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CANNON-BROOKES, PETER. Lombard Paintings c1595-1630: The Age of Federico Borromeo
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| CANNON-BROOKES, PETER. Lombard Paintings c1595-1630: The Age of Federico Borromeo. (4), 263pp. Prof. illus. 4to. Wraps.
Birmingham (City Museums and Art Gallery), 1974. 188 CARDUCCI, CARLO. Arte romana in Piemonte. 86, (6)pp., 26 color plates. Prof. illus. Lrg. 4to. Boards. Slipcase. Torino (Istituto Bancario San Paolo di Torino), 1968. 189 CARIOU, ANDRÉ. The Museum of Fine Arts, Quimper. (Musées et Monuments de France.) 126, (2)pp. Prof. illus. 4to. Wraps. Paris (Fondation Paribas/ Réunion des Musées Nationaux), 1993. 190 CARLI, ENZO. Dipinti senesi del Contado e della Maremma. 110, (14)pp., 68 plates (3 color). Lrg. 8vo. Cloth. D.j. Milano (Electa), 1955. 191 CASTELLÓN. MUSEO DE BELLAS ARTES. From Van Dyck to Goya: Old Master Paintings in the Carmen Thyssen-Bornemisza Collection. Sept.-Nov. 2001. 199pp. 39 color plates. Lrg. sq. 4to. Cloth. D.j. Parallel texts in English and Spanish. Castellón, 2001. 192 CASTELLUCCIO, STÉPHANE (EDITOR). Les fastes de la Galerie des Glaces. Recueil d’articles du Mercure galant (1681-1773). 189, (3)pp. Illus. Wraps. Paris (Payot), 2007. 193 CAYLUS, ANNE CLAUDE PHILIPP, COMTE DE. Vies d’artistes du XVIIIe siècle. Discours sour la peinture et la sculpture. Salons de 1751 et de 1753 - Lettre à Lagrenée. Publiés avec une introduction et des notes par André Fontaine. xliv, 224, (4)pp., 16 plates. 4to. Cloth, 1/4 leather. Paris (Librairie Renouard, H. Laurems), 1910. 194 CEÁN BERMÚDEZ, JUAN AGUSTÍN. Diccionario histórico de los más ilustres profesores de las bellas artes en España. 6 vols. Wraps. Reprint, with an introduction by Diego Angulo Iñiguez, of the Madrid (Ibarra), 1800 edition. Madrid (Reales Academias de Bellas Artes de San Fernando y de la Historia), 1965. Arntzen/Rainwater E152; Chamberlin 287 195 CHABERT, MARTINE & CHABERT, PIERRE-JEAN. Aix-en-Provence au XIXe siècle. Chroniques et faits divers du “Mémoiral d’Aix” de 1837 à 1871. Préface de Jean-Claude Bouvier. 141pp. Prof. illus. 4to. Wraps. Aix-en-Provence (Edisud), 1983. 196 CHAMBERS, D.S. Patrons and Artists in the Italian Renaissance. (History in Depth.) xxv, (1), 219, (1)pp., 4 plates. Sm. 4to. Cloth. D.j. Columbia (University of South Carolina Press), 1971. 197 CHAMPA, KERMIT SWILER. Studies in Early Impressionism. (Yale Publications in the History of Art. 22.) xviii, 106pp., 137 plates. Lrg. 4to. Cloth. New Haven/London (Yale University Press), 1973. Marmor/Ross R109 198 CHAPEL HILL. THE UNIVERSITY OF NORTH CAROLINA. THE WILLIAM HAYES ACKLAND MEMORIAL ART CENTER. French Nineteenth Century Oil Sketches: David to Degas. March-April 1978. Introduction by John Minor Wisdom. Catalogue by John Minor Wisdom and graduate students in the Department of Art. vii, 130, (4)pp., 62 plates. 4to. Wraps. Chapel Hill, 1978. 199 CHARTRES. MUSÉE DES BEAUX-ARTS. Exigences de réalisme dans la peinture française entre 1830 et 1870. Texts by P. Le Nouëne, A. Boime, S. Douce de La Salle. 175pp. Prof. illus. Lrg. 4to. Wraps. Chartres, n.d. 200 CHASSÉ, CHARLES. The Nabis & Their Period. 138pp. 48 illus. hors texte. 6 color plates tipped-in text. 4to. Cloth. D.j. London (Lund Humphries), 1969. 201 CHASTEL, ANDRÉ. French Art: The Renaissance, 1430-1620. 335, (1)pp. Prof. illus. Lrg. 4to. Cloth. D.j. Paris/New York (Flammarion), 1995. 202 CHATEAUBRIAND ET LES ARTS. Colloque, Fondation Singer-Polignac, Paris, March 20-21, 1997. Edited by Marc Fumaroli. 219pp. 41 illus. hors texte. Sm. 4to. Wraps. Texts by S. Bellenger, J.-C. Berchet, F. Bergot, P. Berthier, M.T. Caracciolo, B. Foucart, M. Fumaroli, S. Guégan, W. Hofmann, N. Pérot, A. Verlet. Presentation copy, inscribed by S. Bellenger. Paris (Éditions de Fallois), 1999. 203 CHATELUS, JEAN. Peindre à Paris au XVIIIe siècle. (Rayon Art.) 349, (5)pp. Illus. Lrg. 8vo. Wraps. Nîmes (Éditions Jacqueline Chambon), 1991. 204 (CHATSWORTH) WASHINGTON. NATIONAL GALLERY OF ART. A Great Heritage: Renaissance & Baroque Drawings from Chatsworth. [By] Michael Jaffé. Oct.-Dec. 1995. 240pp. 100 color plates, reference figs. Lrg, oblong 4to. Wraps. Washington, 1995. Marmor/Ross L12 205 CHATZEDAKE, NANO M. Icons: The Velimezis Collection. Catalogue raisonné. [By] Nano Chatzidakis. 494, (4)pp. 70 color plates, 272 illus., 35 figs. Sm. folio. Wraps. Athens (Benaki Museum), 1998. 206 CHEVREUL, M.E. The Principles of Harmony and Contrast of Colours, and Their Applications to the Arts: Including painting, interior decoration, tapestries, carpets, mosaics, coloured glazing, paper-staining, calico-printing, letterpress printing, map-colouring, dress, landscape and flower gardening, etc. Translated from the French by Charles Martel. Third edition, with an additional introduction by the translator, and a general index. xlvi, 465, (1)pp., 15 color plates, 3 engraved illus. (1 folding) + 10, (2)pp. advts. Cloth (slightly worn). London (George Bell and Sons), 1890. 207 CHICAGO. THE ART INSTITUTE OF CHICAGO. Art of the Edge: European Frames, 1300-1900. Oct.-Dec. 1986. By Richard R. Brettell and Steven Starling, with an essay by José Ortega y Gasset. 124pp. 73 illus. (partly in color). 16 figs. Tall 4to. Wraps. Chicago, 1986. 208 CHICAGO. THE ART INSTITUTE OF CHICAGO. French and British Paintings from 1600 to 1800 in The Art Institute of Chicago: A Catalogue of the Collection. French entries by Susan Wise. Larry J. Feinberg, general editor. British entries by Malcolm Warner. Martha Wolff, general editor. With contributions by Larry J. Feinberg and Martha Wolff. xiii, (3), 317pp. 201 illus. Lrg. 4to. Cloth. D.j. Chicago, 1996. 209 CHICAGO. THE ART INSTITUTE OF CHICAGO. French Drawings. Masterpieces from seven centuries. Catalogue compiled under the direction of Jacqueline Bouchot-Saupique by Roseline Bacou and Maurice Sérullaz. 66pp., 43 plates. 4to. Wraps. Chicago, 1955. 210 CHICAGO. THE ART INSTITUTE OF CHICAGO. From Poussin to Matisse. The Russian taste for French painting. A loan exhibition from the U.S.S.R. Sept.-Nov. 1990. Texts by I. Kuznetsova and A.G. Kostenevich. 168pp. 51 color plates, numerous text and reference illus. 4to. Wraps. Chicago, 1990. 211 CHICAGO. THE ART INSTITUTE OF CHICAGO. Painting in Italy in the Eighteenth Century: Rococo to Romanticism. Edited by John Maxon and Joseph J. Rishel. Sept.-Nov. 1970. 251pp. 104 plates, reference illus. Sq. 4to. Wraps. Chicago, 1970. Arntzen/Rainwater M364 212 CHICAGO. UNIVERSITY OF CHICAGO. DAVID AND ALFRED SMART GALLERY. The Theatrical Baroque. [By] Larry F. Norman with contributions by Josh Ellenbogen, Brandy Flack, Rebekah Flohr, Anita M. Hagerman-Young, Robert S. Huddleston, Matt Hunter, Véronique Sigu, Kerry Wilks, and Delphine Zurfluh. Jan.-April 2001. 70pp. 8 color plates, 34 figs. 4to. Wraps. Chicago, 2001. 213 CHILDE-PEMBERTON, WILLIAM S. The Earl Bishop. The life of Frederick Hervey, Bishop of Derry, Earl of Bristol. 2 vols. (6), 664pp., 45 plates. 4to. Cloth. Rare. London (Hurst and Blackett), [1924]. 214 CHONÉ, PAULETTE. L’atelier des nuits. Histoire et signification du nocturne dans l’art d’Occident. (Imaginaires Européens.) 156pp. Prof. illus. Sm. 4to. Wraps. Nancy (Presses Universitaires de Nancy), 1992. 215 CHRISTOFFEL, ULRICH. Von Poussin zu Ingres und Delacroix. Betrachtungen über die französische Malerei. 174, (1)pp., 142 plates. 4to. Cloth. Zürich (Scientia), 1945. 216 CIARDI, ROBERTO PAOLO (EDITOR). Settecento pisano: Pittura e scultura a Pisa nel secolo XVIII. Testi di Roberto Paolo Ciardi, Maria Teresa Lazzarini, Giovanna Rosario, Cinzia M. Sicca, Lucia Tongiorgi Tomasi, Alessandro Tosi. 459pp. 346 illus. Lrg. 4to. Cloth. D.j. Pisa (Cassa di Risparmio), 1990. 217 CIARDI, ROBERTO PAOLO, ET AL. Pittura a Pisa tra Manierismo e Barocco. [A cura di] Roberto Paolo Ciardi, Roberto Contini, Gianni Papi. 310pp. 303 illus. Lrg. 4to. Cloth. D.j. Pisa (Cassa di Risparmio di Pisa), 1992. 218 CINCINNATI. CINCINNATI ART MUSEUM. European Masterpieces: Six Centuries of Paintings from the National Gallery of Victoria, Australia. Oct. 2000-Jan. 2001. 208pp. 88 color plates, 4 text illus. Sm. folio. Wraps. Melbourne (National Gallery of Victoria), 2000. 219 CINCINNATI. TAFT MUSEUM. Cavaliers and Cardinals. Nineteenth-century French anecdotal painting. [By] Eric M. Zafran. June-Aug. 1992. 155pp. 64 plates, 47 figs. Oblong 4to. Wraps. Cincinnati, 1992. 220 CLAIR, JEAN (EDITOR). Cosmos: From Romanticism to the Avant-garde. 396pp. Prof. illus. Lrg. 4to. Cloth. D.j. Published in conjunction with an exhibition at The Montreal Museum of Fine Arts, June-Oct. 1999. München (Prestel), 1999. 221 CLARK, ANTHONY MORRIS. Studies in Roman Eighteenth-Century Painting. Selected and edited by Edgar Peters Bowron. (Art History Series. 4.) xxvi, (2), 177, (1)pp. 205 illus. hors texte. 4to. Cloth. D.j. Washington (Decatur House Press), 1981. Marmor/Ross R10 222 CLARK, KENNETH. A Failure of Nerve: Italian Painting 1520-1535. (H.R. Bickley Memorial Lecture.) ix, 28pp., 18 plates. Wraps. Oxford (Clarendon Press), 1967. 223 CLARK, KENNETH. Landscape into Art. xix, (1), 147, (1)pp., 104 plates. Sm. 4to. Cloth. London (John Murray), 1949. Arntzen/Rainwater M23; Chamberlin 1186; Lucas p. 71 224 CLARKE, MICHAEL. The Tempting Prospect: A Social History of English Watercolours. 160pp., 12 color plates. 100 illus. 4to. Boards. D.j. London (British Museum Publications), 1981. 225 CLAYSON, HOLLIS. Painted Love. Prostitution in French art of the Impressionist era. xix, (1), 202pp. 93 illus. 4to. Cloth. D.j. New Haven/London (Yale University Press), 1991. 226 CLEMENT, CLARA ERSKINE & HUTTON, LAURENCE. Artists of the Nineteenth Century and Their Works. A handbook containing two thousand and fifty biographical sketches. Ninth edition, revised. 2 vols. in 1. xxxix, (1), 386pp.; 373, (1), 43, (1)pp. Orig. cloth. Ex-library. Boston/New York (Houghton Mifflin Company), 1897. 227 CLEVELAND. THE CLEVELAND MUSEUM OF ART. From Fontainebleau to the Louvre: French Drawings from the Seventeenth Century. [By] Hilliard T. Goldfarb. 214pp. 104 illus., reference figs. 4to. Cloth. D.j. Cleveland, 1989. Marmor/Ross L39 228 CLEVELAND. THE CLEVELAND MUSEUM OF ART. Japonisme: Japanese Influence on French Art, 1854-1910. July-Aug. 1975. [By] Gabriel P. Weisberg, Phillip Dennis Cate, Gerald Needham, Martin Eidelberg, Willliam R. Johnston. xii, 220pp. 308 illus. (partly color). 4to Cloth. D.j. Cleveland, 1975. 229 CLEVELAND. THE CLEVELAND MUSEUM OF ART. The Realist Tradition: French Painting and Drawing 1830-1900. Nov. 1980-Jan. 1981. [By] Gabriel P. Weisberg. xii. (1), 346pp. Prof. illus. (some color). Lrg. 4to. Cloth. D.j. Cleveland, 1980. 230 CLOSE-BROOKS, JOANNA. St. Ninian’s Isle Treasure. (6)pp. 31 illus. hors texte. 1 text fig. 4to. Wraps. Edinburgh (National Museum of Antiquities of Scotland), 1981. 231 COEKELBERGHS, DENIS. Les peintres belges à Rome de 1700 à 1830. Préface de Ph. Roberts-Jones. (L’Institut Historique Belge de Rome: Études de l’Histoire de l’Art. 3.) 509pp., 4 color plates. 254 illus. Lrg. 4to. Cloth. D.j. Bruxelles/Rome (Institut Historique Belge de Rome), 1976. 232 COFFIN, DAVID R. The Villa in the Life of Renaissance Rome. (Princeton Monographs in Art and Archaeology. 34.) xx, (2), 385pp. 243 illus. Lrg. 4to. Cloth. D.j. Princeton (Princeton University Press), 1979. Arntzen/Rainwater R52 233 COGEVAL, GUY & VIAL, MARIE-PAULE (EDITORS). Right Under the Sun: Landscape in Provence from Classicism to Modernism (1750-1920). Authors: Nicolas Cendo, Guy Cogeval, Denis Coutagne, Benoît Coutancier, Fred Leeman, Vincent Pomarède, Richard Thomson, Marie-Paule Vial. 265pp. Prof. illus. Lrg. 4to. Wraps. Published in conjunction with exhibitions at the Musée des Beaux-Arts, Marseille, May-Aug. 2005 and the Montreal Museum of Fine Arts, Sept. 2005-Jan. 2006. Montreal (The Montreal Museum of Fine Arts), 2005. 234 COLE, BRUCE. The Renaissance Artist at Work: From Pisano to Titian. viii, 216pp. 110 illus. Sm. 4to. Cloth. D.j. London (John Murray), 1983. 235 COLLECTION DES LIVRETS DES ANCIENNES EXPOSITIONS DEPUIS 1673 JUSQU’EN 1800. 8 vols. Wraps. Reprint of the Paris 1869-1872 edition. Nogent le Roi (Jacques Laget), 1990-1991. 236 COLLEGE PARK. UNIVERSITY OF MARYLAND. ART GALLERY. From Delacroix to Cezanne: French Watercolor Landscapes of the Nineteenth Century. Oct.-Dec. 1977. Text by Alain De Leiris. Catalogue by Carol Hynning Smith. 207, (1)pp. Prof. illus. (partly color). Oblong 4to. Cloth. D.j. From the library of Agnes Mongan. College Park, 1977. 237 COLUMBIA. UNIVERSITY OF MISSOURI. MUSEUM OF ART AND ARCHAEOLOGY. The Art of the July Monarchy, France 1830 to 1848. Oct.-Dec. 1989. Texts by Robert J. Bezucha, Michael Paul Driskel, Patricia Condon, Gabriel P. Weisberg, Petra Ten-Doesschate Chu. xiv, (2), 313pp. 29 color plates, numerous text illus. 4to. Cloth. D.j. Columbia, 1989. 238 COMAN, FLORENCE E. & STREICHER, ELIZABETH P. Joie de vivre: French Paintings from the National Gallery of Art. 15, (67)pp. 60 color illus. Lrg. 4to. Cloth. D.j. New York (Universe), 1991. 239 CONISBEE, PHILIP. Painting in Eighteenth-Century France. 223, (1)pp. 187 illus. (10 color). Lrg. 4to. Boards. D.j. Oxford (Phaidon), 1981. Marmor/Ross M208 240 CONISBEE, PHILIP. Painting in Eighteenth-Century France. 223, (1)pp. 187 illus. (10 color). Lrg. 4to. Boards. D.j. The author’s copy, with manuscript material inserted. Oxford (Phaidon), 1981. Marmor/Ross M208 241 CONISBEE, PHILIP (EDITOR). French Genre Painting in the Eighteenth Century. (Studies in the History of Art. 72./ Center for Advanced Study in the Visual Arts. Symposium Papers. 49.) 319pp. Prof. illus. Lrg. 4to. Cloth. D.j. Washington, D.C. (National Gallery of Art), 2007. 242 CONISBEE, PHILIP, ET AL. Plein-Air Painting in Europe, 1780-1850. Essays by Philip Conisbee, Sarah Faunce, Yukitaka Kohari. 175pp. Prof. illus. Lrg. 4to. Wraps. Published in conjunction with exhibitions at the Shizuoka Prefectural Museum of Art, Art Gallery of New South Wales, and the National Gallery of Victoria. Shizuoka (Shizuoka Prefectural Museum of Art), 2004. 243 CORMACK, MALCOLM. Oil on Water: Oil Sketches by British Watercolorists. 63pp. 73 illus. Wraps. Published in conjunction with an exhibition at the Yale Center for British Art, New Haven, Aug.-Nov. 1986. New Haven (Yale Center for British Art), 1986. 244 CORNILLOT, M.-L. Collection Pierre-Adrien Pâris, Besançon. Par M.L. Cornillot. (Inventaire Général des Dessins des Musées de Province. 1.) (126)pp. 183 illus. 4to. Wraps. Paris (Centre National de la Recherche Scientifique), 1957. Arntzen/Rainwater I2 245 CORUÑA. MUSEO DE BELLAS ARTES. From Van Goyen to Constable: Aspects of the Picturesque Tradition in the Carmen Thyssen-Bornemisza Collection. 157pp. Prof. illus. Lrg. sq. 4to. Boards. Coruña, 2000. 246 COUSSEAU, HENRY-CLAUDE, ET AL. Le Musée des Beaux-Arts de Nantes. Sous la direction de Henry-Claude Cousseau avec le concours de Béatrice Sarrazin, Claude Allemand-Cosneau, Vincent Rousseau. (Musées et Monuments de France.) 125, (3)pp. Prof. illus. 4to. Cloth. D.j. Paris (Albin Michel), [1991]. 247 COUTURIER, SONIA. Dessins français du Musée des beaux-arts du Canada. 187pp. 70 color plates, 101 figs. 4to. Wraps. Published in conjunction with an exhibition at the National Gallery of Canada, Ottawa, May-Aug. 2004. Ottawa (Musées des beaux-arts du Canad), 2004. 248 COX-REARICK, JANET. The Collection of Francis I: Royal Treasures. xi, (1), 493pp. 500 ilus. (400 color). Sm. folio. Cloth. D.j. Antwerp/New York (Fonds Mercator/ Harry N. Abrams), 1996. 249 CROOK, J. MORDAUNT. The Greek Revival. (The RIBA Drawings Series.) 64pp. 43 plates. Lrg. 8vo. Wraps. London (Country Life Books), 1968. 250 CROW, THOMAS. Emulation: Making Artists for Revolutionary France. (2), 364pp. 206 illus. 4to. Cloth. D.j. New Haven/London (Yale University Press), 1995. 251 CROW, THOMAS E. Painters and Public Life in Eighteenth-Century Paris. 290pp. 123 illus. 4to. Cloth. D.j. New Haven/London (Yale University Press), 1985. Marmor/Ross M209 252 CROWE, J.A. & CAVALCASELLE, G.B. A New History of Painting in Italy from the II to the XVI Century. Edited by Edward Hutton. 3 vols. xv, (1), 456pp.; xv, (1), 504pp.; xi, (1), 554pp. Numerous plates hors texte. Sm. 4to. Cloth. The unabridged original text, and notes, with bracketed annotations and 300 photographic illustrations. Published concurrently with Langton Douglas’s six-volume (second) edition. London/New York (J.M. Dent & Co./ E.P. Dutton & Co.), 1908-1909. Arntzen/Rainwater M294; Chamberlin 1308; Lucas p. 82 253 CROZET, RENÉ. La vie artistique en France au XVIIe siècle (1598-1661): Les artistes et la société. 209, (3)pp., 20 plates. Sm. 4to. Wraps. Paris (Presses Universitaires de France), 1954. 254 CUTLER, MAXINE G. Evocations of the Eighteenth Century in French Poetry, 1800-1869. (Histoire des Idées et Critique Littéraire. 108.) 297pp. Sm. 4to. Wraps. Genève (Librairie Droz), 1970. 255 CZERE, ANDREA. Disegni di artisti bolognesi nel Museo delle Belle Arti di Budapest. 180pp. 82 plates, numerous reference figs. Lrg. 4to. Boards, 1/4 leather. D.j. Published in conjunction with an exhibition at the Collezioni d’Arte e di Storia, San Giorgio in Poggiale, Bologna, Sept.-Nov. 1989. Bologna (Nuova Alfa Editoriale), 1989. Marmor/Ross L84 256 DALE, MAUD (PREFACE). Before Manet to Modigliani, from the Chester Dale Collection. 16pp., 102 plates. Lrg. 4to. Boards, 1/4 cloth. New York (Alfred A. Knopf), 1929. 257 DALLAS. DALLAS MUSEUM OF ART. The Painted Sketch. American impressions from nature, 1830-1880. By Eleanor Jones Harvey. June-Sept. 1998. 299, (1)pp. 218 illus. (99 color). Lrg. 4to. Wraps. Dallas/New York (Harry N. Abrams), 1998. 258 DALMASSO, FRANCA, ET AL. L'Accademia Albertina di Torino. By Franca Dalmasso, Pierluigi Gaglia, Francesco Poli. 230, (2)pp. Prof. illus. 4to. Cloth. Slipcase. Torino (Istituto Bancario San Paolo di Torino), 1982. 259 DAVIES, GERALD S. Renascence: The Sculptured Tombs of the Fifteenth Century in Rome. With chapters on the previous centuries from 1100. xiv, 381, (1)pp., 88 plates. 4to. Cloth. London (John Murray), 1910. 260 DEMOUSTIER, CHARLES ALBERT. Lettres à Émilie, sur la mythologie. 6 vols. 6 frontis. Sm. 8vo. Boards. en France [Paris?] (n.p.), an VI [1798]. 261 DENVER. DENVER ART MUSEUM. Glorious Nature: British Landscape Painting 1750-1850. Catalogue by Katharine Baetjer. Essays by Michael Rosenthal, Kathleen Nicolson, Richard Quaintance, Stephen Daniels, Timothy J. Standring. Dec. 1993-Feb. 1994. 271, (1)pp. 91 color plates, 32 illus. Lrg. sq. 4to. Wraps. London (Zwemmer), 1993. 262 DESLOGE, NORA W. & MEYER, LAURA LEWIS. Italian Paintings and Sculpture. (The Saint Louis Art Museum Bulletin. New Series. Vol. 19#1.) 63pp. 16 color plates, 21 figs. 4to. Wraps. Saint Louis (The Saint Louis Art Museum), 1988. 263 DETROIT. THE DETROIT INSTITUTE OF ARTS. Flemish and German Paintings of the 17th Century. [By] Julius S. Held. (The Collections of the Detroit Institute of Arts.) 143, (1)pp. Prof. illus. 4to. Wraps. Detroit, 1982. Marmor/Ross M8 264 DETROIT. THE DETROIT INSTITUTE OF ARTS. Romantic Art in Britain: Paintings and Drawings, 1760-1860. Jan.-Feb. 1968. Catalogue by F. Cummings and A. Staley. Essays by R. Rosenblum, F. Cummings, A. Staley. 335pp. Prof. illus. Oblong 4to. Cloth. D.j. Philadelphia, 1968. Arntzen/Rainwater M264 265 DETROIT. THE DETROIT INSTITUTE OF ARTS. Romantic Art in Britain: Paintings and Drawings, 1760-1860. Jan.-Feb. 1968. Catalogue by F. Cummings and A. Staley. Essays by R. Rosenblum, F. Cummings, A. Staley. 335pp. Prof. illus. Oblong 4to. Wraps. Philadelphia, 1968. Arntzen/Rainwater M264 266 DEUCHAR, STEPHEN. Noble Exercise: The Sporting Ideal in Eighteenth-Century British Art. 48pp. 68 illus. 4to. Wraps. Published in conjunction with an exhibition at the Yale Center for British Art, July-Sept. 1982. New Haven (Yale Center for British Art), 1982. 267 DEUCHLER, FLORENS, ET AL. Swiss Painting. From the Middle Ages to the dawn of the twentieth century. By Florens Deuchler, Marcel Roethlisberger, Hans Lüthy. 197, (5)pp. 211 illus. (65 tipped-in color). Sm. folio. Cloth. D.j. Geneva/New York (Skira/ Rizzoli), 1976. Arntzen/Rainwater M484 268 DI CASTRO, DANIELA, ET AL. Il Palazzo Pallavicini Rospigliosi e la Galleria Pallavicini. Testi di Daniela Di Castro, Anna Maria Pedrocchi, Patricia Waddy. 396pp. Prof. illus. Sm. folio. Cloth. D.j. Slipcase. Torino (Umberto Allemandi & C.), [1999]. 269 DIDEROT, DENIS. Salons. 4 vols. I: 1759 - 1761 - 1763. Texte établi et présenté par Jean Seznec et Jean Adhémar. Second edition. x, (2), 259, (1)pp. 11 illus. hors texte. Facs. II: 1765. Texte établi et présenté de Jean Seznec. Second edition. xx, 250, (2)pp. 103 illus. hors texte. Figs. III: 1767. Texte établi et présenté par Jean Seznec et Jean Adhémar. First edition. xx, 367, (3)pp. 102 illus. hors texte. IV: 1769, 1771, 1775, 1781. Texte établi et présenté de Jean Seznec. First edition. xxxiii, (3), 409, (3)pp. 170 illus. hors texte. 4to. Cloth. D.j. Oxford (Clarendon Press), 1975-1979; 1963-1967. Arntzen/Rainwater H91 270 DIDEROT, DENIS. Salons de 1759-1761-1763. Texte établi par Jean Seznec. (Images et Idées.) 188pp. Prof. illus. Tall 8vo. Wraps. Paris (Arts et Métiers Graphiques/ Flammarion), 1967. Arntzen/Rainwater H91; Lucas p. 76 271 DIDEROT, DENIS. Salons III: Ruines et paysages. Salons de 1767. Textes établis et présentés par Else Marie Bukdahl, Michel Delon, Annette Lorenceau. (Collection Savoir: Lettres.) 563, (1)pp. Frontis. Lrg. 8vo. Wraps. Presentation copy, inscribed by E.M. Bukdahl, with a letter inserted. Paris (Hermann), 1995. 272 DIDEROT, DENIS. Sur l’art et les artistes. Textes réunis et présentés par Jean Seznec. (Miroirs de l’Art. Textes de critique et d’histoire de l’art.) 219, (1)pp. Illus. Tall 8vo. Wraps. Paris (Hermann), 1967. 273 DIFEDERICO, FRANK. The Mosaics of Saint Peter’s. Decorating the New Basilica. xvii, (1), 162pp. 152 illus. Oblong 4to. Cloth. University Park/London (The Pennsylvania State University Press), 1983. 274 DI GIOIA, VINCENZO. L’Aventino, un colle classico tra antico e moderno. 235pp. Prof. illus. Lrg. 4to. Cloth. D.j. Roma (Istituto Poligrafico e Zecca dello Stato, Libreria dello Stato), 2004. 275 DIJON. MUSÉE DE DIJON. Dessins français, XVIIe et XVIIIe siècles, des collections du Musée de Dijon. Introduction by Pierre Quarré. 35, (1)pp., 15 plates. Wraps. Dijon, 1960. 276 Directory: collections collections -> 1Theodore S. de Bruyn Curriculum Vitae contact information collections -> Review of America and the Far East (all bound) 4 collections -> Bibliographic Standards for Shared Print Monographs (2-16-2011) collections -> General works collections -> University of utah j. Willard Marriott Library collections -> General works 1 Århus. Moesgård museum. Lanks Silkevejen: Nomader og byfolk I Sibirien og Centralasien collections -> Tracy penny light centre for Learning and Teaching Through Technology (LT3) collections -> Pc atari Emulator collections -> Atari disk operating system 5 Download 1.85 Mb. Share with your friends:
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