Faà di Bruno, Giovanni Matteo [Horatio, Orazio] Fabbri, Anna Maria
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Fukač, Jiří(b Znojmo, 15 Jan 1936). Czech musicologist. He studied musicology with Jan Racek and Bohumír Štědroň at Brno University (1954–9) and took private lessons in the piano and composition. He took the doctorate in 1967 with a dissertation on the music of St František, the church of the Knights of the Cross in Prague, and in 1991 completed the CSc with a dissertation on the study of musical semiotics and the theory of communication, and the Habilitation with a dissertation on the meta-ionic and intersemiotic aspects of music. In 1961 he joined the music department at Brno University, becoming assistant professor in 1964. From 1971 to 1989, as a politically unacceptable person, he was unable to teach, and worked in the department of lexicography. He became docent in 1990 and professor in 1994. In 1990 he became head of the Institute of Musicology at Brno University. He joined the board of the Brno International Musical Festival in 1966, and was co-founder of the annual Brno musicological colloquia; in collaboration with the pedagogical faculty at Nitra, Slovakia, he was co-founder of the music education conferences held there. In 1969 he became founder-editor of the journal Opus musicum. He was president of the Czech Society for Musicology from 1990 to 1992, and in 1993 joined the board of the Czech Music Council and became a visiting lecturer at Vienna University. His research interests include the history of music in Central Europe from the 18th century to the 20th, aesthetics and semiotics, the sociology of music and music teaching, and music terminology and lexicography. He has contributed to many European dictionaries, and was co-editor, with Jiří Vysloužil, of Slovník české hudební kultury (1997). WRITINGS‘Leoš Janáček a Zdeněk Nejedlý’, SPFFBU, F7 (1963), 5–29 O studiu hudební vědy [Studying musicology] (Prague, 1964) Křižovnický hudební inventář [The music inventory at the Church of the Knights of the Cross] (diss., U. of Brno, 1967) ‘Moravská skladatelská škola po Janáčkovi’ [The Moravian school of composition after Janáček], HV, iv (1967), 243–59 ‘Der tschechische Musikbarock und methodologische Probleme seines Studiums’, SPFFBU, H3 (1968), 7–20
‘Soziologische Gesichtspunkte der musikwissenschaftlichen Methode Vladimír Helferts’, SPFFBU, H4 (1969), 67–76 ‘Zur Frage der neuromantischen Stilmerkmale in der Musikentwicklung Mährens’, SPFFBU, H5 (1970), 63–90 ‘Die musiklexikographische Methode B.J. Dlabačs und ihre kunstgeschichtliche Hintergründe’, SPFFBU, H6 (1971), 63–86 ‘Zur Funktion des kritischen Urteilens in Werdegang des ästhetischen Wertes der Musik’, Hudební dílo: jeho ideová a společenská podstata a estetická hodnota: Brno X 1975, 235–51
‘Znaky a metaznaky v hudební komunikaci’ [The signs and metasigns of musical communication], HV, xvi (1980), 211–20 ‘Das Waldhorn und die Wandlungen des Tonideals im 18. Jahrhundert’, Das Waldhorn in der Geschichte und Gegenwart der tschechischen Musik: Brno 1981, 54–65
‘“Styl”: o potřebnosti nezbytných konkretizací jedneho “příliš obecného” slova’ [‘Style’: the necessity of needful concretizations of one word which is ‘much too general’], HV, xx (1983), 106–18 ‘Zur Spezifik der Klangstruktur und der Tektonik in Hristics Chorkompositionen’, Život i delo Stevana Hristica: Belgrade 1985, 75–86 ‘K problémům, metodám a možnostem sémantické hudební analýzy’ [On the problems, methods and possibilities of semantic music analysis], O interpretácii umeleckého textu, ix (1986), 31–52 ‘Böhmische Länder und Mannheim im Netzwerk von “Musiktrassen”’, Untersuchungen zu Musikbeziehungen zwischen Mannheim, Böhmen und Mähren im späten 18. und frühen 19. Jahrhundert: Mannheim 1987, 22–34 ‘A Chance for Music Folklore or for Folk(lore) Music?’, Folklor i njegova umetnička transpozicija [I]: Belgrade 1987, ii, 271–88 ‘Intersemiotické problémy recepce a interpretace hudby’ [The intersemiotic problems of music reception and interpretation], O interpretácii umeleckého textu, x (1987), 139–52 ‘Janáček and the Dance of “Categories”’, Janáček and Czech Music: St Louis 1988, 371–88 ‘Vloga Antona Foerstera v nastajanju nacionalne glasbe’ [Anton Foerster’s contribution to the genesis of national music], Slovenska glasba v preteklosti in sedanjosti: Ljubljana and Kostanjevica 1988, 84–99 [also in Ger.]
‘Gustav Mahlers musikalische Gestaltungsprinzipien’, Gustav Mahler: Hamburg 1989, 215–27 Mýtus a skutečnost hudby: traktát o dobrodružstvích a oklikách poznání [The myth and reality of music: a treatise on the adventures and circuitous routes of cognition] (Prague, 1989) ‘Bohuslav Martinůs Tschechentum’, Bohuslav Martinů: his Pupils, Friends and Contemporaries: Brno XXV 1990, 5–12 K metaznakovým a intersémiotickým aspektům hudby [On the meta-ionic and intersemiotic aspects of music] (Habilitationsschrift, U. of Brno, 1991) Studie z hudební sémiotiky a teorie komunikace [Studies on musical semiotics and the theory of communication] (CSc diss., U. of Brno, 1991) ‘Zum Werdegang der Nationalmusik im böhmisch-tschechischen Kulturraum’, Welttheater: die Künste im 19. Jahrhundert, ed. P. Andraschke and E. Spaude (Freiburg, 1992), 66–75 with J. Jiránek, I. Poledňák and J. Volek: Základy hudební sémiotiky [The principles of musical semiotics] (Brno, 1992) ‘Tschechische musikalische Avantgarde und Postmoderne: Ideen und Wirklichkeit’, SPFFBU, H27–8 (1991–2), 127–41 ‘Die Musikwissenschaft in Böhmen und Mähren als kulturgeschichtliche Selbstreflexion’, Die Musik der Deutschen im Osten und ihre Wechselwirkung mit den Nachbarn: Cologne 1992, 307–15 ‘Zur Differenzierung des Musikbegriffs in ostmitteleuropäischen Ländern um 1800’, Zwischen Aufklärung & Kulturindustrie: Festschrift für Georg Knepler zum 85. Geburtstag, ed. H.-W. Heister, K. Heister-Grech and G. Scheit (Hamburg, 1993), i, 95–102 ‘Die Musik im Kulturraum “Tschechoslowakei” 1918–1938: zum Problem der allzu späten Bewusstwerdung einer natürlichen Pluralität’, Stifter-Jb, new ser., viii (1994), 93–102 ‘Die Oratorienaufführungen bei den Prager Kreuzherren mit dem roten Stern als Typ lokaler Musikfeste’, SPFFBU, H29 (1994), 69–89 ‘Musik und die Machtstrukturen (mit besonderer Berücksichtigung der tschechischen Musikkultur von heute)’, SPFFBU, H30 (1995), 109–19
‘Empirische Denkweise in der tschechischen Musikwissenschaft’, Wege zu einer Wiener Schule der Musiksoziologie, ed. I. Bontinck (Vienna, 1996), 23–34 ‘Zwischen Triumph und Biederkeit: Smetanas symphonischer Versuch’, Jb der Grillparzer-Gesellschaft, 3rd ser., xix (1996), 41–53 ‘Druhá vídeňská škola a český kulturní kontext’ [The Second Viennese School and the Czech cultural context], HV, xxxiv (1997), 74–84 ed., with J. Vysloužil: Slovník české hudební kultury (Prague, 1997) KAREL STEINMETZ Directory: download -> 3062a7ba-8b89-4266-8568-82026f790e50 -> Bibliografia%20Básica download -> Northern England’s set-jetting locations download -> Bbc archives: Beyond the programme download download -> Occupational health and safety download -> Dynatest 3031 lwd light Weight Deflectometer download -> Forth coming competitive exams download -> English Olympiad Tasks: 10 th form Аудіювання, 10 клас. Текст download -> Brush High School Morning Announcements Friday, September 05, 2014 all school download -> Year 9 The Arts — Music download -> Years 7 and 8 standard elaborations — Australian Curriculum: Music draft Bibliografia%20Básica -> Oakeley, Sir Herbert (Stanley) Download 19.1 Mb. Share with your friends:
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