Monographs on artists
LEWIS, LESLEY. Connoisseurs and Secret Agents in Eighteenth Century Rome
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| LEWIS, LESLEY. Connoisseurs and Secret Agents in Eighteenth Century Rome. 282pp., 12 plates. Lrg. 8vo. Cloth. D.j.
London (Chatto & Windus), 1961. 554 LEWIS, MARY TOMPKINS (EDITOR). Critical Readings in Impressionism and Post-Impressionism. An anthology. x, 347, (1)pp. Prof. illus. Sm. 4to. Wraps. Berkeley/Los Angeles (University of California Press), 2007. 555 LICHTENSTEIN, JACQUELINE & MICHEL, CHRISTIAN (EDITORS). Les conférences au temps d’Henry Testelin, 1648-1681. Édition critique intégrale sous la direction de Jacqueline Lichtenstein et Christian Michel. Texte établi par Bénédicte Gady, Jan Blanc, Jean-Gérald Castex, Markus A. Castor et Karim Haouadeg. Préface: Henry-Claude Cousseau. Présentation: Thomas W. Gaehtgens. (Conférences de l’Académie royale de Peinture et de Sculpture. I.) 2 vols. 829, (3)pp. Prof. illus. Lrg. 4to. Wraps. D.j. Paris (École nationale Supérieure des Beaux-Arts), [2006]. 556 LIEDTKE, WALTER. A View of Delft: Vermeer and His Contemporaries. 320pp. 32 color plates, 317 illus. Lrg. 4to. Cloth. D.j. Zwolle (Waanders Publishers), 2000. 557 LILLE. MUSÉE DES BEAUX ARTS. Au temps de Watteau, Fragonard et Chardin: Les Pays-Bas et les peintres français du XVIIIe siècle. Commissaire général: Hervé Oursel. 209pp. Prof. illus. 4to. Wraps. Lille, 1985. 558 LILLE. MUSÉE DES BEAUX ARTS. Autour de David: Dessins néo-classiques du Musée des Beaux-Arts de Lille. Texts by Hervé Oursel, Annie Scottez, Philippe Bordes, Arlette Serullaz. 223pp. 189 illus. Sm. 4to. Wraps. Lille, 1983. 559 LILLE. PALAIS DES BEAUX-ARTS. Au temps du roi soleil: Les peintres de Louis XIV (1660-1715). Feb.-April 1968. Texts by A. Châtelet and J. Thuillier; catalogue edited by A. Schnapper. (Tricentenaire du Rattachement de Lille à la France.) 96pp. Prof. illus. 4to. Wraps. (chipped). Lille, 1968. 560 LILLE. PALAIS DES BEAUX-ARTS. Catalogue des dessins français du XVIIIe siècle de Claude Gillot à Hubert Robert. [Par] Sophie Raux. 235, (5)pp., 32 color plates. 95 illus., reference figs. 4to. Wraps. Lille, 1995. 561 LILLICH, MEREDITH PARSONS. The Stained Glass of Saint-Père de Chartres. xiv, 212pp. 12 color plates, 99 illus., 13 figs. 4to. Cloth. D.j. Middletown (Wesleyan University Press), 1978. 562 LINTZ, YANNICK & FRANCE, BORIS. The Musée des Beaux-Arts, Agen. (Musées et Monuments de France.) 127, (1)pp. Prof. illus. 4to. Wraps. Paris (Fondation Paribas/ Réunion des Musées Nationaux), [2000]. 563 LIOT, DAVID, ET AL. The Musée des Beaux-Arts, Reims. [By] David Liot, Catherine Delot, Marie-Hélène Montout-Richard. (Musées et Monuments de France.) 127, (1)pp. Prof. illus. 4to. Wraps. Paris (Fondation Paribas/ Réunion des Musées Nationaux), [2002]. 564 LIPPINCOTT, LOUISE. Selling Art in Georgian London: The Rise of Arthur Pond. (Studies in British Art.) xii, 212pp. Frontis., 28 illus. Sm. 4to. Cloth. D.j. New Haven/London (Paul Mellon Centre for Studies in British Art/ Yale University Press), 1983. Arntzen/Rainwater R69 565 LIPPINCOTT, LOUISE & BLÜHM, ANDREAS. Fierce Friends: Artists and Animals, 1750-1900. Foreword by Desmond Morris. 160pp. Prof. illus. 4to. Wraps. Published in conjunction with an exhibition at the Van Gogh Museum, Amsterdam, Oct. 2005-Feb. 2006. London/New York (Merrell), 2005. 566 LIPSCHUTZ, ILSE HEMPEL. Spanish Painting and the French Romantics. (Harvard Studies in Romance Languages. Vol. 32.) xvii, (1), 407, (3)pp. 82 illus. 4to. Cloth. D.j. Cambridge (Harvard University Press), 1972. 567 LIVERPOOL. TATE GALLERY. Original Eyes: Progressive Vision in British Watercolour, 1750-1850. May-Aug. 1991. Text by David Blayney Brown. 59pp. Prof. illus. 4to. Wraps. Liverpool, 1991. 568 LOCHHEAD, IAN J. The Spectator and the Landscape in the Art Criticism of Diderot and His Contemporaries. (Studies in the Fine Arts: Criticism. 14.) xiii, (1), 119pp. Sm. 4to. Cloth. Ann Arbor (UMI Research Press), [1982]. Marmor/Ross R102 569 LOCQUIN, JEAN. La peinture d’histoire en France de 1747 à 1785. Étude sur l’évolution des idées artistiques dans la seconde moitié du XVIII siècle. xxx, 346pp. 211 illus. hors texte. 4to. Cloth. D.j. Reprint of the Paris 1912 edition. Paris (ARTHENA), 1978. Arntzen/Rainwater M210 570 LOERS, VEIT. Rokokoplastik und Dekorationssysteme. Aspekte der süddeutschen Kunst und des ästhetischen Bewusstseins im 18. Jahrhundert. (Münchener Kunsthistorische Abhandlungen. 8.) vii, (1), 127, (1)pp. 71 illus. hors texte. 2 text figs. 4to. Wraps. München/Zürich (Schnell & Steiner), 1976. 571 LONDON. THOS. AGNEW & SONS LTD. England and the Seicento. A loan exhibition of Bolognese paintings from British collections. Nov.-Dec. 1973. Catalogue by Clovis Whitfield. (92)pp. 50 plates. 4to. Wraps. London, 1973. 572 LONDON. THOS. AGNEW & SONS LTD. Old Master Drawings from Holkham. Collected by the 1st Earl of Leicester (1697-1759). May 1977. 74, (2)pp. Prof. illus. 4to. Wraps. London, 1977. 573 LONDON. THOS. AGNEW & SONS LTD. Venetian Eighteenth-Century Painting. June-July 1985. Introduction by John Julius Norwich. 55, (1)pp. 26 plates (partly color). 4to. Wraps. London, 1985. 574 LONDON. ARTS COUNCIL. Samuel Courtauld’s Collection of French 19th Century Paintings and Drawings. Text by Allan Bowness. (34)pp. 16 color plates, 61 figs. 4to. Wraps. London, 1976. 575 LONDON. ARTS COUNCIL. & KENWOOD. THE IVEAGH BEQUEST. Lady Hamilton in Relation to the Art of Her Time. July-Oct. 1972. Catalogue by Patricia Jaffé. 80pp., 8 plates. Sm. 4to. Wraps. With a letter from the author inserted. London, 1972. 576 LONDON. THE ARTS COUNCIL OF GREAT BRITAIN. Neo-Classical England. Text written and illustrations selected by Judy Marle. (50)pp. 24 plates with numerous illus. Lrg. sq. 4to. Wraps. London, 1972. 577 LONDON. BRITISH MUSEUM. The Art of Drawing. 79pp. 23 plates. Sm. sq. 4to. Wraps. London, 1972. 578 LONDON. BRITISH MUSEUM. British Landscape Watercolours, 1600-1860. [By] Lindsay Stainton. 84, (2)pp., 138 color plates. Text illus. Oblong 4to. Wraps. With a handwritten note from the author inserted. London, 1985. 579 LONDON. BRITISH MUSEUM. Catalogue of British Drawings. Volume One: XVI & XVII Centuries. By Edward Croft-Murray & Paul Hulton. Supplemented by a list of foreign artists’ drawings connected with Great Britain by Christopher White. 2 vols. Text: xliii, 619pp. Plates: vi pp., 306 plates (9 color). 4to. Cloth. London, 1960. Arntzen/Rainwater L38 580 LONDON. BRITISH MUSEUM. French Landscape Drawings and Sketches of the Eighteenth Century. Catalogue of a loan exhibition from the Louvre and other French museums. 151, (1)pp. 68 illus. (8 color). 4to. Wraps. London, 1977. 581 LONDON. BRITISH MUSEUM. From Manet to Toulouse-Lautrec. French lithographs, 1860-1900. By Frances Carey and Antony Griffiths. 104pp. Prof. illus. 4to. Wraps. London, 1978. 582 LONDON. BRITISH MUSEUM. German Printmaking in the Age of Goethe. [By] Antony Griffiths and Frances Carey. 240pp. 149 illus. 4to. Wraps. London, 1994. 583 LONDON. BUCKINGHAM PALACE, THE QUEEN’S GALLERY. Drawings by Michelangelo, Raphael & Leonardo and Their Contemporaries. 1972-73. 75, (1)pp. 17 illus. hors texte. Wraps. London, 1972. 584 LONDON. BUCKINGHAM PALACE, THE QUEEN’S GALLERY. A King’s Purchase: King George III and the Collection of Consul Smith. 71pp. Prof. illus. Lrg. sq. 8vo. Wraps. London, [1993]. 585 LONDON. P. & D. COLNAGHI & CO. Exhibition of French Drawings: Post Neo-Classicism. Feb.-March 1975. (60)pp., 160 plates. 4to. Wraps. London, 1975. 586 LONDON. P. & D. COLNAGHI & CO. A Loan Exhibition of English Drawings and Watercolours from the Collection of Mr. and Mrs. Paul Mellon of Upperville, Virginia. Dec. 1964-Jan. 1965. (30)pp., 17 plates. Wraps. London, 1964. 587 LONDON. P. & D. COLNAGHI & CO. Pictures from the Grand Tour. Nov.-Dec. 1978. Foreword by James Byam Shaw. 150pp. Prof. illus. (partly color). 4to. Wraps. London, 1978. 588 LONDON. COURTAULD INSTITUTE GALLERIES. French Drawings XVI-XIX Centuries. [By] Gillian Kennedy and Anne Thackray. July-Oct. 1991. 108pp. 49 plates. Sm. sq. 4to. Wraps. London, 1991. 589 LONDON. THE FINE ART SOCIETY, LTD. The Etruscan School. Nov.-Dec. 1976. (20)pp. 7 plates. Oblong 8vo. Wraps. London, 1976. 590 LONDON. HAYWARD GALLERY. The Georgian Playhouse: Actors, Artists, Audiences and Architecture, 1730-1830. Exhibition devised by Iain Mackintosh assisted by Geoffrey Ashton. Aug.-Oct. 1975. (126)pp. Prof. illus. Oblong 4to. Wraps. London, 1975. 591 LONDON. HAYWARD GALLERY. Saved! 100 years of the National Art Collections Fund. [By] Richard Verdi with contributions by Martin Bailey, Philip Conisbee, Juliet Gardiner, Flaminia Gennari Santori, James Hall, Lynda Nead, Robert Sténuit, Polly Toynbee, Roderick Whitfield. Oct. 2003-Jan. 2004. 312pp. Prof. illus. Lrg. 4to. Wraps. London, 2003. 592 LONDON. HAYWARD GALLERY. Spectacular Bodies. The art and science of the human body from Leonardo to now. [By] Martin Kemp, Marina Wallace. Oct. 2000-Jan. 2001. 232pp. Prof. illus. Lrg. 4to. Wraps. London, 2000. 593 LONDON. HAYWARD GALLERY & LIVERPOOL. WALKER ART GALLERY. French Symbolist Painters: Moreau, Puvis de Chavannes, Redon and Their Followers. June-July/ Aug.-Sept. 1972. Texts by Philippe Jullian, Alan Bowness, Geneviève Lacambre. 170pp. Prof. illus. Lrg. 4to. Wraps. London/Liverpool, 1972. 594 LONDON. HAZLITT, GOODEN & FOX. Landscapes from the Fitzwilliam. Loan exhibition.... June-July 1974. Introduction by Michael Jaffé. 54, (2)pp. 66 illus. hors texte. 4to. Wraps. London, 1974. 595 LONDON. HAZLITT, GOODEN & FOX. The Lure of Rome: Some Northern Artists in Italy in the Nineteenth Century. Paintings and drawings. Oct.-Nov. 1979. 40pp. 94 illus. hors texte. Sm. 4to. Wraps. London, 1979. 596 LONDON. HEIM GALLERY. Exhibition of French Drawings: Neo-Classicism. Feb.-March 1975. Text by Philip Conisbee. (58)pp. 125 illus. hors texte. 4to. Wraps. London, 1975. 597 LONDON. HEIM GALLERY. The Finest Drawings from the Museums of Angers. Nov.-Dec. 1977. Catalogue by Vivian Huchard and Alastair Lang; biographies by Catherine Lagrue. (74)pp., 104 plates. 4to. Wraps. London, 1977. 598 LONDON. HEIM GALLERY. From Poussin to Puvis de Chavannes. A loan exhibition of French drawings from the collections of the Musée des Beaux-Arts at Lille. Oct.-Nov. 1974. Introduction by Hervé Oursel. (60)pp., 101 plates. 4to. Wraps. London, 1974. 599 LONDON. HEIM GALLERY. Paintings from Tabley. An exhibition of paintings from Tabley House. Edited by Peter Cannon-Brookes. Oct.-Nov. 1989. 95pp. 41 plates. Sm. sq. 4to. Wraps. London, 1989. 600 LONDON. MATTHIESEN FINE ART LTD. Around 1610: The Onset of the Baroque. June-Aug. 1985. Introduction by Ellis Waterhouse. 119, (1)pp. 33 color plates, text illus. 4to. Wraps. London, 1985. 601 LONDON. MATTHIESEN FINE ART LTD. From Borso to Cesare d’Este: The School of Ferrara, 1450-1628. June 1984. 140pp., 79 plates (partly in color). 4to. Wraps. Contributors include Cecil Gould, Lanfranco Caretti, Claudio Gallico, Vincenzo Fontana, Thomas Tuohy, Emmanuele Mattaliano, Giorgio Bassani, Giuliano Briganti, and Alistair Smith. London, 1984. 602 LONDON. MATTHIESEN FINE ART LTD. The Gallic Prospect: French Landscape Painting 1785-1900. Exhibition at Stair-Sainty-Matthiesen, New York, Oct.-Dec. 1999. (An Eye on Nature. 2.) 193, (3)pp. Prof. illus. Lrg. sq. 4to. Cloth. Edition limited to 1500 copies. London, 1999. 603 LONDON. MATTHIESEN FINE ART LTD. Gold Backs 1250-1480. 151pp. 21 color plates, numerous text and reference illus. Sq. 4to. Boards. Edition limited to 1000 copies. London, 1986. 604 LONDON. MATTHIESEN FINE ART LTD. Important Italian Baroque Paintings, 1600-1700. 99pp. 37 plates. Sm. 4to. Wraps. London, [1981]. 605 LONDON. MATTHIESEN FINE ART LTD. Spanish Still-Life Paintings from Sánchez Cotán to Goya. Catalogue entries by William B. Jordan. Exhibition at Stair Sainty Matthiesen, New York. 153, (3)pp. Prof. illus. Lrg. sq. 4to. Boards. Edition limited to 999 copies. London, 1997. 606 LONDON. MATTHIESEN FINE ART LTD. Virtuous Virgins: Classical Heroines, Romantic Passion and the Art of Suicide. 56, (4)pp. Prof. illus. Lrg. sq. 4to. Boards. Edition limited to 750 copies. London, 2004. 607 LONDON. MORTON MORRIS & COMPANY. Designs for English Picture Frames. March-April 1987. Catalogue compiled by Pippa Mason, with an introduction by Gervase Jackson-Stops. (64)pp. 4 color plates, 50 illus. Sm. 4to. Wraps. London (Arnold Wiggins & Sons), 1987. 608 LONDON. MUSEUM OF LONDON. The Quiet Conquest: The Huguenots, 1685 to 1985. May-Oct. 1985. Catalogue compiled by Tessa Murdoch. xvi, 326pp. Prof. illus. Lrg. 4to. Wraps. London, 1985. 609 LONDON. NATIONAL GALLERY. Art in Seventeenth Century Holland. Sept.-Dec. 1976. Texts by Michael Levey, Christopher Brown, Joyce Plesters, Anna Somers Cocks, Charles Avery, Peter Thornton, Oliver Van Oss. 144pp. Prof. illus. 4to. Wraps. London, 1976. 610 LONDON. NATIONAL GALLERY. A Brush With Nature: The Gere Collection of Landscape Oil Sketches. June-Aug. 1999. [By] Christopher Riopelle and Xavier Bray. Essay by Charlotte Gere. 176pp. Prof. illus. (69 color plates). Sq. 4to. Cloth. D.j. London, 1999. 611 LONDON. THE NATIONAL GALLERY. Danish Painting: The Golden Age. A loan exhibition from the Statens Museum for Kunst, Copenhagen. Introductions by Henrik Bramsen, Alistair Smith. Catalogue by Kasper Monrad. Sept.-Nov. 1984. 271, (1)pp. 111 plates (24 color), 14 figs. 4to. Wraps. London, 1984. 612 LONDON. NATIONAL GALLERY. El Greco to Goya. The taste for Spanish paintings in Britain and Ireland. Introduction and catalogue by Allan Braham. 120pp. Prof. illus. 4to. Wraps. London, 1981. 613 LONDON. NATIONAL GALLERY. French Paintings After 1800. [By] Michael Wilson. (The National Gallery Schools of Painting.) 116, (4)pp. 51 color plates. Text illus. 4to. Wraps. London, 1983. 614 LONDON. NATIONAL GALLERY. Giotto to Dürer: Early Renaissance Painting in The National Gallery. [By] Jill Dunkerton, Susan Foister, Dillian Gordon and Nicholas Penny. 408pp. Prof. illus. Lrg. sq. 4to. Wraps. New Haven/London (Yale University Press), 1991. Marmor/Ross M161 615 LONDON. NATIONAL GALLERY. Italian Painting Before 1400. [By] David Bomford, Jill Dunkerton, Dillian Gordon, Ashok Roy. With contributions from Jo Kirby. Nov. 1989-Feb. 1990. (Art in the Making.) Lrg. 4to. Wraps. London, 1989. Marmor/Ross M336 616 LONDON. NATIONAL GALLERY. Painting in Spain During the Later Eighteenth Century. 111, (1)pp. Prof. illus. 4to. Wraps. London, 1989. 617 LONDON. NATIONAL GALLERY. The Seventeenth Century French Paintings. [By] Humphrey Wine. (National Gallery Catalogues.) xxxi, (1), 438pp. Prof. illus. Lrg. 4to. Cloth. D.j. London, 2001. Marmor/Ross M16 618 LONDON. NATIONAL GALLERY. Spanish Still Life from Velázquez to Goya. [By] William B. Jordan and Peter Cherry. Feb.-May 1995. 224pp. 69 color plates, 154 figs. Sq. 4to. Wraps. London, 1995. Marmor/Ross M529 619 LONDON. NATIONAL GALLERY. Spirit of an Age: Nineteenth-Century Paintings from the Nationalgalerie, Berlin. [By] Françoise Forster-Hahn, Claude Keisch, Peter-Klaus Schuster, Angelika Wesenberg. With contributions by Christopher Riopelle, Birgit Verwiebe. March-May 2001. 192pp. 77 color plates, 53 figs. Lrg. 4to. Wraps. London, 2001. 620 LONDON. NATIONAL GALLERY. Tradition & Revolution in French Art 1700-1880: Paintings & Drawings from Lille. Essays by Humphrey Wine, Jon and Linda Whiteley, Alain Gérard. March-July 1993. 192pp. 104 plates, 58 text illus. 4to. Wraps. London, 1993. 621 LONDON. NATIONAL GALLERY. Venetian Seventeenth Century Painting. A loan exhibition from collections in Britian and Ireland. Catalogue by Homan Potterton. Sept.-Nov. 1979. 160pp. 63 plates (8 color), 19 text illus. 4to. Wraps. London, 1979. 622 LONDON. NATIONAL PORTRAIT GALLERY. Complete Illustrated Catalogue 1856-1979. Compiled by K.K. Yung. Edited by Mary Pettman. x, 749pp. Prof. illus. 4to. Cloth. D.j. London, 1981. 623 LONDON. NATIONAL PORTRAIT GALLERY. ‘The King’s Good Servant,’ Sir Thomas More, 1477/8-1535. Nov. 1977-March 1978. [By] J.B. Trapp and Hubertus Schulte Herbrüggen. 147, (1)pp. Prof. illus. (6 full-page color). 4to. Wraps. London, 1977. 624 LONDON. NATIONAL PORTRAIT GALLERY. O Sweet Mr. Shakespeare I’ll have his picture. The changing image of Shakespeare’s person, 1600-1800. 38, (2)pp. 18 plates. 4to. Wraps. London, 1964. 625 LONDON. BUCKINGHAM PALACE, THE QUEEN’S GALLERY. Dutch Pictures from the Royal Collection. Introduction by Oliver Millar. 96, (7)pp., 10 plates. 75 illus. Lrg. 8vo. Wraps. London, 1971. 626 LONDON. BUCKINGHAM PALACE, THE QUEEN’S GALLERY. George III, Collector & Patron. An exhibition of paintings, drawings, furniture, clocks, porcelain, silver, scientific instruments, books, miniatures, gems. 80pp., 20 plates (1 folding). Wraps. London, 1974. 627 LONDON. BUCKINGHAM PALACE, THE QUEEN’S GALLERY. George IV and the Arts of France. 51, (1)pp., 8 plates with 13 illus. Wraps. London, 1966. 628 LONDON. ROYAL ACADEMY. From Manet to Gauguin: Masterpieces from Swiss Private Collections. [By] Dorothy Kosinski, Joachim Pissarro, MaryAnne Stevens. June-Oct. 1995. 150pp. 74 color plates, 42 figs. Lrg. 4to. Wraps. London, 1995. 629 LONDON. ROYAL ACADEMY OF ARTS. The Golden Age of Spanish Painting. Jan.-March 1976. Introduction by W.T. Monnington, Xavier de Salas, Nigel Glendinning. 116pp. Prof. illus. Lrg. 4to. Wraps. London, 1976. 630 LONDON. ROYAL ACADEMY OF ARTS. The Hague School: Dutch Masters of the 19th Century. Edited by Ronald de Leeuw, John Sillevis, Charles Dumas. 336pp. 165 plates, 131 figs., reference illus. Lrg. 4to. Wraps. London, 1983. 631 LONDON. ROYAL ACADEMY OF ARTS. Impressionism: Its Masters, its Precursors, and its Influence in Britain. Feb.-April 1974. Text by John House. 84pp. 24 illus. Sm. 4to. Wraps. London, 1974. 632 LONDON. ROYAL ACADEMY OF ARTS. Painting in England, 1700-1850, from the Collection of Mr. and Mrs. Paul Mellon. (Winter Exhibition 1964-1965.) ix, (1), 88pp. Wraps. London, 1964. 633 LONDON. ROYAL ACADEMY OF ARTS. Painting in Naples 1606-1705 from Caravaggio to Giordano. Edited by Clovis Whitfield and Jane Martineau. 301, (1)pp. Prof. illus. 4to. Wraps. London, 1982. 634 LONDON. ROYAL ACADEMY OF ARTS. Post-Impressionism: Cross-currents in European Painting. Texts by A. Bowness, S. Berresford, F. Gore, A. Gruetzner, J. House, N. Rosenthal, M. Stevens. 303, (1)pp. 428 illus. (46 color). 4to. Wraps. London, 1979. Marmor/Ross M182 635 LONDON. ROYAL ACADEMY OF ARTS & CAMBRIDGE. FITZWILLIAM MUSEUM. Painting in Florence 1600-1700. Foreword by Harold Acton; catalogue by Charles McCorquodale. Jan.-Feb./ Feb.-March 1979. 118, (6)pp. 55 plates. 4to. Wraps. London, 1979. 636 LONDON. ROYAL ACADEMY OF ARTS & THE VICTORIA AND ALBERT MUSEUM. The Age of Neo-Classicism. Sept.-Nov. 1972. Texts by Hugh Honour, L.D. Ettlinger, Herbert von Einem, Carlo Pietrangeli, Wend von Kalnein, Michel Laclotte, Robert Herbert, Gerard Hubert, Dyveke Helsted, Mario Praz, Mario Monteverdi. (The 14th Exhibition of the Council of Europe.) ciii, (1), 1037, (3)pp., 176 plates (16 color). Stout sm. 4to. Wraps. London, 1972. Arntzen/Rainwater I234 & R21 637 LONDON. ROYAL COLLEGE OF ART. The Quick and the Dead. Artists and anatomy. [By] Deanna Petherbridge, Ludmilla Jordanova. Oct.-Nov. 1997. 120pp. 89 illus. Sm. oblong 4to. Wraps. Berkeley/Los Angeles (University of California Press), 1997. 638 LONDON. SAYER & BENNETT. Sayer and Bennett’s Enlarged Catalogue of New and Valuable Prints, in Sets, or Single; also useful and correct maps and charts; likewise books of architecture, views of antiquity, drawing and copy books, &c. &c. in great variety at No. 53, in Fleet-Street, London.... For 1775. 2 parts in 1. (2), 148, (10), 66pp. Cloth. D.j. Reprint of the London 1775 edition. London (The Holland Press), 1970. 639 LONDON. SPINK & SON LTD. The Old Watercolour Society and Its Founder-Members, 1804-1812. (36)pp. Illus. Oblong 4to. Wraps. London, 1973. 640 LONDON. SPINK-LEGER. Feeling Through the Eye: The ‘New’ Landscape in Britain, 1800-1830. March-April 2000. Introductory essay by Timothy Wilcox; catalogue compiled by Sarah Hobrough and Lowell Libson. 115pp. 109 color illus. Lrg. 4to. Boards. London, 2000. 641 LONDON. TATE GALLERY. Grand Tour: The Lure of Italy in the Eighteenth Century. Edited by Andrew Wilton and Ilaria Bignamini. Oct. 1996-Jan. 1997. 328pp. 265 illus., figs. Lrg. 4to. Wraps. London, 1996. 642 LONDON. TATE GALLERY. Landscape in Britain, c. 1750-1850. By Leslie Parris. 142pp. 321 illus. (partly color). Lrg. 4to. Wraps. London, 1973. 643 LONDON. VICTORIA AND ALBERT MUSEUM. Berlioz and the Romantic Imagination. Oct-Dec. 1969. Introduction by David Cairns. 147, (1)pp., 4 color plates. Numerous text illus. Sq. 4to. Wraps. London (The Arts Council), 1969. 644 LONDON. VICTORIA AND ALBERT MUSEUM. Catalogue of Romanesque Sculpture. [By] Paul Williamson. 118pp. Prof. illus. Sq. 4to. Cloth. D.j. London, 1983. 645 LONDON. VICTORIA AND ALBERT MUSEUM. Catalogue of Scandinavian and Baltic Silver. [By] R.W. Lightbown. 255pp. 134 illus. Sm. 4to. Wraps. London, 1975. 646 LONDON. VICTORIA AND ALBERT MUSEUM. The Orange and the Rose. Holland and Britain in the age of observation, 1600-1750.... Oct.-Dec. 1964. Texts by A.G.H. Bachrach, Hugh Paget, Oliver Millar, Th.H. Lunsingh Scheurleer. 86, (2)pp. 41 illus. hors texte. 4to. Wraps. London, 1964. 647 LONDON. VICTORIA AND ALBERT MUSEUM. Rococo: Art and Design in Hogarth’s England. Catalogue edited by Michael Snodin assisted by Elspeth Moncrieff. May-Sept. 1984. 333pp. Prof. illus. 4to. Wraps. London, 1984. 648 LONDON. VICTORIA AND ALBERT MUSEUM. Splendours of the Gonzaga. Nov. 1981-Jan. 1982. Catalogue by David Chambers and Jane Martineau. Foreword by Roy Strong; introduction by D.S. Chambers. xxiii, (1), 248pp. 282 illus. (partly in color). 4to. Wraps. London, 1981. 649 LONDON. WILDENSTEIN. The Art of Painting in Florence and Siena from 1250 to 1500. Feb.-April 1965. Introduction by Denys Sutton; catalogue by St. John Gore. xxxii, 59, (3)pp. 95 illus hors texte. Sm. 4to. Wraps. London, 1965. 650 LONDON. WILDENSTEIN. Artists in 17th Century Rome. June-July 1955. Catalogue by Denys Sutton and Denis Mahon. 96pp., 24 plates. 4to. Wraps. London, 1955. 651 LONDON. WILDENSTEIN. Souvenirs of the Grand Tour. Oct.-Dec. 1982. Text by Denys Sutton. 86pp. Prof. illus. 4to. Wraps. London, 1982. 652 Directory: collections collections -> 1Theodore S. de Bruyn Curriculum Vitae contact information collections -> Review of America and the Far East (all bound) 4 collections -> Bibliographic Standards for Shared Print Monographs (2-16-2011) collections -> General works collections -> University of utah j. Willard Marriott Library collections -> General works 1 Århus. Moesgård museum. Lanks Silkevejen: Nomader og byfolk I Sibirien og Centralasien collections -> Tracy penny light centre for Learning and Teaching Through Technology (LT3) collections -> Pc atari Emulator collections -> Atari disk operating system 5 Download 1.85 Mb. Share with your friends:
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