Monographs on artists


GAEHTGENS, THOMAS W. & HOCHNER, NICOLE (EDITORS). L’image du roi de François Ier à Louis XIV



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GAEHTGENS, THOMAS W. & HOCHNER, NICOLE (EDITORS). L’image du roi de François Ier à Louis XIV. (Passages/Passagen. Centre Allemand d’Histoire de l’Art/Deutsches Forum für Kunstgeschichte. 10.) x, 449, (3)pp. 98 illus. 4to. Wraps. D.j.

Paris (Éditions de la Maison des Sciences de l’Homme), [2006].


363 GAEHTGENS, THOMAS W. & POMIAN, KRZYSZTOF. Le XVIIIe siècle. (Histoire Artistique de l’Europe.) 394, (4)pp. Prof. illus. Lrg. 4to. Cloth. D.j.

Paris (Éditions du Seuil), 1998.


364 GAGE, JOHN. George Field and His Circle: From Romanticism to Pre-Raphaelite Brotherhood. 80, (6)pp. 63 illus. 4to. Wraps. Published in conjunction with an exhibition at the Fitzwilliam Museum, Cambridge, June-Sept. 1989.

Cambridge (Fitzwilliam Museum ), 1989.


365 (GAINES COLLECTION) NEW YORK. SOTHEBY’S. The John R. Gaines Collection. Sale, Nov. 17, 1986. (120)pp. 46 color plates (2 folding), 8 reference illus. 4to. Cloth. D.j.

New York, 1986.


366 GALLET, MICHEL. Demeures parisiennes: L’époque de Louis XVI. 206, (2)pp. 114 illus., 4to. Wraps. D.j.

Paris (Éditions du Temps), 1964.


367 GALLET, MICHEL. Paris Domestic Architecture of the 18th Century. xiv, 196pp. 177 illus., 50 text figs. 4to. Cloth. D.j. Slipcase.

London (Barrie & Jenkins), 1972.


368 GAND. MUSEUM VOOR SCHONE KUNSTEN. L’École de Barbizon: Un dialogue franco-néerlandais. Rédaction: John Sillevis et Hans Kraan. 216pp. Prof. illus. Lrg. 4to. Wraps.

Gand, 1985.


369 GASC, NADINE & MABILLE, GÉRARD. Le Musée Nissim de Camondo. (Musées et Monuments de France.) 125, (3)pp. Prof. illus. 4to. Wraps.

Paris (Albin Michel), [1991].


370 GASQUET, JOACHIM. Des chants de l’amour & des hymnes. Précédés d’un discours de Louis Bertrand et d’une biographie de Joaquim Gasquet par Marie Gasquet. 235, (1)pp. Orig. wraps. Uncut.

Paris (Ernest Flammarion), 1928.


371 GASQUET, JOACHIM. Il y a une volupté dans la douleur. Préface d’Edmond Jaloux. (Les cahiers verts. 3.) 135, (3)pp. Orig. pale green wraps. (small tears). Uncut.

Paris (Librairie Grasset), 1921.


372 GENÈVE. MUSÉE RATH. De Genève à l’Ermitage: Les collections de François Tronchin. June-Sept. 1974. 217pp. Prof. illus. 4to. Wraps.

Genève, 1974.


373 GENOVA. GALLERIA NAZIONALE DI PALAZZO SPINOLA & GALLERIA DI PALAZZO REALE. Genova nell’età barocca. [By] Ezia Gavazza and Giovanna Rotondi Terminiello. May-July 1992. 544pp. Prof. illus. (numerous color). Lrg. 4to. Wraps.

Genova, 1992.


374 GEORGE, M. DOROTHY. London Life in the XVIIIth Century. xii, 452pp. Sm. 4to. Cloth. D.j.

London (Kegan Paul, Trench, Trubner & Co.), 1930.


375 GEORGEL, CHANTAL. La forêt de Fontainebleau: Un atelier grandeur nature. 207pp. Prof. illus. 4to. Wraps. Published in conjunction with an exhibition at the Musée d’Orsay, Paris, March-May 2007.

Paris (Musée d’Orsay), 2007.


376 GEORGEL, CHANTAL. La rue. (Collection “XIXe Siècle / Histoire.” 1.) 4to. Wraps.

Paris (Éditions Hazan), 1986.


377 GEORGEL, PIERRE. Orangerie, 1934: Les “Peintres de la réalité.” Avec la réimpression en fac-similé du catalogue de l’exposition de 1934 par Paul Jamot et Charles Sterling. 399pp. Prof. illus. Lrg. 4to. Wraps. Published in conjunction with an exhibition at the Musée de l’Orangerie, Paris, Nov. 2006-March 2007.

Paris (Réunion des Musées Nationaux), 2006.


378 GERSON, HORST & TER KUILE, E.H. Art and Architecture in Belgium, 1600 to 1800. (The Pelican History of Art.) xix, (1), 236pp., 160 plates. 4to. Cloth. D.j. (covered in acetate). Ex-library markings.

Harmondsworth/Baltimore (Penguin Books), 1960.



Arntzen/Rainwater I18 & I382; Chamberlin 452; Lucas p. 43
379 GERSTEIN, MARC S. Impressionism: Selections from Five American Museums. The Carnegie Museum of Art, The Minneapolis Institute of Arts, The Nelson-Atkins Museum of Art, The Saint Louis Art Museum, The Toledo Museum of Art. Introduction by Richard R. Brettell. 202pp. 85 color plates. Sq. 4to. Wraps. Published in conjunction with an exhibition.

New York (Hudson Hills Press), 1989.


380 GILMOUR, PAT. Understanding Prints: A Contemporary Guide. 80pp. Prof. illus. Stiff wraps.

London (Waddington Galleries), 1979.


381 GIRARDET, CELLA-MARGARETHA. Jüdische Mäzene für die Preussischen Museen zu Berlin. Eine Studie zum Mäzenatentum im Deutschen Kaisserreich und in der Weimarer Republik. 2. Auflage. (Monographien zur Wissenschaft des Judentums. 3.) 232pp. Lrg. 8vo. Wraps. Presentation copy, inscribed by the author.

Egelsbach (Verlag Dr. Hänsel-Hohenhausen), 2000.


382 GLASGOW. GLASGOW MUSEUMS. The Birth of Impressionism from Constable to Monet. May-Sept. 1997. 32pp. Prof. illus. 4to. Wraps.

Glasgow, 1997.


383 GLASGOW. GLASGOW ART GALLERY AND MUSEUM. French Paintings and Drawings. Illustrated summary catalogue. 160pp. Prof. illus. 4to. Cloth. D.j.

Glasgow, 1985.


384 GLASS, DOROTHY F. Romanesque Sculpture in Campania. Patrons, programs, and style. xix, (3), 252pp. 231 illus. Lrg. 4to. Cloth. D.j.

University Park (Pennsylvania State University Press), 1991.



Marmor/Ross K234
385 GLORIEUX, GUILLAUME. À l’enseigne de Gersaint. Edme-François Gersaint, marchand d’art sur le Pont Notre-Dame (1694-1750). Préface de Daniel Roche. (Époques.) viii, 585, (13)pp. 102 illus. 4to. Wraps.

Seyssel (Champ Vallon), 2002.


386 (GOETHE COLLECTION) FEMMEL, GERHARD. Goethes Grafiksammlung: Die Franzosen. Katalog und Zeugnisse. (Goethes Sammlungen zur Kunst, Literatur und Naturwissenschaft.) 677pp. 256 plates. 4to. Cloth. D.j. Ex-library.

Leipzig (E.A. Seemann Verlag), 1980.


387 (GOETHE) FRANKFURT. SCHIRN KUNSTHALLE. Goethe und die Kunst. Herausgegeben von Sabine Schulze. May-Aug. 1994. 644pp. Prof. illus. Lrg. stout 4to. Cloth. D.j.

Frankfurt, 1994.


388 GONCOURT, E. & GONCOURT, J. DE. L’art du dix-huitième siècle et autres textes sur l’art. Texte réunis et présentés par J.-P. Bouillon. (Collection Miroirs de l’Art. Textes de critique et d’histoire de l’art.) 254pp. 10 illus. Tall 8vo. Wraps.

Paris (Hermann), 1967.


389 GONCOURT, EDMOND & JULES DE. French XVIII Century Painters. Watteau, Boucher, Chardin, La Tour, Greuze, Fragonard. xiii, (4), 418pp. 100 plates (4 color). 4 figs. hors texte. Cloth. D.j.

London (Phaidon Press), 1948.



Lucas p. 77
390 GOODMAN, ELLEN. The Portraits of Madame de Pompadour: Celebrating the Femme Savante. (Discovery Series.) xx, 187, (1)pp., 8 color plates. 75 figs. 4to. Cloth. D.j.

Berkeley/Los Angeles (University of California Press), 2000.


391 GORDON, DILLIAN. The Wilton Diptych. With an essay by Caroline M. Barron and contributions by Ashok Roy and Martin Wyld. (Making & Meaning.) 96pp. 48 color plates, 33 figs. 4to. Wraps. Published in conjunction with an exhibition at the National Gallery, London, Sept.-Dec. 1993.

London (National Gallery), 1993.



Marmor/Ross R61
392 GOUIRAND, ANDRÉ. Les Peintres Provençaux. Loubon et son temps, Aiguier, Ricard, Monticelli, Paul Guigou. (Bibliothèque de l’art ancien et moderne.) 147, (1)pp., 12 plates. Sm. 4to. Wraps. (browned; disbound).

Paris (Société d’Éditions Littéraires et Artistiques), 1901.


393 GOULD, CECIL. Trophy of Conquest. The Musée Napoléon and the creation of the Louvre. 151, (1)pp., 2 folding plates. Sm. 4to. Cloth.

London (Faber and Faber), 1965.


394 GRABSKI, JÓZEF (EDITOR). Opus Sacrum: Catalogue of the Exhibition from the Collection of Barbara Piasecka Johnson. 399pp. 79 color plates, reference figs. Sq. 4to. Cloth. D.j. Published in conjunction with an exhibition at the Royal Castle, Warsaw.

Vienna (IRSA), 1990.


395 GRAD, BONNIE LEE & RIGGS, TIMOTHY A. Visions of City & Country: Prints and Photographs of Nineteenth-Century France. 285pp. 148 plates. 4to. Wraps. Published in conjunction with an exhibition organized by the Worcester Art Museum and The American Federation of Arts.

Worcester/New York (Worcester Art Museum/ The American Federation of Arts), 1982.


396 GRAF, DIETER. Nineteenth-Century German Drawings and Watercolours. (4), 25, (1)pp., 52 plates. Sm. oblong 4to. Wraps. Published in conjunction with a loan show from the Hamburg Kunsthalle and the Kunstmuseum Düsseldorf.

London (Victoria and Albert Museum), 1968.


397 GREAT HASELEY, OXFORDSHIRE. ROY DAVIDS LTD. The Artist as a Portrait. Comprising portraits and manuscripts of artists. With a prefatory note on self-portraiture by Thom Phillips. April 2000. 215pp. Prof. illus. Lrg. 4to. Wraps. Exhibition at The Fine Art Society, London.

Great Haseley, 2000.


398 GRENOBLE. MUSÉE DE GRENOBLE. Image d’une collection: Musée de Grenoble. [Par] Serge Lemoine avec la collaboration de Marianne Le Pommeré assistés de Sandrine Lachaud et de Jeanine Scaringella. 285pp. Prof. illus. Lrg. 4to. Cloth. D.j.

Grenoble, 1999.


399 GRENOBLE. MUSÉE DE GRENOBLE. Peintures françaises avant 1815: La collection du Musée de Grenoble. Par Gilles Chomer; préface de Jacques Thuillier. 327pp. Prof. illus. 4to. Wraps.

Grenoble, 2000.


400 GRIMM, CLAUS. Alte Bilderrahmen. Epochen, Typen, Material. 2., durchgesehene Auflage. 188pp. 453 illus., 30 figs. Sq. 4to. Cloth. D.j.

München (Verlag Georg D.W. Callwey), 1979.


401 GRONCHI, MAURIZIO & TOSI, ALESSANDRO (EDITORS). La Chiesa dei SS. Andrea e Lucia a Ripoli: Una committenza artistica settecentesca. Testi di Gabriele Cecchini, Maurizio Gronchi, Alessandro Tosi, Antonella Pascucci, Moira Brunori, Barbara De Dominicis. (“Odeporico Pisano.” Collana di Saggi e Studi. 1.) 83pp. Prof. illus. 4to. Wraps.

Pisa (Cassa di Risparmio), [1991].


402 GROSS, HANNS. Rome in the Age of Enlightenment. (Cambridge Studies in Early Modern History.) x, 411pp., 12 plates. 2 maps. Sm. 4to. Cloth. D.j.

Cambridge (Cambridge University Press), 1990.


403 GRUNCHEC, PHILIPPE. Le Grand Prix de Peinture: Les concours des Prix de Rome de 1797 à 1863. Préface de Jacques Thuillier. (Le Grand Prix de Peinture. 1.) 446pp. Prof. illus. Sm. folio. Cloth. D.j.

Paris (École Nationale Supérieure des Beaux-Arts), 1983.


404 GRUNCHEC, PHILIPPE. Les concours d’esquisses peintes, 1816-1863. Préface de Bruno Foucart. (La Peinture à l’École des Beaux-Arts.) 2 vols. I: Catalogue. 239pp. 174 plates, 47 figs. II: Pièces d’archives et oeuvres documentées. 105pp. Prof. illus. Lrg. 4to. Wraps. Slipcase. Published in conjunction with an exhibition at the École nationale supérieure des Beaux-Arts, Paris, Oct.-Dec. 1986.

Paris (École nationale supérieure des Beaux-Arts), 1986.


405 GÜNZEL, KLAUS. Romantik in Dresden: Gestalten und Begegnungen. 237pp. 71 illus. 4to. Cloth. D.j.

Frankfurt (Insel Verlag), 1997.


406 GUICCIARDINI CORSI SALVIATI, ALESSANDRA. Affreschi di Palazzo Corsini a Firenze, 1650-1700. 135, (1)pp. 97 plates, figs. 4to. Cloth. D.j.

Firenze (Centro Di), [1989].


407 GUNNARSSON, TORSTEN. Nordic Landscape Painting in the Nineteenth Century. 293pp. 250 illus., reference figs. Lrg. 4to. Cloth. D.j.

New Haven/London (Yale University Press), 1998.



Marmor/Ross M511
408 GUNNIS, RUPERT. Dictionary of British Sculptors, 1660-1851. New revised edition. 514pp., 32 halftone plates. 4to. Cloth. D.j.

London (Abbey Library), [1968].



Arntzen/Rainwater K140; Chamberlin 947; Lucas p. 3
409 HABICHT, VICTOR CURT. Hanseatische Malerei und Plastik in Skandinavien. (Grote’sche Sammlung von Monographien zur Kunstgeschichte. Vol. 6.) (4), 66pp., 81 plates. 4to. Cloth.

Berlin (G. Grote), 1926.


410 THE HAGUE. MAURITSHUIS. The Amateur’s Cabinet: Seventeenth-Century Dutch Masterpieces from Dutch Private Collections. [By] Ben Broos, Quentin Buvelot, Frederik J. Duparc, Peter van der Ploeg, Carola Vermeeren. 80pp. 34 color plates, reference figs. Sm. sq. 4to. Wraps.

Wormer (V+K Publishing/Inmerc), 1995.


411 THE HAGUE. MAURITSHUIS & LONDON. THE TATE GALLERY. “Shock of Recognition.” The landscape of English Romanticism and the Dutch seventeenth-century school. Nov. 1970-Feb. 1971. Introduction by A.G.H. Bachrach. (127)pp., 113 plates (2 color). Sm. oblong 4to. Wraps.

London, 1971.


412 THE HAGUE. MUSEUM MESDAG. Catalogue of Paintings and Drawings. [By] Fred Leeman, Hanna Pennock with contributions by Saskia de Bodt, Ronald de Leeuw. 460, (4)pp. Prof. illus. Lrg. sq. 4to. Cloth. D.j.

Amsterdam/Zwolle (Van Gogh Museum/ Uitgeverij Waanders), [1996].


413 HALLAM, JOHN S. Salons de l’Académie Royale: 1673-1800. A history in collage. 93pp. Prof. illus. Sm. oblong folio. Cloth. D.j.

N.p. (Privately Published), n.d.


414 HAMBURG. KUNSTHALLE. Expedition Kunst: Die Entdeckung der Natur von C.D. Friedrich bis Humboldt. Herausgegeben von Jenns E. Howoldt und Uwe M. Schneede. Oct. 2002-Feb. 2003. 254pp. Prof. illus. 4to. Cloth. D.j.

Hamburg/München (Dölling und Gallitz Verlag), 2002.


415 HAMBURG. KUNSTHALLE. Die Gemälde des 19. Jahrhunderts in der Hamburger Kunsthalle. Bearbeitet von Jenns Eric Howoldt und Andreas Baur. (2), 264pp. Prof. illus. Sm. 4to. Wraps.

Hamburg, 1993.


416 HAMBURG. KUNSTHALLE. Im Licht des Südens: Marseille zu Gast. Texts by Marie-Paule Viat, Jenns Howoldt, André Dombrowski, Katrin Simons, Carolin Quermann. June-Sept. 2006. 151pp. 70 plates, 11 figs. 4to. Boards.

Hamburg, 2006.


417 HAMILTON, JEAN. The Sketching Society, 1799-1851. 22, (2)pp. 56 illus. hors texte. Lrg. oblong 8vo. Wraps.

London (Victoria and Albert Museum), 1971.


418 HARDIE, MARTIN. Water-Colour Painting in Britain. Edited by Dudley Snelgrove, with Jonathan Mayne and Basil Taylor. 3 vols. Vol. I: The Eighteenth Century. xii, 243, (1)pp., 9 plates (1 color). 242 illus. Vol. II: The Romantic Period. xii, 244pp., 4 color plates. 231 illus. Vol. III: The Victorian Period. xvi, 398pp., 2 color plates. 285 illus. Lrg. 4to. Cloth.

London (B.T. Batsford), 1970-1975.



Arntzen/Rainwater M274
419 HARGREAVES-MAWDSLEY, W.N. (EDITOR). Spain under the Bourbons, 1700-1833. A collection of documents. (History in Depth.) xxxix, (1), 295pp. 4to. Cloth. D.j.

London (Macmillan), 1973.


420 HASKELL, FRANCIS. The Ephemeral Museum. Old master paintings and the rise of the art exhibition. xiv, 200pp. 53 illus. hors texte. 4to. Cloth. D.j.

New Haven/London (Yale University Press), 2000.


421 HASKELL, FRANCIS. An Italian Patron of French Neo-classic Art. The Zaharoff Lecture for 1972. 24pp. 26 illus. hors texte. Wraps.

Oxford (Clarendon Press), 1972.


422 HASKELL, FRANCIS. Patrons and Painters. A study in the relations between Italian art and society in the age of the Baroque. xix, (1), 454pp., 64 plates. 4to. Cloth (slightly rubbed).

London (Chatto & Windus), 1963.



Arntzen/Rainwater M360; Lucas p. 35
423 HASKELL, FRANCIS. Rediscoveries in Art. Some aspects of taste, fashion and collecting in England and France. (New York University, Institute of Fine Arts. The Wrightsman Lectures. 7.) x, 246pp. 255 illus. 4to. Cloth. D.j.

Ithaca (Cornell University Press), 1976.



Arntzen/Rainwater R78; Marmor/Ross S17
424 HASSELGREN, INGMAR. Konstsamlaren Gustaf Adolf Sparre, 1746-1794. Hans studieresa, våaning och konstsamling i Göteborg. 220pp. 131 illus. Sm. 4to. Wraps. English-language summary.

Göteborg (Rundqvists Boktryckeri), 1974.


425 (HAVEMEYER COLLECTION) NEW YORK. THE METROPOLITAN MUSEUM OF ART. Splendid Legacy: The Havemeyer Collection. [By] Alice Cooney Frelinghuysen, Gary Tinterow, Susan Alyson Stein, Gretchen Wold, Julia Meech. March-June 1993. xvi, 415pp. 800 illus. (176 color). Lrg. 4to. Wraps.

New York, 1993.


426 HAWES, LOUIS. Presences of Nature: British Landscape, 1780-1830. (8), 214pp. 174 illus. 4to. Cloth. D.j.

New Haven (Yale Center for British Art), 1982.


427 HAWLEY, HENRY. Neo-Classicism: Style and Motif. With an essay by Rémy G. Saisselin. (6), 167, (1)pp. 193 illus. 4to. Cloth. D.j. Published in conjunction with the exhibition.

Cleveland (Cleveland Museum of Art), 1964.


428 HEIDEMAN, JOHANNA ELFRIEDE LOUISE. The Cinquecento Chapel Decorations in S. Maria in Aracoeli in Rome. Proefschrift...Rijksuniversiteit te Utrecht. 159, (3)pp. 84 illus. hors texte. Lrg. 8vo. Wraps.

Amsterdam (Academische Pers B.V.), 1982.


429 HEILBRUN, FRANÇOISE. Paysages et nature. (La Photographie au Musée d’Orsay. 1.) 29, (3)pp., 62 plates. Sq. 8vo. Wraps.

Paris/Milano (Musée d’Orsay/ 5 Continents Éditions), 2004.


430 HEILMANN, CHRISTOPH (EDITOR). “In uns selbst liegt Italien”: Die Kunst der Deutsch-Römer. Mit Beiträgen von Sigrid Braunfels-Esche, Michael Bringmann, Christoph Heilmann, Andrea Linnebach, Ekkehard Mai, Peter Märker, Günter Metken, Norbert Miller, Gianna Piantoni, Götz Pochat, Winfried Ranke, Emil Staiger, Marisa Volpi, Franz Zelger. 407pp. Prof. illus. Lrg. 4to. Cloth. D.j. Published in conjunction with an exhibition organized by the Bayerische Staatsgemäldesammlungen at the Haus der Kunst, München, Dec. 1987-Feb. 1988.

München (Hirmer Verlag), 1987.


431 HEIM, JEAN-FRANÇOIS, ET AL. Les salons de peinture de la Révolution Française, 1789-1799. [Par] Jean-François Heim, Claire Béraud, Philippe Heim. Préface de Jean Tulard. 396pp. Most prof. illus. Lrg. 4to. Cloth. D.j.

Paris (C.A.C. Édition), 1989.


432 HELFT, JACQUES (INTRODUCTION). French Master Goldsmiths and Silversmiths from the Seventeenth to the Nineteenth Century. (Grands Artisans d’Autrefois.) 333, (3)pp. Prof. illus. Lrg. 4to. Cloth. D.j.

New York (French & European Publications, Inc.), 1966.


433 HELLEGOUARC’H, JACQUELINE. L’esprit de société: Cercles et “salons” parisiens au XVIIIe siècle. Préface de Marc Fumaroli. xx, 524pp. Sm. 4to. Wraps.

Paris (Éditions Garnier), 2000.


434 HELSINKI. ATENEUMIN TAIDEMUSEO. A Mirror of Nature: Nordic Landscape Painting 1840-1910. Articles: Torsten Gunnarsson, Magne Malmanger, Annika Waenerberg, Peter Nørgaard Larsen, Leena Ahtola-Moorhouse, Philip Conisbee, Janne Gallen-Kallela-Sirén, Klaus P. Mortensen. April-Aug. 2006. 312pp. Prof. illus. Sm. oblong folio. Cloth. D.j.

København (Statens Museum for Kunst), 2006.


435 HEMPEL, EBERHARD. Baroque Art and Architecture in Central Europe: Germany, Austria, Switzerland, Hungary, Czechoslovakia, Poland. Painting and sculpture: seventeenth to eighteenth centuries. Architecture: sixteenth to eighteenth centuries. (The Pelican History of Art.) xxiii, (7), 370pp., 200 plates. 4 maps, 32 text figs. 4to. Cloth. D.j.

Harmondsworth/Baltimore (Penguin Books), 1965.



Arntzen/Rainwater I18 & I216; Chamberlin 452; Lucas p. 40
436 HERBERT, ROBERT L. Barbizon Revisited. Sept.-Nov. 1962. 208pp., 11 color plates. 113 illus. 4to. Wraps. Published in conjunction with the exhibition at the California Palace of the Legion of Honor, San Francisco.

San Francisco, 1962.



Arntzen/Rainwater M207
437 HERBERT, ROBERT L. Impressionism. Art, leisure, and Parisian society. xix, (1), 324pp. 311 illus. (mostly in color). Lrg. 4to. Cloth. D.j.

New Haven/ London (Yale University Press), 1988.



Marmor/Ross M224
438 HERBERT, ROBERT L. Neo-Impressionism. 251pp. 175 illus. Lrg. 4to. Wraps. Published in conjunction with the important exhibition at The Solomon R. Guggenheim Museum, New York, Feb.-April 1968.

New York (The Solomon R. Guggenheim Museum), 1968.



Arntzen/Rainwater M155
439 HERRMANN, LUKE. British Landscape Painting of the Eighteenth Century. 151pp., 136 plates (16 color). Lrg. 4to. Cloth. D.j. Presentation copy, inscribed by the author.

London (Faber & Faber), 1973.



Arntzen/Rainwater M275
440 HERSEY, GEORGE L. The Aragonese Arch at Naples, 1443-1475. (Yale Publications in the History of Art. 24.) xiv, 119, (3)pp. 123 illus. hors texte. Lrg. 4to. Cloth. D.j.

New Haven/London (Yale University Press), 1973.



Marmor/Ross R109
441 HESS, THOMAS B. & ASHBERY, JOHN (EDITORS). The Academy. Five centuries of grandeur and misery, from the Carracci to Mao Tse-tung. (Art News Annual. XXXIII.) 176pp. Prof. illus. (numerous color plates). Lrg. 4to. Boards. D.j.

New York (The Macmillan Company), 1967.


442 HEYDENREICH, LUDWIG H.& LOTZ, WOLFGANG. Architecture in Italy 1400 to 1600. (The Pelican History of Art.) xxvii, (1), 432pp. 361 illus. hors texte. 108 text figs. 4to. Cloth. D.j. Slipcase.

Harmondsworth (Penguin Books), 1974.



Arntzen/Rainwater I18 & J240; Chamberlin 452
443 HIBBARD, HOWARD. The Architecture of the Palazzo Borghese. (Memoirs of the American Academy in Rome. 27.) xviii, (2), 149, (3)pp., 40 plates. 2 text figs. Lrg. 4to. Boards, 1/4 cloth.

Rome (American Academy in Rome), 1962.


444 HIBBERT, CHRISTOPHER. The Grand Tour. 256pp. 167 illus. (17 color). 4to. Cloth. D.j.

London (Spring Books), 19871974.


445 HILAIRE, MICHEL. Le Musée Fabre, Montpellier. (Musées et Monuments de France.) 125, (3)pp. Prof. illus. 4to. Cloth. D.j.

Paris (Fondation Paribas/ Réunion des Musées Nationaux), [1995].


446 HILLS, PAUL. Venetian Colour: Marble, Mosaic, Painting and Glass 1250-1550. x, (2), 247pp. 254 illus. Lrg. sq. 4to. Cloth. D.j.

New Haven/London (Yale University Press), 1999.


447 HITCHCOCK, HENRY-RUSSELL. Rococo Architecture in Southern Germany. viii, 427pp. 218 illus., 36 text figs., 1 map. 4to. Cloth. D.j.

London (Phaidon), 1968.



Arntzen/Rainwater J175
448 HOLLOWAY, OWEN E. French Rococo Book Illustration. vi, 115, (1)pp., 130 plates with 283 illus. 4to. Cloth. D.j.

London (Alec Tiranti), 1969.


449 HONOUR, HUGH. Romanticism. (Style and Civilization.) 415pp. 210 illus., 10 figs. 4to. Cloth. D.j.

London (Allen Lane), 1979.



Marmor/Ross I263
450 HORSWELL, JANE. Bronze Sculpture of “Les Animaliers.” Reference and price guide. (10), iv, 339pp. Prof. illus. Lrg. 4to. Leather. D.j., protected by acetate. “Price Revision List, July 1974” loosely inserted.

Clopton, Woodbridge (The Antique Collectors’ Club), 1971.


451 HOUSE, JOHN. Impressions of France: Monet, Renoir, Pissarro, and their Rivals. With contributions from Ann Dumas, Jane Mayo Roos, James F. McMillan. 304pp. Prof. illus. (113 color plates). Oblong 4to. Wraps. Published in conjunction with an exhibiton at the Hayward Gallery, London, May-Aug. 1995, and the Museum of Fine Arts, Boston, Oct. 1995-Jan. 1996.

Boston (Museum of Fine Arts), 1995.


452 HOUSSAYE, ARSÈNE. Histoire de l’art français au dix-huitième siècle. Coustou, Bouchardon, Houdon, Pigalle, Clodion, Rigaud, Largillière, Watteau, Lancret, Santerre, Van Loo, La Tour, Chardin, Greuze, Vernet, Boucher, Fragonard, David, Prudhon, Campra, Rameau, Grétry etc. 408, 40pp. Frontis. 4to. Later cloth.

Paris (Henri Plon), 1860.


453 HOUSTON. THE MUSEUM OF FINE ARTS. Rembrandt to Gainsborough: Masterpieces from Dulwich Picture Gallery. [By] Ian A.C. Dejardin, Desmond Shawe-Taylor, and Giles Waterfield. Oct. 1999-Jan. 2000. 246, (2)pp. 90 color plates, 39 text illus. Lrg. 4to. Wraps.

New York (American Federation of Arts), 1999.


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