Monographs on artists


ROMA. PALAZZO DELLE ESPOSIZIONI. Il Settecento a Roma



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ROMA. PALAZZO DELLE ESPOSIZIONI. Il Settecento a Roma. March-May 1959. Texts by U. Barberini, E. Lavagnino, A. Santangelo. 566pp., 80 plates. Sm. 4to. New cloth. Title-page in photocopy.

Roma, 1959.



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1021 ROMA. PALAZZO POLI. Roma veduta. Disegni e stampe panoramiche della città dal XV al XIX seclo. Mostra a cura di Mario Gori Sassoli. Sept. 2000-Jan. 2001. 274, (2)pp., 3 enormous folding plates. Prof. illus. Sm. oblong folio. Wraps.

Roma (Artemide Edizioni), 2000.


1022 ROMA. PALAZZO VENEZIA. Il ritratto francese da Clouet a Degas. Introduction by Germain Bazin. xlviii, 120, (2)pp., 102 plates. 4to. Cloth. Orig. wraps. bound in.

Roma, 1962.


1023 ROMA. ACADÉMIE DE FRANCE À ROME, VILLA MEDICI. Roma 1630: Il trionfo del pennello. Oct. 1994-Jan. 1995. 259pp. Prof. illus. Lrg. sq. 4to. Wraps.

Milano (Electa), 1994.


1024 RORSCHACH, KIMERLY. The Early Georgian Landscape Garden. x, (2), 107pp. Prof. illus. Lrg. 4to. Wraps. Published in conjunction with an exhibition at the Yale Center for British Art, April-June 1983.

New Haven (Yale Center for British Art), 1983.


1025 ROSENAU, HELEN. Social Purpose in Architecture: Paris and London Compared, 1760-1800. 144pp. Prof. illus. Sq. 4to. Cloth.

London (Studio Vista), 1970.


1026 ROSENBERG, PIERRE. The Age of Louis XV: French Painting 1710-1774. xv, (1), 94, (2)pp, 140 plates (13 color). Sq. 4to. Wraps. Published in conjunction with the exhibition Toledo Museum of Art, Oct.-Dec. 1975.

Toledo, 1975.



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1027 ROSENBERG, PIERRE. De main de maître: Trois siècles de dessin français dans la collection Prat. 277pp. 129 plates (13 color), reference figs. Lrg. 4to. Wraps. Published in connection with an exhibition at the National Gallery of Art, Ottawa, July-Aug. 1991.

Paris (Réunion des Musées Nationaux), 1991.


1028 ROSENBERG, PIERRE. From Drawing to Painting: Poussin, Watteau, Fragonard, David & Ingres. (The A.W. Mellon Lectures in the Fine Arts, 1996./ Bollingen Series. XXXV, 47.) xi, (1), 244pp. 257 illus. Lrg. 4to. Boards, 1/4 cloth. D.j.

Princeton (Princeton University Press), 2000.



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1029 ROSENBERG, PIERRE. Only in America. One hundred paintings in American museums unmatched in European collections. 239pp. 100 color plates, 30 text illus., reference figs. Lrg. 4to. Cloth. D.j.

Milano (Skira), 2006.


1030 ROSENBERG, PIERRE. Passion for Drawing. Poussin to Cézanne, works from the Prat Collection. With contributions by Louis-Antoine Prat and Bruno Ferté. 327pp. 100 plates, numerous text and reference illus. Lrg. 4to. Wraps. Published in conjunction with an exhibition organized by Art Services International.

Alexandria, Virginia (Art Services International), 2004.


1031 ROSENBERG, PIERRE. Il Seicento francese. (I Disegni dei Maestri. 11.) 96pp. 38 color plates, 46 illus. Lrg. 4to. Boards. D.j.

Milano (Fabbri), 1970.



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1032 ROSENBLUM, ROBERT. Transformations in Late Eighteenth Century Art. xxvi, 203pp. 215 illus. hors texte. Sm. 4to. Cloth. D.j.

Princeton (Princeton University Press), 1967.



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1033 ROSENDAL. BARONIET ROSENDAL. Oppdagelsen av det norske landskap. Danske kunstnere u Norge 1780-1840. 56pp. 26 color plates. Sm. 4to. Wraps.

Rosendal, 2001.


1034 ROSKILL, MARK. Van Gogh, Gauguin and the Impressionist Circle. (New Aspects of Art.) 310pp. 206 illus. (8 color). 4to. Cloth. D.j.

Greenwich (New York Graphic Society), n.d.


1035 ROSSI PINELLI, ORIETTA. Il secolo della ragione et delle rivoluzioni. La cultura visiva del Settecento europeo. (Storia Universale dell’Arte. Sezione III: Le Civilità dell’Occidente.) 318pp. Prof. illus. 4to. Cloth. D.j. Presentation slip from the author inserted.

Torino (UTET), 2000.



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1036 ROTONDI, PASQUALE. The Ducal Palace of Urbino: Its Architecture and Decoration. viii, 111, (1)pp. 410 illus. hors texte. Figs. 4to. Cloth. D.j. Slipcase.

London (Alec Tiranti), 1969.


1037 ROUEN. MUSÉE DES BEAUX-ARTS. Guide des collections: XVIIIe, XIXe et XXe siècles. Par François Bergot, Marie Pessiot, Gilles Grandjean, Alain Pougetoux. 255pp. Prof. illus. Sm. 4to. Wraps.

Rouen, 1994.


1038 ROUEN. MUSÉE DES BEAUX-ARTS. Tableaux français du XVIIème siècle et italiens des XVIIème et XVIIIème siècles. [Par] Pierre Rosenberg. (Inventaire des Collections Publiques Françaises. 14.) 239pp. 274 illus. 4to. Wraps.

Paris (Éditions des Musées Nationaux), 1966.



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1039 ROYÈRE, JEAN. Poésies. Eurythmies soeur de Narcisse nue par la lumière peints...Quiétude. (Bibliothèque du Hérisson.) 191, (1)pp. Wraps.

Amiens (Librairie Edgar Malfère), 1924.


1040 RUBSAMEN, GISELA. The Orsini Inventories. vii, (3), 223, (1)pp. Lrg. 8vo. Wraps.

Malibu (The J. Paul Getty Museum), 1980.


1041 HILTON, TIM. JOHN RUSKIN: The Early Years, 1819-1859. xvi, 301pp. 23 plates. 4to. Cloth. D.j.

New Haven/London (Yale University Press), 1985.


1042 QUILL, SARAH. RUSKIN’s Venice: The Stones Revisited. With introductions by Alan Windsor. 206pp. Prof. illus. 4to. Cloth. D.j.

Aldershot, Hants (Ashgate), 2000.


1043 SAABYE, MARIANNE. Hirschsprung, kunstsamler og mæcen. 328, (2)pp. Prof. illus. Lrg. 4to. Wraps.

København (Den Hirschsprungske Samling), 2002.


1044 SAINT LOUIS. SAINT LOUIS ART MUSEUM. Five Centuries of Drawing: Masterpieces from the Museum of Fine Arts, Leipzig. [By] Barbara Butts. Feb.-March 1991. 28pp. 19 plates. Lrg. 4to. Wraps.

Saint Louis, 1991.


1045 SAINT LOUIS. THE SAINT LOUIS ART MUSEUM. Men, Women, and God. German Renaissance prints from St. Louis Collections. By Barbara Butts, Tom Rassieur, Mark S. Weil. Checklist by Elizabeth Holly Tasker. Feb.-April 1997. 83, (1)pp. 44 plates. 4to. Wraps.

St. Louis, 1997.


1046 ST. PETERSBURG. THE STATE HERMITAGE MUSEUM. Capolavori della pittura italiana dei secoli XV-XVIII dei musei di Milano. Pinacoteca Ambrosiana, Pinacoteca di Brera, Museo Poldi Pezzoli, Civica Pinacoteca del Castello Sforzesco. Oct.-Dec. 1991. Texts by Gianfranco Ravasi, Rosalba Tardito, Alessandra Mottola Molfino, Mercedes Garberi. 138pp. 37 color plates. Text illus. 4to. Wraps. Parallel text in Italian and Russian.

Milano (Electa), 1991.


1047 SAINT-GERMAIN-EN-LAYE. MUSÉE DÉPARTEMENTAL DU PRIEURÉ. L’éclatement de l’impressionisme. Catalogue by Jeanine Warnod, Marie-Amélie Anquetil, Marianne Barbey, Olivier Michel. 139pp. Prof. illus. Sq. 4to. Wraps.

Saint-Germain-en-Laye, [1982].


1048 SAINT-GERMAIN-EN-LAYE. MUSÉE DÉPARTEMENTAL DU PRIEURÉ. Symbolistes et Nabis. Maurice Denis et son temps. 109pp. Prof. illus. Sq. 4to. Wraps.

Saint-Germain-en-Laye, n.d.


1049 SAISSELIN, RÉMY G. The Rule of Reason and the Ruses of the Heart. A philosophical dictionary of classical French criticism, critics, and aesthetic issues. x, 308pp. Sm. 4to. Cloth. D.j.

Cleveland/London (The Press of Case Western Reserve University), 1970.


1050 SAISSELIN, R.G. Taste in Eighteenth Century France. Critical reflections on the origins of aesthetics, or, An apology for amateurs. vii, (3), 161pp. Cloth. D.j.

Syracuse (Syracuse University Press), 1965.


1051 SALERNO, LUIGI. Palazzo Rondinini. Con un catalogo dei marmi antichi di Enrico Paribeni. 339, (3)pp., 21 color plates. 172 illus. Lrg. 4to. Cloth. D.j.

Roma (De Luca), 1965.


1052 SALERNO, LUIGI. Pittori di paesaggio del Seicento a Roma. / Landscape Painters of the Seventeenth Century in Rome. Versione inglese...a cura di Clovis Whitfield; versione delle schede dei pittori e delle didascalie a cura di Catherine Enggass. 3 vols. lxiiv, 1160pp. 975 plates. Lrg. sq. 4to. Cloth. D.j. Parallel texts in Italian and English.

Roma (Ugo Bozzi), 1977-[1980].



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1053 SALMON, XAVIER. Versailles: Les chasses exotiques de Louis XV. 191pp. Prof. illus. Lrg. 4to. Wraps. Published in conjunction with exhibitions at the Musée de Picardie, Amiens, Oct. 1995-Jan. 1996, and the Musée National des Châteaux de Versailles et de Trianon, Versailles, Feb.-May 1996.

Amiens/Versailles (Musée de Picardie/ Musée National des Châteaux de Versailles et de Trianon), 1995.


1054 SAN DIEGO. TIMKEN ART GALLERY. European and American Works of Art in the Putnam Foundation Collection. Foreword by Nancy Ames Peterson; catalogue entries by Agnes Mongan, Elizabeth Mongan, Cecil Gould, Michael Quick. 127pp. 42 color plates. Sq. 4to. Cloth. D.j.

San Diego, 1983.


1055 SAN FRANCISCO. CALIFORNIA PALACE OF THE LEGION OF HONOR. Rococo. Masterpieces of XVIII century French art from the museums of France. Sept.-Nov. 1949. Text by Thomas Carr Howe, Jr. 71, (1)pp. 44 plates. 4to. Wraps., secured with cord.

San Francisco, 1949.


1056 SAN FRANCISCO. CALIFORNIA PALACE OF THE LEGION OF HONOR & BALTIMORE. THE WALTERS ART GALLERY. Masters of Light: Dutch Painters in Utrecht During the Golden Age. Sept.-Nov. 1997./ Jan.-April 1998. [By] Joaneath A. Spicer with Lynn Federle Orr. With essays by Marten Jan Bok, Jan de Vries, Wayne Franits, Benjamin Kaplan, George Keyes, Ben Olde Meiering and Angelique Bakker. 480pp. Prof. illus. Lrg. 4to. Wraps.

San Francisco/Baltimore, 1997.



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1057 SAN FRANCISCO. THE FINE ARTS MUSEUMS OF SAN FRANCISCO. Four Centuries of French Drawings in the Fine Arts Museums of San Francisco. By Phyllis Hattis. 359, (1)pp. 8 color plates, over 386 illus. Lrg. 4to. Wraps.

San Francisco, 1977.


1058 SAN FRANCISCO. THE FINE ARTS MUSEUMS OF SAN FRANCISCO. French Paintings, 1500-1825. The Fine Arts Museums of San Francisco. By Pierre Rosenberg, Marion C. Stewart with the assistance of Thierry Lefrançois. 373pp. Prof. illus. Lrg. 4to. Wraps.

San Francisco, 1987.



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1059 SAN MARINO. THE HENRY E. HUNTINGTON LIBRARY AND ART GALLERY. Early British Drawings in the Huntington Collection, 1600-1750. By Robert R. Wark. 231, (1)pp. 160 plates. 4to. Cloth. D.j.

San Marino, 1969.



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1060 SAN MARINO. THE HENRY E. HUNTINGTON LIBRARY AND ART GALLERY. European Drawings from the Kitto Bible. Catalog by Marcel Roethlisberger. Nov. 1969-Feb. 1970. 41pp. 50 illus. 4to. Wraps.

San Marino, 1969.


1061 SANDT, UDOLPHO VAN DER. La Société des Amis des Arts (1789-1798): Un mécénat patriotique sous la Révolution. (Collection Beaux-Arts Histoire.) 139, (5)pp. 1 illus. Wraps.

Paris (École Nationale Supérieure des Beaux-Arts), 2006.


1062 SANTA BARBARA. SANTA BARBARA MUSEUM OF ART. Discoveries! French Masterpieces from Saint-Etienne. July-Oct. 1992. Essays by Philip Conisbee and William Kloss. 32pp. Prof. illus. 4to. Wraps.

Santa Barbara, 1992.


1063 SANTA BARBARA. UNIVERSITY OF CALIFORNIA. ART MUSEUM. The Cult of Images (Le culte des images). Baudelaire and the 19th-century media explosion. April-May 1977. Organized by Beatrice Farwell. Realized with the cooperation of the Bibliothèque Nationale, Paris. 150pp. 140 illus. 4to. Wraps.

Santa Barbara, 1977.


1064 SANTA BARBARA. UNIVERSITY OF CALIFORNIA. UNIVERSITY ART MUSEUM. The Anglo-American Artist in Italy, 1750-1820. [By] Corlette Rossiter Walker. March-May 1982. 140, (8)pp. Prof. illus. 4to. Wraps.

Santa Barbara, 1982.


1065 SAPPORO. HOKKAIDORITSU KINDAI BIJUTSUKAN. Bosuton Bijutsukan ten: 19-seiki Furansu kaiga no eiko. / From Neoclassicism to Impressionism: French Paintings from the Museum of Fine Arts, Boston. July-Aug. 1989. 190, (2)pp. 82 color plates, figs. 4to. Wraps.

Sapporo, 1989.


1066 SAPPORO. HOKKAIDORITSU KINDAI BIJUTSUKAN. Myunhen kindai bijutsuten: Kandinsukito eikono sei kishitachi. / Münchner Malerei 1892-1914 von der Sezession zum Blauen Reiter. July-Aug. 1977. 240, (2)pp. Prof. illus. Oblong 4to. Wraps.

Sapporo, 1977.


1067 SARASOTA. JOHN AND MABLE RINGLING MUSEUM OF ART. Catalogue of the Flemish and Dutch Paintings, 1400-1900. [By] Franklin W. Robinson and William H. Wilson, with contributions by Larry Silver. (26)pp., 126 plates (partly in color). Text illus. Lrg. 4to. Wraps.

Sarasota, 1980.


1068 SARDA, MARIE-ANNE & PHILIPPE, MAGALI. The Monastère Royal de Brou, Bourg-en-Bresse. (Musées et Monuments de France.) 127pp. 148 illus. 4to. Wraps.

Paris (Fondation BNP Paribas/ Éditions du Patrimoine), [2005].


1069 SARGENTSON, CAROLYN. Merchants and Luxury Markets. The marchands merciers of eighteenth-century Paris. 224pp. 90 plates (7 color). Lrg. 4to. Cloth. D.j.

London (Victoria and Albert Museum), 1996.


1070 SAUERLÄNDER, WILLIBALD. Gothic Sculpture in France 1140-1270. 527, (1)pp. 605 illus. (4 tipped-in color). Lrg. 4to. Cloth.

New York (Harry N. Abrams), 1972.



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1071 SAUERLÄNDER, WILLIBALD. Von Sens bis Strassburg. Ein Beitrag zur kunstgeschichtlichen Stellung der Strassburger Querhausskulpturen. (8), 152, (4)pp., 75 plates with 232 illus. Lrg. 4to. Cloth.

Berlin (Walter de Gruyter), 1966.



Arntzen/Rainwater K119
1072 SAVIGNAC, MONIQUE DE. Peintures d’églises à Paris au XVIIIe siècle. 287pp. 57 plates. 4to. Wraps.

Paris (Somogy), 2002.


1073 SAVILL, ROSALIND. Wallace Collection: Sèvres Porcelain. Second edition. (4)pp., 11 plates ( folding). Sq. 8vo. Wraps.

London (The Trustees of the Wallace Collection), 1980.


1074 SCAILLIÉREZ, CÉCILE. François Ier et ses artistes dans les collections du Louvre. Avec la collaboration de Sophie Baratte, Amaury Lefébure, Marie Montembault. (Monographies des Musées de France.) 160, (2)pp. Prof. illus. 4to. Wraps.

Paris (Réunion des Musées Nationaux), 1992.


1075 SCAVENIUS, BENTE (EDITOR). The Golden Age in Denmark: Art and Culture 1800-1850. 198, (2)pp. Prof. illus. Lrg. 4to. Boards.

København (Gyldendal), 1994.


1076 SCEAUX. MUSÉE DE L'ÎLE-DE-FRANCE, ORANGERIE DU CHÂTEAU DE SCEAUX. Jardins en Île-de-France, dessins d’Oudry à Carmontelle. Collection du cabinet des dessins du Musée de l'Île-de-France. Oct.-Dec. [1990]. 142pp. 66 illus. 4to. Wraps.

Sceaux, 1990.


1077 SCEAUX. MUSÉE DE L'ÎLE-DE-FRANCE. Parcours d’un collectionneur: L’histoire, la fable et le portrait. Publié sous la direction de Pierre Rosenberg. Sept. 2007-Jan. 2008. 171pp. Prof. illus. 4to. Wraps. The Monique and Edwin Milgrom collection.

Sceaux, 2007.


1078 SCHAARSCHMIDT, FRIEDRICH. Zur Geschichte der Düsseldorfer Kunst insbesondere im XIX. Jahrhundert. (14), 384pp. Frontis., 250 illus. Lrg. 4to. Cloth.

Düsseldorf (Verlag des Kunstvereins für die Rheinlande und Westfalen), 1902.


1079 SCHAPELHOUMAN, MARIJN & SCHATBORN, PETER. Land & Water. Dutch drawings from the 17th century in the Rijksmuseum Print Room./ Hollandse tekeningen uit de 17de eeuw in het Rijksprentenkabinet. xiii, 100pp., 100 plates. Oblong 4to. Wraps.

Zwolle (Uitgeverij Waanders), [1987].


1080 SCHAPIRO, MEYER. Theory and Philosophy of Art: Style, Artist, and Society. Selected papers. vii, (3), 253, (1)pp. Text illus. 4to. Wraps.

New York (George Braziller), 1994.


1081 SCHEFFER, CARL FREDRIK. Lettres particulières à Carl Gustaf Tessin 1744-1752. Édition critique par Jan Heidner. (Kungl. Samfundet für utgivande av handskrifter rörande Skandinaviens historia. Handlingar. Del 7.) xiii, (3), 310pp. Frontis. Sm. 4to. Cloth. D.j. English-language summary. Presentation copy, inscribed by the editor.

Stockholm (Kungl. Samfundet für utgivande av handskrifter rörande Skandinaviens historia), 1982.


1082 SCHIEDER, MARTIN. Jenseits der Aufklärung. Die religiöse Malerei im ausgehenden Ancien régime. (Berliner Schriften für Kunst. 9.) 444pp., 17 color plates. 113 illus. 4to. Cloth. D.j.

Berlin (Gebr. Mann Verlag), 1997.


1083 SCHMIDT, KATHARINA (EDITOR). Cézanne, Picasso, Braque: Der Beginn des kubistischen Stillebens. 167pp. Prof. illus. 4to. Boards. D.j. Published in conjunction with an exhibition at the Kunstmuseum Basel, April-June 1998.

Ostfildern-Ruit (Verlag Gerd Hatje), 1998.


1084 SCHNAPPER, ANTOINE. Curieux du grand siècle. Collections et collectionneurs dans la France du XVIIe siècle. II: Oeuvres d’art. (Art, Histoire, Sociéte.) 575, (1)pp. 138 plates. Sm. 4to. Wraps.

Paris (Flamarion), 1994.


1085 SCHNAPPER, ANTOINE. Le géant, la licorne et la tulipe. Collections et collectionneurs dans la France du XVIIe siècle. I: Histoire et histoire naturelle. (Art, Histoire, Sociéte.) 415, (1)pp. 72 illus. Sm. 4to. Wraps.

Paris (Flammarion), 1988.


1086 SCHNAPPER, ANTOINE. Tableaux pour le Trianon de marbre, 1688-1714. 231, (3)pp. 87 illus. hors texte. 4to. Cloth. D.j.

Paris/The Hague (Mouton), 1967.


1087 SCHNEIDER, ARTHUR VON. Badische Malerei des 19. Jahrhunderts. Zweite Auflage. 312pp. 153 illus. Sq. 4to. Cloth. DJ.

Karlsruhe (C.F. Müller), 1968.



Chamberlin 2407
1088 SCHULZ, JUERGEN. Venetian Painted Ceilings of the Renaissance. (California Studies in the History of Art. 11.) xxix, (1), 244pp. 241 illus. Lrg. 4to. Cloth. D.j.

Berkeley/ Los Angeles (University of California Press), 1968.



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1089 SCOTT, KATIE. The Rococo Interior. Decoration and social space in early eighteenth-century Paris. ix, (1), 342pp. 296 illus. 4to. Cloth. D.j.

New Haven/London (Yale University Press), 1995.


1090 SEMMER, LAURE-CAROLINE. Les oeuvre-clés de l’impressionisme. (Comprendre & Reconnaître.) 159pp. Prof. illus. Sm. 4to. Wraps. Presentation copy, inscribed by the author.

Paris (Larousse), 2007.


1091 SEYMOUR, CHARLES, JR. Sculpture in Italy, 1400 to 1500. (The Pelican History of Art. Z26.) xxvi, 295pp., 160 plates. 4to. Cloth. D.j. Slipcase.

Harmondsworth/ Baltimore (Penguin), 1968.



Arntzen/Rainwater I18 & K169; Chamberlin 452; Lucas p.69
1092 SEZNEC, JEAN. Essais sur Diderot et l’antiquité. (The Mary Flexner Lectures, Bryn Mawr College.) xvi, 149, (3)pp. 80 illus. hors texte. Lrg. 8vo. Cloth. D.j.

Oxford (Clarendon Press), 1957.


1093 SHACKELFORD, GEORGE GREEN. Thomas Jefferson’s Travels in Europe, 1784-1789. (6), 219pp. Prof. illus. 4to. Cloth. D.j.

Baltimore/London (The Johns Hopkins University Press), 1995.


1094 SHACKELFORD, GEORGE T.M. & WISSMAN, FRONIA E. Impressions of Light: The French Landscape from Corot to Monet. Contributions by David P. Becker, Karen E. Haas, Anne E. Havinga, Joanna Karlgaard, Nicole R. Myers, Sue Welsh Reed, Rebecca Senf, and Barbara Stern Shapiro. 291pp. 154 plates, 56 figs. Lrg. sq. 4to. Wraps. Published in conjunction with an exhibition at the Museum of Fine Arts, Boston, Dec. 2002-April 2003.

Boston (Museum of Fine Arts), 2002.


1095 SHEARMAN, JOHN. Only Connect... Art and the spectator in the Italian Renaissance. (The A.W. Mellon Lectures in the Fine Arts, 1988./ Bollingen Series. XXXV, 37.) xvii, (1), 281pp. 201 illus. 4to. Cloth. D.j.

Washington, D.C./Princeton (The National Gallery of Art/ Princeton University Press), 1992.



Arntzen/Rainwater R1
1096 SHIZUOKA. SHIZUOKA KENRITSU BIJUTSUKAN. Insho-ha e no michi: Itaria no kokei 1780-1850. / The Romantic Prospect: Plein Air Painters 1780-1850. June-Aug. 2004. Texts by Philip Conisbee, Sarah Faunce, Yukitaka Kohari. 250pp. Prof. illus. Lrg. 4to. Wraps. Parallel texts in Japanese and English.

Shizuoka, 2004.


1097 SHOOLMAN, REGINA & SLATKIN, CHARLES E. Six Centuries of French Master Drawings in America. Introduction by Charles Sterling. xviii, 256, (2)pp. 146 plates (1 color). 4to. Cloth.

New York (Oxford University Press), 1950.



Chamberlin 1107; Lucas p. 95
1098 SHULMAN, KEN. Anatomy of a Restoration: The Brancacci Chapel. xvii, (3), 246pp., 8 color plates. Numerous text illus. Sm. 4to. Boards. D.j.

New York (Walker and Company), 1991.


1099 SILVER, LARRY. Early Northern European Paintings. (The Saint Louis Art Museum Bulletin. New Series. Vol. 16#3.) 47pp. Prof. illus. Lrg. 4to. Wraps.

Saint Louis (The Saint Louis Art Museum), 1982.


1100 SILVESTRE, ARMAND. Le nu au Salon de 1891. (4), 128, (2)pp., 32 plates. Lrg. 8vo. Orig. dec. wraps.

Paris (E. Bernard & Cie.), 1891.


1101 SIMON, JAKOB (EDITOR). Handel: A Celebration of his Life and Times, 1685-1759. 296pp. Prof. illus. Published in conjunction with an exhibition at the National Portrait Gallery, London, Nov. 1985-Feb. 1986.

London (National Portrait Gallery), 1985.


1102 SIMON, MARIE. Fashion in Art: The Second Empire and Impressionism. 264pp. Prof. illus. 4to. Cloth. D.j.

London (Zwemmer), 1995.


1103 SIMON, ROBIN (EDITOR). Buckingham Palace: A Complete Guide. 136, (2)pp. Prof. illus. Lrg. 4to. Wraps.

London (Apollo Magazine), 1993.


1104 SKINNER, BASIL. Scots in Italy in the 18th Century. 43, (1)pp., 16 plates. Wraps.

Edinburgh (Scottish National Portrait Gallery), 1966.


1105 SMITH, CHARLES SAUMAREZ. The Building of Castle Howard. xviii, 221pp. 55 plates. 4to. Wraps.

London (Pimlico), 1997.


1106 SMITH, CHARLES SPRAGUE. Barbizon Days. Millet, Corot, Rousseau, Barye. 232pp. Illus. Orig. cloth.

New York (A. Wessels Company), 1906.


1107 SMITH, GRAHAM. The Casino of Pius IV. xvi, 125, (3)pp., 92 illus. hors texte. Lrg. 4to. Cloth. D.j.

Princeton (Princeton University Press), 1977.


1108 SMITH, JEFFREY CHIPPS. The Art of the Goldsmith in Late Fifteenth-Century Germany. The Kimbell Virgin and her Bishop. (Kimbell Masterpiece Series.) 86pp. 78 illus. (partly color). Sm. 4to. Wraps.

Fort Worth/ New Haven (Kimbell Art Museum/ Distributed by Yale University Press), 2006.


1109 SNELL, ROBERT. Théophile Gautier. A romantic critic of the visual arts. 273, (1)pp., 12 illus. hors texte. Sm. 4to. Cloth. D.j.

Oxford (Clarendon Press), 1982.


1110 SNOEP-REITSMA, ADRIENNE ELISABETH. Verschuivende betekenissen van zeventiende eeuwse nederlandse genrevoorstellingen. / Shifting Meanings of Seventeenth-Century Dutch Genre Paintings. Proefschrift...Rijksuniversiteit te Utrecht. (150)pp. 114 illus. 4to. Wraps. (disbound). Also contains: “De waterzuchtige vrouw van Gerard Dou en de betekenis van de lampetkan,” with a summary in English; and, “Chardin and the bourgeois ideals of his time.”

[Deventer (Privately Printed), n.d.].


1111 SOBIESZEK, ROBERT A. Ghost in the Shell: Photography and the Human Soul, 1850-2000. Essays on camera portraiture. 322, (2)pp. 184 color illus. Sm. oblong folio. Wraps. D.j. Published in conjunction with an exhibition at the Los Angeles County Museum of Art, Oct. 1999-Jan. 2000.

Los Angeles/Cambridge (Los Angeles County Museum of Art/ MIT Press), 1999.


1112 SOBRÉ, JUDITH BERG. Behind the Altar Table. The development of the painted retable in Spain, 1350-1500. xii, 384pp., 5 plates (4 color). 176 illus. 4to. Cloth. D.j.

Columbia (University of Missouri Press), 1989.


1113 SOHM, PHILIP. Pittoresco. Marco Boschini, His Critics, and Their Critiques of Painterly Brushwork in Seventeenth and Eighteenth Century Italy. (Cambridge Studies in the History of Art.) xvi, 276pp., 48 plates with 76 illus. 4to. Cloth. D.j.

Cambridge (Cambridge University Press), 1991.



Marmor/Ross R26
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