Gone with the Wind



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Reception

Gone With the Wind received positive reviews at the time of its release, today being considered a classic. In its original review for the 1939 release, Frank S Nuget from the New York Times praised it, especially the casting, writing that "Mr. Selznick's film is a handsome, scrupulous and unstinting version of the 1,037-page novel, matching it almost scene for scene with a literalness that not even Shakespeare or Dickens were accorded in Hollywood, casting it so brilliantly one would have to know the history of the production not to suspect that Miss Mitchell had written her story just to provide a vehicle for the stars already assembled under Mr. Selznick's hospitable roof."[48] The Manchester Guardian, in 1940, criticized the length, but praised it overall, especially the acting.[49]

With the 1998 restoration, Roger Ebert wrote that: "it will be around for years to come, a superb example of Hollywood's art and a time capsule of weathering sentimentality for a Civilization gone with the wind, all right--gone, but not forgotten."[50]



Racial criticism

Recent historical studies of the Civil Rights Movement have focused on the idyllic portrayal (epitomized in the opening credits) of the Civil War-era South in the film. Professor D.J. Reynolds wrote that "The white women are elegant, their menfolk noble or at least dashing. And, in the background, the black slaves are mostly dutiful and content, clearly incapable of an independent existence." Reynolds likened Gone with the Wind to Birth of a Nation (based on The Clansman) and other re-imaginings of the South during the era of segregation, in which white Southerners are portrayed as defending traditional values and the issue of slavery is largely ignored. Hattie McDaniel's performance (for which she became the first black American to win an Oscar) and Butterfly McQueen's have been described as stereotypes of a 'black Mammy' and a childlike black slave (in the novel, the character of Prissy was twelve years old, but played in the film by an adult). Malcolm X recalled that "when Butterfly McQueen went into her act, I felt like crawling under the rug."[51]



Awards and honors

Gone with the Wind was the first film to get more than five Academy Awards. Of the 17 competitive awards which were given at the time, Gone with the Wind had 13 nominations. It also was awarded the Greatest Film in History by the program Best In Film: The Greatest Films of Our Time, which aired March 22, 2011.

It was the winner of ten Academy Awards (eight regular, one honorary, one technical).[52]



Award

Result

Winner

Best Picture

Won

Selznick International Pictures (David O. Selznick, Producer)

Best Director

Won

Victor Fleming

Best Actor

Nominated

Clark Gable
Winner was Robert DonatGoodbye, Mr. Chips

Best Actress

Won

Vivien Leigh

Best Adapted Screenplay

Won

Sidney Howard
Awarded posthumously

Best Supporting Actress

Won

Hattie McDaniel
Received a miniature "Oscar" statuette on a plaque

Best Supporting Actress

Nominated

Olivia de Havilland
Winner was Hattie McDaniel

Best Cinematography, Color

Won

Ernest Haller and Ray Rennahan
This received the "Oscar" statuette

Best Film Editing

Won

Hal C. Kern and James E. Newcom
Received a miniature "Oscar" statuette on a plaque, replaced with a regular statuette in 1962

Best Art Direction

Won

Lyle Wheeler

Best Visual Effects

Nominated

Fred Albin (Sound), Jack Cosgrove (Photographic), and Arthur Johns (Sound)
Winners were Fred Sersen (Photographic) and E. H. Hansen (Sound) – The Rains Came

Best Music, Original Score

Nominated

Max Steiner
Winner was Herbert StothartThe Wizard of Oz

Best Sound Recording

Nominated

Thomas T. Moulton (Samuel Goldwyn Studio Sound Department)
Winner was Bernard B. Brown (Universal Studio Sound Department) – When Tomorrow Comes




Award

Recipient

Irving G. Thalberg Award

David O. Selznick
For his career achievements as a producer.

Honorary Award

William Cameron Menzies (Miniature "Oscar" statuette on a plaque)[53]
For outstanding achievement in the use of color for the enhancement of dramatic mood in the production of Gone with the Wind.

Technical Achievement Award

Don Musgrave and Selznick International Pictures (Certificate)
For pioneering in the use of coordinated equipment in the production Gone with the Wind.


American Film Institute lists

  • AFI's 100 Years... 100 Movies — #4

  • AFI's 100 Years... 100 Passions — #2

  • AFI's 100 Years... 100 Movie Quotes:

    • "Frankly, my dear, I don't give a damn."—#1

    • "After all, tomorrow is another day!"—#31

    • "As God is my witness, I'll never be hungry again."—#59

  • AFI's 100 Years of Film Scores—#2

  • AFI's 100 Years... 100 Cheers—#43

  • AFI's 100 Years... 100 Movies (10th Anniversary Edition)—#6

  • AFI's 10 Top 10—#4 Epic film

References

    1. ^ Awards for Gone With the Wind at the Internet Movie Database

    2. ^ Awards for Ben-Hur at the Internet Movie Database

    3. ^ Awards for gone with the wind. (n.d.). Retrieved from http://www.imdb.com/title/tt0031381/awards

    4. ^ a b c d e f g h Friedrich, Otto (1986). City of Nets: A Portrait of Hollywood in the 1940's. Berkeley and Los Angeles: University of California Press. ISBN 0-520-20949-4. http://books.google.com/books?id=0x8AFchW4JsC&lpg=PP1&dq=city%20of%20nets&pg=PA6#v=onepage&q&f=false.

    5. ^ Selznick, David O. (2000). Memo from David O. Selznick. New York: Modern Library. pp. 172–173. ISBN 0-375-75531-4.

    6. ^ a b c Staff. Consumer Price Index (estimate) 1800–2012. Federal Reserve Bank of Minneapolis. Retrieved February 22, 2012.

    7. ^ Haver, Ronald (1980). David O. Selznick's Hollywood. New York: Alfred A. Knopf. ISBN 0-394-42595-2.

    8. ^ Pratt, William (1977). Scarlett Fever. New York: Macmillan Publishing Co.. pp. 73–74, 81–83. ISBN 0-02-598560-4. In a memo to George Cukor on October 21, 1938, Selznick said he was "still hoping against hope for that new girl." Memo, p. 184

    9. ^ Letter from David O. Selznick to Ed Sullivan, January 7, 1939.

    10. ^ a b Yeck, Joanne, Dictionary of Literary Biography – American Screenwriters (1984) Gale Reaearch

    11. ^ Keelor, Josette, Northern Virginia Daily.com, [1] Behind the Scenes, August 1, 2008

    12. ^ Moonlight and Magnolias pressconnects.com January 22, 2009

    13. ^ Hutchinson, Ron (2004). Moonlight and Magnolias, Moonlight and Magnolias", The Times, October 3, 2007.

    14. ^ a b c d MacAdams, William, Ben Hecht – a Biography, (1990) Barricade Books, N.Y.

    15. ^ Myrick, Susan (1982). White Columns in Hollywood: Reports from the GWTW Sets. Macon, Georgia: Mercer University Press. pp. 126–127. ISBN 0-86554-044-6.

    16. ^ Molt, Cynthia Marylee (1990). Gone with the Wind on Film: A Complete Reference. Jefferson, NC: McFarland & Company. pp. 272–281. ISBN 0-89950-439-6.

    17. ^ Bridges, The Filming of Gone with the Wind

    18. ^ "G With the W", Time, vol. 34, December 25, 1939. "Record Wind", Time, February 19, 1940, specified $3,850,000.

    19. ^ Robertson, Patrick (2001). Film Facts. New York: Billboard Books. p. 33. ISBN 0-8230-7943-0.

    20. ^ Leonard J. Leff and Jerold L. Simmons, The Dame in the Kimono: Hollywood, Censorship, and the Production Code, pp. 107–108.

    21. ^ "Soundtracks for Gone with the Wind (1939)". Internet Movie Database. http://www.imdb.com/title/tt0031381/soundtrack. Retrieved July 15, 2010.

    22. ^ "G With the W", Time, vol. 34, December 25, 1939.

    23. ^ Thomson, David (1992). Showman: The Life of David O. Selznick. New York: Knopf. ISBN 0-394-56833-8.

    24. ^ Berger, Meyer (December 15, 1939). "Atlanta Retaken By Glory of Past" (PDF). The New York Times. http://query.nytimes.com/mem/archive-free/pdf?_r=2&res=F50B11FC3E5A11728DDDAC0994DA415B898FF1D3. Retrieved May 23, 2009.

    25. ^ Harris, Warren G. Clark Gable: A Biography, Harmony, (2002), page 211

    26. ^ In February 1940, the movie was playing in 156 theatres in 150 U.S. cities.

    27. ^ "London Movie Doings", The New York Times, June 25, 1944, p. X3.

    28. ^ Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. p. 47. ISBN 978-1-903364-66-6.

    29. ^ Dirks, T. "Top Films of All-Time: Part 1 – Box-Office Blockbusters". Filmsite.org. http://www.filmsite.org/greatfilmssummary.html. Retrieved August 13, 2011.

    30. ^ Gone With the Wind (1939). "Gone With the Wind Poster – Internet Movie Poster Awards Gallery". Impawards.com. http://www.impawards.com/1939/gone_with_the_wind_ver1.html. Retrieved July 15, 2010.

    31. ^ The American Widescreen Museum, Gone With the Wind.

    32. ^ Haver, Ronald (1993). "David O. Selznick's GONE WITH THE WIND." New York: Random House. pp. 84–85.

    33. ^ "Media Advisory: Gone with the Wind in HD at Cineplex Entertainment Theatres on Saturday, November 14th". Reuters. October 28, 2009. http://www.reuters.com/article/pressRelease/idUS117574+28-Oct-2009+MW20091028. Retrieved July 15, 2010.

    34. ^ "Gone with the wind (1939)". Box Office Mojo. http://www.boxofficemojo.com/movies/?id=gonewiththewind.htm. Retrieved January 1, 2009.

    35. ^ Miller, Frank; Stafford, Jeff (January 5, 2007). "The Critics Corner: Gone With the Wind". Turner Classic Movie. http://www.tcm.com/this-month/article/136727%7C0/The-Critics-Corner.html. Retrieved November 25, 2011.

    36. ^ Shone, Tom (February 3, 2010). "Oscars 2010: How James Cameron took on the world". The Daily Telegraph. http://www.telegraph.co.uk/culture/film/oscars/7144424/Oscars-2010-How-James-Cameron-took-on-the-world.html. Retrieved March 22, 2012.

    37. ^ Will, George F. (June 26, 2006). "'Wind' captured change". St. Petersburg Times: p. 11A.

    38. ^ "Highest box-office film gross – inflation adjusted". Guinness World Records. http://www.guinnessworldrecords.com/records-10000/highest-box-office-film-gross-inflation-adjusted/. Retrieved March 22, 2012.

    39. ^ "Top Grossing Films of All Time in the U.S. Adjusted for Inflation". The Movie Times. http://www.the-movie-times.com/thrsdir/alltime.mv?adjusted+ByAG. Retrieved July 15, 2010.

    40. ^ "Top 10 Grossing Movies Adjusted for Inflation". Scene-Stealers. August 19, 2008. http://www.scene-stealers.com/top-10/top-10-grossing-movies-adjusted-for-inflation/. Retrieved July 15, 2010.

    41. ^ "The Ultimate Film Chart". British Film Institute. http://www.bfi.org.uk/features/ultimatefilm/chart/index.php. Retrieved August 9, 2009.

    42. ^ "Gone with the Wind tops film list". BBC News. BBC. November 28, 2004. http://news.bbc.co.uk/1/hi/entertainment/4049645.stm. Retrieved June 9, 2011.

    43. ^ ABC.net http://www.abc.net.au/news/newsitems/200506/s1398449.htm

    44. ^ Eforgan, Estel. Leslie Howard: The Lost Actor. London: Vallentine Mitchell Publishers, 2010. ISBN 978-0-85303-941-9

    45. ^ Los Angeles Times, May 17, 1959, p. G10.

    46. ^ Jennifer W. Dickey, "A Tough Little Patch of History": Atlanta's Marketplace for Gone With the Wind Memory, PhD dissertation, Georgia State University, 2007, pp. 85–89.

    47. ^ Murray Schumach, "Hollywood Gives Tara to Atlanta," New York Times, May 25, 1959, p. 33.

    48. ^ [http://movies.nytimes.com/movie/review?res=9807E2DA153EE432A25753C2A9649D946894D6CF Movie Review Gone With the Wind (1939) THE SCREEN IN REVIEW; David Selznick's 'Gone With the Wind' Has Its Long-Awaited Premiere at Astor and Capitol, Recalling Civil War and Plantation Days of South--Seen as Treating Book With Great Fidelity]

    49. ^ [http://www.guardian.co.uk/theguardian/2010/may/28/archive-gone-with-the-wind-1940 From the archive, 28 May 1940: Gone with the wind at the Gaiety / Originally published in the Manchester Guardian on 28 May 1940]

    50. ^ Gone With the Wind (1939)

    51. ^ 'America, Empire of Liberty', D J Reynolds, p. 241-2; 'Making Whiteness', Grace Elizabeth Hale, p. 52

    52. ^ "The 12th Academy Awards (1940) Nominees and Winners". oscars.org. http://www.oscars.org/awards/academyawards/legacy/ceremony/12th-winners.html. Retrieved 2011-08-11.

    53. ^ Newsreel footage of Menzies receiving award, seen in The Making of Gone With the Wind (1988).

Notes

    1. ^ From a private letter from journalist and on-set technical advisor Susan Myrick to Margaret Mitchell in February 1939:

George [Cukor] finally told me all about it. He hated [leaving the production] very much he said but he could not do otherwise. In effect he said he is an honest craftsman and he cannot do a job unless he knows it is a good job and he feels the present job is not right. For days, he told me he has looked at the rushes and felt he was failing... the thing did not click as it should. Gradually he became convinced that the script was the trouble... David [Selznick], himself, thinks HE is writing the script... And George has continually taken script from day to day, compared the [Oliver] Garrett-Selznick version with the [Sidney] Howard, groaned and tried to change some parts back to the Howard script. But he seldom could do much with the scene... So George just told David he would not work any longer if the script was not better and he wanted the Howard script back. David told George he was a director—not an author and he (David) was the producer and the judge of what is a good script... George said he was a director and a damn good one and he would not let his name go out over a lousy picture... And bull-headed David said "OK get out!"

Myrick, Susan (1982). White Columns in Hollywood: Reports from the GWTW Sets. Macon, Georgia: Mercer University Press. pp. 126–127. ISBN 0-86554-044-6. Selznick had already been unhappy with Cukor ("a very expensive luxury") for not being more receptive to directing other Selznick assignments, even though Cukor had remained on salary since early 1937. In a confidential memo written in September 1938, Selznick flirted with the idea of replacing him with Victor Fleming. (Memo from David O. Selznick, 179–180.) Louis B. Mayer had been trying to have Cukor replaced with an MGM director since negotiations between the two studios began in May 1938. In December 1938, Selznick wrote to his wife about a phone call he had with Mayer: "During the same conversation, your father made another stab at getting George off of Gone With the Wind." (Scott Eyman, Lion of Hollywood: The Life and Legend of Louis B. Mayer, pp. 258–259.)



Further reading

  • Bridges, Herb (1998). The Filming of Gone with the Wind. Mercer University Press. ISBN 0-86554-621-5.

  • Bridges, Herb (1999). Gone with the Wind: The Three-Day Premiere in Atlanta. Mercer University Press. ISBN 0-86554-672-X.

  • Brown, Ellen F. and John Wiley (2011). Margaret Mitchell's Gone With the Wind: A Bestseller's Odyssey from Atlanta to Hollywood. Lanham: Taylor Trade. ISBN 978-1-58979-567-9

  • Cameron, Judy; Christman, Paul J. (1989). The Art of Gone with the Wind: The Making of a Legend. Prentice Hall. ISBN 0-13-046740-5.

  • Harmetz, Aljean (1996). On the Road to Tara: The Making of Gone with the Wind. New York: Harry N. Abrams. ISBN 0-8109-3684-4.

  • Lambert, Gavin (1973). GWTW: The Making of Gone With the Wind. New York: Little, Brown and Company.

  • Myrick, Susan (1982). White Columns in Hollywood: Reports from the GWTW Sets. Mercer University Press. ISBN 0-86554-245-7.

  • Pratt, William. (1977). Scarlett Fever: The Ultimate Pictorial Treasury of Gone with the Wind. Macmillan. ISBN 0-02-012510-0.

  • Vertrees, Alan David (1997). Selznick's Vision: Gone with the Wind and Hollywood Filmmaking. University of Texas Press. ISBN 0-292-78729-4.

Awards

Preceded by
Jezebel

Academy Award winner for


Best Actress and Best Supporting Actress

Succeeded by
Mrs. Miniver


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