Introduction to Literary Theories and Criticisms (Enla 422), 2011



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A Course Material to Introduction to Lit
2.4.1.5 Marxism
Siegel explains that a sociological approach to literature views works of literature or art as the products of historical forces that can be analyzed by looking at the material conditions in which they were formed. In Marxist ideology, what we often classify as a world view (such as the Victorian age) is actually the articulations of the dominant class. Marxism generally focuses on the clash between the dominant and repressed classes in any given age and also may encourage art to imitate what is often termed an "objective" reality. Contemporary Marxism is much broader in its focus and views art as simultaneously reflective and autonomous to the age in which it was produced.
Marxism according to Terry Eagleton (1977) is “a scientific theory of human society and of the practices of transforming them; and what that means, rather more concretely, is that the narrative Marxism has to deliver is the story of the struggles of men and women to free themselves from certain forms of exploitation and oppression. The proverbial nutshell “don’t let the man keep you down.” is what Marxism is all about. The Marxist critic believes that the only importance in a piece of literature lies in how it supports or attacks the socio economic structure. According to David Fourgasc, Marxism is essentially a theory of economics, history and revolution before it has anything to do with literary theory (Ann Jefferson and David Robey, 1993:166).
The Frankfurt School is also associated with Marxism (Abrams, p. 178, Childers and Hentzi, pp. 175-179). Major figures include Karl Marx, Terry Eagleton, Fredric Jameson, Raymond Williams, Louis Althusser, Walter Benjamin, Antonio Gramsci, Georg Lukacs, and Friedrich Engels, Theordor Adorno, Edward Ahern, Gilles Deleuze and Felix Guattari.
Key Terms (note: definitions below taken from Ann B. Dobie's text (2002: 92), Theory into Practice: An Introduction to Literary Criticism):
Commodificaion - "the attitude of valuing things not for their utility but for their power to impress others or for their resale possibilities".

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