1E13. Phrases about notes, appendixes, etc. (Optional)
Provide additional title access for phrases concerning notes, appendixes, etc., if the phrase is distinctive and the additional access seems useful.
1F1-1F3. Titles of additional works (Optional)
For other than supplementary matter, provide access for the titles of additional works named on a title page without a collective title. Also, selectively provide access for titles of additional works found in such a manuscript, although not named on the title page.
7B4.7. Title variants and other titles (Optional)
Provide additional access for any titles not chosen as the formal title, such as titles from covers, added title pages, colophons, captions, running titles, or spines.
7B11. Titles of accompanying material (Optional)
Provide additional access for any separate title on accompanying material deemed useful.
Appendix G. Early Letterforms and Symbols
G1. Introduction
The first part of this appendix (G2-G5) first appeared in DCRM(B) and was intended to provide guidance for transcription of archaic printed letterforms and characters, including marks of punctuation, and archaic conventions of contraction, known as brevigraphs. It generally applies only to European material published before the mid-seventeenth century, though some practices continued later. Although this first part focuses primarily on published materials, it provides some guidance for the most common occurrences of letterforms and characters appearing in manuscript material of the same period, and gives some basis for judgment in ambiguous situations.
The last part of this appendix (G6) consists of a list of abbreviations commonly found in early modern English manuscripts, with examples reproduced from Folger Shakespeare Library manuscripts.
G2. Early letterforms and symbols
According to the instructions for transcription in rule 0G1.1, earlier forms of letters and symbols are converted to their modern forms.
G3. Brevigraphs (early contractions)
According to the instructions for transcription in rule 0G8.1, brevigraphs, or symbols of contraction used in continuance of the manuscript tradition, are expanded to their full form, with cataloger-supplied letters or words enclosed in square brackets. The values of many brevigraphs are dependent on context, with the most common values provided here.
G4. Letterforms I/J, U/V, i/j, and u/v
G4.1. Historical background. Some knowledge of the history of the letterforms I/J, U/V, i/j, and u/v is helpful when applying the provisions of 0G2.2.
Until the early seventeenth century, the standard Latin alphabet contained 23 letters. The letters we know as i and j were considered different minuscule shapes (or letterforms) of the same letter, as were the letters u and v. The letter w was not part of the standard Latin alphabet. The choice of the u letterform in preference to the v letterform (or the i to the j) depended on its placement in a word and was governed by convention. Conventions varied somewhat from person to person, but often reflected national and regional preferences. While there were variant letterforms for lowercase letters, in pre-modern practice there was only one letterform for each of these letters used as capitals: I (with the gothic form resembling a modern J), and V (with the gothic form resembling a modern U). For example, = Iacob; = Vnspotted (capitalized as the first word of a title).
The dominant patterns in use before the seventeenth century were:
i used in the initial, medial, and final position, without signifying vocalic or consonantal use; e.g., iustice (modern form: justice)
j used in the medial or final position only after a preceding i (more typical on the European continent), signifying vocalic use; e.g., commentarij (modern form: commentarii)
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