Jan 86 Early 1986 : !


Prince In Another Warm-up



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Prince In Another Warm-up


By Robert Hilburn

Near the end of his "sneak" concert Friday night at the Wiltern Theatre, Prince assured the audience that this show was no rehearsal. "I'm serious (tonight)," he said. And sure enough : This was a far leaner and more effective concert than the one Prince and his expanded Revolution band put on a week earlier at the Warfield Theatre in San Francisco. Both of the zesty, funk-oriented shows were warm-ups for a summer tour and they offered roughly the same song selection – a few old numbers (including the notorious "Head") but mostly deliciously energized treatments of tunes from his last two albums. The difference was that Prince wisely cut a half-hour from the 2 1/2-hour San Francisco show. Besides reducing the number of solos, he eliminated most of the exaggerated horseplay that seemed aimed at demonstrating he's a nice guy. As up north, Prince was part of a slick revue, but he was definitely the man in charge this time. The show's party-time spirit - with its obvious homages to James Brown (and Ricky Ricardo ?) - should satisfy his fans, even in a stadium setting (there are rumors of a Coliseum show this summer), yet it still falls short of the captivating spirit and challenge of his earliest dates here. Prince is such a major talent that he humbles most of his rivals, but his past achievements hang over this show like a ghost in the wings telling you that he can do more.dream+factory+by+susan+rogers


03-06-1986 : Dream Factory 2nd comfiguration
A) Visions (Instrumental) (2:11) - Lisa Coleman
Dream Factory (3:07)
It’s A Wonderful Day (3:40)**
The Ballad Of Dorothy Parker (4:02)
It (5:08)
B) Strange Relationship (4:24)*
Teacher Teacher (3:05)**
Starfish And Coffee (2:46)*
Interlude (Instrumental) (0:59)** - Wendy Melvoin
In A Large Room With No Light (3:11)**
Nevaeh Ni Ecalp A (Segue)**
Sexual Suicide (3:39)
C) Crystal Ball (9:55)*
Power Fantastic Intro (1:24)*
Power Fantastic (4:45)
D) Last Heart (2:59)
Witness 4 The Prosecution (3:59)**
Movie Star (4:19)*
A Place In Heaven (2:49)**
All My Dreams (7:15)** dream factory 1986-06-03 front
The track called "Nevaeh Ni Ecalp A" is a short sequence in reverse of "A Place In Heaven", which spelled backwards gives "Nevaeh Ni Ecalp A". With a minute of guitar played by Wendy, "Interlude" is a short interlude more than a composition. "All My Dreams" is one of the unreleased titles from Parade. Although this configuration of Dream Factory was mastered in early June, Prince has continued working on it without making it the final version of the album.
Per Nilsen suggests that ‘All My Dreams’ – which at one time was considered for Parade – was not on the first assembly of Dream Factory. If he was ever considering putting out a single-album version of this record, it seems surprising that he would have left the track out. It is the last song on the suggested second and third assemblies – both double albums – a suitable place for such an epic track, among the most ambitious never to receive release from the Vault. Wendy has said of the song, ‘It reminded me of classic Kid Creole and the Coconuts,’ explaining how Prince sang through a megaphone on one track and kept the other clean, before mixing the two while she and Lisa did crazy background vocals. The instructions for these vocals, Lisa has explained, was to ‘sing like you are Bette Davis’. Revealing once again how important films are to Prince in shaping and driving his creative development – and also demonstrating how Prince was going in one direction with Wendy and Lisa and another more darker direction while alone – she explains they were watching 1930s ‘Puttin’ on the Ritz’-era films while working.10 The track is also a favourite of Matt Fink’s, who considers it ‘a great piece of work’, while Brent Fischer, who also worked on the song, says it’s his favourite unreleased track : ‘It’s a great, great tune and I hope it will be released one day, and it’s got a great orchestral arrangement to it too, if I can pat my dad on the back.’ But unless Prince returns to his Roadhouse Garden project and pulls together these Revolution-related tracks into some sort of coherent order – which seems unlikely – or writes more liner autobiography about this period – and given the cryptic nature of his publications to date, it’s doubtful – it seems that this era will remain the least understood but most talked about of Prince’s career, a time when he was producing material of incredible quality yet failed to find a satisfactory way of putting it out.
04-06-1986 : Home Studio
Slow Love (1) – Dream Factory

Yah U Know (2) – Prev. Home Studio Summ 82

On June 4, Prince recorded "Slow Love." (guitar : Wendy, horns : Eric Leeds & Matt Blistan, backing vocals : Wendy & Lisa) The title was composed during his romance with Carole Davis (credited as co-author of the song). She will later record her version of the song on her debut album in 1989, Heart Of Gold. The track was initially included as the ninth track on the 18 July, 1986 configuration of the Dream Factory album. When the album developed into the triple-album Crystal Ball, the song was included as the seventh track on the first disc on the 30 November, 1986 configuration, Eric Leeds recorded saxophone overdubs for Yah U Know. It is thought to have been worked on for possible inclusion on Dream Factory, but it was not included on any known configurations of the album.carole davis.jpg


A former Penthouse Pet, actress and author, Carole Davis' singing career was brief, but a highlight was working with Prince, co-writing the Sign "O" The Times track "Slow Love" and recording her own version. She was rumoured to be offered the lead in Purple Rain, but turned it down. Carole Davis wrote the song and Prince wanted to buy it. His lawyers offered her $25000. She refused. Then they offered 50% of the rights. This time she accepted.
Slow Love

Young is the night
It feels so right
Now that U're mine
Let's take our time
The man in the moon is smiling
4 he knows what I'm dreaming of
Tonight is the night 4 making slow love
The gentle breeze
It blows with ease
Let's make IT slow
Just like the wind blows
Let's make IT last forever
For a hundred times won't be enough
Tonight is the night 4 making slow love
Slow love
So much better when we take it easy
Slow love
So much better when we take our time
Love's in your eyes (in your eyes)
Eyes never lie
Don't rush the feelin'
You've got me reelin'
U can see through race car drivers
Let me show U what I'm made of
Tonight is the night 4 making slow love
[repeated to fade]
Slow love
So much better when we take it easy
Slow love
So much better when we take our time

Sheena Easton wasn’t the only woman Prince was having these kinds of creative conversations with : ‘Slow Love’ is co-credited to actress, singer and writer Carole Davis. I called Davis and asked her how the collaboration had worked, wondering if it was a similar situation to Prince’s work with Easton. But she said with her things were very different. ‘It wasn’t much of a collaboration. I wrote



the song and he wanted to buy it from me. He had his lawyers call me, and they offered me $25,000 to own the song outright, and I refused, and they got back to me about a month later to give me 50 per cent of publishing and writers, which I accepted for the opportunity to appear on a Prince record.’ Davis is an accomplished actress, which is how she first came into Prince’s orbit. ‘I met him through auditioning for Purple Rain. They offered me the role, but at the time I’d just come off The Flamingo Kid and the script was only ten pages long and had page after page of what looked like porn. In the movie business, Prince was completely unknown.’ Davis wasn’t present when the song was recorded and found out about it through his attorneys. She knew it would appear on Sign o’ the Times, and he had already recorded it before he had Davis’s agreement. ‘He’s an emperor, you know.’ You can hear the additions Prince made to the song by playing it back-to-back with Davis’s own recording of the song, released on her 1989 album Heart of Gold. In Davis’s version, it’s the man on the moon rather than the man in the moon who’s smiling, and the race-car driver bit is new.
06-06-1986 : Detroit Masonic Temple

* Attendance : 4.500 / Sold Out / Tick Price : $17.50


Prince wanted to celebrate his birthday, June 7th, with another "Hit & Run" concert. Detroit concert promoter Quentin Perry received a phone call from Steve Fargnoli, "He said, ‘Prince decided he wanted to play for his birthday. We asked where. He said, ‘He's gonna come to you guys; he wants to play Detroit.' We thought he'd play someplace small, but Fargnoli said, ‘Nah. Detroit doesn't do anything small. Let's play Cobo.' So that's what we delivered." Nearly 12.000 tickets for the Cobo Arena concert sold out in less than half an hour. “It was the fastest single concert sale at the arena," Robert Cavalieri, Vice President of Olympia Arenas, commented. Because of this, a second Detroit concert, at the Masonic Temple on June 6th, was set up at short notice. “He figured as long as he was in town, why not give them another show," Quentin Perry commented. The 4.500-seat Masonic Temple was selected because Cobo Arena and most other concert venues in Detroit were unavailable. Unfortunately, no tape recording is circulating of the first Detroit concert.
♫ Wally Safford / Billy Sparks Interview (WHYT) (0:05)
♫ Electrifying Mojo Phone Call (WHYT, Detroit) (0:14)interview 86 (front)
Prince likes to celebrate his birthday in a big way, and this year was no different. He took his entire entourage to Detroit, Michigan, for two incredible nights of music and a big birthday bash. Detroit has been a special place for Prince all along. Motor City was among the first cities to embrace him when he was first getting his music out. ln 1984, Prince tried to pay back those fans by kicking off his coast-to-coast Purple Rain tour there with a full week of gigs. This year, Prince celebrated his 28th birthday with special shows at the 4,400-seat Masonic Temple and the 12,000-seat Cobo Hall. Prince‘s 1986 tour had not officially started, but these unannounced warm-up dates were quite the event. Along with his 11-member group, the Revolution, Prince brought along his new pet project, Mazarati, to open his concerts, and his playmates, Sheila E., Susannah Melvoin and Andre Cymone, to join in the fun. Rock star Bob Seger and his manager Punch Andrews even drove in on a jeep and watched one show from the soundboard. The audience witnessed Prince and the Revolution perform an amazing two-hour repertoire of old and new songs. The Taboo Club couldn't be arranged in time, so the birthday party after the Cobo Hall show was held at the Joe Lewis Arena. Vans filled with musicians, crew and entourage drove right onto the arena's basketball court and everyone headed for the posh Olympia Room. About 150 guests attended the affair, including Magic Johnson of the Los Angeles Lakers and Isiah Thomas of the Detroit Pistons. The party continued later on a smaller scale at the Omni International Hotel, where everybody was staying. The most significant event of the weekend was Prince's entirely impromptu on-air conversation with the Electrifying MoJo of WHYT-FM. MoJo was perhaps the first air personality in America to play lots of Prince music. After his party, Prince simply decided to phone MoJo for a quick chat. They talked for about 15 minutes.
On the eve of his birthday in 1986, Prince gave a surprise interview to legendary Detroit disc jockey the Electrifying Mojo. He had never offered a live radio interview before. Of the experience, Mojo later said : "I had no idea he was going to call. I had no list of questions or anything like that. First I talked to Billy Sparks and he said, 'Hey Mojo ! Prince wants to talk to you. You got a minute ?' I said, 'Do I have a minute ? Give me a minute to make sure we have a tape on,' and Prince says, 'Hey Mojo ! What's happening ? This is Prince.' If I hadn't heard Billy Sparks' voice prior to that, I may have said, 'Yeah, right.'" 1986_ts35_hq
MOJO : This is the one-man hit machine from Minnesota. Ladies and Gentlemen...Prince.

PRINCE : Hello, Detroit.

MOJO : How are you ?

PRINCE : Alright, how are you ?

MOJO : Well, Prince... I heard nothing but magic flowin' down from the concert. How was it ?

PRINCE : Mmm, a lot of fun. You should've been there.

MOJO : I was there in spirit. I wanted to be here for one reason...I wanted to be here, so that the moment that the concert was over...I wanted to flood the airwaves with Prince.

PRINCE : Well, you know what? I was driving from the gig, wiping the sweat off my brow, and I heard "Automatic." And we just got through playin' it...we don't normally play that one. It went over pretty good, and I think it's 'cuz of you, and what you've done for us and...my thang. It's a good feeling. I just wanna tell all my little motor babies that I'm just happy to be here...and it's a fun way to spend my birthday, for sure.

MOJO : Happy Birthday to you.

PRINCE : Thank you.

MOJO : Prince, you've been the entertainer that has insisted on doing things one way...your way. ciao2001 1986 cover2

PRINCE : Well, you know, it's like...I worked a long time under a lot of different people, and most of the time I was doing it their way. I mean, that was cool, but ya know, I figured if I worked hard enough and kept my head straight, one day I'd get to do this on my own...and that's what happened. So I feel like...if I don't try to hurt nobody...and like I say...keep my head on straight...my way usually is the best way.

MOJO : Growin' up in Minne-wood, as it's been now called, simply because that is the hot point on this planet right now.

PRINCE : Well, it's been called a lot of things, but it's always Uptown to me.

MOJO : Uptown ?

PRINCE : Yes.

MOJO : What was it like growin' up Uptown ?

PRINCE : Pretty different. Uh, kinda sad, to be exact. (laughs) I mean, the radio was dead, the discos was dead, ladies was kinda dead, so I felt like, if we wanted to make some noise, and I wanted to turn anything out....I was gonna have to get somethin' together. Which is what we did. We put together a few bands and turned it into Uptown. That consisted of a lot of bike riding nude, but ya know...it worked. We had fun. That's why I wanted to come here on my birthday...'cuz I wanted to give them a little taste of where we live and get a little taste of where you all live. To me, this is like my second home. If I could spend the night at somebody's crib, I would...'cuz this hotel.... They're real nice to us, but, this bed is hard !

MOJO : You've made fantastic albums, and you've made fantastic movies, and you're making another movie right now.

PRINCE : Yeah.

MOJO : What's the difference between making a hot movie and making a hot album ?

PRINCE : There is no difference. There have been people who have tried to tell me contrary to that, but like you said before and like I said before, I strive for perfection, and sometimes I'm a little bull-headed in my ways. Hopefully, people understand that there's just a lot on my mind and I try to stay focused on one particular thing. And I try not to hurt nobody in the process. A movie is a little bit more complex, but to me it's just a larger version of an album. There are scenes and there are songs, and they all go together to make this painting, and...I'm the painter. Y'all is the paintees. (Mojo laughs.) Hopefully it's something that you can get into. Jerome Benton stars in this new film with me and he's on his way to becoming very, very big. I'm real proud of him. He takes direction well and he gives direction well and I expect a lot of big things from him.

MOJO : Speaking of Jerome Benton, and other people who've flown under the wings of Prince, and also speaking of Detroit's own Billy Sparks, a person that you took from Detroit, put him in your first movie...

PRINCE : Yes.

MOJO : You've always maintained contact with people that you've always been in contact with. 1986_somtres_hq

PRINCE : Oh yeah. Without a doubt, there's people who have flown the coop, so to speak, and gone off to do their own thing, which is great and I stand behind them and support them, whatever they do. But contrary to rumors, we're all real tight still, and I have a strange feeling we're all going to be together again one day. We'll have to see.

MOJO : Do you think that there is a possibility that after this movie has been released, that...I've just heard rumors through the grapevine that there's a possibility that The Time is gonna record again... ?

PRINCE : Well, Mojo. anything's possible. God willing and hopefully everybody's head will be in the right place. I'd like to see all that happen. They were, to be perfectly honest, the only band that I was afraid of. And, they were turning into like...Godzilla, and certain things happened and different waves flowed, different winds blew and everybody fell apart. But, I still love all those guys... and I hope they get back together 'cuz I want some competition, ya know ? (both laugh)

MOJO : Prince, speaking of the movie, Under the Cherry Moon...could you tell us a little bit about that ?

PRINCE : Um...God, I hate to blow the surprise though, you know ?

MOJO : Without blowin' it - we know it's gonna be in black and white...

PRINCE : Yeah, it's gonna be in black and white...

MOJO : ...and we know it's gonna be quote unquote "helluva."

PRINCE : Yeah, it's gonna be that. It's gonna be that. All I can tell you is that you'll have a good time. I'm hoping that everyone understands where I was trying to go with it. It is like an album for me, and I put my heart and sould into it and I worked very long and very hard. Jerome did the same, and there's a message behind it all and I hope people think about it when they leave. That's the main thing. It's a lot of fun, but there's something to think about when it's over. You know, there's a reason for everything.

MOJO : Let's talk about the album, Around The World In A Day... which I think was one of the greatest albums.

PRINCE : My favourite !

MOJO : It's absolutely my favorite, without question. Tunes like "Around The World In A Day," "Paisley Park." What type of mood were you in when you recorded that album ?

PRINCE : Yeah, I sorta had an f-you attitude, meaning that I was making something for myself and my fans. And the people who supported me through the years - I wanted to give them something and it was like my mental letter. And those people are the ones who wrote me back, telling me that they felt what I was feeling. Record sales and things like that...it really doesn't matter, ya know. It keeps a roof over your head, and keeps money in all these folks' pockets that I got hangin' around here ! (laughs) It basically stems from the music, and I'm just hoping that people understand that money is one thing but soul is another. That's all we're really trying to do, you know ? I don't know. I wouldn't mind if I just went broke, you know, 'cuz as long as I can play this type of thing and come here, ya know. There were a lot of people there tonight and they turned the lights on and I looked up...it brings tears to your eyes because it's just - you can feel the love in the room, ya know ? And that means more than money. I could just go on for hours...I don't know, I just have fun, and I'm thankful to be alive, ya know ?

MOJO : What's a day like, in the life of Prince ?

PRINCE : Work ! I work a lot. I'm trying to get a lot of things done very quickly, so that I can stop working for a while. Everyone's afraid I'm gonna die. (laughs)

MOJO : You say, you are afraid ?

PRINCE : No, I'm not afraid ? Everyone else is afraid. They think I work too much. I'm not afraid of anything.

MOJO : It's been said that when you're working - you work on the road, you carry your studio around with you, you get up in the middle of the night, you get an idea for a tune and you get up and go do it - there's just no such thing as Prince being off from work. Some people have even called you the workaholic, ever-movin' one-man storm. Is that true ?

PRINCE : The thing is that when you're called, you're called. I hear things in my sleep; I walk around and go to the bathroom and try to brush my teeth and all of the sudden the toothbrush starts vibrating ! That's a groove, you know.

MOJO : You know it !

PRINCE : You gotta go with that, and that means drop the toothbrush and get down to the studio or get to a bass guitar, quick ! My best things have come out like that. To me, making a song is like a new girl walking in the room...you never know what's going to happen 'til all the things come together, and there she stands ! And she says, "Hi ! You want to take a bite of this orange ?" And you bite it, and it's cool, and I send it to you. You know ?

MOJO : I know ! Look here - one question.

PRINCE : Yes.

MOJO : What's your favorite instrument ? You play them all....

PRINCE : Mmmm. Stewardesses ! (laughs)

MOJO : It's dirty...! it's dirty...!

PRINCE : No, listen...it depends on the song, it depends on the color. They all sound differently. It's very strange, I try to stay original in my work and a lot of sounds have been used now, and I'm looking for new instruments and new sounds and new rhythms. I got a lot of surprises...I don't want to give them all away.

MOJO : Look, you've done everything.

PRINCE : Not yet !

MOJO : You've done hard rock. You've done some of the most sensuous -

PRINCE : No, we've just scratched the surface with all that stuff. There's so many sounds, it's limitless.

MOJO : Some people say you probably have in your secret vault...in the Prince music vault, about 500 tunes that you've done that you haven't even considered using yet...that you could put out an album for the next twenty years, two a year -

PRINCE : Naw, not that many...320 to be exact. Not 500. (laughs)

MOJO : 320 songs ? That have never been released.

PRINCE : Mmm-hmm.

MOJO : It's been rumored that they all sound different, that's probably why each album you release is just a little bit different.

PRINCE : Yeah. They don't ALL sound different. There's a couple times I copied myself.

MOJO : It's alright to copy yourself.

PRINCE : You think you hit on something, right ! You try to do it again...ya know ? (both laugh) I try not to do that too much. If I do, then it's usually someone around, Wendy or Lisa, who says, "Hey, man, I've heard that. Put it away." And it goes away. And we don't hear from that song for a while. Mojo, guess what ? We're all going to see Purple Rain tonight. music fans 1986 mag

MOJO : You are ?

PRINCE : Yep !

MOJO : I've seen it twelve times.

PRINCE : I've seen it too many times, but I wanna watch it again.

MOJO : I've seen it twelve times, and I'll go watch it tonight. Tell you what - I'm gonna ask everybody out there to go watch Purple Rain. What time will you be watching it ?

PRINCE : About three minutes...they're knocking on my door now. I'll tell you what I'm gonna do. I'll call back tomorrow and I'm gonna leave a little message at about 4:30. And, this one's just for all the purple people, and I think they'll understand. I'll call you. I got your number.

MOJO : Alright ! Prince, it's been one big pleasure. Words cannot describe this moment. I don't think words can describe how Detroit feels about Prince. So, in closing, whatever you want to say to Detroit...the airwaves are yours.

PRINCE : (makes five kissing sounds with his lips and then says the word...) KISS.





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