Brian rust jazz records, 1917–1934 / Free Personal-Use Edition Not for sale; all commercial use is prohibited. For personal, non-commercial use only. Notice


ED JOHNSON Pseudonym on Dandy 5156 for Wilbur Sweatman, q.v. EDDIE JOHNSON'S CRACKERJACKS



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ED JOHNSON

Pseudonym on Dandy 5156 for Wilbur Sweatman, q.v.

EDDIE JOHNSON'S CRACKERJACKS

Eddie Johnson, p, dir: Harold Baker, James Talphy, t / Winfield Baker, tb / Fred Martin­, Walter Martin, as / Chick Franklin, ts / Benny Jackson, bj, g, v / Singleton Palmer, sb / Lester Nichols, d / The Crackerjacks, v. Atlanta,


February 25, 1932.

71625-1 The Duck's Yas Yas Yas - vBJ

Vic 23329, BB B-6278

71626-1 Good Old Bosom Bread - vC

Vic 23329, BB B-6278

EDITH NORTH JOHNSON

EDITH JOHNSON: Vocal, acc. by Clarence Williams, p. Long Island City, NY, c. December, 1928.

311 You Ain't No Good Blues

QRS R-7048

312 You Know That Ain't Right

QRS R-7048

Acc. by Baby James, c / Ike Rodgers, tb / ? Roosevelt Sykes or self, p. Richmond, IN, September 7, 1929.

15558-A Nickel's Worth Of Liver Blues - c / tb / pEJ



Pm 12823, Bwy 5093, Cen 3018

15559 Good Chib Blues - tb / pRS



Pm 12864, 105, Cen 3021

15560 Can't Make Another Day - c / pRS



Pm 12864, 105

15561 Honey Dripper Blues - pRS



Pm 12823, Bwy 5093, Cen 3018

NOTE: Broadway 5093 as MAYBELLE ALLEN. The titles on Paramount 12864 were scheduled for issue on Ristic 11, but this was never released.

EDITH NORTH JOHNSON: Vocal, acc. by p, with g*. Grafton, WI, c. October, 1929.

L-69-2 Honey Dripper Blues No. 2

Pm 12915

L-71- *Beat You Doin' It

Pm 13032

L-72- Whispering To My Man

Pm 13032

L-73-2 *That's My Man

Pm 12939

L-74-2 Eight Hour Woman

Pm 12939

L-75-1 Nickel's Worth Of Liver Blues No. 2

Pm 12915

NOTE: Matrix L-70 is untraced.

Acc. by Roosevelt Sykes or Count Basie, p. Kansas City, early November, 1929.

KC-588- Honey Dripper Blues - pRS

Voc 1433

KC-590- Loving That Man Blues - pCB

Voc 1433

NOTE: This issue as HATTIE NORTH. Matrix KC-589 is untraced.

EDITH JOHNSON: Vocal, acc. by Roosevelt Sykes, p. Chicago, November 16, 1929.

403308-A-B You Know That Ain't Right

OK unissued

403309-A Ain't No More To Be Said



OK 8748, HJCA HC-118

403310-A-B Don't Know What I'll Do

OK unissued

403311-A Heart Aching Blues



OK 8748, HJCA HC-118

EDNA JOHNSON

Vocal, acc. by vn / g or Charles Booker, p. New York, January 12, 1924.

8703 I'm Drifting From You Blues - vn / g

Gnt 5367, Sil 4046

8704 A Woman Gets Tired Of One Man All The Time - pCB

Gnt 5367, Sil 4046



ELIZABETH JOHNSON

Vocal, acc. by King Oliver, c / Clarence Williams, p. New York, June 26, 1928.

400828-B Empty Bed Blues - Part 1

OK 8593


400829-B Empty Bed Blues - Part 2

OK 8593


Acc. by her Turpentine Tree-O: c / g / woodblocks. New York, October 30, 1928.

401279-B Be My Kid Blues

OK 8789

401280-B-C Sobbin' Woman Blues



OK 8789

ELNORA JOHNSON

Vocal, acc. by Benton Overstreet, p. Chicago, c. July 13, 1927.

12921 Blue Black Bottom Blues

BP-8039


12922-A Red Cap Porter Blues

BP-8039


Chicago, c. July, 1927.

Freakish Papa

BP 8033

85390-A I Like That Thing



BP 8033

NOTE: There is no trace of either of the last two titles above by this or any other artist in the Gennett files. They may have been recorded by some other studio.



ELVIRA JOHNSON

Vocal, acc. by the Birmingham Darktown Strutters: Charlie Gaines, c / Charlie Irvis, tb / ? Ernest Elliott, ss / Clarence Williams or possibly Mike Jackson, p / Buddy Christian­, bj. New York, June 10, 1926.

X-177 How Could I Be Blue?

Gnt 3337, Ch 15127

X-178 Numbers On The Brain

Gnt 3337, Ch 15126



FANNIE JOHNSON

Pseudonym on Cameo and Romeo for Viola McCoy, q.v.

FLO JOHNSON

Vocal, acc. by the Beale Street Five: t / tb / cl / p / d. New York, January, February, 1923.

413-A Four O'Clock Blues

Cam 318


414-C Sugar Blues

Cam 319


FREDDY JOHNSON

FREDDY JOHNSON - ARTHUR BRIGGS AND THEIR ALL-STAR ORCHESTRA: Arthur Briggs, Bobby Jones, Theodore Brock, t / Billy Burns, tb / Peter Duconge, cl, as / Alcide Castellanos, as / Frank "Big Boy" Goudie,


ts / Freddy Johnson, p, a / Sterling Conaway, g / Juan Fernandez, sb / Billy Taylor, d / Louis Cole, Spencer Williams, v. Paris, c. July, 1933.

6458bkp? Hot Club Stomp

Br unissued

6459bkp Sing About The Swanee - vSW

Br A-500277

6460bkp By Baby's Gone - vSW

Br A-500277

6461bkp Sweet Georgia Brown - vLC

Br A-500278

6462bkp Foxy And Grapesy - vLC

Br A-500278

FREDDY JOHNSON AND HIS HARLEMITES: Arthur Briggs, Bobby Jones, t / Billy Burns, Herb Flemming, tb / Booker Pitman, cl, as / Cle Saddler, as / Roy Butler, as, bar / Alfred Pratt, ts / Freddy Johnson, p, a / Sterling Conaway,


g / Juan Fernandez, sb / Billy Taylor, d. Paris, c. October, 1933.

6574bkp Sweet Madness

Br A-500340, Dec F-3810

6575bkp Harlem Bound

Br A-500340, Dec F-3810

6575½ Harlem Bound

Br A-500340

6576bkp I Got Rhythm

Br A-500341

Paris, December 7, 1933.

66452bkp I Got Rhythm

Br A-500341, Dec F-5110

6646bkp Tiger Rag

Br A-500341, Dec F-5110

FREDDY JOHNSON - LEX VAN SPALL AND THEIR ORCHESTRA: Ralph or Rolf Goldstein, t / Jacob Green, tb / Lex van Spall, as, g / Jascha Trabsky, cl, ts / Freddy Johnson, p, a / Jacques Mirgorodsky, g / Al Weisbard, sb / Lew Galkin, d / Rosie Poindexter, v. Casino Hamdorff, Laren, November 29, 1934.

AM-124-1 I Want To Dance - vRP

Dec F-42045

AM-125-1 Haarlem Hot Club Stomp - vRP

Dec F-42045

AM-126-1 You Took Advantage Of Me - vRP

Dec F-42046

AM-127-1 Jungle Fever - vRP

Dec F-42046

GLADYS JOHNSON

Pseudonym on Cameo, Lincoln, Romeo, Variety, and Varsity for Viola McCoy, q.v.

GRAVEYARD JOHNSON AND HIS GANG

Pseudonym on Silvertone for King Mutt and his Tennessee Thumpers, q.v.

HARRY JOHNSON'S DANCE ORCHESTRA

Pseudonym on Meloto S-1432 for Leslie Jeffries and his Rialto Orchestra, q.v.

HENRY JOHNSON AND HIS BOYS

Henry Johnson, vn, cel, hurdy-gurdy, unknown instrument / James Johnson, p, cel / Henry Moon, George Thomas, g. Richmond, IN, April 20, 1927.

12723 Blue Hawaii - celHJ / 2 g

Her 92024

12723-A Blue Hawaii - celHJ / 2 g

Gnt 6156, Ch 15434

12724 Hawaiian Harmony Blues - vn / 2 g / h-g

Her 92024

12724-A Hawaiian Harmony Blues - vn / 2 g / h-g

Gnt 6156, Ch 15434

12725 Down Home Special - vn / 2 g / h-g

Bell 1174

12725-A Down Home Special - vn / pg / h-g

Gnt 6378, Ch 15509, Spr 351

12726 Neck Bones And Beans - vn / pJJ / 2 g / unknown instrument

Her 92025, Spr 351

12726-A Neck Bones And Beans - vn / pJJ / 2 g / unknown instrument

Gnt 6168, Ch 15338

12727 Ash Can Stomp - pJJ / 2 g

BP 8037, Her 92025

12727-A Ash Can Stomp - pJJ / 2 g

Gnt 6168, Ch 15437

12730 Barbecue Blues (F Sharp Blues) - vn / p, celJJ

Gnt 6353, Ch 15437

12730-A Barbecue Blues (F Minor Blues) - vn / p, celJJ

Spr 328


NOTE: Gennett 6353 and 6378 as WATSON'S PULLMAN PORTERS; Bell 1174 as BUD WARNER AND HIS RED CAPS; Black Patti 8037 as PERRY AND HIS STOMP BAND; Champion 15338 and 15437 as HANK JONES AND HIS GINGER, 15434 as GEORGE THOMAS AND HIS BOYS, 15509 as HANK JONES AND HIS GINGER; Herwin 92025 as HENRY MOON AND GEORGE THOMAS.

J. C. JOHNSON AND HIS FIVE HOT SPARKS

Possibly: Walter Bennett, c / tb / cl, as / Mabel Horsey, p / Charlie Vincento, bj. Long Island City, NY, c. February, 1929.

346 Texas Man

QRS unissued (test exists)

347 Crying For You (Baby Mine)

QRS R-7064

348 Red Hot Hottentot

QRS R-7064, Cen 3011, Gzl 1014, JRS AA-12

NOTE: J. C. Johnson's Columbia records are of popular ballads and, unlike the above, are of no jazz interest.



JAMES P. JOHNSON

Piano solos. New York, c. August, 1921.

P-151-1 The Harlem Strut

BS 2026, Pm 12144, 14009, JC L-60

NOTE: Black Swan 2102, labeled JOHNSON'S ALL STAR ORCHESTRA and often claimed as a James P. Johnson item, is in fact by two conventional white dance bands from the Olympic catalog, and of no jazz interest.

New York, October 18, 1921.

70259-D Keep Off The Grass



OK 4495, JSo AA-504

70260-C Carolina Shout



OK 4495, JSo AA-504

JIMMIE JOHNSON'S JAZZ BOYS: James P. Johnson, p, dir: c / tb / cl / cl, ss, as / bj / ob / d. New York, c. October, 1921.

Carolina Shout

Arto 9096, Bell / Ct P-96, HT K-96

NOTE: Arto 9096 as ARTO BLUE FLAME SYNCOPATORS.

JAMES P. JOHNSON'S HARMONY EIGHT: James P. Johnson, p, dir: 2 t / tb / cl, as / as or ts / bj / d. New York, December 5, 1921.

70350-B Dear Old Southland

OK / Apex 4504, St 16006

70351-C Bandana Days (intro: Love Will Find A Way)

OK / Apex 4504, St 16006

Piano solos. New York, January 23, 1922.

Four A.M. Shout

Vic test (unnumbered)

New York, February 28, 1923.

80877-1-2 Papa Blues

Col unissued

80878-1-2-3 Railroad Man

Col unissued

80879-1-2-3 Caprice

Col unissued

80880-1-2-3 Glory Shout

Col unissued

New York, June 28, 1923.

81099, 2 Weeping Blues

Col A3950

81100-2 Worried And Lonesome Blues

Col A3950

Camden, NJ, July 17, 1923.

28196-1-2-3 You Can't Do What My Last Man Did

Vic unissued

28197-1-2-3 Bleeding Hearted Blues

Vic unissued

Camden, NJ, July 25, 1923.

28196-4 You Can't Do What My Last Man Did

Vic 19123

28197-6 Bleeding Hearted Blues

Vic 19123

New York, August 8, 1923.

71741-A Scouting Around

OK 4937


71742-A Toddlin'

OK 4937


New York, February 25, 1927.

143531-1-2-3 All That I Had Is Gone

Col unissued

143532-1-2-3 Snowy Morning Blues

Col unissued

New York, March 7, 1927.

143531-5 All That I Had Is Gone

Col 14204-D

143532-6 Snowy Morning Blues

Col 14204-D

JOHNSON'S JAZZERS: Louis Metcalf, c / James P. Johnson, p / Perry Bradford, v. New York, September 2, 1927.

144621-2 Skiddle-De-Scow

Col 14247-D

144622-2 Can I Get It Now?

Col 14247-D

Piano solos. New York, February 3, 1928.

42409-1 Mournful Thoughts

Vic unissued

42410-1 Ebony Dreams

Vic unissued

JIMMY JOHNSON AND HIS ORCHESTRA: Cootie Williams and another, t / tb / ? Charlie Holmes­, cl, ss, as / cl,
ts / James P. Johnson, Fats Waller, p / Joe Watts, sb / Perry Bradford, speech*. New York, June 18, 1928.

146539-3 *Chicago Blues

Col 14334-D

145540-1 Mournful Tho'ts

Col 14334-D

Piano solos. New York, January 29, 1929.

401565-B Riffs

OK 8770, Par R-1072, B-71220, Col DB-3495, Od A-286052, 028698

401566-A Feelin' Blue (Feeling Blues*)

OK 8770, Col DB-3495*

JIMMY JOHNSON AND HIS BAND: Louis Metcalf, c / tb / Ernest Elliott, cl / cl, ts / James P. Johnson, p / Perry Bradford, Gus Horsley, v; there is a cymbal crash at the end of 148015-1, but there is no evidence of a drummer elsewhere on this side. New York, March 5, 1929.

148015-1 Put Your Mind Right On It - vPB-GH

Col 14417-D

148016-1-2-3 Sorry - vGH

Col unissued

Geechie Fields, tb, probably, replaces unknown; ts omitted. New York, March 20, 1929.

148108-3 Fare Thee Honey Blues - vPB

Col 14417-D

JIMMIE JOHNSON AND HIS ORCHESTRA: King Oliver, Dave Nelson, t / Jimmy Archey, tb / 2 cl, as / Charles Frazier, ts / James P. Johnson, Fats Waller, p / Teddy Bunn, bj, g / Harry Hull, sb / d / The Keep Shufflin' Trio (one of whom sounds like Fats Waller), v. New York, November 18, 1929.

57701-2 You Don't Understand - g / vKS3

Vic V-38099, HMV R-14398

57702-2 You've Got To Be Modernistic - bj / vKS3

Vic V-38099, HMV R-14398

Piano solos. New York, January 21, 1930.

E-31956- Crying For The Carolines

Br 4712, A-8663

E-31957- What Is This Thing Called Love?

Br 4712, A-8663, Jazz Unltd 11

E-31958- You've Got To Be Modernistic



Br 4762, 80032, A-8718, A-500203

E-31959- Jingles



Br 4762, 80032, A-8718

Piano duets and cross-talk patter with Clarence Williams. New York, January 31, 1930.

149951-1 How Could I Be Blue?

Col 14502-D

149952-2 I've Found A New Baby

Col 14502-D

JIMMY JOHNSON AND HIS ORCHESTRA: Ward Pinkett, t, v / t / tb / 2 cl, as / cl, ts / James P. Johnson, p / g /
sb / d / Andy Razaf, v. New York, March 25, 1931.

151457-2 Go Harlem - vAR

Col 2448-D

151450-2 A Porter's Love Song (To A Chambermaid) - vAR

Col 14668-D

151460-3 Just A Crazy Song (Hi-Hi-Hi)- vAR-WP&ch

Col 2448-D, J-1175

NOTE: Matrix 151458 is by another pianist - the English concert artist Dame Myra Hess!



JERRY JOHNSON AND HIS ORCHESTRA

The following side issued under this name is of some jazz interest, but other titles similarly credited may be equally so.

Dick Robertson, v, dir: 3 t / tb / 2 as / ts / p / g / sb / d. New York, August 22, 1934.

83798-1 Missouri Misery - vO

Vic 24719

JOHNNY JOHNSON

The following are of some interest as hot dance music; there may be others of equal quality.

JOHNNY JOHNSON AND HIS ORCHESTRA: Johnny Johnson, p, dir: Bob Ashford, ? Red Nichols, t / Chuck Campbell, tb / Frank Crum, Bill Richards, cl, as / Walter Botsford, cl, ts / Bill Morse, vn / Sleepy Hall (John Nelson), bj / Art Campbell, bb / Joe Ziegler or Dusty Roads, d. New York, c. January, 6, 1924.

777-C Wop Blues

Cam 477, Lin 2158, Muse 416, Pop 1042

NOTE: Muse 416 as THE MUSICAL COMRADES; Popular 1042 (Australian) is anonymous.

JOHNNY JOHNSON AND HIS STATLER PENNSYLVANIANS: Johnny Johnson, p, dir: Frank Cush, t / Eddie Lappe, tb / Charles Murray, cl, as, v / Walter Botsford, al, ts / Roy Strom, vn, v / Sam Browne, bj, v / Johnny Porpora, sb / Harry Shackleford, bb, v / Bob Treaster, d, v / Franklyn Baur, v. New York, October 14, 1927.

40180-2 Together, We Two - vFB

Vic 21016, HMV EA-277

Jack Teagarden, tb, replaces Lappe. New York, December 2, 1927.

41134-2 My One And Only - vCM-SB-BT

Vic 21113, HMV B-5526, EA-888

41135-1 Thou Swell - vCM-SB-BT

Vic 21113, HMV B-5706

Eddie Lappe, tb, replaces Teagarden; Herb Muse, cl, as, v, added. New York, December 21, 1927.

41195-3 Four Walls - vBT-HM-SB

Vic 21165, HMV EA-319

Muse or Murray omitted. New York, February 24, 1928.

42478-2 Speedy Boy - vBT-SB-RS-HS

Vic 21275

42479-2 The Grass Grows Greener ('Way Down Home) - vBT-SB-HS

Vic 21275, HMV B-5493, EA-335

Unknown t / Herb Muse or Charles Murray, cl, as, added. New York, June 11, 1928.

45574-2 Last Night I Dreamed You Kissed Me - vFB

Vic 21498, HMV EA-391

New York, September 12, 1928.

47504-2 Once In A Lifetime - vFB

Vic 21677, HMV B-5586

Johnny Johnson, p, dir: 2 t / Eddie Lappe or Al Jennings, tb / Fred Kintz, cl, as, v / cl, as / Walter Botsford, cl, ts / Sam Browne, bj, v / bb / Bob Treaster, d, v. Camden, NJ, August 2, 1929,

49489-3 Just You, Just Me - vBT

Vic 22085, HMV EA-661

JOHNNY JOHNSON AND HIS POST LODGE ORCHESTRA: Johnny Johnson, p, dir: t, vn / Harry McDaniel, t, v / Al Jennings, tb, v / Fred Kintz, cl, as, v / as / Walter Botsford, cl, ts / bj / bb / Bob Treaster, d, v / Billy Scott, v. New York, June 25, 1930.

62288-3 There's A Wah-Wah Girl In Agua Caliente - vFK-BT-BS

Vic 22468, HMV EA-797

Piano solos. New York, September 27, 1934.

84413-1 On The Parkway

BB B-6451

84414-1 Punch Drunk

Vic 24774, HMV EA-1455

84415-1 Bubbles

Vic 24774, HMV EA-1455

84416-1 Moonstone

BB B-6451

JULIA JOHNSON

Vocal, acc. by Lovell Bolan, p. Richmond, IN, May 31, 1928.

13869-B Hard Headed Daddy

Gnt 6519


13870 C & O Whistle Blues

Gnt unissued

13871 New Loving Blues

Gnt unissued

13872 Struttin' My Stuff

Gnt unissued

13873 Sweet Daddy Blues

Gnt unissued

13874 Lewis Flat Blues

Gnt unissued

13876 Bad Luck Blues

Gnt unissued

13877 Troublesome Blues

Gnt unissued

13878-A Tickling Blues

Gnt 6519


K. D. JOHNSON

Piano solos. Memphis, August 30, 1928.

45456-1-2 Levee Camp

Vic unissued

45457-1-2 Days Of '49

Vic unissued



LIL JOHNSON

Vocal, acc. by Charles Avery, p / unknown g. Chicago, April 18, 1929.

C-3312-B Mean Man Blues

Voc unissued

C-3313-B Worried Mind Blues

Voc unissued

NOTE: This session was originally logged in the Brunswick files as LIZA JOHNSON.

Vocal, acc. by Montana Taylor, Charles Avery, p, as shown. Chicago, April 23, 1929.

C-3353-A Minor Blues - pMT

Document DOCD5307 (CD)

C-3354-B Montana Blues - pMT

Voc unissued

C-3355- Never Let Your Left Hand Know What Your Right Hand Do - pCA

Voc 1299, Supertone S-2256

C-3356- You'll Never Miss Your Jelly Till Your Jelly Roller's Gone - pCA

Voc 1299, Supertone S-2256

Acc. by Charles Avery, p / Hudson Whittaker (as TAMPA RED), g, where shown. Chicago, June 27, 1929.

C-3738-A-B Rock That Thing

Voc unissued

C-3749- House Rent Scuffle - gHW

Voc 1410


NOTE: The intervening matrices consist of "Amos and Andy" episodes for radio use, recorded on the same date.

Tampa Red omitted. Chicago, July 16, 1929.

C-3895- Rock That Thing

Voc 1410


LONNIE JOHNSON

This artist's vocal recordings belong strictly in Blues and Gospel Records, 1890-1943, where a full listing will be found. The non-vocal items in his recorded repertoire, however, are listed below.

Guitar solo, acc. by James Johnson, p. New York, January 20, 1926.

73944-A Nile Of Genago (w)

OK 40695


NOTE: The pianist is not the same person as James P. Johnson.

Guitar solo. New York, August 14, 1926.

80075-A To Do This, You Gotta Know How

OK 40695


Guitar solo. New York, April 25, 1927.

80746-B I Done Tole You

OK unissued (test exists)

80748-A Steppin' On the Blues

OK unissued (test exists)

Acc. by Lazy Harris (? John Erby), p, where shown. St. Louis, May 1, 1927.

80815-A Four Hands Are Better Than Two - pLH

CBS AL-33567 (LP)

80815-B Four Hands Are Better Than Two - pLH

OK unissued (test exists)

Guitar solo. St. Louis, May 2, 1927.

80816-A-B Woke Up With The Blues In My Fingers

OK unissued; Document DOCD5064 (CD)

Acc. by Porter Grainger, p. New York, October 31, 1927

81587-A-B Six-Eighty-Eight Glide

OK unissued; Time-Life STJ J-18 (LP)

New York, November 10, 1927.

81810-A-B Layin' On The Strings

OK unissued

Memphis, February 21, 1928.

400277-B Playing With The Strings

OK 8558, Par R-2259

400278-B Stompin' 'Em Along Slow

OK 8558, Par R-2259

400279-A Away Down In The Alley Blues

OK 8575

400280-A Blues In G



OK 8575

LONNIE JOHNSON AND BLIND WILLIE DUNN: Guitar duets with Eddie Lang. New York, November 17, 1928.

401338-B Two Tone Stomp

OK 8637, Par R-1195, B-71152, DP-192, Od A-286061

401339-B Have To Change Keys To Play These Blues

OK 8637


NOTE: All issues except Okeh 8637 as ED LANG AND LONNIE JOHNSON.

New York, May 7, 1929.

401865-A Guitar Blues

OK 8711


401866-D Bull Frog Moan

OK 8695, Par R-1496, A-3891, Od A-286073

NOTE: Okeh 8711 as BLIND WILLIE DUNN'S GIN BOTTLE FOUR.

New York, May 8, 1929.

401869-A A Handful Of Riffs

OK 8695, Par R-1496, A-3891, Od A-286073

401870-A Blue Guitars

OK 8711


NOTE: Okeh 8711 as BLIND WILLIE DUNN'S GIN BOTTLE FOUR; Parlophone R-1496 and A-3891 as THE LATE ED LANG AND LONNIE JOHNSON.

New York, October 9, 1929.

403039-A Deep Minor Rhythm

OK 8743


403042-A Midnight Call (Blues)

OK 8818


403043-A Hot Fingers

OK 8743


403044-B Blue Room (Blues)

OK 8818


LUCILLE JOHNSON

Pseudonym on Domino for Alberta Perkins, q.v.

MARGARET JOHNSON

Vocal, acc. by Clarence Williams' Blue Five: Tom Morris, c / Charlie Irvis, tb / Sidney Bechet, ss / Clarence Williams, p / Buddy Christian, bj. New York, c. October 19, 1923.

71972-B If I Let You Get Away With It Once, You'll Do It All Of The Time

OK 8107, Par E-5187

75973-B E Flat Blues

OK 8107, Par E-5187

Acc. by Clarence Williams' Harmonizers: Tom Morris, Bubber Miley, c / Charlie Irvis­, tb / ? Ernest Elliott, as / Clarence Williams, p / Buddy Christian, bj. New York, September, 1924.

72789-B I Love You Daddy, But You Don't Mean Me No Good

OK 8230

72790-B Nobody Knows The Way I Feel This Mornin'



OK 8162, Par E-5300

72791-B Absent Minded Blues

OK 8162, Par E-5300

Acc. by Clarence Williams' Blue Five: Louis Armstrong, c / Aaron Thompson, tb / Clarence Williams, p / Buddy Christian, bj. New York, November 25, 1924.

72996-A Papa, Mama's All Alone

OK 8185


72997-A Changeable Daddy Of Mine

OK 8185


Acc. by Clarence Williams' Blue Five: Bubber Miley, c / Aaron Thompson, tb / Sidney Bechet, ss / Clarence Williams, p / Buddy Christian, bj. New York, January 8, 1925.

73081-A Who'll Chop Your Suey (When I'm Gone)?

OK 8193

73082-B Done Made A Fool Out Of Me



OK 8193

Acc. by Clarence Williams, p. New York, c. June 9, 1925.

73418-B Nobody's Blues But Mine

OK 8220


73419-B I'm A Good-Hearted Mama (But I Got A Trifling Man)

OK 8230


73420-6 Death House Blues

OK 8220


Acc. by the Black and Blue Trio (four men, according to the Victor files): cl / concertina / p / bj / sb. Phil Worde is given composer credit for at least two titles, and may thus be the pianist, but as the piano and banjo are not heard together, he may be the banjoist, too. New York, July 9, 1926.

35756-1-2 Honey, Don't Go Away - cl / con / p / bj / sb

Vic unissued

35757-1 What Kinda Love Is That?, cl / p / bj / sb

Vic 20982

35758-1 Folks In New York City Ain't Like Folks Down South - con / bj / sb

Vic 20178

35759-1 My Man's Done Done Me Dirty - (con / p / bj / sb)

Vic 20178

NOTE: The last two titles are listed in the Victor files as Up North Blues and Suicide Blues, respectively.

Acc. by Bob Ricketts, p. New York, c. October 7, 1926.

74392-A Down Yonder Blues

OK 8418


74393-A Mama, Papa Don't Wanna Come Back Home

OK 8405


74394-A Everything That Happens Just Pleases Me

OK 8405


74395-A Heavy Burden Blues

OK 8418


Acc. by the Black and Blue Trio: Tom Morris, c / Bob Fuller, cl / Mike Jackson, p. New York, October 20, 1926.

36846-1 When A 'Gator Hollers, Folks Say It's A Sign Of Rain

Vic 20333

36846-2 When A 'Gator Hollers, Folks Say It's A Sign Of Rain



Vic LP-7049 (LP)

36847-2 Graysom Street Blues

Vic 20333

Acc. by Robert Cooksey, h / Bobby Leecan, g / ? Phil Worde or Mike Jackson, p. Camden, NJ, February 14, 1927.

37680-2 Good Woman Blues

Vic 20652

37681-2 Second-Handed Blues

Vic 20652

37682-2 Dead Drunk Blues

Vic 20982

Acc. by Bob Fuller, cl / Porter Grainger, p. New York, September 8, 1921.

81424-B Stinging Bee Blues

OK 8506

81425-B Best Friend Blues



OK 8506

NOTE: Parlophone R-3506 is credited to Margaret Johnson, but it is in fact by Sara Martin, q.v.



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