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CALLAHAN, HARRY, 1912, AMERICAN
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CALLAHAN, HARRY, 1912, AMERICAN Callahan's sense of design was the basis of his many photographs of city streets, nudes, patterns, and deliberate double exposures. Chicago, c. 1950, Art Institute of Chicago, Illinois Detroit Street Scene, 1943, Art Institute of Chicago, Illinois Eleanor, 1949, Hallmark Photography Collection, Kansas City, Missouri Telephone Wires, c. 1968, Center for Creative Photography, University of Arizona, Tucson CAMERON, JULIA MARGARET, 1815-1379, BRITISH Cameron staged her photos, with people sometimes in costume, to resemble the soft, romantic paintings of the period when she worked. Alice Liddell as Pomona, 1872, Metropolitan Museum of Art, New York City The Astronomer: Sir John Herschel, 1867, Royal Photographic Society, London May Prinsep, c. 1865, Metropolitan Museum of Art, New York City CAPON1CRO, PAUL, 1932, AMERICAN Caponigro photographed irish megaliths and other ancient monuments while funded by a Guggenheim grant. He studied under Minor White and Alfred W. Richter. Avebury Stone Circle, Avebury, Wiltshire, England, 1967, Museum of Modern Art, New York City Fungus, Ipswich, Massachusetts, 1962, International Museum of Photography at George Eastman House, Rochester, New York Kildooney, 1967, International Museum of Photography at George Eastman House, Rochester, New York Stonehenge, 1967, International Museum of Photography at George Eastman House, Rochester, New York CARTIER-BRESSON, HENRI, 1908, FRENCH Cartier-Bresson would wait for what he called "The Decisive Moment" to take a photo, selecting a place to photo graph, then waiting for something to happen in that space, timing his photos perfectly. Alicante, Spain, 1933, Art Institute of Chicago, Illinois Behind the Gare Saint-Lazare, Paris, 1932, St. Louis Art Museum, Missouri Hyeres, France, 1932, Art Institute of Chicago, Illinois Seville, Spain, 1933, Getty Museum, Los Angeles, California Sipfinos, Greece, 1961, Museum of Modern Art, New York City CUNNINGHAM, IMOGEN, 1883-1976, AMERICAN Cunningham specialized in scenes of the city, taken with a view camera. A member of F.64 group, her lovely pho tos of calla lilies and other flowers were known for remarkable clarity. Snake, 1929, Art Institute of Chicago, Illinois Two Callas, 1929, The Imogen Cunningham Trust, Berkeley, California The Unmade Bed, 1957, The Imogen Cunningham Trust, Berkeley, California Water Hyacinth, c. 1928, St. Louis Art Museum, Missouri DAGUERRE, LOUIS JACQUES MANDE. 1787-1851, FRENCH Daguerre developed the process of sensitizing a metal plate and exposing it to create a one-of-a-kind photo. The Daguerreotype bears his name. Collection of Shells and Miscellany, 1839, Conservatoire Nationale des Arts et Metiers, Paris Premiere Epreuve fait par Daguerre devant ses Colleagues des Beaux-Arts, 1839, Musee National des Techniques, du CNAM—Paris EVANS, WALKER, 1903-1975, AMERICAN Evans worked during the 1930s depression for the WPA-FSA. He photographed signs and billboards, often making ironic connections between the out-of-work people posed next to signs showing affluence. Circus Poster, 1936, Metropolitan Museum of Art, New York City View of Railroad Station, Edwards, Mississippi, 1936, San Francisco Museum of Modern Art, California FRANK, ROBERT, 1924, AMERICAN, b. SWITZERLAND Frank worked as a commercial photographer for a time, then did the photo essay The Americans under a Guggenheim grant. Since 1960 he has mostly been a film maker. Chicago, 1956, St. Louis Art Museum, Missouri Parade, Hoboken, New Jersey, 1955, Museum of Modern Art, New York City US 285, New Mexico, c. 1956, Museum of Modern Art, New York City FRIEDLANDER, LEE, 1934, AMERICAN Friedlander sometimes photographs monuments that people erect to commemorate a worthy cause. Many books of his work have been published, allowing him artistic freedom that not all photographers have enjoyed. Galax, Virginia, 1962, Museum of Modern Art, New York City Gettysburg, 1974, Hallmark Photographic Collection, Kansas City, Missouri New York City, 1964, Museum of Modern Art, New York City FRITH, FRANCIS, 1822-1898, ENGLISH Frith brought the outside world to people through his many travel pictures. The Approach to Philae, 1859-1860, New York Public Library, New York City Colossal Sculptures at Philae (Egypt), 1860, New York Public Library, New York City The Great Pyramid at Giza, Prom the Plain, 1859, Library of Congress, Washington, DC The Pyramids ofDahshoor from the East, 1857, Getty Museum, Los Angeles, California The Pyramids ofSakkarah, From the North East, 1858, New York Public Library, New York City GILPIN, LAURA, 1891-1979, AMERICAN Gilpin recorded the life of the Native American in her book The Enduring Navajo. At age 81 she took photographs of Canyon de Chelly from the ground and air. Bryce Canyon #2, 1930, Hallmark Photographic Collection, Kansas City, Missouri Scissors, String and Two Books, 1930, Amon Carter Museum, Fort Worth, Texas Sunburst, the Castillo, Chichen Itza, 1932, Amon Carter Museum, Fort Worth, Texas HINE, LEWIS WICKES, 1874-1940, AMERICAN Hine took photos that led to social labor reform for workers and children. The Bar-room in a construction camp on New York State Barge Canal, 1910, New York Public Library, New York City The Cast/Behind the Footlights/A Modern Inferno (#325), c. 1909, New York Public Library, New York City Fresh Air for the Baby, Italian Quarter, New York City, 1910, New York Public Library, New York City Powerhouse Mechanic, c. 1925, Hallmark Photographic Collection, Kansas City, Missouri Section 9 Technology and Art: Photography, Video, Computer Graphics, and the Copy Machine 351 KASEBIER, GERTRUDE, 1852-1934, AMERICAN Kasebier was a portrait photographer and founding member of the Photo-Secession. She was considered one ol the leading portrait photographers in the United States. Baron Adolf de Meyer, 1903, Museum of Modern Art, New York City The Heritage of'Motherhood, c. 1905, International Museum of Photography at George Eastman House Rochester, New York Portrait of a Woman, c. 1900, International Museum of Photography at George Eastman House, Rochester, New York Portrait of Augusts Rodin, 1906, Art Museum, Princeton University, Princeton, New Jersey KERTESZ, ANDRE, 1894-1985, AMERICAN, b. HUNGARY Kertesz demonstrated an outstanding sense of design in simple things such as a vase of flowers, or a woman on ; couch. Chairs, The Medici Fountain, 1926, Museum of Fine Arts, Houston, Texas Chez Mondrian, 1926, Art Institute of Chicago, Illinois Paris, November 9,1980, Hallmark Photographic Collection, Kansas City, Missouri Satiric Dancer, 1926, St. Louis Art Museum, Missouri LANGE, DOROTHEA, 1895-1965, AMERICAN During the 1930s Depression, she photographed migrant workers in California for the Works Progress Administration (WPA/FSA). Funeral Cortege, The End of an Era in a Small Valley Town, California, 1938, Oakland Museum, California Migrant Mother, Nipomo, California, 1936, Oakland Museum, California Three Families, Fourteen Children, 1938, St. Louis Art Museum, Missouri LART1GUE, JACQUES-HENRI, 1894-1986, FRENCH Lartigue received his first camera at age 7, and took revealing photographs of French Society at the races, thi beach at Deauville, and strolling in the park. Gerard Willemetz andDani, 1926, Association des Amis de J.H. Lartigue, Paris Grand Prix of the Automobile Club of France, 1912, Museum of Modern Art, New York City Paris, Avenue des Acacias, 1912, Museum of Modern Art, New York City LE1BOVITZ, ANNIE, 1949, AMERICAN Leibovitz began as a Rotting Stone photographer, specializing in portraits of the famous. Arnold Schwarzenegger, 1976, photograph for Pumping Iron The Blues Brothers, 1979, Rolling Stone cover, February John Lennon and Yoko Ono, December 8, 1980, 1981, Rolling Stone cover MickJagger, 1977', Rolling Stone 10th anniversary issue Mikhail Baryshnikov and Linda Dowdell, 1990, photographed for The White Oak Dance Project Whoopie Goldberg, Berkeley, California, 1984, Vanity Fair MOHOLY-NAGY, LASZLO, 1895-1946, AMERICAN, b. HUNGARY Moholy-Nagy was a founder of the American Bauhaus, especially known for his photograrns, or photos taken fromunusual viewpoints. Abstraction, (photogram}, 1925, St. Louis Art Museum, Missouri Berlin Radio Tower, c. 1928, Art Institute of Chicago, Illinois Oskar Schlemmer, Ascona, 1926, Art Institute of Chicago, Illinois MUYBRIDGE, EADWEARD, 1830-1904, AMERICAN, b. ENGLAND Muybridge used consecutive motion photos to demonstrate the process of human and animal motion. Athletes and Classical Groupings, 1879, Stanford University Museum of Art, Stanford, California Child Running, c. 1884-1887, New York Public Library, New York City Cockatoo Flying, c. 1884-1887, New York Public Library, New York City Daisy Jumping a Hurdle, c. 1885, George Eastman House, Rochester, New York Nude Men, Motion Study, 1877, Museum of Modern Art, New York City Valley of the Yosemite from Mosquito Camp, 1872, Museum of Modern Art, New York City O'SULLIVAN, TIMOTHY H., c. 1840-1882, AMERICAN O'Sullivan documented the Civil War, and after the war he traveled throughout the West, documenting places that had not been seen before by most of the world. Ancient Ruins in Canyon de Chelle, N.M., 1873, New York Public Library, New York City Black Canyon, Colorado River, From Camp 8, Looking Above, 1871, Getty Museum, Los Angeles, California Field Where General Reynolds Fell, 1863, Art Institute of Chicago, Illinois A Harvest of Death, Gettysburg, Pennsylvania, July, 1863, New York Public Library, New York City, New York City Sand Dunes, Carson Desert, 1867, National Archives, Washington DC PENN, IRVING, 1917, AMERICAN Penn was known for his still lifes composed in the studio that were used in Vogue. He later concentrated on portraiture and monumental nudes. Duke Ellington, New York, May 19, 1948, Hallmark Photographic Collection, Kansas City, Missouri Man in White/Woman in Black, Morocco, 1971, collection of the artist Purple Tulip, 1967, collection of the artist Woman with Umbrella, New York, 1950, Hallmark Photographic Collection, Kansas City, Missouri PORTER, ELIOT, 1901-1990, AMERICAN Porter specialized in photographs of nature, specifically in the Southwest. Dark Canyon, Glen Canyon, 1965, Art Institute of Chicago, Illinois Pool in a Brook, Pond Brook, Near Whiteface, New Hampshire, October 1953, Metropolitan Museum of Art, New York City Red Ossier, 1945, Museum of Modern Art, New York City RAY, MAN, {EMMANUEL RUDNITSKY), 1890-1976, AMERICAN Ray mostly made "Rayographs" (his version of the photogram), employing abstract shapes. He was also well known for his solarized photographs, and became a major figure in Dada and Surrealism. Gala Dali Looking at "The Birth of Liquid Desires," 1935, Museum of Fine Arts, Boston, Massachusetts Mrs. Henry Powell, c. 1929, Art Institute of Chicago, Illinois Portrait of Jean Cocteau, 1922, Getty Museum, Los Angeles, California SANDER, AUGUST, 1876-1964, GERMANY Sander specialized in formal, documentary portraits demonstrating German genetic traits and occupations in the New Objectivity style. His work was published in a book called People of the Twentieth Century. Circus Artists, 1930, collection of John Dunivent, St. Louis, Missouri Group of Children, Westerwald, 1920, Getty Museum, Los Angeles, California Persecuted Jew, Mr. Leubsdorf, 1938, Getty Museum, Los Angeles, California Police Officer, 1925, Museum of Modern Art, New York City Widower with Sons, 1925, Getty Museum, Los Angeles, California SHEUER, CHARLES, 1883-1965, AMERICAN One of the "Immaculates," Sheeier used the stark contrasts in his photographs as inspiration for his paintings of industry and machinery. Doylestown House—Stairs from Below, 1917, Metropolitan Museum of Art, New York City Self-Portrait at Easel, 1931-1932, Art Institute of Chicago, Illinois Wheels, 1939, Museum of Fine Arts, Boston, Massachusetts SHERMAN, CINDY, 1954, AMERICAN Sherman's subject is herself, sometimes grotesquely made-up, usually unrecognizable. Her large color photographs are impressive. Unfilled, 1981, Museum of Modern Art, New York City Untitled, #145, 1985, Metro Pictures, New York City Unfitted Film Still #16, 1978, Hallmark Photographic Collection, Kansas City, Missouri Untitled Film Still #21, 1978, Metro Pictures, New York City SMITH, W. EUGENE, 1918-1978, AMERICAN A war correspondent and Life photographer, Smith's photo essays show his involvement with his subjects. One such example was his coverage of the Japanese village of Minamata, whose inhabitants suffered from mercury poisoning. Tomoko in the Bath, 1972, Museum of Fine Arts, Boston, Massachusetts Waiting for Survivors of the Andrea Doria Sinking, 1956, Hallmark Photographic Collection, Kansas City, Missouri Woman with Bread, Spain, 1950, Hallmark Photographic Collection, Kansas City, Missouri STEICHEN, EDWARD, 1879-1973, AMERICAN A member of the Photo Secession movement, Steichen is best known for his portraits. He believed that the personality of the photographer should not overshadow the reality of the subject. After the Grand Prix—Paris, c. 1911, Metropolitan Museum of Art, New York City Charles Chaplin, 1925, International Museum of Photography at George Eastman House, Rochester, New York Flatiron, 1907, Metropolitan Museum of Art, New York City Rodin—The Thinker, 1902, Museum of Modern Art, New York City Self-Portrait with Brush and Palette, 1902, Art Institute of Chicago, Illinois Wind Fire: Therese Duncan on the Acropolis, 1921, International Museum of Photography at George Eastmar House, Rochester, New York ALFRED STIEGLITZ, 1864-1946, AMERICAN Stieglitz is considered the father of American Photogvanhy because of his work with Aperture magazine, anc founding of the Little Galleries of the Photo Secession. Flatiron, 1902, National Gallery of Art, Washington, DC Hands, Georgia O'Keeffe, 1920, Metropolitan Museum of Art, New York City Music: A Sequence of Ten Cloud Photographs, No. 1, 1922, National Gallery of Art, Washington, DC The Net Mender, 1894, Art Institute of Chicago, Illinois The Steerage, 1907, St. Louis Art Museum, Missouri STRAND, PAUL, 1890-1976, AMERICAN Strand was both an artist and a documentary photographer, whose work was sometimes quite abstract. Chair Abstract, Twin Lakes, Connecticut, 1916, San Francisco Museum of Modern Art, California Church Gateway, Mexico, 1933, St. Louis Art Museum, Missouri The Family, Luzzara, Italy, 1953, Hallmark Photographic Collection, Kansas City, Missouri Matchboxes, Bowl and Bottle, Twin Lakes, Connecticut, 1916, Metropolitan Museum of Art, New York City New York (Wall Street), 1915, Canadian Center for Architecture, Montreal Photograph, New York (Blind Woman), 1916, Metropolitan Museum of Art, New York City TALBOT, WILLIAM HENRY FOX, 1800-1877, BRITISH A pioneer in photography, Talbotwas best known for developing the Calotype (sometimes called the Talbotype). Courtyard Scene, c. 1844, National Museum of American History, Smithsonian Institution, Washington, DC The Game Keeper, c. 1843, National Museum of American History, Smithsonian Institution, Washington, DC I The Open Door, c. 1844, Oilman Paper Company Collection t, Ships at Low Tide, 1844, National Museum of American History, Smithsonian Institution, Washington, DC § Trafalgar Square, 1845, Nelson Column Under Construction, New York Public Library, New York City | UELSMANN, JERRY N., 1934, AMERICAN Uelsmann specializes in darkroom manipulation, using several negatives on the same black-and-white image. He coined the phrase "post-visualization" to describe this process. April is the Cruellest Month, 1967, collection of the artist Small Woods Where I Met Myself, 1967, Hallmark Photographic Collection, Kansas City, Missouri Untitled (woman reclining on grass/water), 1966, Museum of Modern Art, New York City Untitled (decaying house with ancient sculpture head), 1964, Museum of Modern Art, New York City Untitled (office interior with a "cloud" ceiling), 1976, Metropolitan Museum of Art, New York City WARHOL, ANDY, 1928-1987, AMERICAN Warhol popularized the use of photo silk screen, with his subjects ranging from film and political figures to starkly realistic electric chairs. WJackies, 1964, collection of Mr. and Mrs. David Pincus Lana Turner, 1976-1987, Hallmark Photographic Collection, Kansas City, Missouri Marilyn Monroe, 1967, Museum of Modern Art, New York City WATKINS, CARLETON E., 1829-1916, AMERICAN Watkins documented the opening of the West. He was a photographic pioneer, taking his darkroom with him to develop on-site. Mirror View, El Capitan, No. 38, c. 1866, New York Public Library, New York City Mirror View, Yosemite Valley, c. 1866, Art Institute of Chicago, Illinois Multnomah Falls, Columbia River, c. 1870, Art Institute or Uiicago, Illinois The Valley from Mariposa Trail, Yosemite, California, 1863, collection of Daniel Wolf, Inc., New York City Yosemite Falls, c. 1878-1881, St. Louis Art Museum, Missouri WESTON, EDWARD, 1886-1958, AMERICAN Weston was a member of the Group F.64. His photography included vegetables, nudes, and sometimes vegetables that looked like nudes. His stark desert scenes and beach pictures demonstrated his mastery of design. Armco Steel, Ohio, 1922, San Francisco Museum of Modern Art, California Burnt Stump, 1937, Center for Creative Photography, University of Arizona, Tucson Cabbage Leaf, 1931, International Museum of Photography at George Eastman House, Rochester, New York Dry Salt Pool, Point Lobos, 1939, Art Museum, Princeton University, Princeton, New Jersey Nude, 1936, International Museum of Photography at George Eastman House, Rochester, New York Pepper, 1930, Los Angeles County Museum of Art, California Washstand, 1925, Art Institute of Chicago, Illinois WHITE, MINOR, 1908-1976, AMERICAN White was a poet prior to becoming a photographer. He did documentary projects such as the iron-front building; and waterfront areas of the West Coast, progressing from buildings to landscapes to close-ups. His work reflected his commitment to the Asian Zen philosophy. Face in Door, San Francisco, 1949, International Museum of Photography at George Eastman House, Rochester New York Pacific, Devil's Slide, California, 1947, Museum of Modern Art, New York City Ritual Branch, 1958, Art Museum, Princeton University, Princeton, New Jersey WINOGRAND, GARRY, 1928-1984, AMERICAN A photojournalism Winogrand worked exclusively with the 35rnm camera, and was considered a street photographer "par excellence." Circle Line Ferry, New York, 1971, Museum of Modern Art, New York City Hard Hat Rally, 1969, Hallmark Photographic Collection, Kansas City, Missouri Los Angeles, 1964, Museum of Modern Art, New York City Utah, 1964, Center for Creative Photography, University of Arizona, Tucson Photography Written Assignment Choose a photographer from the list provided that you find interesting or intriguing. Research this photographer and write a one-page paper on this artist following the format below. Please be thorough and specific in your writing. You will have two class periods to complete this assignment. This is worth 50 total available points. P1: Introduction to the specific photography such as the dates most prevalent and why it became famous (or at least well-known). Traditional 35mm or digital or what? What type of camera? Include technical aspects. What is the significance of this particular photographic style? P2: Intro to photographer - life and work. Get personal – what is this artist about? How has this artist influenced photography and/or society? P3: In depth discussion about work, include image(s). You may discuss “rules” that were developed, followed, or broken. Discuss, specifically, what makes (and how) his/her photograph(s) stand out from the rest. P4: Why is this work so successful? Are there other artists that have done similar work, or have created photographs during the same timeline that are different? What have learned from this photography and how have we moved forward? P5: Conclude. Include at least one example of the photographer’s work. Note: do NOT copyright! Plagiarism will be reported and kept in your permanent student file. (See student handbook) Directory: file -> view view -> Western Europe after wwii view -> Author study: paul fleischman view -> Qpa1 7ela study Guide view -> Arctic Oil/Gas Neg view -> November 1970 Approximately 150,000-500,000 deaths Bhola Cyclone Bangladesh view -> Grade Level: 6 Unit of Study: Caribbean glce view -> Citation: Duffield, Katy view -> Table of Contents Lesson # view -> Chinese Wind Energy Disad Download 216.73 Kb. Share with your friends:
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