Brian rust jazz records, 1917–1934 / Free Personal-Use Edition Not for sale; all commercial use is prohibited. For personal, non-commercial use only. Notice



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HENRY MOON AND GEORGE THOMAS

Pseudonym on Herwin for Henry Johnson's Boys, q.v.



ETTA MOONEY

Vocal, acc. by Joe Smith, c / George Brashear, tb / ? Clarence Robinson, cl / Fletcher Henderson, p. Long Island City, NY, c. July, 1922.

Early Every Morn (I Want Some Lovin')

BS 14118, Pm 12151

Lonesome Monday Morning Blues

BS 14118, Pm 12151

Acc. by unknown t / tb / cl /p / bb. Long Island City, NY, c. November, 1922.

469-1 Cootie For Your Tootie

BS 14134, Pm 12152

470- Harmony Blues

BS 14134, Pm 12152

Throw It In The Creek (Don't Want Your Lovin' No More)

BS unissued?

NOTE: Black Swan 14129, according to THE TALKING MACHINE WORLD, was scheduled to include THROW IT IN THE CREEK and COOTIE FOR YOUR TOOTIE, but the former title never appeared, and the latter was issued and coupled as shown. Black Swan 14129 as issued is by Lena Wilson, q.v.



THE MOONLIGHT REVELERS

Unknown c / tb / cl, as, ts / ? J. C. Johnson (who composed all titles), p / bj. New York, August, 1929.

3606-A Alabama Shuffle

GG 1775, VD 71775, Px 4, VJR 19

3607-A Memphis Stomp

GG 1786, VD 71786

3608-A-B Baby Knows How (Baby Know How* / Someone To Love Me*)

GG 1767*, Mad 802**, Rx 952, VD 71767

NOTE: Grey Gull 1767 titled BABY KNOW HOW. Madison 802 is anonymous; Radiex 952, Van Dyke 71767, 71775, and 71786 as FIVE HOT CHOCOLATES; Paradox 4 and VJR 19 as NEW ORLEANS STOMPERS.

MOONLIGHT SERENADERS

The following title issued under this name is of considerable jazz interest; it may be by a Fred Hall group, q.v.

2 c / tb / cl / cl, as / p / bj / d. New York, c. July, 1925.

3839-2 Hot Stuff Blues

Bell 383

ALICE MOORE

The following titles by this blues artist are included here for their jazz accompaniments; all her later sides are


accompanied in the country blues idiom (see Blues and Gospel Records, 1890-1943).

Vocal, acc. by Ike Rodgers, tb / Henry Brown, p, v. Richmond, IN, August 16, 1929.

15447 Black And Evil Blues

Pm 12819, 14031, 106, Bwy 5092

15448 Prison Blues (County Farm Blues)

Pm 12868, Cen 3022, Poydras MC-66

15449-A My Man Blues

Pm 12868, Cen 3022, Poydras MC-66

15452 Broadway Street Woman Blues

Pm 12819, 14031, 106, Bwy 5092

NOTE: Matrices 15450 / 15451 are piano solos by Henry Brown, q.v. Matrix 15448 was originally titled COUNTY FARM BLUES in the Gennett files.

Similar accompaniment. Grafton, WI, c. February, 1930.

L-164-1 Have Mercy Blues

Pm 12973


L-155-3 Cold Iron Walls

Pm 12973


L-166-2 Loving Heart Blues

Pm 12947


L-167-2 Serving Time Blues

Pm 12947


L-170-2 Lonesome Dream Blues

Pm 13107


L-171-2 Kid Man Blues - vHB / no tb

Pm 13107


NOTE: Matrices L-168 / 9 are untraced.

Artie Mosby, vn, added. Chicago, August 18, 1934.

C-9317-A Black Evil Blues - p / tb

Dec 7028


C-9318 Riverside Blues - p / vn

Dec 7028


NOTE: This issue as ALICE MOORE (LITTLE ALICE FROM ST. LOUIS)

Chicago, August 24, 1934.

C-9333-A Lonesome Woman Blues

Dec 7056


C-9334-A Trouble Blues

Dec 7056


ARAH "BABY" MOORE

Vocal, acc. by Charley Williamson, c / James Alston, p. Memphis, February 25, 1927.

37952-2 Everybody Has The Blues Sometime

Vic 20553

37953-3 Drop Down Blues

Vic 20553



BILL MOORE'S SYNCOPATORS

Bill Moore, t / tb / as / ? Dudley Fosdick, mel / vn / p / bj / g / sb / d / Paul Hagan, v. New York, June 26, 1929.

53584-1-2-3 Birmingham Bertha - vPH

Vic unissued

53585-1-2-3 Am I Blue? - vPH

Vic unissued



GRANT MOORE AND HIS NEW ORLEANS BLACK DEVILS

Grant Moore, cl, as, dir: Robert Russell, Sylvester Friel, t / Thomas Howard, tb / Earl Keith­, cl, as / Willard Brown,


ts / J. Norman Ebron, p / Harold Robbins, bj, g / Lawrence Williams, bb / Harold Flood, d / v by "the entire band," per the Brunswick files. Chicago, May 6, 1931.

VO-161- Mama Don't Allow No Music Playing In Here - v

Voc 1622

VO-162-A Original Dixieland One-Step

Voc 1622

MONETTE MOORE

Vocal, acc. by Clarence Johnson, p. New York, c. January, 1923.

A-987- Sugar Blues

Pm 12015, Hg 781

A-988- Best Friend Blues

Pm 12015, 12034, Hg 781

NOTE: A Chicago Defender ad for March 17, 1923, states that Clarence Williams is the accompanist.

Acc. by Clarence Jones, p. New York, January, 1923.

5047- I Just Want A Daddy

Pm 12028


5048- Come Home Papa Blues

Pm 12028


Acc. by ? Clarence Jones, p. New York, January, 1923.

5052- Gulf Coast Blues

Pm 12030, Hg 2544

5053- Down Hearted Blues

Pm 12030

NOTE: The labels of Paramount 12030 state that Clarence Williams, p, is the accompanist, but aural evidence does not suggest this. Harmograph 2544 as ETHEL MAYES.

Acc. by Clarence Jones and the Paramount Trio: Tommy Ladnier, c / Jimmy O'Bryant, cl / Clarence Jones, p.
Chicago, June, 1923.

1431-1-2 I'll Go To My Grave With The Blues

Pm 12046, Hg 843

NOTE: Harmograph 842 titled I'M GOING TO MY GRAVE WITH THE BLUES.

Acc. by Clarence Jones, p. Chicago, June, 1923.

1441-1-2 Goin' Down To The Levee

Pm 12046, Hg 842

NOTE: Harmograph 842 as ETHEL HAYES.

Acc. by Naomi Carew, p. Chicago, c. August, 1923.

1489-3 Treated Wrong Blues

Pm 12067

1490-4 Muddy Water Blues

Pm 12067

Acc. by Wyatt Houston, vn / James Cassino (? pseudonym for Cassino Simpson), p. Chicago, c. April, 1924.

8074-2 Rocking Chair Blues

Pm 12210, Sil 3542

Acc. by Jimmy Blythe, p. Chicago, c. April, 1924.

8077-1-2-3 Friendless Blues

Pm 12210, Sil 3542

NOTE: Silvertone 3542 as GRACE WHITE. Matrices 8075 / 8076 are by Anna Lee Chisholm, q.v.

Acc. by John Montagu, p. New York, September 3, 1924.

13641 Texas Man Blues

Voc 14903

Rex Stewart, c, added. New York, September 15, 1924.

13692 I Wanna Jazz Some More - cRS

Voc 14903

Rudy Powell, cl, added. New York, September 25, 1924.

13767 I'm A Heart-Broken Mama - cRS

Voc 14911, Sil 3018

13768 Death Letter Blues - cRS / clRP

Voc 14911, Sil 3018

Acc. by the Choo Choo Jazzers: Bubber Miley, c / Jake Frazier, tb / Louis Hooper, p, with effects by Joe Davis*. New York, c. October, 1924.

31692 Workhouse Blues

Ajax 17064

31694 / 95 *House Rent Blues

Ajax 17064

NOTE: This issue as SUSIE SMITH.

Acc. by Bubber Miley, c / Jake Frazier, tb / Bob Fuller, cl / own k / Louis Hooper, p, as shown after each title. New York, c. November, 1924.

31706 Bullet Wound Blues - c / tb / p

Ajax 17075

31718 Graveyard Bound Blues - cl / k / p

Ajax 17075

31721 Salt Water Blues - tb / cl / p

Ajax 17073

31722 Rainy Weather Blues - tb / cl / p

Ajax 17073

31729 The Bye Bye Blues - c / tb / p

Ajax 17079

31730 Weeping Willow Blues - c / tb / p

Ajax 17079

NOTE: All issues as SUSIE SMITH.

Acc. by the Choo Choo Jazzers: Bob Fuller, cl / Louis Hooper, p. New York, c. December, 1924.

31737 Meat Man Pete

Ajax 17081, PA 032124

NOTE: This issue as SUSIE SMITH.

Jake Frazier, tb, added. New York, c. December, 1924.

31747 Nobody Knows The Way I Feel Dis Mornin'

Ajax 17086, PA 032122, Per 12201

31751 Sore Bunion Blues

Ajax 17089

31753 Put Me In The Alley Blues

Ajax 17089

NOTE: Ajax issues as SUSIE SMITH (AND THE CHOO CHOO JAZZERS on 17089); Pathé Actuelle 032122, 032124, and Perfect 12201 as NELLIE POTTER.

Vocal duets with Billy Higgins, acc. by the Choo Choo Jazzers: Rex Stewart, c / Louis Hooper, p. New York, c. January, 1925.

31773 How Can I Miss You?

Ajax 17095

31775 You Ain't Nothin' To Me

Ajax 17095

NOTE: This issue as SUSIE SMITH AND BILLY HIGGINS AND CHOO CHOO JAZZERS.

Vocal, acc. by the Choo Choo Jazzers: Jake Frazier, tb / Bob Fuller, cl / Louis Hooper, p. New York, c. January, 1925.

31777 Black Hearse Blues

Ajax 17093

31779 Scandal Blues

Ajax 17093

31785 Crepe Hanger Blues

Ajax 17134

NOTE: All issues as SUSIE SMITH.

Acc. by the Texas Trio: Instrumentation and personnel unknown for the first two sides; Bob Fuller, h / Louis Hooper, p / Elmer Snowden, bj, on the third. New York, c. February, 1925.

All Alone

Ajax 17124

Memphis Blues

Ajax 17124

31809 Texas Special Blues

Ajax 17127

NOTE: Ajax 17127 as SUSIE SMITH. No pseudonym is used on Ajax 17124.

Acc. by the Choo Choo Jazzers: Bubber Miley, c / Bob Fuller, as / Elmer Snowden, ts / Louis Hooper, p, as shown. New York, c. March, 1925.

31847 Undertaker's Blues - c / p

Ajax 17132

31848 Black Sheep Blues - as / ts / p

Ajax 17132

NOTE: This issue as SUSIE SMITH.

Acc. by Rex Stewart, c / Louis Hooper, p. New York, October 19, 1925.

141153-3 Take It Easy

Col 14105-D

141154-3 Get It Fixed

Col 14105-D

Acc. by Rex Stewart, c / Ernest Elliott, cl / ? Phil Worde, p. New York, November 9, 1926.

36916-2 If You Don't Like Potatoes

Vic 20356

36917-2 Somebody's Been Lovin' My Baby

Vic 20356

Bcl / f added. New York, January 26, 1927.

37572-2 Moaning Sinner Blues

Vic 20484

37573-1 Hard Hearted Papa

Vic LPV-534, RD-7840 (LPs)

37573-2 Hard Hearted Papa

Vic 20484

Acc. by Fats Waller, p. New York, September 28, 1932.

TO-1210-1 A Shine On Your Shoes / Lousiana Hayride

ARC test; Merritt 4 (LP), Doc DOCD5339, Timeless CBC1-026 (CDs)

SAM MOORE

Octochorda solos, acc. by Frank Banta, p. New York, July, 1921.

7534-A Laughing Rag

Gnt 4747, St 9146

Octochorda solos, unacc. New York, c. July 29, 1921.

70054-E Chain Gang Blues

OK 4412

70055-C Laughing Rag



OK 4412

SAM MOORE AND HORACE DAVIS: Sam Moore, octochorda / Horace Davis, harp-g. New York, c. August 10, 1921.

70085-C Wang-Wang Blues

OK / Apex 4423

70086-E Tuck Me To Sleep In My Old 'Tucky Home

OK / Apex 4423

Sam Moore, octochorda / Horace Davis, harp-g. New York, August 24, 1921.

25543-1 Laughing Rag (Sam Moore - Harry Skinner)

Vic 18849, HMV B-1406, Zon 3362

MOORE AND FREED: Banjo solos, acc. by Carl Freed, p. New York, c. October, 1924.

Laughing Rag

Voc 14917

Banjo Blues

Voc 14917

Octochorda solo, acc. by John Powell, g, with unknown cl / bcl. New York, November 8, 1927

E-25102 Maple Leaf Rag

Br 3713 (not issued)

NOTE: Brunswick 3713 was cancelled before release; LAUGHING RAG was scheduled for the reverse, but there is no evidence in the files that this was recorded. Other titles by Sam Moore are of no interest as ragtime or jazz.



WEBSTER MOORE AND HIS HIGH HATTERS

Pseudonym on Harmony 1197-H for Sam Lanin and his Orchestra, q.v.



MORAN AND MACK

The following from George Moran and Charles Mack's long-running "Two Black Crows" comedy series are of interest for their accompanists. Other issues, and alternate takes of titles listed here, use white pianists.

Speech, acc. by Bob Ricketts, p. New York, May 23, 1927.

144198-1 Two Black Crows - Part 3

Col 1094-D

Acc. by C. Luckeyth ("Luckey") Roberts, p. New York, July 18, 1927.

144467-1-2-3 Two Black Crows - Part 4

Col unissued

NOTE: The issued takes of this title (-4 / -5) are accompanied by R. H. Bowers, a studio pianist.

Acc. by C. Luckeyth ("Luckey") Roberts, p. July 19, 1927.

144198-6 The Two Black Crows - Part 3

Col 1094-D

NOTE: A later remake of this title (take -7) is accompanied by R. H. Bowers.

CHARLES E. MACK: Speech, acc. by C. Luckeyth ("Luckey") Roberts, p, with baby cries by Vaughn De Leath. New York, December 22, 1927

98411-3-6 Our Child

Col 50061-D

NOTE: The accompaniment on this title is of no jazz interest; it is included only for the sake of completeness.

HELEN MORGAN

The following by this musical comedy star have interesting accompani­ments; others are of no interest as jazz.

Vocal, acc. by probably: Jack Jackson, t / Jack Miranda, Joe Crossman, cl, as, ts / Fred Elizalde, p. London, July, 1927.

R-181 Lazy Weather

Br 113

Nothing But



Br 122

RAY MORGAN'S HOTEL LINCOLN BAND

Pseudonym on Australian Gracelon 4031 for Sam Lanin and his Orchestra, q.v.



RUSS MORGAN AND HIS ORCHESTRA

Russ Morgan, tb, dir. unknown personnel. New York, May, 1930

490074-A Washing The Blues From My Soul

Od ONY-36094, Par PNY-34088

Other records by this band are of little or no jazz interest.

SAM MORGAN'S JAZZ BAND

Sam Morgan, c, v / Ike Morgan, c / Jim Robinson, tb / Earl Fouche, as / Andrew Morgan, cl, ts / Tink Baptiste, p / Johnny Davis, bj / Sidney Brown, sb / Nolan Williams, d. Werlein's Music Store, Canal Street, New Orleans, April 14, 1927.

143975-1 Steppin' On The Gas

Col 14258-D, BR 5, JCl 521, VJR SP-5

143976-2 Everybody's Talking About Sammy - vSM

Col 14213-D, Tpl 535

143977-2 Mobile Stomp

Col 14258-D, BR 5, JCl 521, VJR SP-6

143978-2 Sing On

Col 14213-D, 14539-D, BR 3, Jay 14, JCl 540

O.C. Blancher, p, replaces Baptiste; Roy Evans, d, replaces Williams. New Orleans, October 22, 1927.

145000-2 Short Dress Gal - vSM&ch

Col 14351-D, BR 4, JCl 520, VJR SP-4

145001-2 Bogalousa Strut

Col 14351-D, BR 4, JCl 520, VJR F-3

145002-1 Down By The Riverside - vSM, AM, SB&ch

Col 14267-D, Tpl 535

145003-1 Over In The Glory Land

Col 14267-D , 14539-D, BR 3, Jay 14, JC1 540

NOTE: Jazz Classics 520 as JIM ROBINSON WITH SAM MORGAN'S JAZZ, BAND; 540 as JIM ROBINSON'S JAZZ BAND. Temple 535 is retitled I AIN'T GONNA STUDY WAR NO MORE.



ALICE MORLEY

The following by this musical comedy star is of interest as jazz in view of the remarkable accompaniment.

Vocal, acc. by Leslie A. Hutchinson ("Hutch"), p. London, c. September, 1927.

I Ain't That Kind Of A Baby

Br 126

It Takes A Good Woman (To Keep A Good Man At Home)



Br 126

THOMAS MORRIS

THOMAS MORRIS PAST JAZZ MASTERS: Tom Morris, Bubber Miley, c / Charlie Irvis, tb / ? Ernest Elliott, ts /


? Willie "The Lion" Smith, p / bj / d. New York, February, 1923.

71306-A E Flat Blues No. 2 (Memphis, Tennessee Blues)

OK 8055

71307-B Original Charleston Strut

OK 8055

Unknown d omitted. New York, April, 1923.



71531-C Lonesome Journey Blues

OK 4867


71532-B When The Jazz Band Starts To Play

OK 4867


New York, May, 1923.

71582-B Just Blues, That's All

OK 8075, LAR A-4157

71583-C The Bull Blues (E Flat No. 1 Blues)

OK 8075, Par D-1387, LAR A-4157

? Ernest Elliott, cl / bb, added. New York, August 7, 1923.

71739-B Those Blues

OK 4940


71740-B Beaucoupe de Jazz [sic] (Lots Of Jazz)

OK 4940


THOMAS MORRIS AND HIS SEVEN HOT BABIES: Tom Morris, Ward Pinkett, t / Geechie Fields, tb / Ernest Elliott, cl, as, bar / Happy Caldwell, cl, ts / Marlowe Morris, p / ? Lee Blair, bj / Bill Benford, bb / Mike Jackson, v. New York, July 13, 1926.

35762-3 Lazy Drag

Vic 20483

35763-3 Jackass Blues

Vic 20179

35764-2 Charleston Stampede

Vic 20180

Charlie Thomas, c, replaces Pinkett. New York, August 17, 1926.

36047-3 Georgia Grind - vMJ

Vic 20180, WS 103

36048-2 Ham Gravy

Vic 20179

NOTE: Wax Shop 103 as THOMAS MORRIS AND HIS NEW ORLEANS BLUE SEVEN.

THOMAS MORRIS AND HIS ORCHESTRA: Tom Morris, c, speech / Charlie Irvis, tb, speech / Bob Fuller, cl / Mike Jackson, p. New York, August 27, 1926.

36071-2 Who's Dis Heah Stranger? - spTM, CI

Vic 20316

THOMAS MORRIS AND HIS SEVEN HOT BABIES: Tom Morris, c / Joe Nanton, tb / Ernest Elliott, cl­, ts / Mike Jackson or Phil Worde, p / Buddy Christian, bj / Wellman Braud, sb / d. New York, November 12, 1926.

36925-2 Blues From The Everglades

Vic 20330

36926-3 P. D. Q. Blues

Vic 20330

Bob Fuller, cl, as, replaces Elliott. New York, November 24, 1926.

36962-3 The Mess

Vic 20364

36963-2 The Chinch

Vic 20483



VICTOR MORRIS AND HIS ORCHESTRA

Pseudonym on Australian Gracelon 4001 for Sam Lanin and his Orchestra, q.v.



MORRISON'S JAZZ ORCHESTRA

George Morrison, vn , dir: Leo Davis, t, as / Ed Caldwell, tb / Cuthbert Byrd, as / Andy Kirk, ts­ / ? Jimmy Walker,


p / Lee Morrison, bj / Alfonso Garcia, sb / Eugene Montgomery, d. New York, March 26, 1920.

49780-1-2-3 Pip-Pip, Toot-Toot, Goodbye-ee

Col unissued

49781-1-2-3 So Long, Oo-Long (How Long You Gonna Be Gone)

Col unissued

New York, April 2, 1920.

79097-1-2-3 Royal Garden Blues

Col unissued

79098-1-2-3 I Know Why (intro: My Cuban Dreams)

Col unissued

Garcia omitted. Camden, NJ, April 13, 1920.

Royal Garden Blues / Jean

Vic tests (unnumbered)

New York, April 22, 1920.

79098-6 I Know Why (intro: My Cuban Dreams)

Col A2945

NOTE: Despite the historical significance of this band, its single issued side contains no jazz whatsoever.

LEE MORSE AND HER BLUE GRASS BOYS

The following titles by this well-known white cabaret artist have interesting jazz­-styled accompaniments in which extended solo or ensemble passages can be heard. Otherwise, Lee Morse either provided her own ukulele-kazoo accompaniment, or gave little chance for her supporting musicians to establish themselves.

Vocal, acc. by Her Blue Grass Boys, probably: Hymie Farberman, t / Sam Lewis, tb / Larry Abbott, cl / Max Terr, p / bj. New York, c. June 25, 1925.

106109 What-Cha-Call-Em Blues

PA 025156, Per 11590

New York, c. August 12, 1925.

106191 Only This Time I'll Be True

PA 025156, Per 11590

106192-B Sweet Man

PA 025157, Per 11591

New York, c. August 27, 1925.

106224-A Oh, Boy! What A Girl

PA 025158, 11004, Per 11592

106225-B Want A Little Lovin'

PA 025161, Per 11595

106226 I Love You So

PA 025158, 11003, Per 11592

New York, c. December 7, 1925.

106459-B I Love My Baby (My Baby Loves Me)

PA 025168, 11005, Per 11602

New York, c. December 9, 1925.

106466-A The Deep Wide Ocean Blues

PA 025168, 11303, Per 11602

Acc. unknown. New York, c. June 1, 1926.

106894 Hoodle-Dee-Doo-Dee-Doo-Doo

PA 025187, 11176, Per 11621

Acc. by Her Blue Grass Boys. New York, c. August 4, 1926.

107053 He's Still My Baby

PA 11247, Per 11628

LEE MORSE'S BLUE GRASS BOYS: Possibly ? Red Nichols, t / ? Miff Mole, tb / Larry Abbott, cl / Jimmy Johnston, bsx / ? Max Terr or ? Bill Wirges, p / ? Harry Reser, bj / John Ryan, v, replaces Morse. New York, c. October 8, 1926.

107135 Ev'rything's Peaches (For Peaches And Me)

PA 36546, Per 14727

107136 Bolshevik - vJR

PA 36541, 11273, Per 14722, GP 18644

107137 Look Up And Smile - vJR

PA 36545, Per 14726

107138 Tuck In Kentucky (And Smile) - vJR

PA 36556, 11397, Per 14737

NOTE: Australian Grand Pree 18644 as TAMPICO JAZZ BAND.

Lee Morse, v, replaces Ryan, acc. by the same group as last, with Sam Lewis, tb, certain in place of ? Mole; Tom Stacks, d, added. New York, c. November 9, 1926.

107199 The Little White House

PA 25201, 11410, Per 11635

107200 Ain't That Too Bad?

PA 25205, 11434, Per 11639

107201 With All My Heart

PA 25202, Per 11636

107202 The Jersey Walk

PA 25202, 11410, Per 11636

Acc. by t / tb / cl / p / bj. New York, June 25, 1928.

146578-1 Be Sweet to Me

Col 1466-D

146579-2 Don't Keep Me In The Dark, Bright Eyes

Col 1466-D

Acc. by Phil Napoleon, t / Tommy Dorsey, tb / Jimmy Dorsey, cl / Frank Signorelli, p / Stan King, d. New York, July 24, 1929.

148847-1 Sweetness

Col 1922-D, DB-161, J-780

Acc. by Tommy Dorsey, t / Charlie Butterfield, tb / Jimmy Dorsey, cl / Adrian Rollini, bsx / Frank Signorelli, p / Carl Kress, g / own k. New York, February 27, 1930.

150032-3 'Tain't No Sin

Col 2136-D, DB-140, A-8736

Rollini omitted;? Arthur Schutt, harmonium, added (or replaces Signorelli). New York, March 27, 1930.

150139-2 Sing, You Sinners

Col 2165-D, DB-161

Acc. by ? Tommy Dorsey, t / Jimmy Dorsey, cl / ? Frank Signorelli, p / Eddie Lang, g / d. New York, October 31, 1930.

150924-1 Wasting My Love On You

Col 2333-D, DB-370, Re G-20971

150925-3 Loving You The Way I Do

Col 2333-D, DB-413

Acc. by Jack Purvis, t / Rube Bloom, p / Eddie Lang, g / d. New York, November 26, 1930.

150986-2 You're Driving Me Crazy

Col 2348-D

150987-3 He's My Secret Passion

Col 2348-D, Re G-20971

Acc. by Manny Klein, t / Tommy Dorsey, tb / Benny Goodman, cl / Rube Bloom, p / Eddie Lang, g. New York, February 20, 1931.

151334-3 Walkin' My Baby Back Home

Col 2417-D

151335-3 I've Got Five Dollars

Col 2417-D

Irving Brodsky, p, replaces Bloom. New York, July 8, 1931.

151670-1 It's The Girl!

Col 2497-D

151671-3 I'm An Unemployed Sweetheart

Col 2497-D



THEODORE MORSE

Piano duet with Abe Frankel, acc. by d. New York, c. September, 1917.

66667 Jazzin' Around

PA 20430



BENNY MORTON AND HIS ORCHESTRA

Henry Allen, t, v / Benny Morton, tb / Edward Inge, cl, as / Jerry Blake, cl, as, v, a / Ted McRae, ts / Don Kirkpatrick, p / Bobby Johnson, g / Billy Taylor, sb, a / Manzie Johnson, d. New York, February 23, 1934.

152717-2-3 Get Goin' - v, aJB

Col 2902-D, CB-746, DO-1214

152718-1 Fare Thee Well To Harlem - vjB

Col 2902-D, CB-746, DO-1214

152719-1 Tailor Made - aBT

Col 2924-D

152720-1 The Gold Digger's Song [sic] - vHA

Col 36011

152720-2 The Gold Digger's Song [sic] - vHA

Col 2924-D



JELLY ROLL MORTON

JELLY-ROLL MARTON AND HIS ORCHESTRA [sic, on all issues except Tempo R-7]: ? Bernie Young or ? Tommy Ladnier, c / Roy Palmer, tb / Wilson Townes, cl / Charles Harris, as / Jelly Roll Morton, p / Jasper Taylor, woodblocks. Chicago, June, 1923.

1434-1 Big Foot Ham

Pm 12050


1434-2 Big Foot Ham

Pm 12050, 14007, Cen 3004, JC L-11, AF A-053

1435-2 Muddy Water Blues

Pm 12050, 14007, 20251, Fam 3245, Hg 834, Nat 12251, Pur 11251, Cen 3004, JC L-11, Tem R-7, AF A-08, VJR 10

Piano solos. Richmond, IN, July 17, 1923.

11537 King Portor (A Stomp) [sic]

Gnt 5289, JC L-121, Tem R-47

11538 New Orleans (Blues) Joys [sic]

Gnt 5486, Sil 4041, BRS 3

11538-A New Orleans (Blues) Joys [sic]

Gnt 5486, Bm 1070, HJCA HC-55, JC L-132, Tem R-5, AF A-09, XX 13

NOTE: XX 13 as GOOD OLD JELLY. Morton also recorded with the New Orleans Rhythm Kings (q.v.) on this date.

Richmond, IN, July 18, 1923.

11544 Grandpa's Spells

Gnt 5218, Bm 1069, HJCA HC-54, JC L-37, Tem R-50, XX 16

11545 Kansas City Stomp

Gnt 5218, Bm 1069, HJCA HC-54, JC L-37, Tem R-50, XX 16

11546 Wolverine Blues

Gnt 5289, JC L-121, Tem R-47

11547 The Pearls (A Stomp)

Gnt 5323, XX 2, JD 004

NOTE: XX (KANSAS CITY STOMP) is anonymous; GRANDPA'S SPELLS as JELLY. Morton also recorded with the New Orleans Rhythm Kings (q.v.) on this date.

JELLY ROLL MORTON'S JAZZ BAND: Natty Dominique, c / Zue Robertson, tb / Horace Eubanks, cl / Jelly Roll Morton, p / ? W. E. Burton, d. Chicago, c. October 30, 1923.

8498-A Someday, Sweetheart

OK 8105, Bm 1058, HJCA HC-4

8499-A London Blues

OK 8105, Bm 1058, HJCA HC-4, AF A-042

JELLY ROLL MORTON'S STEAMBOAT FOUR: "Memphis, " comb / Jack Russell, k / Boyd Senter, cl / Jelly Roll Morton, p. Rodeheaver studio, Chicago, April, 1924.

8065 Mr. Jelly Roll [sic]

Cvl 11397

8065-2 Mr. Jelly Lord

Pm 20332, Bwy / Mit / Pur / Tri 11397, Pur 11232, SD 109, JC L-96

JELLY ROLL MORTON'S STOMPS KINGS or JAZZ KIDS: "Memphis," comb / Russell Senter, k / Boyd Senter, k, bj. This personnel, supplied by Boyd Senter, proves this to be the only record bearing Morton's name in which he took no audible part. Rodeheaver studio, Chicago, April, 1924 (probably on the same date as the previous title).

8066-1 Steady Roll

Pm 20332, Bwy / Cvl / Mit / Pur / Tri 11397, SD 109, JC L-96

8066-2 Steady Roll

Pm 20332, Pur 11332

Piano solos. Rodeheaver studio, Chicago, c. April, 1924.

8071 Thirty-Fifth Street Blues [sic]

Pm / Pur 12216, SD 101, JD 021, XX 8

8072 Mamanita (Mamamita*)

Pm / Pur 12216, *SD 101, JD 021

Piano solos. Marsh Laboratories, Chicago, c. April-May, 1924.

534 Froggie Moore (Frog-I-More)



Pm 14032, SD 103, JD 004, XX 8

535 London Blues

Rialto (unnumbered), Ses 3, JC L-7

NOTE: Steiner-Davis 101 reverses the matrix numbers on the labels. XX 8 as SLAP RAGS LEFTON WHITE -


PIANO BY FERDINAND BOULE DE SUIF MORTON. The issues from matrix 534 were dubbed from a test pressing in the possession of John Steiner, to whom I am grateful for the opportunity of inspecting it by eye and ear. The Riverside-London LP alleging to include the unissued Gennett recording of FROGGIE MOORE (matrix 11909) in fact merely uses an edited version of the above matrix 534.

Richmond, IN, June 9, 1924.

11907-A Tia Juana (Tee Wana)

Gnt 5632, 3043, Sil 4028, Bm 1003, JRS AA-110, JC L-5, Tem R-49

11908-A Shreveport Stomps

Gnt 5590, Bm 1073, HJCA HC-64, JRS AA-120, JC L-80, Tem R-48

11909,-A Froggie Moore (Frog-I-More)

Gnt unissued

11910-A Mamamita [sic]

Gnt 5632, 3043, Sil 4028, Bm 1003, JRS AA-110, JC L-5, Tem R-49

11911-A Jelly Roll Blues

Gnt 5552, Sil 4038, Bm 1072, HJCA HC-57, JC L-50

11912-A Big Foot Ham

Gnt 5552, Sil 4038, AF A-053, Bm 1072, HJCA HC-57, JC L-50

11913-A Bucktown Blues (Bucktown Stomp*)

Gnt 5515, Buddy 8015, Sil 4040, Bm 1071, HJCA HC-56, JC L-71, Tem R-32, XX 11*, JRS AA-122

11914 Tom Cat Blues

Gnt 5515, Buddy 8015, Sil 4040, Bm 1071, HJCA HC-56, JC L-71, Tem R-32, XX 11*, JRS AA-122

11915-A Stratford Hunch

Gnt 5590, Sil 4036, Bm 1073, HJCA HC-64, JRS AA-120, JC L-80, Tem R-48

11916 Milenberg Joys

Gnt unissued

11917 Perfect Rag

Gnt 5486, Sil 4041, Bm 1070, BRS 3, HJCA HC-55, Tem R-5, XX-13, AF A-03

NOTE: XX-11 as JELLY; XX-13 as TREMENDOUS OLD JELLY.

JELLY ROLL MORTON'S KINGS OF JAZZ: Lee Collins, c / Roy Palmer, tb / "Balls" Ball, cl / Alex Poole, as / Jelly Roll Morton, p. Marsh Laboratories, Chicago, c. September, 1924.

635 Fish Tail Blues

Auto 606, Ses 2, JC L-25, Tem R-19

636 High Society

Auto 606, Ses 2, JC L-25, Tem R-19

638 Weary Blues

Auto 607, Ses 4 (never issued)

639 Tiger Rag

Auto 607, Ses 4 (never issued)

NOTE: Matrix 637 is a talk on traffic safety for the Chicago Motor Club, obviously not by Morton, and of no jazz
interest.

JELLY ROLL MORTON AND HIS JAZZ TRIO (791), or VOLTAIRE DE FAUT (792): Volly de Faut, cl / W. E. ("Buddy") Burton, k (791 only) / Jelly Roll Morton, p. Marsh Laboratories, Chicago, c. May, 1925.

791 My Gal

Auto 623, Reissue 8, JC L-65

792 Wolverine Blues

Auto 623, Reissue 8, JC L-65

JELLY ROLL MORTON'S INCOMPARABLES: Jelly Roll Morton, p, dir: Ray Bowling / tb / as / ts / bj / Clay Jefferson, d. Richmond, IN, February 23, 1926.

12466,-A Milenberg Joys

Gnt unissued (destroyed May 31, 1927)

12467 Mr. Jelly Lord

Gnt 3259, Buddy 8004, Ch 15105

NOTE: This is Jelly Roll Morton's touring band, and probably the only example of a recording by a regular Morton organization, as distinct from a studio group. The Gennett files for December 1, 1925, list for matrix 12440 (also destroyed May 31, 1927) a test record­ing of MILENBERG JOYS by an unnamed artist, with the mysterious note


"Re Re." This almost certainly means a subsequent rerecording of the title by the same artist, who is probably Jelly Roll Morton, with a band possibly including Punch Miller and Edwin Swayzee on cornets. Buddy 8004 as NEW ORLEANS RHYTHM KINGS.

Piano solos. Chicago, April 20, 1926.

C-160, E-2863 The Pearls

Voc 1020, Or(E) 1007, Br 80067, 03564, Col MZ-354, Dec MG-3564

C-163; E-2866 Sweetheart O' Mine

Voc 1019, V-1019, Br 80068, JSo AA-584

C-164; E-2867 Fat Meat And Greens

Voc 1019, V-1019, Br 80068, JSo AA-584

C-166; E-2869 King Porter Stomp

Voc 1020, Or 1007(E), Br 80067, 03564, Col DZ, 354, Dec MG-3564

JELLY ROLL MORTON'S RED HOT PEPPERS: Jelly Roll Morton, p, v, speech, dir: George Mitchell, c / Kid Ory, tb / Omer Simeon, cl / Johnny St. Cyr, bj / John Lindsay, sb / Andrew Hilaire, d. Webster Hotel, Chicago, September 15, 1926.

36239-2 Black Bottom Stomp

Vic 20221, BB B-10253, HMV B-5164, B-10048, AE-1753, HN-2885, JK-2712, K-5010, R-7475, SG-459, El EG-7812, Bm 1063, HJCA HC-45

36240-2 Smoke-House Blues (Beale Street Blues*)

Vic 20296, BB B-8372, HMV B-10645, EA-4005*, JK-2759, El EG-7775, Bm 1065, BRS 8, HJCA HC-48, NOM M11

36241-1 The Chant



HJCA HC-45

36241-3 The Chant

Vic 20221, BB B-10253, HMV B-5164, B-10456, AE-1753, HN-3172, JK-2759, SG-459, El
EG-383, EG-7774, Bm 1063

NOTE: Late pressings of Bluebird B-10253 are from dubbed masters (single-ring eccentric run-off). Copies of Victor 20221 are known to exist coupling THE CHANT with a side from Victor 19921 by the Brox Sisters. HMV EA-4005 carries a sticker bearing the correct title.

Barney Bigard, Darnell Howard, cl / Marty Bloom, effects added; the files quote a second c, probably referring to the klaxon horn on the first side. Simeon is the only cl heard on the third title. Webster Hotel, Chicago, September 21, 1926.

36283-2 Sidewalk Blues - spJRM, JSC



X LX-3018, Vic 730605, 731059 (LPs)

36283-3 Sidewalk Blues - spJRM, JSC

Vic 20252, 40-0118, HMV B-5212, B-10270, EA-3785, HN-3016, JK-2755, El EG-7773

36284-1 Dead Man Blues - spJRM, JSC

Vic 20252, 40-0118, HMV B-10270, EA-3785, HN-3016, JK-2755, El EG-7774

36284-2 Dead Man Blues - spJRM, JSC

Vic 20252

36285-3 Steamboat Stomp - spJRM, JSC

Vic 20296, BB B-8372, HMV B-9979, HMV HN-2884, JF-56, JK-2686, SG-295, El EG-7545,
Bm 1065
, RS 8, HJCA HC-48, NOM M-11

NOTE: Some copies of Victor 40-0118 are pressed from dubbed masters.

As for September 15, 1926, plus Clarence Black, Wright Smith (or Darnell Howard, according to Howard himself), vn*; Simeon doubles bcl*; St. Cyr doubles g. Webster Hotel, Chicago, December 16, 1926.

37254-2 *Someday Sweetheart

Vic 20405

37254-3 *Someday Sweetheart



BRS 1001

37255-2 Grandpa's Spells

BB B-10254, HMV B-10048, HN-2885, JK-2712, El EG-7812, Homart JC-54

37255-3 Grandpa's Spells

Vic 20431, Bm 1066, BRS 9, HJCA HC-49

37256-1 Original Jelly Roll Blues

BB B-10255, HMV EA-3632

37256-2 Original Jelly Roll Blues

Vic 20405, A-1465, HMV B-9848, ALS, 5018, DA-4986, HN-2933, JK-2666, K-8741, El EG-7907, BRS 12, HJCA HC-47

37257-3 Doctor Jazz - vJRM

Vic 20415, A-1465, BB B-10255, HMV B-9848, ALS, 5018, DA-4986, EA-3632, HN-2933,
JK-2767, K-8741, El EG-7907, Bm 1011, BRS 12, HJCA HC-47

37258-1 Cannon Ball Blues

BB B-10254, Vic A-1368, HMV B-9979 HN-2884, JK-2686, SG-295, El EG-7545, Bm 1066, BRS 9, HJCA HC-49, Homart JC-54

37258-2 Cannon Ball Blues

Vic 20431

Jelly Roll Morton, p, dir: George Mitchell, c / Gerald Reeves, tb / Johnny Dodds, cl / Stump Evans, as / Bud Scott, g / Quinn Wilson, bb / Baby Dodds, d / Lew LeMar, effects. Oak Street studio, Chicago, June 4, 1927.

38627-2 Hyena Stomp - eLL

Vic 20772, Bm 1059, HJCA HC-11

38627-3 Hyena Stomp - eLL

HMV JK-2760

38628-1 Billy Goat Stomp - eLL

Vic 20772, Bm 1059, HJCA HC-11

38628-3 Billy Goat Stomp - eLL



HMV JK-2760

38629-1 Wild Man Blues

BB B-10256, HMV B-10645, JK-2761, El EG-7772, BRS 4, JCl 506

38629-3 Wild Man Blues



Meritt LP-1 (LP), BB 2361-2-RB (CD)

38630-2 Jungle Blues

BB B-10256, HMV B-10683, JK-2761, El EG-7772, BRS 4, JCl 506

38630-3 Jungle Blues

Vic 21345

Dodds Brothers and Morton only*. Oak Street studio, Chicago, June 10, 1927.

38661-1 Beale Street Blues

Vic 20948, BB B-10252, HMV B-10341, EA-4005, HN-3078, JK-2599, SG-493, VSG-11, Bm 1077, HJCA HC-88, NOM M-12, Record Shack 2

38661-2 Beale Street Blues

X LVA-3028, Vic RD, 27113, 741040 (LPs)

38662-2 The Pearls

Vic 20948

38662-3 The Pearls

Vic 20948, BB B-10252, HMV B-10341, EA-4005, HN-3078, JK-2599, SG-493, VSG 11, Bm 1077, HJCA HC-88, NOM M-12, Record Shack 2

38663-1 *Wolverine Blues

Vic 21064, BB B-10258, HMV B-10173, HN-2997, JK-2233, SG-400, Bm 1075, Trad T-594

38663-2 *Wolverine Blues



X LVA-3028, Vic RD, 27184, 741040 (LPs)

38664-1 *Mr. Jelly Lord

Vic 21064, BB B-10258, HMV B-10328, HN-3073, JK-2233, SG-474, El EG-7864, Bm 1075, Trad T-594

NOTE: Victor 21064 as JELLY ROLL MORTON - Piano solo with Clarinet and Traps; other issues of these two titles as JELLY ROLL MORTON TRIO.

Jelly Roll Morton, p, v, dir: Ward Pinkett, t / Geechie Fields, tb / Omer Simeon, cl / Lee Blair, bj / Bill Benford, bb / Tommy Benford, d; instrumentation of trio and quartet sides shown after titles. Liederkranz Hall, New York, June 11, 1928.

45619-2 Georgia Swing

Vic V-38024, BB B-5109, B-8515, Sr S-3192, HMV B-9221, DA-4987, EA-3419, HN-2944,
JF-10, JK-2666, JK-2680, K-8742, SG-308, Bm 1062, HJCA HC-44

45620-3 Kansas City Stomps

Vic V-38010, BB B-5109, B-7757, Sr S-3192, HMV B-10151, DA-4987, HN-2984, JK-2736,
K-8742, SG-41, Bm 1068, HJCA HC-51

45621-3 Shoe Shiner's Drag

Vic 21658, BB B-5707, B-7725, HMV B-10151, EA-468, HN-2984, JK-2758, R, 14054, Bm 1067, HJCA HC-50

45622-2 Boogaboo

Vic V-38010, BB B-6031, B-7725, HMV B-10173 HN-2997, JK-2736, Bm 1067, HJCA HC-50

45623-1 Shreveport - cl / p / d

Vic 21658

45623-2 Shreveport - cl / p / d

Vic 21658, BB B-5707, B-7710, HMV B-9220, EA-468, EA-3158, JK-2710, R-14054, JCl 501

45624-1 Mournful Serenade - tb / cl / p / d

Vic V-38024

45624-2 Mournful Serenade - tb / cl / p / d

Vic V-38024, BB B-6601, 8-8515, HMV B-9221, HN-2944, JK-2680, SG-308, Bm 1062, HJCA HC-44

45625-1-2 Honey Babe - t / p / d / vJRM

Vic unissued

45626-1-2 Sidewalk Blues

Vic unissued

NOTE: Some reissues of matrix 45624-2 as JELLY ROLL MORTON'S QUARTET.

JELLY ROLL MORTON AND HIS ORCHESTRA: Jelly Roll Morton, p, dir: Ed Anderson, Edwin Swayzee, t / William Cato, tb / Russell Procope, cl / Paul Barnes, ss / Joe Garland, ts / Lee Blair, g / Bass Moore, bb / Manzie Johnson, d. 46th Street studio, New York, December 6, 1928.

48433-1-2 Everybody Loves My Honey Now

Vic unissued

48434-1 Red Hot Pepper

Vic V-38055, 40-0119, BB B-6601, HMV JK-2737

48435-3 Deep Creek

Vic V-38055, 40-0119, BB B-5333, Sr S-3414, HMV B-9220, EA-3158, JF-10, JK-2710

48436-1-2 You Oughta See My Gal

Vic unissued

NOTE: Some copies of Victor 40-0119 are pressed from dubbed masters on both sides.

Piano solos. Camden, NJ, July 8, 1929.

49448-2 Pep

Vic V-38627, BB B-10257, HMV B-10619, JK-2201, BRS 1010, HJCA-609

49449-1 Seattle Hunch

Vic V-38527

49449-2 Seattle Hunch

Vic 27565, HMV JK-2762, El EG-7776

49450-2 Frances (Fat Frances*)

Vic V-38627, BB B-10257, HMV B-10619, JK-2201*, BRS 1010, HJCA 609

49451-1 Freakish

Vic 27565, HMV JK-2762, El EG-7776

49451-2 Freakish

Vic V-38527

JELLY ROLL MORTON AND HIS ORCHESTRA (...AND HIS RED HOT PEPPERS on Victor V-38075): Jelly­ Roll Morton, solo p, dir: Boyd "Red" Rossiter, Walter Briscoe, t / Charlie Irvis, tb / George Baquet, cl / Paul Barnes, ss / Joe Thomas, as / Walter Thomas, ts / Rod Rodriguez, ensemble p / Barney Alexander, bj / Harry Prather, bb / William Laws, d. Camden, NJ, July 9, 1929.

49452-1 Burnin' The Iceberg

Vic 741054 (LP)

49452-2 Burnin' The Iceberg

Vic V-38075, 40-0120, HMV B-10762, EA-3730, JK-2738, R-14329

49453-1 Courthouse Bump



Vic 741054 (LP)

49453-2 Courthouse Bump

Vic V-38093

49454-1 Pretty Lil



Vic 741054 (LP)

49454-2 Pretty Lil

Vic V-38078, 40-0120, HMV EA-3730, JK-2738, SG-53

Camden, NJ, July 10, 1929.

49455-1 Sweet Aneta Mine [sic]

Vic V-38093, HMV R-14433

49455-2 Sweet Aneta Mine [sic]

Vic LPV-524, RD-7807, 730599 (LPs)

49456-1 New Orleans Bump (Monrovia)

Vic V-38078, BB B-7757, HMV JK-2737, BRS 1001, JCl 501

49456-2 New Orleans Bump (Monrovia)



Vic LPV-546 (LP)

Camden, NJ, July 12, 1929.

49457-1 Down My Way

Vic V-38113

49458-2 Try Me Out

Vic V-38113

49459-1 Tank Town Bump

BB 2361-2-RB (CD)

49459-2 Tank Town Bump

Vic V-38075, HMV B-10456, JF-56, JK-2758, R-14329, El EG-7771

JELLY ROLL MORTON AND HIS RED HOT PEPPERS: Jelly Roll Morton, p, dir: Henry Allen, t / J. C. Higginbotham, tb / Albert Nicholas, cl / Will Johnson, g / Pops Foster, sb / Paul Barbarin, d. 46th Street studio, New York, November 13, 1929.

57080-1 Sweet Peter

Vic 23402, Bm 1061, HJCA HC-34

57080-2 Sweet Peter

HMV JK-2860

57081-1 Jersey Joe

Vic 23402, HMV JK-2862

57081-2 Jersey Joe



Bm 1061, HJCA HC-34

57082-1 Mississippi Mildred

Vic 23424, HMV JK-2862

57052-2 Mississippi Mildred



Bm 1060, HJCA HC-35

57083-1 Mint Julep

Vic 23334

JELLY ROLL MORTON TRIO: Barney Bigard, cl / Jelly Roll Morton, p / Zutty Singleton, d. 46th Street studio, New York, December 17, 1929.

57784-1 Smilin' The Blues Away

Vic V-38108, BB B-10194, HMV JK-2186, BRS 1011, HJCA 609

57785-1 Turtle Twist

Vic V-38108, BB B-10194, HMV JK-2186, BRS 1011, HJCA 609

57786-1 My Little Dixie Home

Vic V-38601, HMV JK-2861, HJCA HC-15

57787-2 That's Like It Ought To Be

Vic V-38601, HMV JK-2861, HJCA HC-15

JELLY ROLL MORTON AND HIS RED HOT PEPPERS: Jelly Roll Morton, p, dir: Ward Pinkett and another, t / Wilbur de Paris, tb / Ernie Bullock or Jerry Blake, cl, bcl / Bernard Addison, g / Billy Taylor, bb / Cozy Cole, d. 46th Street studio, New York, March 5, 1930.

59504-1 Each Day

Vic 23351, T-64, HJCA HC-33

59504-2 Each Day



Gannet GE-5552 (LP), BB 2361-2-RB (CD)

59505-2 If Someone Would Only Love Me - bcl

Vic 23321, HMV JK-2860, Tpl 525

59506-1 That'll Never Do

Vic 23019, HMV B-4836, HJCA HC-76

59507-2 I'm Looking For A Little Bluebird

Vic 23004

NOTE: Victor T-64 is a special pressing for use in theaters, bearing a yellow Victor label and the same performance of EACH DAY on each side.

Jelly Roll Morton, p, dir: Ward Pinkett, Bubber Miley, t / Wilbur de Paris, tb / Lorenzo Tio Jr., cl / bj / Bernard Addison, g / Bill Benford, bb / Tommy Benford, d. 46th Street studio, New York, March 19, 1930.

59332-2 Little Lawrence

Vic V-38135, 40-0121, HMV EA-3680, JK-2756, SG-53

59533-1 Harmony Blues

Vic V-3813, HMV B-10683, ALS-5059, El EG-7773

NOTE: The latter title was scheduled for issue on Bluebird B-11594, but it never appeared in this form.

Ernie Bullock or Jerry Blake, cl, bcl, replaces Tio. New York, March 20, 1930.

59643-1 Fussy Mabel

Vic V-38125, 760-0003, HMV B-10762

59644-1 Ponchatrain

Vic V-38125, 40-0121, 760-0003, HMV EA-3680, El EG-7775

NOTE: The first title was scheduled for issue on Bluebird B-11593, but it never appeared in this form.

Jelly Roll Morton, p, dir: Ward Pinkett and another, t / Geechie Fields, tb / Happy Cald­well, cl / Joe Thomas, as / Walter Thomas, cl, bar / Lee Blair, bj / Billy Taylor, bb / Cozy Cole­, d. 46th Street studio, New York, June 2, 1930.

62182-1 Oil Well

Vic 23321, Tpl 525

62182-2 Oil Well



BB 2361-2-RB (CD)

62183-1 Load Of Coal (Load Of Cole)

Vic 23429

62183-2 Load Of Coal (Load Of Cole)



Bm 1060, HJCA HC-35

62184-1 Crazy Chords



BB 2361-2-RB (CD)

62184-2 Crazy Chords

Vic 23307, HMV B-4898, Bm 1074, HJCA HC-68

62185-1 Primrose Stomp

Vic 23424, HMV JK-2877

62185-2 Primrose Stomp



BB 2361-2-RB (CD)

NOTE: Victor 23307 and HMV B-4898 as JELLY ROLL MORTON AND HIS ORCHESTRA.

Jelly Roll Morton, p, dir: Ward Pinkett, t / Geechie Fields, tb / Albert Nicholas, cl / Howard Hill, g / Pete Biggs, bb / Tommy Benford, d. 24th Street studio, New York, July 14, 1930.

62339-1 Low Gravy

Vic 23334, BB B-8302, HMV JK-2763, SG-457, Bm 1068, BRS 10, HJCA HC-51

62339-2 Low Gravy

Vic unissued

62340-1 Strokin' Away



HJCA HC-33

62340-2 Strokin' Away

Vic 23351, BB B-8302, HMV JK-2763, SG-457

62341-1 Blue Blood Blues



Vic 22681, A-1335, BB B-8201, HMV EA-3419, JK-2859, R-14645, Bm 1064, BRS 11, HJCA HC-46

62341-2 Blue Blood Blues



BB 2361-2-RB (CD)

62342-1 Mushmouth Shuffle

Vic 23004, BB B-8201, HMV B-10328, HN-3073, JK-2796, SG-474, El EG-7864, Bm 1064, BRS 11, HJCA HC-46

Jelly Roll Morton, p, dir: Ward Pinkett, t / Geechie Fields, tb / ? Eddie Scarpa, cl / Bernard Addison, g / Billy Taylor, bb / Bill Beason, d. 24th Street studio, New York, October 9, 1930.

64313-1 Gambling Jack

Vic 23307, HMV JK-2859, Bm 1074, HJCA HC-68

64313-2 Gambling Jack

BB 2361-2-RB (CD)

64314-1 Fickle Fay Creep

Vic 23019 HMV B-4837, HJCA HC-76

NOTE: Victor 23307 as JELLY ROLL MORTON AND HIS ORCHESTRA.




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