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Girls Lie Too - Terri Clark Greatest Hits (04)



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23 Girls Lie Too - Terri Clark
Greatest Hits (04)

Got this from Mare – along with a bunch of other really good stuff. Her comment about not including enough female artists has sensitized me to that issue, so I have a special ‘Female’ category that I try to populate with Naweedna Possibles during the year. This is one of ‘em. The very first time I heard this, I knew it was Naweedna possible, so it went directly into the ‘Female’ folder. A good companion to this piece would be ‘ESPN’ by David Buskin & Robin Batteau and from PHC wherein they sing “ESPN, you’re the reason I’m single again.” Yeah, I think they would go well together, don’t you?
Like her contemporary, Shania Twain, Terri Clark came storming out of Canada and captured the attention of America's country music industry in the mid-'90s. Where Twain incorporated more rock & roll into her music, Clark pretty much stayed close to her country roots, even if those roots were more new country than hardcore honky tonk.
Raised in Medicine Hat, Alberta, Canada, Terri Clark (born in Montreal, Canada, August 5, 1968) was born into a musical family. Her grandparents, Ray and Betty Gauthier, were country stars in Canada, opening shows for stars like George Jones and Little Jimmy Dickens, while her mother sang folk songs in local coffeehouses. As a child, Terri listened to her grandparents' country records and taught herself how to play guitar. Throughout her adolescence, Clark sang, played, and listened to country music; she was particularly inspired by female artists like Reba McEntire, the Judds, and Linda Ronstadt.
Following her high-school graduation in 1987, she moved to Nashville. Upon her arrival, she wandered into Tootsie's Orchid Lounge unannounced and asked if she could sing. Surprisingly, she impressed the management and landed a job as the club's house singer. Though her initial arrival in Nashville was successful, it took Clark quite a long time to work her way into the actual industry. For the next seven years, she sang at clubs and worked odd jobs, all the while trying to land a record contract. During this time, she met and married a fiddler named Ted Stevenson.
In 1994, she landed an audition for Mercury Records. After seeing a live performance by Clark, the label's president signed the singer. Clark's eponymous debut album was released in the summer of 1995. Terri Clark was a hit upon its release, spawning the Top Ten hits "Better Things to Do," "When Boy Meets Girl," and "If I Were You," as well as going gold. Clark supported the album with a tour opening for George Strait.
In 1996, she was nominated for the Country Music Association's Horizon Award, as well as the Academy of Country Music Awards' Best New Female Vocalist. She won a bevy of Canadian Country Music Awards in 1996, including Album of the Year and Single of the Year; she was also named the Top New Female Country Artist of 1995 by Billboard magazine. Her second album, Just the Same, was released in the fall of 1996, preceded by the hit single "Poor Poor Pitiful Me." How I Feel followed in 1998. Fearless brought the country chart single "A Little Gasoline" in fall 2000, and Pain to Kill was released in 2003. Mercury unleashed Clark's Greatest Hits 1994-2004 the next year, followed by Life Goes On in 2005.
Terri Clark

Greatest Hits 1994-2004

Rating 4 * checked

Release Date Jul 27, 2004

Recording Date Sep 26, 2003

Country
Canadian singer Terri Clark is often compared to Shania Twain mainly because the two are Canadian, started around the same time, and began their careers in country music. But while Twain went on to uber status with a mainstream merging of country and pop and rock, Clark slowly built her career on Nashville's Music Row and its contemporary yet safe country sound. This collection featuring her better moments starts with "Better Things to Do," a standard country-pop tune that has the singer opening up vocally from the onset. The only thing that perhaps sets it apart is her ability to pull off the song effortlessly, as if she was born to do these songs. "When Boy Meets Girl" isn't all that different, although Clark carries it equally strong with the country-tinted Brooks & Dunn-like melody. Unfortunately, some of the tunes that are radio-friendly aren't always the greatest. This is true of the slower play-by-numbers country ballad "If I Were You" that is accented by the pedal steel guitar. But this is followed by a terrific cover of the late Warren Zevon's "Poor, Poor Pitiful Me" that suits her Western Canadian twang to a tee. The ebb and flow of the album takes another downturn with the poppy, up-tempo but rather bland "Emotional Girl," which sounds somewhat like a Carlene Carter B-side. Just when you think it's heading downhill she dusts herself off with the tight and catchy "You're Easy on the Eyes" and "I Wanna Do It All," both of which bring Mary Chapin Carpenter's early days to mind. This song takes on a roots groove as does "Everytime I Cry" which is introduced with a mandolin. Clark's niche is radio-friendly country music that never pushes the envelope judging by "I Just Wanna Be Mad" that falls alongside Toby Keith's material. The collection concludes with a well-crafted "Girls Lie Too" and a live version of "No Fear." It's the first of perhaps several good collections to come.

1 Better Things to Do Clark, Shapiro, Waters 3:08

2 When Boy Meets Girl Clark, Shapiro, Waters 3:02

3 If I Were You Clark 3:56

4 Poor, Poor Pitiful Me Zevon 3:11

5 Emotional Girl Bowles, Clark, Waters 3:09

6 Now That I Found You Begaud, Corish, Martin 3:39

7 You're Easy on the Eyes Clark, Shapiro, Waters 3:33

8 Everytime I Cry Regan, Staley 3:48

9 A Little Gasoline Miller, Rogers 3:09

10 I Just Wanna Be Mad Lovelace, Miller 3:26

11 I Wanna Do It All Giles, Godard, Nichols 2:54

12 Girls Lie Too Harrington, Lovelace ... 3:35

13 One of the Guys Clark, Godard, Nichols 3:13

14 No Fear [live] Carpenter, Clark 4:08


24 Goodnight Sweetheart, It's Time To Go - The Spaniels
1954-55 TL Rock'n'Roll Era (1954-55)

When I read that James “Pookie” Hudson of The Spaniels died, I thought, “The Spaniels, they sound familiar. What did they do? Oh yeah, Goodnight Sweetheart – that would make a great ending piece for Naweedna 2007.” So it was done and here it is. I still like the Doo Wop sound and can easily visualize a group of young men huddled around a streetlight doing their acappella stuff – accompanied only by finger snapping and occasional hambone slapping. This track comes from the Time-Life Rock’n’Roll Era series CDs we bought way back when CDs were new. It’s a great collection for those of us who grew up with such music. The T-L Blues series is good, too – but I only got one CD from that group (hint, hint).

The Spaniels


The Spaniels are best known for their massive 1954 hit, "Goodnight, Sweetheart, Goodnight" (number five R&B). They were the first successful Midwestern R&B group, coming from Gary, IN, by way of Chicago. Lead vocalist James "Pookie" Hudson was a graceful lead singer who influenced many who came after him, most notably Aaron Neville. They were also one of the first (if not the first) R&B groups to perform with the lead singer on one microphone and the rest of the group sharing another, and initiated a trend toward using tap dance routines in live shows. Their often a cappella recordings showcase the purity of a sound and style uniquely their own. It was also the Spaniels who partially brought about the formation of one of R&B's legendary labels, Vee-Jay, which became one of the most successful black-owned record companies in the country.
The story of how the Spaniels came to prominence begins in late 1952, when lead singer Hudson was convinced by four of his Roosevelt High classmates -- Ernest Warren (first tenor), Opal Courtney, Jr. (baritone), Willie Jackson (second tenor), and Gerald Gregory (bass) to join them for a school talent show. They had debuted as Pookie Hudson and the Hudsonaires for the Christmas show and fared so well they decided to continue. Not wanting to join the bird group club (Orioles, Ravens, etc.), they decided on the name Spaniels.
The Rock 'N' Roll Era: 1954-1955

Release Date 1988

Label Time Life Music
1 Rock Around the Clock Haley, Bill & The Comets 2:13

2 Honey Love Clyde McPhatter 2:27

3 Sincerely Moonglows 3:13

4 Speedo Cadillacs 2:21

5 Bo Diddley Bo Diddley 2:31

6 Goodnight, Sweetheart, Goodnight Spaniels 2:46

7 Shake, Rattle and Roll Joe Turner 3:02

8 The Great Pretender Platters 2:41

9 I Hear You Knocking Smiley Lewis 2:47

10 Work With Me Annie Midnighters 2:51

11 Earth Angel Penguins 3:00

12 Maybellene Chuck Berry 2:22

13 Tutti-Frutti Little Richard 2:26

14 Tweedle Dee LaVern Baker 3:10

15 Ain't That a Shame Fats Domino 2:28

16 Hearts of Stone Charms 2:36

17 Pledging My Love Johnny Ace 2:31

18 Sh-Boom Chords 2:26

19 I Got a Woman Ray Charles 2:55

20 Oh What a Dream Ruth Brown 2:55



21 The Wallflower Etta James 3:02

22 Gee Crows 2:11

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