1923.

70352 Baby's Got The Blues

PA 032006, Per 12085

70353 Uncle Sam Blues

PA 032006, Per 12085

Vocal, acc. by Louis Armstrong, c / Richard M. Jones, p. Chicago, June 16, 1926.

9727-A The Bridwell Blues

OK 8372, HJCA HC-36, AF A-041, JSo AA-502

9728-A St. Peter Blues

OK 8372, HJCA HC-36, AF A-041, JSo AA-502

Acc. by Clarence Black, vn / Richard M. Jones, p. Chicago, November 18, 1926.

9916-A Nolan Welsh's Blues

OK 8425

9918-A Bouncing Blues

NOTE: Matrix 9917 is untraced. Other records by Nolan Welsh (on Paramount, as BARREL HOUSE WELSH) are self-accom­panied at the piano, and are outside the scope of this book; see Blues and Gospel Records, 1890-1943.

Piano solos. New York, c. May 19, 1923.

71545-B Papa Blues

OK 4868

71637-A Page Paderewski

OK 4984

New York, c. August 30, 1926.

Cam 1021, Lin 2569

2098-A Usen't You Use To Be My Sweetie?

Cam 1021, Lin 2569, Ro 310

On the following records, this great comedienne is accompanied by an excellent studio group.

Vocal, acc. by Victor Young dir: Manny Klein or Sterling Bose, t / Tommy Dorsey, tb / Jimmy Dorsey, cl, as / ? Joe Venuti or Harry Hoffman, vn / ? Joe Meresco, p / ? Dick McDonough, g / ? Artie Bernstein, sb / ? Stan King, or / Larry Gomar, d. New York, February 7, 1933.

B-13037-A I Like A Guy What Takes His Time

Br 6495, 01491, A-500240, Col DO-1096

B-13037-B I Like A Guy What Takes His Time

B-13038-A Easy Rider (I Wonder Where My Easy Rider's Gone)

Br 6495, 01491, A-500240, Col DO-1096

NORA WEST

Pseudonym on Coliseum 1846 for Peggy English, q.v.

Clarinet solos, acc. by? Millard Thomas, p / k. Montreal, February 18, 1925.

1738 Back-Biters Blues

Ajax 17118

1739 Hot Jelly Blues

Ajax 17118

Montreal, c. February 21, 1925.

1755 Nobody Knows How I Feel 'Dis Mornin' [sic]

Ajax 17129

1756 Blues, Just Blues

Ajax 17129

Devilish Blues

Ajax 17136

Ev'rybody's Blues

Ajax 17136

WESTCHESTER BILTMORE ORCHESTRA

Pseudonym on Pathé Actuelle 036245 and 036251 for the Texas Ten, q.v.

Pseudonym on Harmony 651-H for the University Six, q.v., and for other bands (primarily Sam Lanin's) on the same label of varying degrees of interest as hot dance music.

Pseudonym on Australian Grand Pree for the following items listed in this book:

18175 Both sides by the California Ramblers

18605 Glad Eyes (Nathan Glantz and his Orchestra)

Pseudonym for the following items listed in this book:­

Cameo 1154 Four Or Five Times (Jack Walsh and his Orchestra)

Paramount 2546 (Aus) Get Out And Get Under The Moon (Sam Lanin and his Orchestra)

2546 Is She My Girl Friend? (Varsity Eight)

FRANK WESTPHAL

This pianist-bandleader made a number of sides for Columbia, as a solo and with bands, between 1922 and 1924, of which the following are believed or known to be of some interest as jazz or hot dance music.

FRANK WESTPHAL AND HIS RAINBO ORCHESTRA: Frank Westphal, p, dir: Charles Burns and another, t / Herb Winfield, tb / Jack Richards, Bill Richards, as / ts / bj / John Jensen, bb / d. Chicago, August 15, 1922.

80475-2 Don't Bring Me Posies

Col A-3693, Re G-8006

80477-2 State Street Blues

Col A-3693

NOTE: Regal G-8006 as REGAL NOVELTY ORCHESTRA.

FRANK WESTPHAL AND HIS ORCHESTRA: Same, or very similar. Chicago, October 10, 1922.

80591-4 Choo Choo Blues

Col A-3743

80592-2 That Barking Dog (Woof! Woof!) (intro: Walking The Dog)

Col A-3743

Chicago, c. December 6, 1922.

80706-3 Stop Your Kidding

Col A-3786

Chicago, March 29, 1923.

80915-2 Railroad Man

Col A-3872

80916-1-2-3 Aunt Hagar's Blues

Col unissued

Chicago, March 30, 1923.

80918-1-2-3 Beale Street Mama

Col unissued

80919-1 Bugle Call Rag

Col A-3872

80920-1 Wolverine Blues

Col A-3911

Chicago, May 30, 1923.

61045-3 Off Again On Again Blues

Col A-3929

81046-1 Two-Time Dan

Col A-3929

Frank Westphal dir: Austin Edwards, Harry Scott, t / Caesar Petrillo, tb / Ollie "Duke" Riehl, Hal Lage, cl, as / Howard Grantham, cl, ts / Johnny Winslow, p / Earle Roberts, bj / Roscoe Rubelati, bb / Ted Arnold, d. Chicago, October 16, 1923.

81308-2 Oh! Sister, Ain't That Hot?

Col 22-D, Re G-8097

81309-1-2-3 Red Hot - v

Col unissued

81310-3 All Wrong

Col 17-D, 3390

NOTE: Regal G-8097 as REGAL NOVELTY ORCHESTRA.

Chicago, October 18, 1923.

81314-3 I've Got A Song For Sale

Col 17-D, 3379

81315-2 Stack O'Lee Blues

Col 32-D

Col 32-D, Re G-8098

81317-1-2-3 Chimes Blues

Col unissued

NOTE: Regal G-8098 as CORONA DANCE ORCHESTRA.

WE THREE

Red Nichols, t / Arthur Schutt, p / Vic Berton, d, with Eddie Lang, g*. New York, c. March 22, 1926.

106746 Plenty Off Center

PA 36492, 11206, Per 14673, Sal 383

106747 *Trumpet Sobs

PA 36464, Per 14645

NOTE: Salabert 383 as RED NICHOLS AND HIS ORCHESTRA.

LULU WHIDBY

Vocal, acc. by Henderson's Novelty Orchestra: t / ? Chink Johnson, tb / ? Garvin Bushell or Edgar Campbell, cl /

P-108-1-2 Home Again Blues

BS 2005, Cx 40055, Fam 3049, Pm 12127, 20055, Pur 11055

P-109-1-2 Strut Miss Lizzie

BS 2005, Cx 40055, Fam 3049, Pm 12127, 20055, Pur 11055

NOTE: Famous 3049 as E. WHITE AND HER ALABAMA SEVEN; some copies have the matrix numbers transposed.

Jay Whidden was an American violinist. He recorded extensively for various British labels, the following sides being of interest as jazz or hot dance music.

JAY WHIDDEN AND HIS NEW MIDNIGHT FOLLIES BAND FROM THE HOTEL METROPOLE: Jay Whidden, vn dir: Freddy Pitt, Tim Cave, t / Ben Oakley, tb / Douglas Foss, Alf Loader, cl, ss as / Ernie (Chester) Smith, cl, ts,
bar / Bruce Merrill, p / Cyril Gaida, bj, vn / George Gibbs­ bb / Jack Gordon, d. London, August 12, 1926.

WA-3688-2 Up And At 'Em

Col 4087

Joe Cordell, tb, replaces Oakley; Mario Lorenzi, harp added. London, May 5, 1927.

WA-5393-1 Hangin' Around

Col 4448

Bb-11784-1-2-3-4 Corn Fed

HMV unissued

Max Goldberg, t / Johnny Swinfen, cl, as, vn added, Jimmy Goss, cl, as, bar, replaces Roberts; Bobby Probst, p, cel, replaces Read; Eddie Cole, v. London, October 19, 1928.

5019-1 Virginia (There's A Blue Ridge In My Heart)

Imp 1982

Norman Payne, t, replaces Goldberg. London, December 12, 1928.

DC-593-1-2 All By Yourself In The Moonlight

Victory 45 (7")

NOTE: This issue as THE MUSIC MASTERS, directed by JAY WHIDDEN.

London, c. January 14, 1929.

5086-1-3 Louisiana - vEC

Imp 2024

London, early April, 1929,

5178-2 A Dicky Bird Told Me So - vEC

Imp 2053

5217-2 When I Met Connie In The Cornfield - vEO

Imp 2088

Jay Whidden, vn, dir: probably: Duncan Whyte, Arthur Niblo, t / tb / Eddie Pratt, cl, as / Sid Coles, cl, as, bar / Stan Quiddington, cl, ts / George Scott Wood, p, a / Vic Andrews, bj, g / George Gibbs, bb / Jock Jacobson, d. London, c. November 11, 1929.

5295-1 Come On, Baby - v

Imp 2157

Imp 2157

Jess Ferguson, vn / Buford Threlkeld (WHISTLER), g, v, nose-whistle / Willie Black, bj, md / B. D. Tite, jug.

12025-A-B Chicago Flip

Gnt 5554, Sil 4037

12026,-A Jerry O' Mine

Gnt 5554, Sil 4037

12027,-A The Original Blues - vBT

Gnt unissued

12028,-A Old Virginia Blues - vBT

Gnt unissued

12029-A Jail House Blues - vBT

Gnt 5614

12030,-A-B I Wonder Where My Sweet Mama's Gone - vBT

Gnt unissued

12031,-A The Vampire Woman

Gnt unissued

12032,-A-B-C National Emblem

Gnt unissued

12033-A I'm A Jazz Baby

Gnt 5614

Rudolph Thompson, jug, replaces Tite. St. Louis, April 29, 1927.

80793-A Low Down Blues - vBT

OK 8469

OK unissued

80795-B The Vamps Of "28" - vBT

OK 8469

unissued

OK 8816

80798-A-B Sam Mengal Blues

OK unissued

80799-A-B Pig Meat Blues

OK 8816

80800-A-B The Little African Stomp

80801-A-B Bye, Bye Blackbird

OK unissued

80802-A-B Hello Bluebird

OK unissued

Luther Nichols, vn / Buford Threlkeld, g, v / Willie Black, md / Rudolph Thompson, jug, v / James Watts, v. Louisville, KY, June 15, 1931.

69437-1 Foldin' Bed - vBT

Vic 23305

69438-1 Hold That Tiger - vBT-RT-JW

Vic 23305

NOTE: A 1930 Fox Movie-Tone newsreel by this group has been reissued on videotape by NTSC Video.

WHITE BROTHERS' ORCHESTRA

Pseudonym on Rich-Tone 2034 (SATANIC BLUES) for Ladd's Black Aces, q.v.

Pseudonym on Australian Embassy for the All Star Collegians, q.v.

Pseudonym on Puritan 11400 for Jimmy O'Bryant's Washboard Band, q.v.

Pseudonym on Oriole for Viola McCoy, q.v.

Pseudonym on Famous 3049 for Lulu Whidby, q.v.

Pseudonym on Famous for Katie Crippen.

Vocal, acc. by Simeon Henry, p. New Orleans, March 9, 1927.

37991-1 Baby Dear, I Don't Want No, One But You

Vic 20584

37992-1 Cold Rocks Was My Pillow

Vic 20584

Pseudonym for Frank Marvin

Pseudonym on Oriole for Rosa Henderson, q.v.

Pseudonym on Silvertone for Monette Moore, q.v.

Pseudonym on Domino (sometimes as HAL WHYTE) for the following items listed in this book:

371 Charleston Cabin (Six Black Diamonds)

404 Everything You Do (Southampton Society Orchestra; see Nathan Glantz)

415 Oh! Peter (Southampton Society Orchestra; see Sam Lanin)

429 Nobody Knows What A Red Head Mama Can Do (California Ramblers)

3444 Everybody Loves My Baby (Fletcher Henderson and his Orchestra

JANE WHITE

Vocal, acc. unknown. New York, c. March, 1925.

109-1 Don't Try To Cry Your Way Back To Me

Em 10874.

NOTE: This is probably a pseudonym for an as-yet unidentified artist. The same name was used as a pseudonym for Kitty Miles on the reverse side of this issue, and for Kitty Brown on Domino 425, q.v.

LEE WHITE

Pseudonym on Okeh 40964 and Australian Parlophone A-2419 for Noble Sissle, q.v.

Pseudonym on XX 8 for Jelly Roll Morton, q.v.

Unknown t / tb / cl / as / p / bj / ob / d. Hollywood, c. November, 1925.

Slippery Elm

Sunset 1132, Hwd (unnumbered)

Then I'll Be Happy

Sunset 1132

Loud-Speakin' Papa

Sunset 1138

NOTE: Sunset 1138 as STEVE WHITE AND HIS RECORDING ORCHESTRA.

TED WHITE'S COLLEGIANS

Pseudonym for the following items listed in this book:

Challenge 828 Sweetness (Fred Rich and his Orchestra)

Jewel 5461 Crying Blues (Willie Creager and his Orchestra)

Oriole 931 Both sides by the Six Hottentots

960 12th Street Rag (Willard Robison's Deep River Orchestra)

1203 Who Says They Don't Care? (Al Lynch and his Orchestra)

1359 Both sides by Ernie Golden and his Orchestra

1392 Crying Blues (Willie Creager and his Orchestra)

1392 Doin' The Raccoon (Ernie Golden and his Orchestra)

1398 Come On, Baby (Ernie Golden and his Orchestra)

1544 Both sides by Irving Mills and his Orchestra

1664 Sweetness (Fred Rich and his Orchestra)

1694 Little By Little (Fred Rich and his Orchestra)

The self-styled "King of Jazz" was, of course, no such thing, but he was the best-known dance band leader in the world, in the 1920s. His vast output, for Victor, Columbia, Decca, Capitol, and eventually minor labels, from 1920 into the LP era, includes many items of interest as jazz or hot dance music. See also the Virginians.

PAUL WHITEMAN AND HIS AMBASSADOR ORCHESTRA: Paul Whiteman dir: Henry Busse, c / Buster Johnson, tb / Gus Mueller, cl / Ferde Grofé, p, a / Mike Pingitore, bj / Sammy Heiss, bb / Harold MacDonald, d. Camden, NJ, August 9, 1920.

24392-2 Wang-Wang Blues

Vic 18694, HMV B-1178, Zon 3304

PAUL WHITEMAN AND HIS ORCHESTRA: Paul Whiteman, vn dir: Henry Busse, Tommy Gott, c / Sam Lewis, tb / Ross Gorman, cl, as / Hale Byers, ss, ts / Don Clark, as / Fred Cook, vn / Ferde Grofé, p, a / Mike Pingitore, bj / Jack Barsby, bb / Harold MacDonald, d. New York, October 21, 1921.

25664-4 Everybody Step

Vic 18826, HMV B-1318, Zon 3343

George Tjordy, vn, replaces Cook. New York, June 23, 1922.

26650-2 Hot Lips (He's Got Hot Lips When He Plays Jazz) (Hot Lips Blues*)

Vic 18920, HMV B-1396, AM-86, K-1723*, Zon 3464

New York, February 21, 1923.

27611-4 'Way Down Yonder In New Orleans

Vic 19030, HMV B-1649, AE-989, Zon 3551

Mario Perry, vn, replaces Tjordy. New York, March 1, 1923.

27633-4 Nuthin' But

Vic 19073, HMV B-1677, Zon 3595

Perry omitted; Harry Reser, bj, replaces Pingitore. Hayes, Middlesex, July 21, 1923.

Bb-3308-5 Just One More Chance

HMV B-1682

Frank Siegrist, t, replaces Gott; Roy Maxon, tb, replaces Lewis; Mario Perry, vn, re­turns; Mike Pingitore, bj, replaces Reser. New York, October 29, 1923.

28790-3 Shake Your Feet

Vic 19185, HMV B-1741, AM-149, Zon 3682

New York, January 11, 1924.

29304-3 Learn To Do The Strut

Vic 19252, HMV B-1813, AM-104, Zon 3726

Paul Whiteman, vn, dir: Henry Busse, Frank Siegrist, t / Roy Maxon, Jim Cassidy, tb / Ross Gorman, Ed Stannard, cl, as / Don Clark, cl, ss, as / Mario Perry, vn, pac / Ferde Grofé, p, a / Mike Pingitore, bj / Al Armer or Carl Wagner, bb / George Marsh, d. New York, June 9, 1924.

30172-3 San

Vic 19381, Zon 3768

Paul Whiteman, vn, dir: Henry Busse, Frank Siegrist, t / Roy Maxon, Wilbur Hall, tb / Chester Hazlett, Ed Stannard, cl, as / Don Clark, cl, ss, as / Charles Strickfaden, as, bar / Chester Gaylor or Austin "Skin" Young, vn / Mario Perry, vn, pac / Harry Perrella, p / Mike Pingitore, bj / John Sperzel, bb / George Marsh, d. Camden, NJ, May 7, 1925.

32576-8 Charleston

Vic 19671, Zon 3893

Willard Robison, p, replaces Perrella; Grofé becomes arranger only. Billy Murray, v. Camden, NJ, July 7, 1925.

32756-4 Footloose - vBM

Vic 19720, HMV B-2112, AE-1497, AM-243, El EG-24

Extra vn added. New York, August 20, 1925.

33331-1-2-3-4 Rhythm Rag

Vic unissued

PAUL WHITEMAN AND HIS ORCHESTRA: Paul Whiteman (sometimes playing vn) dir: Henry Busse, Frank Siegrist, t / Roy Maxon, Wilbur Hall, tb / Chester Hazlett, cl, bcl, as / Hal McLean or Ed Stannard, cl, as / Charles Strickfaden, as, bar / E. Lyle Sharpe, cl, ts / Mario Perry, pac / Charles Gaylord, another (?), vn / Harry Perrella, p / Mike Pingitore, bj / John Sperzel, bb / George Marsh, d. New York, September 1, 1925.

33331-7 Rhythm Rag

Vic 19773, HMV B-2175, AM-596, EA-2

Ted Bartell, t added; all 3 vn present. New York, September 16, 1925.

33385-3 Charlestonette

Vic 19785, HMV B-5037, K-3220

2vn only, on 35250-2. The following were added on 35251-2: Ted Bartell, t / Boyce Cullen, tb / Kurt Dieterle, James McKilltop, Irving Achtel, Paul Daven, vn / John Bowman, Julius Mindel, vl / Frank Leoncavallo, Bill Schumann, vc / Walter Bell, bsn / Roy Maxon, tb, bh / Ferde Grofé, p, a; Mario Perry plays vn, pac. New York, March 29, 1926.

35250-2 Bell Hoppin' Blues

Vic 20092, HMV B-5065, AM-408

35251-2 St. Louis Blues

Vic 20092, HMV B-5162, El EG-378

As above; or probably a quintet from the above*. The following titles, from a complete Paul Whiteman concert

CR-261-1 St. Louis Blues

HMV unissued

R-262-1 *Tiger Rag

HMV unissued

Paul Whiteman dir: Henry Busse, Ted Bartell, t / Vincent Grande, tb / Max Farley, cl, as, f / Hal McLean, cl, as / Charles Strickfaden, as, bar / Matt Malneck, vl / Harry Perrella, p / Mike Pingitore, bj / Wilbur Hall, g / Al Armer,

37285-4 Wistful And Blue - vBC-AR

Vic 20418, HMV K-5131, El EG-446

Chester Hazlett, cl, as / Boyce Cullen, Jack Fulton, Wilbur Hall, tb, added / Kurt Dieterle, Mischa Russell, Mario Perry, vn, added on 38143-3 only; Ray Turner, p, replaces Perrella, who plays cel. New York, March 7, 1927.

38143-3 Muddy Water - vBC / aMM

Vic 20508, HMV EA-167, K-5201

38144-2 Everything's Made For Love (You Know, I Know)

Vic 20514, HMV B-5284, EA-168, X-2498

Paul Whiteman dir: Henry Busse, Ted Bartell, Red Nichols, t / ? Vincent Grande, ? Wilbur Hall, tb / Max Farley, cl, as, a / Hal McLean, Chester Hazlett, cl, as / Charles Strickfaden, as­, bar / Kurt Dieterle, Mischa Russell, Mario Perry,
vn / Matt Malneck, vn, vl, a / Harry Perrella, p / Mike Pingitore, bj / Gilbert Torres, g / Al Armer, sb / George Marsh, d / Bing Crosby, Al Rinker, Harry Barris, v. New York, April 29, 1927.

38135-7 I'm Coming, Virginia - vBC-AR-HB / aMM

38135-9 I'm Coming, Virginia - vBC-AR-HB / aMM

Vic 20751, El EG-614

38378-1 Side By Side - vBC-AR-fd8 / aMF

Vic LPV-570 (LP)

38378-4 Side By Side - vBC-AR-HB / aMF

Vic 30627, HMV B-5318, K-5223, El EG-708, Decatur 505

Vic d'Ippolito, t, replaces Bartell (possibly on the preceding session); Jack Fulton­, tb, added; Malneck, Perry,

38805-2 Love And Kisses (From Baby To You)

Vic 20679, HMV B-5583, AE-2833, El EG-582

Henry Busse, Vic d'Ippolito, Red Nichols, t / ? Wilbur Hall, ? Jack Fulton, tb / Max Farley, cl, as, a / Chester Hazlett, Hal McLean, Jimmy Dorsey­ cl, as / Charles Strickfaden, as, bar / Kurt Dieterle, Mischa Russell, Mario Perry, vn / Matt Malneck, vn, vl, a / Harry Perrella, p / Mike Pingitore, bj / Al Armer, sb / Vic Berton, d / Bing Crosby, Al Rinker, Harry Barris, v. New York, May 24, 1927.

38779-1 Magnolia (Mix The Lot, What Have You Got?) - vBC-AR-HB / aMF

Vic 20679, HMV B-5317, El EG-582, Decatur 505

Charlie Margulis or Bob Mayhew, t, replaces Nichols; Hall and Fulton definite, tb; Tommy Dorsey, t, tb, added; Harold MacDonald, d, replaces Berton; Don Redman, a. Camden, NJ, August 11, 1927.

39559-1 Whiteman Stomp - aDR

HMV X-4616

39559-2 Whiteman Stomp - aDR

Vic 21119, HMV B-5577, El EG-807

39560-1-2-3 Sugar Your Tea Stomp

Vic unissued

39561-1 Sensation Stomp - aDR

Vic 21119, HMV B-5577, K-5418, El EG-807

39561-3 Sensation Stomp - aDR

HMV X-4616

Busse, d'Ippolito, Dorsey, t, tb; Hazlett, Farley, Dorsey, Strickfaden; Malneck; Per­rella; Pingitore; Hall, g; Armer; McDonald, Crosby, Rinker, Barris. Camden, NJ, August 16, 1927.

39569-3 Five, Step - vBC-AR-HB / aMM

Vic 20883, HMV B-5511, K-5333, El EG-700

Hall probably plays the 2nd tb (no g this side). Camden, NJ, August 20, 1927.

39577-8 It Won't Be Long Now - vBC-AR-HB

Vic 20883, HMV B-5555, El EG-700

PAUL WHITEMAN AND HIS CONCERT ORCHESTRA: Paul Whiteman dir: Bix Beiderbecke, c / Tommy Dorsey, Boyce Cullen, tb / Jimmy Dorsey, cl, as / Chester Hazlett, bcl / Charles Strickfaden­, bar / Kurt Dieterle, Mischa Russell, vn / Matt Malneck, vl / Hoagy Carmichael, p, v / Wilbur Hall, g / Steve Brown, sb / Harold MacDonald, d, vib / Bill Challis, a. Chicago, November 18, 1927.

40901-1 Washboard Blues - vHC / aBCh

Vic 35877, 36186 (12")

40901-4 Washboard Blues - vHC / aBCh

Vic 74109 (LP)

PAUL WHITEMAN AND HIS ORCHESTRA: Paul Whiteman dir: Henry Busse, Charlie Margulis, t / Bix Beiderbecke, c / Wilbur Hall, Tommy Dorsey, tb / Chester Hazlett, Hal McLean, as / Jimmy Dorsey, Nye Mayhew, Charles Strickfaden, as, bar / Kurt Dieterle, Mischa Russell, Mario Perry, Matt Malneck, vn / Harry Perrella, p / Mike Pingitore, bj / Mike Trafficante, bb / Steve Brown, sb / Harold MacDonald, d / Bing Crosby, Al Rinker, Harry Barris, Jack Fulton, Charles Gaylord, Austin Young, v / Bill Challis, a. Chicago, November 23, 1927.

40937-2 Changes - vBC-AR-HB-JF-CG-AY / aBCh

Vic 25370

40937-3 Changes - vBC-AR-HB-JF-CG-AY / aBCh

Vic 21103, HMV B-5461, B-8913, GW-1795, JK-2809, K-5368, N-4475, El EG-690, Bm 1032

NOTE: HMV K-5368 as PAUL WITHEMAN ET SON ORCHESTRE.

Tommy Dorsey doubles t; Hall doubles bj; Jimmy Dorsey, McLean and Hazlett double cl; Strickfaden plays ts; Frank Trumbauer, Cm, added. Chicago, November 25, 1927.

40945-2 Mary (What Are You Waiting For?) - vBC / aMM

Vic 21103, HMV B-5461, EA-291, K-5368. El EG-771, Bm 1032

40945-4 Mary (What Are You Waiting for?) - vBC / aMM

Vic 26415, HMV EA-2764

The following was the full personnel at the end of 1927; members of the orchestra known to have taken part in each title listed are shown at the head of the session: Paul Whiteman dir: Henry Busse, Charlie Margulis, Bob Mayhew, t / Bix Beiderbecke, c / Boyce Cullen, Wilbur Hall, Bill Rank, tb / Jack Fulton, tb, v / Chester Hazlett, Hal McLean, Frank Trumbauer, Jimmy Dorsey, Jack Mayhew, Nye Mayhew, Rube Crozier, Charles Strickfaden, cl, bcl, ss, as, Cm, ts, bar, bsn, f, o, etc. / Kurt Dieterle­, Mischa Russell, vn / Matt Malneck, John Bowman, vn, vl / Mario Perry, vn, pac / Charles Gaylord vn, v / Harry Perrella, p / Tom Satterfield, p, a / Mike Pingitore, bj / Mike Trafficante, bb / Steve Brown, sb / Harold MacDonald, d / Bing Crosby, Al Rinker, Harry Barris, Austin Young, v / Bill Challis, Ferde Grofé, Matt Malneck, a.

Margulis, Busse; Beiderbecke; Hall, Rank; Hazlett, cl, as, bcl; McLean, Dorsey, Crozier­, cl, as; Strickfaden, ts, bar; Dieterle; Perrella; Pingitore; Trafficante; Brown, on 41294-1. Trumbauer, Cm, replaces Crozier; Hazlett and McLean play as; Strickfaden, ts; Russell, Malneck added, on 41295-1-3. New York, January 4, 1928.

41294-1 Smile - vAR-CG-JF / aBCh

Vic 741093, Bw 102 (LPs)

41295-1 Lonely Melody - aBCh

Vic 21214, HMV B-55116, EA-371, Bm 1017

41295-3 Lonely Melody - aBCh

Vic 25366

Margulis, Busse; Beiderbecke; Hall, Rank, Cullen, Fulton; Hazlett, cl, bcl, as; McLean cl, as; Strickfaden, cl, ts; Dorsey, cl, bar; Trumbauer, Cm; Dieterle, Russell, Malneck­ Perry, Bowman; Perrella; Pingitore; Trafficante; Brown; McDonald. Nat Shilkret, recording director; Liederkranz Hall, New York, January 11, 1928

41607-2 Ol' Man River - vBC / aBCh

Vic 21218, 25249, HMV B-5471, B-8929, BD-5066, IM-129, JK-2822, K-5448, R-4697, El EG-838, Sentry / Tpl 4008

Margulis; Beiderbecke; Rank, Jimmy Dorsey, c, cl; Trumbauer, Cm; Min Leibrook, bsx, Bill Challis, p, a; Malneck; Carl Kress, bj, added; McDonald. Leonard Joy, recording director; Liederkranz Hall, New York, January 12, 1928.

30172-6 San

Vic 24078, HMV B-5581, Bm 1031

30172-7 San

Vic 25367

The full orchestra as above (as PAUL WHITEMAN AND HIS CONCERT ORCHESTRA on Victor 35883); or Hazlett, cl, bcl, as; Dorsey, cl, as; Trumbauer, Cm, as; Jack Mayhew, as; Nye Mayhew, bar; McLean, cl, as, o; Strickfaden, cl, ts; Crozier, cl, f, on 41294-5. Same for 41465-3, except that McLean and Crozier both play cl, as, only; Strickfaden ts, bar. No strings used on 41294-5. Camden, NJ, January 24, 1928.

41294-5 Smile - vAR-JF-CG-AY / aBCh

Vic 21228, HMV B-5465, AE-2189, Bm 1017

41465-3 My Heart Stood Still - vAR-JF-CG-AY / aBCh

Vic 35883 (12")

The full orchestra as above, but without Beiderbecke, Fulton, 2 s, and 1 vn. Camden, NJ, January 27, 1928.

41470-5 Make Believe - vBC / aFG

Vic 21218, 25249, HMV B-5471, BD-5066, K-5448, R-4670, El EG-838, Sentry / Tpl 4008

Bill Challis dir. the full orchestra, without Fulton, all three Mayhews, and Bowman; Ferde Grofé, p, replaces Perrella. Challis, recording director. Camden, NJ, January 28, 1928.

41471-3 Back In Your Own Back Yard - aBCh

Vic 21240, HMV B-5564, K-5606, El EG-1161

41471-4 Back In Your Own Back Yard - aBCh

Vic 27689

Bill Challis dir: Henry Busse, Charlie Margulis, t / Bix Beiderbecke, c / Bill Rank, Wilbur Hall, Boyce Cullen, tb / Chester Hazlett, bcl, as / Hal McLean, Jimmy Dorsey, cl, as / Frank Trumbauer, Cm / Charles Strickfaden, ts, bar / Kurt Dieterle, Mischa Russell, Matt Malneck, vn / Roy Bargy, p / Mike Pingitore, bj / Mike Traffi­cante, bb / Steve Brown, sb / Harold MacDonald, d / Bill Challis, a. Busse, assistant session director. Liederkranz Hall, New York, February 8, 1928.

41681-2 There Ain't No Sweet Man That's Worth The Salt Of My Tears - vBC-AR-HB-JF-CG-AY / aTS

Vic 25675, HMV B-8929, JK-2822

41681-3 There Ain't No Sweet Man That's Worth The Salt Of My Tears - vBC-AR-HB-JF-CG-AY / aTS

Vic 21464, HMV B-5515, Bm 1031

Paul Whiteman dir. same personnel as previous session. Liederkranz Hall, New York, February 9, 1928.

41683-2 Dardanella - aBCh

Vic 25238, A-1281 JA-677, HMV B-893, JK-2810

Dorsey omitted; Trumbauer, as; Red Mayer, cl, ts added; Jack Fulton, Charles Gaylord­, Austin Young, v. Liederkranz Hall, New York, February 10, 1928.

41684-2 Love Nest - vJF-CG-AY (humming) / aBCh

Vic 24105

Busse absent; Jimmy Dorsey, cl, added; sax section on this date is Chester Hazlett­, Rube Crozier, Red Mayer, Charles Strickfaden; Harry Barris, p, replaces Bargy; Matt Malneck, a. Liederkranz Hall, New York, February 13, 1928.

41689-3 From Monday On - vBC-AR-JF-CG-AY / aMM

Vic 27688, 27-0136, HMV EA-3235

Eddie Pinder, t / Bix Beiderbecke, c / Bill Rank, tb / Izzy Friedman, cl / Chester Hazlett­, Frank Trumbauer, as / Charles Strickfaden, ts / Roy Bargy, p / Mike Pingitore, bj / Min Leibrook, bb / Mike Trafficante, sb / Harold MacDonald, d / Irene Taylor, Bing Crosby, Al Rinker, Harry Barris, Jack Fulton, Charles Gaylord, Austin Young, v / Tom Satterfield, a. Liederkranz Hall, New York, February 18, 1928.

41696-2 Mississippi Mud - vIT-BC-AR-HB-JF-CG-AY / aTS

Vic 25366, HMV EA-2764, Bm 1029

41696-3 Mississippi Mud - vIT-BC-AR-HB-JF-CG-AY / aTS

Vic 21274, HMV EA-429

On 41689-4-6, Charlie Margulis, t, replaces Pinder; Red Mayer, cl, ts / Kurt Dieterle, Mischa Russell­, vn / Matt Malneck, vn, a, added; Harry Barris, p, replaces Bargy; Leibrook doubles bsx; no sb. Busse, Margulis, Pinder; Beiderbecke; Cullen, Hall, Rank, Fulton; Frark Trumbauer, Izzy Friedman, cl, as; Chester Hazlett, cl, bcl, as; Rube Crozier, cl, ss, as­ bsx, bsn; Red Mayer, cl, ts; Strickfaden, ts, bar, ca; same vn plus Mario Perry; Bargy; Pingitore; Leibrook; Trafficante; McDonald; Bill Challis, a, on 43118-1-2. Tom Satterfield, recording dir. New York, February 28, 1928.

41689-4 From Monday On - vBC-AR-JF-CG-AY / aMM

Vic 25368

41689-6 From Monday On - vBC-AR-JF-CG-AY / aMM

Vic 21274, HMV B-5492, Bm 1017

43118-1 Sugar - aBCh

Vic 25368, HMV B-8931, JK-2810

43118-2 Sugar - aBCh

Vic 21464

As for February 9, 1928, but reeds are Hazlett, Trumbauer, as; Friedman, as, ts; Mayer, ts; Strickfaden, ts, bar. Liederkranz Hall, New York, February 29, 1928.

43120-1 When You're With Somebody Else - aBCh

Vic 21365, HMV B-5497, EA-346

43120-2 When You're With Somebody Else - aBCh

Vic 27689

PAUL WHITEMAN AND HIS CONCERT ORCHESTRA: Margulis, Pinder; Beiderbecke; Cullen, Hall; Trumbauer, cl, as, bsn; Crozier, cl, f; Hazlett, cl, as; Friedman, as; Mayer, cl, ts, o; Strickfaden, as, f, o; Dieterle, Russell, Malneck, Perry; Bargy; Pingitore; Leibrook; Trafficante; McDonald; Tom Satterfield, a; Olive Kline, Lambert Murphy, v, with mixed chorus. New York, March 1, 1928.

43123-2 Selections from SHOW BOAT (intro: Why Do I Love You? - vCK / Cant Help Lovin' Dat Man -
vch / You Are Love - vLM / Make Believe - OK-LM&ch)

Vic 35912, HMV C-1505, L-657, El EH-225 (12")

PAUL WHITEMAN AND HIS ORCHESTRA: As for 43118-1-2 above, without Fulton, Trumbauer, and Perry; Hazlett bcl, as; Crozier cl, as; Strickfaden is only, other reeds same; Bill Challis, a. Domenico Savino, recording dir; Whiteman, assistant dir, New York, March 2, 1928.

43125-1 Coquette - aBCh

Vic 21301, HMV B-5564, K-5606, El EG-1161

43125-3 Coquette - aBCh

Vic 25675

As for March 1, 1928, without vn; Bill Rank, tb, replaces Hall; Friedman, cl; Hazlett, Mayer, as; Trumbauer, Cm;

43138-2 When - vJF-CG-AY-AR-HB / aTS

Vic 21338, 25367, HMV B-5493

43138-3 When - vJF-CG-AY-AR-HB / aTS

Vic 21338

Paul Whiteman dir: Charlie Margulis, Eddie Pinder, t / Bix Beiderbecke, c / Boyce Cullen, Wilbur Hall, tb / Izzy Friedman, cl, as, ts / Rube Crozier, cl, as, ts, bsn / Chester Hazlett, cl, bcl­, ss, as / Charles Strickfaden, cl, as, ts, bar / Red Mayer, cl, ts / Kurt Dieterle, Mischa Russell, Matt Malneck, vn; the last two double vl / Roy Bargy, Lennie Hayton, p, a / Mike Pingitore, bj / Min Leibrook, bb, bsx / Mike Trafficante, sb / Harold MacDonald, d / Bill Challis, Ferde Grofé, Tom Satterfield a / Bing Crosby, Al Rinker, Harry Barris, Austin Young, v. Liederkranz Hall, New York, March

43145-1 Lovable - vBC / aTS

Vic 27685, HMV B-5509, AE-2302, EA-3235

Paul Whiteman dir; Ferde Grofé, assistant dir. Henry Busse, Charlie Margulis, Eddie Pinder, t / Bix Beiderbecke,

43662-1 My Pet - vBC-AR-CG-AY / aBCh

Vic 27686

43662-2 My Pet - vBC-AR-CG-AY / aBCh

Vic 21389, HMV B-5504, EA-373, El EG-979

43662-3 My Pet - vBC-AR-CG-AY / aBCh

43663-1 It Was The Dawn Of Love - vBC-AR-CG-AY / aTS

43663-2 It Was The Dawn Of Love - vBC-AR-CG-AY / aTS

Vic 21453, HMV B-5522, EA-381, R-14001, El EG-932

43663-3 It Was The Dawn Of Love - vBC-AR-CG-AY / aTS

43665-2 Forget-Me-Not - vJF / aBCh

Vic 27686

43665-3 Forget-Me-Not - vJF / aBCh

Bill Challis, a, recording dir. Liederkranz Hall, New York, April 23, 1928.

43667-1 Louisiana - vBC-JF-CG-AY / aBCh

Vic 21438, HMV B-5522, EA-386, GW-1759, El EG-933, Bm 1030

43667-3 Louisiana - vBC-JF-CG-AY / aBCh

Vic 25369, HMV B-8913, JK-2809, N-4475

Liederkranz Hall, New York, April 24, 1928.

43669-2 Do I Hear You Saying (I Love You) - vBC-AR-CG / aTS

Vic 21398, El EG-929

Harry Goldfield, t, replaces Busse; George Marsh, d, replaces McDonald. Liederkranz Hall, New York, April 25, 1928.

43670-1 You Took Advantage Of Me - vBC-JF-CG-AY / aTS

Vic 21398, 25369, HMV EA-816, El EG-929, Bm 1030

NOTE: The figure 2 on the run-off of Victor 25369 indicates a dubbing of take 1, not the use of an alternate take.

Bowman and Perry omitted. New York, May 15, 1928.

98537-4 My Melancholy Baby - vAY / aTS

Col 50068-D, 9578, 07503 (12")

Vaughn de Leath, v. New York, May 16, 1928.

98538-2-4 The Man I Love - vVdeL / aFG

Col 50068-D, 07503 (12")

Pinder, Fulton, Gaylord, Bowman, and Hayton omitted. New York, May 22, 1928.

146317-3 Is It Gonna Be Long? - aBCh

Col 1496-D, 4956, 07004, A-8002, J-538

Pinder returns; rest as last above. New York, May 23, 1928.

146327-2 Oh! You Have No Idea - aBCh

Col 1491-D, 4956, 07005, J-540

Pinder, Fulton, Friedman, Strickfaden, Gaylord, Bowman, Hayton omitted. New York, May 25, 1928.

146334-4 Felix The Cat - aAY / aTS

Col 1478-D, 5040, 07008, A-8006, J-541, Re 5040

Paul Whiteman dir: Charlie Margulis, Harry Goldfield, t / Bix Beiderbecke, c / Boyce Cullen, Wilbur Hall, Bill Rank, tb / Chester Hazlett, as, bcl / Rube Crozier, as, bsn / Frank Trumbauer, Cm, bsn / Izzy Friedman, cl, ts / Red Mayer, cl, ts, bar / Charles Strickfaden, ts, bar, ca / Matt Malneck, Mischa Russell, Kurt Dieterle, Mario Perry, vn / Roy Bargy, p, a / Mike Pingitore, bj / Min Leibrook, bb / Mike Trafficante, sb / George Marsh, d / Bing Crosby, v / Bill Challis (146316-9). Same, plus Eddie Pinder, t / Jack Fulton­ tb, v / Charles Gaylord, Austin Young, v; Hazlett plays cl, as; Crozier, cl, ts, Trum­bauer , Cm, as; Mayer, as; Strickfaden, ts only (146320-5). New York, June 10, 1928.

146316-9 'Tain't So, Honey, 'Tain't So - vBC / aBCh

Col 1444-D, 4981, 07003, A-8230, J-533

146320-5 I'd Rather Cry Over You - vBC-JF-CG-AY / an

Col 1496-D, 4980, 07005, A-8002, J-539

Beiderbecke, Margulis; Cullen, Rank; Hazlett, Friedman, Trumbauer, Strickfaden; all four vn and five rhythm on 146542-3. Same, plus Goldfield on 146543-3; Tom Satter­field, a. New York, June 17, 1928.

146542-3 That's My Weakness Now - vBC-AR-HB / aTS

Col 1444-D, 5006, 07008, A-8230, J-533

146543-3 Georgie Porgie - vBC-AR-HB / aBCh

Col 1491-D, 5040, 07011, J-541, Re 5040

Margulis, Pinder; Beiderbecke; Hall, Rank; Hazlett, Trumbauer, Friedman, Strick­faden; Dieterle, Russell, Malneck; all five rhythm, on 146549-2. Same, but Goldfield replaces Pinder on 146550-3. New York, June 18, 1928.

146549-2 Because My Baby Don't Mean "Maybe" Now - vBC-JF-CG-AY / aBCh

Col 1441-D, 5007, 07007, A-8010, J-532

146550-3 Out O' Town Gal - vBC-AR-HB / aBCh

Col 1505-D, 5039, 07011, A-8011, J-542

The next title is the most interesting, from a jazz viewpoint, of four sides recorded in New York by a band under Ben Selvin's direction, using scores prepared by Paul Whiteman arrangers Bill Challis and Ferde Grofé. The soloists are interesting but unidentifiable. New York, July 2, 1928.

146610-4 Pickin' Cotton - v / aBCh

Col 1464-D, 5242, 07013

Margulis, Goldfield, Pinder, Beiderbecke; Cullen, Hall, Rank, Fulton; Hazlett, bcl; Friedman, cl, o; Mayer, f, bsn; Trumbauer, cl, bsn; Strickfaden, bar, o; Dieterle, Russell, Malneck; Perry; Bargy; Lennie Hayton, cel; Pingitore; Leibrook; Trafficante; Marsh. New York, September 18, 1928.

98584-1 Sweet Sue - vJF / a BCh

Col 50103-D, 9572, 07509, A-405 (12"); Col 35667 (10")

NOTE: Columbia 35667 exists in two versions. The earlier issue is edited, omitting the lengthy introduction, while the later issue is an unedited fine-groove transfer of the complete performance. Both issues show matrix 24050-1, but the complete version is distinguished by a small numeral 2 below the take number.

Crozier, bsn, f, o / Bowman, Gaylord added; Hazlett plays cl, bcl, as; Friedman cl, ts, Mayer, bsn, ca, pic; Trumbauer, cl, ss, as, Cm, bsn; Strickfaden ss, as, bar, o. New York, September 21, 1928.

98589-3 I Can't Give You Anything But Love - vJF / aFG

Col 50103-D, 9572, 07509 (12")

Manny Klein, t, replaces Beiderbecke; exact personnel uncertain but not materially different from the above. New York, December 22, 1928.

147540-7 Makin' Whoopee - vBC / aFG

Col 1683-D, 5556, 07019, J-600

New York, January 11, 1929.

147537-9 How About Me? - vAY / aBCh

Col 1723-D, 5305, 07018

Paul Whiteman dir: Charlie Margulis, Harry Goldfield, t / Bix Beiderbecke, Andy Secrest, c / Boyce Cullen, Bill Rank, Wilbur Hall, tb / Bernie Daly­, cl, ss / Frank Trumbauer, cl, as / Chester Hazlett, as / Charles Strickfaden, cl, ss,

148183-3 I'm In Seventh Heaven - vBC-AR-HB / aBCh

Col 1877-D, 5544, 07021, A-8208, J-749

Jack Fulton, tb, v / Lennie Hayton, cel, added, John Bowman, Charles Gaylord, vn, replace Malneck; Hazlett doubles cl; Daly, Trumbauer, as; Strickfaden, as, bar, o; Friedman, Mayer­ ts; Bargy, a, on 148407-4. Same on 148408-4, without Hayton, and Trumbauer doubles Cm; Strickfaden plays as only. Margulis, Beiderbecke, Secrest; Rank; Hazlett, Trumbauer, Daly­ as; Friedman, cl, ts; Strickfaden, ts; Dieterle, Russell; same rhythm, on 148409-4. Lennie Hayton, a. New York, May 3, 1929.

148407-4 When My Dreams Come True - vJF / aRB

Col 1822-D, 5484, 07024, J-711

148408-4 Reaching For Someone And Not Finding Anyone There - vBC

Col 1822-D, 5484, 07024, J-711

148409-4 China Boy - aLH

Col 1945-D, DC-177, 07025, A-8278, J-1518, Tpl 529

As for 148407-4, but Daly doubles cl; Mayer plays as, ts, bsn; Strickfaden as, ca; Bing Crosby, v; Bill Challis, a. New York, May 4, 1929.

148421-4 Oh! Miss Hannah - vBC / aBCh

Col 1945-D, DC-176, 07025, A-8278, J-1518, Tpl 529

As for 148407-4, but Otto Landau, Matt Malneck, vn, replace Bowman, Gaylord; Eddie Lang, g added; Bing Crosby, v / Ferde Grofé, a. New York, September 13, 1929.

148986-8 Waiting At The End Of The Road - vBC / aFG

Col 1974-D, 5675, 07032, J-796

149005-3 When You're Counting The Stars Alone - vBC-AR-JF

Col 1993-D, 5675, 07029

Beiderbecke omitted; Joe Venuti, vn added. New York, October 9, 1929.

149123-2 Nobody's Sweetheart - aLH

Col 2098-D, 5702, A-8610, J-874

149124-3 Great Day - vBC-AR-HB-JF / aBCh

Col 2023-D, CB-116, 07034, J-807

New York, October 16, 1929.

149150-4 If I Had A Talking Picture Of You - vBC / aLH

Col 2010-D, 14353, 07031, A-8227, J-806

William Grant Still, a. New York, October 18, 1929.

149157-3 Should I? - vJF / aLH

Col 2047-D, 5724, 07035, Re RS-1484

149159-3 After You've Gone - vBC / aWGS

Col 2098-D, 5702, 07032, A-8610, J-874, Re RS-1484

Los Angeles, February 10, 1930.

149810-1 Happy Feet - vBC-AR-HB / aLH

Col 2164-D, CB-86, 07037, A-8792, CQ-217, J-918

The Brox Sisters, v. Los Angeles, March 22, 1930.

149825-2 A Bench In The Park - vBC-AR-HB-BS

Col 2164-D, CB-86, 07037, A-8792, CQ-217, J-918

Los Angeles, March 23, 1930.

149826-2 I Like To Do Things For You - vBC-AR-HB

Col 2170-D, CB-87, 07038, A-8793, CQ-216, J-925

Paul Whiteman dir: Nat Natoli, Harry Goldfield, t / Andy Secrest, c / Jack Fulton, tb, v / Herb Winfield, Bill Rank,
tb / Chester Hazlett, cl, bcl­, as / Charles Strickfaden, as, bar / Frank Trumbauer, Cm, as, bsn / Fud Livingston, cl,
ts / Kurt Dieterle, Mischa Russell, Matt Malneck, vn / Roy Bargy, p, a / Mike Pingitore, bj / Mike Traf­ficante, sb / George Marsh, d. New York, July 25, 1930.

150683-1 The New Tiger Rag - aRB

Col 2277-D, CB-163, 07042, J-1027

Frank Trumbauer, a. New York, September 10, 1930.

150791-4 Choo Choo - aFT

Col 2491-D

Fritz Hummel, tb, replaces Winfield; Ray McDermott, cl, ts, replaces Livingston; John Bowman, vn, returns (possibly on the above also); Fritz Ciccone, g, added; Pierre Olker, bb, replaces Trafficante, Mildred Bailey, v. Chicago,
November 30, 1931.

70633-1 'Leven Pounds Of Heaven - vMB

Vic 22883, HMV EA-1056

PAUL WHITEMAN'S RHYTHM BOYS: Ray Kulz, t, v / George MacDonald, cl, d, v / Al Dary, p, v / Jimmy Noel, g, v.

New York, August 9, 1932.

73177-1 Her Majesty (My Sugar) - pAD

Vic unissued

73178-1 Bahama Mama - pAD

Vic 24095

73179-1 Jig Time - pAD

Vic 24190, HMV B-4950

73180-1 Basin Street Blues

Vic unissued

73181-1 Milenberg Joys - pAD

Vic unissued

73182-1 Lost In Your Arms - pAD

Vic 24095

PAUL WHITEMAN AND HIS ORCHESTRA: As for November 30, 1931, but Art Miller, sb, re­places Olker, and Matt Malneck dir. Red McKenzie, The Rhythm Boys (as last above)­, v. New York, September 26, 1932.

73582-1 You're Telling Me - vRK-GM-AD-JN

Vic 24140, HMV EA-1170, El EG-2689

73583-1 I'll Follow You - vRM

Vic 24141, HMV B-6275

Ramona Davies, p, v added. New York, November 25, 1932.

74610-1 Rise 'N' Shine - vRD

Vic 24197

Norman McPherson, bb / Peggy Healy, v, added. New York, April 4, 1933.

75713-1 Look What I've Got - vPH

Vic 24285, HMV B-6360, EA-1211

One tb omitted. New York, July 20, 1933.

76673-1 Are You Makin' Any Money? - vRD

Vic 24365, HMV EA-1251

Bunny Berigan, t, replaces Secrest; Vincent Grande, tb, replaces Fulton. New York, September 11, 1933.

76645-1 It's Only A Paper Moon - vPH

Vic 24400, HMV B-6427, EA-1267, El EG-2903

76647-1 Sittin' On A Backyard Fence - vRK-GM-AD-JN

Vic 24403, HMV B-6434, EA-1276, K-7178

PAUL WHITEMAN PRESENTS PEGGY HEALY: Vocal, acc. by Bunny Berigan, t / Benny Bonacio, cl / Al Dary, p,
v / Roy Bargy, p / Mike Pingitore or Jimmy Noel, g. New York, October 23, 1933.

78305-1 When You Were The Girl On The Scooter (And I Was The Boy On The Bike) - vAD

Vic 24452, HMV EA-1283

76306-1 That's How Rhythm Was Born

Vic 24452

PAUL WHITEMAN AND HIS ORCHESTRA: Paul Whiteman dir. Nat Natoli, Bunny Berigan, Harry Goldfield, t / Bill Rank, Vincent Grande, tb / Jack Fulton, tb, v / Bennie Bonacio, cl, bcl, as / John Cordaro, cl, bcl, as, bar / Charles Strickfaden, cl, as, ts, bar, o / Frank Trumbauer, cl, as, Cm / Mischa Russell, Matt Malneck, Harry Struble, Kurt Dieterle, vn / Roy Bargy, p, a / Ramona Davies, p, v / Mike Pingitore, bj, g / Norman McPherson, bb / Art Miller, sb / Herb Quigley, d / Peggy Healy, Johnny Mercer, v. New York, November 3, 1933.

78513-1 Something Had To Happen - vRD

Vic 24455, HMV EA-1435

Charlie Teagarden, t, replaces Berigan; Jack Teagarden, tb, v, replaces Grande. New York, January 16, 1934.

81061-1 "G" Blues

Vic unissued

Bill Rank omitted. New York, February 16, 1934.

81714-1 True - vJF

Vic 24566, HMV B-6481, EA-1415, El EG-3052

81715-1 Fare-Thee-Well To Harlem - vJT-JM

Vic 24571, BB B-10969, HMV EA-3408

81716-1 Sun Spots

Vic 24574, HMV EA-1344, RE-4382

81717-1 The Bouncing Ball

Vic 24574, HMV EA-1344, BD-187, RE-4382

Bill Rank, tb, added. New York, April 17, 1934.

81061-2 "G" Blues

Vic 24668, HMV EA-1407, X-4431

82319-1 Tail Spin

Vic 24668, HMV EA-1407, X-4431

82320-1 Christmas Night In Harlem - vJT-JM

Vic 24615, BB B-10969, HMV B-6549, EA-3408

One t omitted. New York, June 29, 1934.

83352-1 Born To Be Kissed - vRD

Vic 24670, HMV EA-1410

3rd t returns; no vn or bb. New York, August 18, 1934.

84010-1 Pardon My Southern Accent - vPH-JM

Vic 24704

84012-1 Itchola

Vic 24885

84014-1 I Saw Stars - vPH

Vic 24705, HMV B-6532, EA-1416

PAUL WHITEMAN AND HIS CONCERT ORCHESTRA: As for January 16, 1934, but Eddie Wade, t, replaces Natoli; Casper Reardon, harp, added; Chet Martin, Herman Fink, d, replace Quigley. New York, December 14, 1934.

86459-1 Deep Forest

Vic 24852, HMV B-8318

86460-1 Serenade For A Wealthy Widow

Vic 24852, HMV B-8318

PAUL WHITEMAN AND HIS ORCHESTRA: As last, omitting Teagarden and Reardon; Bob Lawrence, vn, v, replaces Dieterle. New York, December 17, 1934.

86470-1 The Night Is Young - vBL

Vic 24844, HMV BD-130, EA-1478 , K-7497

See also Ramona, The Three T's, and The Virginians.