Faà di Bruno, Giovanni Matteo [Horatio, Orazio] Fabbri, Anna Maria
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Flothuis, Marius (Hendrikus)(b Amsterdam, 30 Oct 1914). Dutch composer and musicologist. After studying musicology with A. Smijers and K.P. Bernet Kempers at Amsterdam University he was assistant to the artistic director of the Concertgebouw Orchestra (1937–42). During the later years of the war he was interned in concentration camps. After the war he worked as a librarian and music critic before returning to the Concertgebouw in 1953; two years later he was appointed artistic director. In 1974 he left this post to become professor of musicology at Utrecht University until his retirement in 1982. From 1980 to 1994 he was president of the Zentralinstitut für Mozartforschung in Salzburg. Although Flothuis had no instruction in composition, in 1922 he wrote a cadenza for Haydn’s keyboard concerto in D, and this was followed by several piano pieces and an incidental score for Sophocles’ Philoktetes; all the music composed before 1934 has been withdrawn. Important works of the 1940s and 1950s include the Horn Concerto (1945), the charming Four Trifles (1948) the Sonata da Camera for flute and harp (1951) and the lyrical String Quartet no.1 (1952), winner of the Professor van der Leeuw Prize. Symfonische muziek (1957) is a brilliant score somewhat in the vein of César Franck. The first three movements are cyclical, with a single motif linking a vivid scherzo-like Allegro, a funeral march and a tempestuous Allegro agitato, while the finale is a passacaglia built on a related theme. In the symphonic song Hymnus, awarded the Johan Wagenaar Prize, Flothuis presents an accurate musical realisation of the hope and despair permeating Ingeborg Bachmann’s poem An die Sonne. Flothuis’s music is in general lyrical and intimate, tonal and extensively contrapuntal. WORKS(selective list) orchestral
vocal
chamber and solo instrumental
editions
WRITINGSMozart (The Hague, 1940) ‘Franz Schubert’, De vrije katheder (31 Jan 1947) Hedendaagse Engelse componisten (Amsterdam, 1949) ‘Spel en expressie in de muziek’, Kroniek voor kunst en kultur (1949), Dec ‘Willem Pijper’, Thot (1953), July
‘Über die Notwendigkeit einer kritischen Gesamtausgabe der Werke Leoš Janáčeks’, Sborník prací filosofické fakulty brněnské university, F9 (1965) ‘Vocal Compositions by Dutch Composers based on English Texts’, MO, lxxxviii (1965), 471 ‘Jupiter oder Sarastro?’, MJb 1965–6, 121 Mozarts Bearbeitungen eigener und fremder Werke, Schriftenreihe der Internationalen Stiftung Mozarteum, ii (Salzburg and Kassel, 1969) ‘Die Bläserstücke KV 439b’, Idomeneo Conference: Salzburg 1973 [MJb 1973–4], 202–10 Notes on Notes: Selected Essays (Buren, 1974) ‘Über einige metrische Probleme bei Mozart’, MJb 1978–9, 47 W.A. Mozart: Streichquintett g-moll KV 516 (Munich, 1987) ‘Quelques observations concernant les mélodies de Claude Debussy’, SMz, cxxix (1989), 271–82 Denken over muziek (Kampen, 1993) ‘… exprimer l’inexprimable…’: essai sur la mélodie française depuis Duparc (Amsterdam, 1996) Mozarts Klavierkonzerte (Munich, 1998) Mozarts Streichquartette (Munich, 1998) BIBLIOGRAPHYW. Paap: ‘Marius Flothuis’, Sonorum speculum, no.6 (1961), 2–9 J. Wouters: ‘Symphonic music’, Sonorum speculum, no.6 (1961), 45–8 ‘Marius Flothuis on himself’, Key Notes, no.4 (1976), 57–9 JOS WOUTERS/LEO SAMAMA
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