Monographs on artists
BERLIN. STADTBIBLIOTHEK. Zwischen Phantasie und Wirklichkeit
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| BERLIN. STADTBIBLIOTHEK. Zwischen Phantasie und Wirklichkeit. Römische Ruinen in Zeichnungen des 16. bis 19. Jahrhunderts aus Beständen der Stiftung Preussischer Kulturbesitz. July-Aug. 1988. 195pp. 109 illus. Sq. 4to. Wraps.
Mainz (Verlag Philipp von Zabern), 1988. 97 BERN. KUNSTMUSEUM. Traum und Wahrheit. Deutsche Romantik aus Museen der Deutschen Demokratischen Republik. May-Aug. 1985. Texts by Jürgen Glaesemer, Josef Helfenstein, Hans Joachim Neidhardt, Hans Christoph von Tavel, Christa Wolf. 372pp. Prof. illus. (many in color). Lrg. 4to. Wraps. Bern, 1985. 98 BERN. KUNSTMUSEUM. “Zeichnen ist sehen.” Meisterwerke von Ingres bis Cézanne aus dem Museum der Bildenden Künste Budapest und aus Schweizer Sammlungen. Herausgegeben von Judit Geskó und Josef Helfenstein. Mit Beiträgen von Oskar Bätschmann, Mirjam Fischer, Judit Geskó, Zsuzsa Gonda, Josef Helfenstein, Veronika Kaposy, Hans A. Lüthy, Henriette Mentha. March-June 1996. 323, (1)pp. 145 plates, figs. Lrg. 4to. Wraps. Ostfildern-Ruit (Verlag Gerd Hatje), 1996. 99 BERNARDI, MARZIANO. Barocco piemontese. 146, (6)pp. 34 tipped-in color plates, numerous text illus. Lrg. 4to. Boards. Slipcase. Torino (Instituto Bancario San Paolo di Torino), 1964. 100 BERNARDI, MARZIANO. La Palazzina di Caccia di Stupinigi. 111pp. 32 tipped-in color plates, numerous text illus. Lrg. 4to. Boards. Slipcase. Torino (Istituto Bancario San Paolo di Torino), 1958. 101 BERNARDI, MARZIANO. Il Palazzo Reale di Torino. 124, (6)pp. 34 tipped-in color plates, text illus. Lrg. 4to. Boards, 1/4 cloth. Slipcase. Torino (Istituto Bancario San Paolo di Torino), 1959. 102 BERNARDI, MARZIANO. Il Sacro Monte di Varallo. 118, (6)pp. 35 tipped-in color plates, 22 text illus. (2 tipped-in color). Lrg. 4to. Boards. Torino (Istituto Bancario San Palo di Torino), 1960. 103 BERNARDI, MARZIANO. Tre palazzi a Torino. 110, (10)pp., 24 color plates with facing commentary. Numerous text illus. Lrg. 4to. Boards, 1/4 cloth. Slipcase. Torino (Istituto Bancario San Paolo di Torino), 1963. 104 BERNHEIMER, CHARLES. Figures of Ill Repute. Representing prostitution in nineteenth-century France. xiv, (2), 329pp. 45 plates. 4to. Cloth. D.j. Cambridge/London (Harvard University Press), 1989. 105 BERSON, RUTH. The New Painting: Impressionism 1874-1886. Documentation. 2 vols. I: Reviews. xiii, (1), 483pp. II: Exhibited Works. viii, 300pp. Prof. illus. Lrg. 4to. Cloth. D.j. San Francisco (Fine Arts Museums of San Francisco), 1996. Marmor/Ross M216 106 BERTELLI, CARLO, ET AL. Brera, Milano. A cura di Carlo Bertelli, Luisa Arrigoni, Teresa Binaghi Olivari, Sandra Maspero, Rosalba Tardito Amerio, Paolo Venturoli. (I Grandi Musei.) 103pp. 126 color illus., numerous figs. Lrg. 4to. Cloth. D.j. Milano (Touring Club Italiano), 1980. 107 BERTINI, ALDO (EDITOR). I disegni italiani della Biblioteca Reale di Torino. (Ministero della Pubblica Istruzione. Indici e Cataloghi. I Disegni delle Biblioteche Italiane. I.) 86, (2)pp. 700 illus. hors texte. Lrg. 4to. Wraps. Roma (Istituto Poligrafico dello Stato), 1958. Arntzen/Rainwater L54 108 BESSER, HOWARD. Introduction to Imaging. Revised edition. Edited by Sally Hubbard with Deborah Lenert. (The Getty Research Institute Publications.) 89pp. 14 illus. Sm. 4to. Wraps. Los Angeles (The Getty Research Institute), 2003. 109 BEZSONOV, S.V. Arkhangel’skoe: Podmoskovnaia usad’ba. Second editon. 159, (1)pp., 40 color plates. Prof. illus. Sm. 4to. Wraps. Moskva (Gosudarstvennyi Muzei-Usad’ba “Arkhangel’skoe”/ “Kollektsiia M”), 2001. 110 BILLINGSHURST. SOTHEBY’S SUSSEX. Sussex and the Grand Tour. A loan exhibition of paintings and other works of art from collections in Sussex and neighbouring counties. Sept.-Oct. 1986. 54, (12)pp. Illus. 4to. Wraps. Billingshurst, 1986. 111 BINGHAMTON. STATE UNIVERSITY OF NEW YORK. UNIVERSITY ART GALLERY. Strictly Academic. Life drawing in the nineteenth century. March-April 1974. Text by Alfred Boime. 95pp. 54 plates. 4to. Wraps. Binghamton, 1974. 112 BIRBARI, ELIZABETH. Dress in Italian Painting, 1460-1500. xi, (1), 114pp. 115 illus. hors texte. Figs. Sm. 4to. Cloth. D.j. London (John Murray), 1975. 113 BIRKE, VERONIKA. Italian Drawings 1350-1800. Masterworks from the Albertina. 240pp. 267 illus. Lrg. 4to. Wraps. Alexandria, Virginia/ Pleasantville, N.Y. (Art Services International and Abaris Books), 1992. 114 BJURSTRÖM, PER. French Drawings: Eighteenth Century. (Drawings in Swedish Public Collections. 4.) xxviii, (318)pp. Prof. illus. 4to. Cloth. Stockholm (Nationalmuseum/ LiberFörlag), 1982. Arntzen/Rainwater L2 115 BJURSTRÖM, PER (EDITOR). Carl Gustaf Tessin och konsten. (Årsbok för Svenska Statens Konstsamlingar. 17.) 134pp. Prof. illus. Lrg. 8vo. Cloth. D.j. English-language summaries. Stockholm (Rabén & Sjögren), 1970. 116 BLUNT, ANTHONY. Art and Architecture in France, 1500 to 1700. (The Pelican History of Art.) xvii, (1), 312 pp., 192 plates. 4to. Cloth. D.j. London/Baltimore (Penguin Books), 1953. Arntzen/Rainwater I18; Chamberlin 452; Lucas p. 38 117 BLUNT, ANTHONY. French Drawings in the Collection of His Majesty the King at Windsor Castle. 166, (2)pp. 127 plates. 20 text illus. Lrg. 4to. Cloth. D.j. Oxford/ London (Phaidon), 1945. Arntzen/Rainwater L29; Lucas p. 92 118 BLUNT, ANTHONY. Guide to Baroque Rome. xviii, 317pp. 115 illus. Sm. 4to. Cloth. D.j. London (Granada), 1982. 119 BLUNT, ANTHONY. Neapolitan Baroque & Rococo Architecture. (Studies in Architecture. 15.) xvii, (3), 221, (5)pp. 300 illus. hors texte. 28. figs. Lrg. 4to. Cloth. D.j. London (A. Zwemmer), 1975. Arntzen/Rainwater J234 & R68 120 BLUNT, ANTHONY. Sicilian Baroque. 160pp. 156 illus. Lrg. 4to. Cloth. D.j. New York (Macmillan), 1968. 121 BLUNT, ANTHONY. Some Uses and Misuses of the Terms Baroque and Rococo as Applied to Architecture. (Lecture on Aspects of Art, Henriette Hertz Trust of the British Academy, 1972.) 33pp. 16 figs. Sm. 4to. Wraps. London (The British Academy/ Oxford University Press), 1973. 122 BLUNT, ANTHONY & COOKE, HEREWARD LESTER. The Roman Drawings of the XVII & XVIII Centuries in the Collection of Her Majesty the Queen at Windsor Castle. (The Italian Drawings at Windsor Castle. [8].) 197, (1)pp. 66 plates. 120 text illus. Lrg. 4to. Cloth. D.j. London (Phaidon), 1960. Arntzen/Rainwater L60; Marmor/Ross L140 123 BLUNT, ANTHONY (EDITOR). Baroque and Rococo: Architecture and Decoration. [By] Anthony Blunt, Christopher Tadgell, Kerry Downes. Photographs by Wim Swaan. 352pp. 431 illus. (34 color). Sm. folio. Cloth. D.j. Ware, Hertfordshire (Wordsworth Editions), 1988. 124 BOIME, ALBERT. The Academy and French Painting in the Nineteenth Century. ix, 330pp. 161 illus. 4to. Cloth. D.j. New York (Phaidon), 1971. Arntzen/Rainwater M193 125 BOLOGNA. PINACOTECA NAZIONALE. Bologna 1584. Gli esordi dei Carracci e gli affreschi di Palazzo Fava. Saggio introduttivo di Andrea Emiliani con scritti di Luigi Spezzaferro, Giampiero Cammarota, Angelo Mazza, Maria Luigia Pagliani, Fabio Bondi. Oct.-Dec. 1984. lxxi, (3), 341, (5)pp. Prof. illus. Sm. sq. 4to. Wraps. Bologna, 1984. 126 BORDEAUX. GALERIE DES BEAUX-ARTS. L’art européen à la cour d’Éspagne au XVIIIe siècle. May-Sept. 1979. 215, (5)pp. Prof. illus. Sq. 4to. Wraps. Bordeaux, 1979. 127 BORDEAUX. GALERIE DES BEAUX-ARTS. Les arts du théâtre de Watteau à Fragonard. May-Sept. 1980. [By] Marianne Roland Michel and Daniel Rabreau. 219, (3)pp. 15 color plates. 223 reference illus. Sm. sq. 4to. Wraps. Bordeaux, 1980. 128 BORDEAUX. MUSÉE DES BEAUX-ARTS. La peinture à Bordeaux, 1750-1800. Texts by C. Taillard, B. de Boyson, R. Mesuret, F. Garcia, D. Cante, J.-P. Mouilleseaux. (Le Port des Lumières. 1.) 371, (3)pp. Prof. illus. Lrg. 4to. Wraps. D.j. Bordeaux, 1989. 129 BORRICAND, RENÉ. Les hôtels particuliers d’Aix-en-Provence. Photographies d’Henri Nicollas. 355pp. Prof. illus. 4to. Boards. Slipcase. Edition limited to 1100 copies. Aix-en-Provence (The Author), [1971]. 130 BORSOOK, EVE. The Mural Painters of Tuscany from Cimabue to Andrea del Sarto. 167, (13)pp. 118 plates, 11 text illus. Sm. folio. Cloth. D.j. London (Phaidon), 1960. Arntzen/Rainwater M324; Lucas p. 82 131 BORYS, STEPHEN D., ET AL. The Splendor of Ruins in French Landscape Painting, 1630-1800. Essays by T. Barton Thurber, Alan Wintermute, Stephen D. Borys. 190pp. 36 color plates, 83 figs. Lrg. 4to. Wraps. Published in conjunction with an exhibition at the Allen Memorial Art Museum, Oberlin College, March-June 2005. Oberlin (Allen Memorial Art Museum, Oberlin College), 2005. 132 BOSQUET, JACQUES. Recherches sur le sejour des peintres français à Rome au XVIIème siècle. Préface de Jacques Thuillier. 246, (2)pp., 45 plates. 1 double-page map. 4to. Cloth. Montpellier (A.L.P.H.A.), [1980]. 133 BOSTON. MUSEUM OF FINE ARTS. American Figurative Sculpture in the Museum of Fine Arts. Catalogue by Kathryn Greenthal, Paul M. Kozol, Jan Seidler Ramirez. Introductory essay by Jonathan L. Fairbanks. xl, 486, (2)pp. 18 color plates., 231 illus. Lrg. 4to. Cloth. D.j. Boston, 1986. Marmor/Ross K335 134 BOSTON. MUSEUM OF FINE ARTS. European Paintings in the Museum of Fine Arts, Boston. An illustrated summary catalogue. By Alexandra R. Murphy. xii, 352pp. Prof. illus. Lrg. 4to. Wraps. (slightly worn at spine). Boston, 1985. 135 BOSTON. MUSEUM OF FINE ARTS. French Paintings in the Museum of Fine Arts, Boston. Vol. I [all published to date]: Artists born before 1790. [By] Eric M. Zafran. 223pp. 165 plates (40 color). 4to. Cloth. D.j. Boston, 1998. Marmor/Ross M234 136 BOSTON. MUSEUM OF FINE ARTS. French Prints from the Age of the Musketeers. [By] Sue Welsh Reed with contributions by Alvin L. Clark, Jr., Carl Goldstein, Marianne Grivel, Graham Larkin, Maxime Préaud, H. Diane Russell. Oct. 1998-Jan. 1999. 277pp. 126 plates, figs. 4to. Wraps. Boston, 1998. 137 BOSTON. MUSEUM OF FINE ARTS. Italian Etchers of the Renaissance & Baroque. [By] Sue Welsh Reed and Richard Wallace. With contributions by David Acton, David P. Becker, Elizabeth Lunning, Annette Manick. Jan.-April 1989. xlvii, (1), 302pp. 151 illus., 9 figs., 1 map. 4to. Wraps. Boston, 1989. Marmor/Ross N121 138 BOSTON. MUSEUM OF FINE ARTS. The Lure of Italy. American artists and the Italian experience, 1760-1914. [By] Theodore E. Stebbins, Jr. With essays by William H. Gerdts, Erica E. Hirshler, Fred S. Licht, and William L. Vance. Sept.-Dec. 1992. 470pp. 319 illus. (113 color). Lrg. 4to. Wraps. Boston, 1992. 139 BOSTON. MUSEUM OF FINE ARTS. Printmaking in the Age of Rembrandt. Oct. 1980-Jan. 1981. By Clifford S. Ackley. xvliii, 316pp. 222 plates (6 color), text illus. Oblong 4to. Cloth. D.j. Boston, 1980. Marmor/Ross N126 140 BOSTON. MUSEUM OF FINE ARTS. Tapestries of Europe and of Colonial Peru in the Museum of Fine Arts, Boston. By Adolph S. Cavallo. 2 vols. 249pp.; 69 plates (16 color). 4to. & sq. 4to. Cloth. Slipcase. Boston, 1967. Arntzen/Rainwater P634 141 BOTTROP. QUADRAT BOTTROP, MODERNE GALERIE. Rheinland Westfalen und die Berliner Bildhauerschule des 19. Jahrhunderts. Oct.-Dec. 1984. Edited by Peter Bloch. 215pp. Prof. illus. Sq. 4to. Wraps. Bottrop, 1984. 142 BOURGUINAT, ELISABETH. Les rues de Paris au XVIIIe siècle: Le regard de Louis Sébastien Mercier. 80pp. Prof. illus. Sm. 4to. Wraps. Published in conjunction with an exhibition at the Musée Carnavalet, Paris, March-June 1999. Paris (Paris Musées), 1999. 143 BOWRON, EDGAR PETERS & RISHEL, JOSEPH J. (EDITORS). Art in Rome in the Eighteenth Century. 628pp. 444 illus., 80 figs. Lrg. 4to. Wraps. Published in conjunction with an exhibition at the Philadelphia Museum of Art, March-May 2000. Philadelphia (Philadelphia Museum of Art), 2000. 144 BOYER, JEAN. La peinture et la gravure à Aix-en-Provence aux XVIe, XVIIe et XVIIIe siècles (1530-1790). (Gazette des Beaux-Arts. 113e année, VIe période, tome 78.) 187, (1), 35, (1)pp. 146 illus. Lrg. 4to. Wraps. Paris (Gazette des Beaux-Arts), 1971. 145 BOYLE-TURNER, CAROLINE & JOSEFOWITZ, SAMUEL. The Prints of the Pont-Aven School: Gauguin and his Circle in Brittany. Foreword by Douglas Druick. 142pp. Prof. illus. 4to. Wraps. Published in conjunction with a travelling exhibition originating at the Rijksmuseum, Amsterdam. New York (Abbeville Press), 1986. 146 BRAHAM, ALLAN. The Architecture of the French Enlightenment. 288pp. 424 illus. 4to. Cloth. D.j. London (Thames and Hudson), 1980. Marmor/Ross J279 147 BRAHAM, ALLAN. Funeral Decorations in Early Eighteenth Century Rome. (Victoria and Albert Museum Brochure 7.) 30pp. 25 plates. Sm. oblong 4to. Wraps. London (Victoria and Albert Museum), 1975. 148 BREMEN. KUNSTHALLE. Zurück zur Natur. Die Künstlerkolonie von Barbizon. Ihre Vorgeschichte und ihre Auswirkung. Nov. 1977-Jan. 1978. Catalogue by Günter Busch, Gisela Dauber, Gerhard Gerkens, Bernhard Schackenburg, Jürgen Schultze, Annemarie Winther. Ca. (500)pp. Prof. illus. (20 color). Sm. 4to. Stiff wraps. D.j. Bremen, 1977. 149 BRESCIA [COMUNE DI]. Brescia pittorica 1700-1760: l’immagine del sacro. Catalogo della mostra. Introduction by Bruno Passamani. Texts by Bruno Passamani, Luciano Anelli, Pier Virgilio Begni Redona and Renata Stradiotti. (Comune di Brescia. Manifestazioni queriniane. Società e cultura nella Brescia del Settecento. Vol. 3.) 209, (3)pp. 121 illus. (25 color plates). 4to. Wraps. Brescia (Grafo), 1981. 150 BRESCIA. MUSEO DI SANTA GIULIA. America! Storie di pittura dal Nuovo Mondo. A cura di Marco Goldin. Nov. 2007-March 2008. 2 vols. 551pp.; 151pp. 231 color plates, numerous text and reference figs. Lrg. 4to. Boards. Slipcase. Treviso (Linea d’ombra Libri), 2007. 151 BRETTELL, RICHARD R. French Salon Artists, 1800-1900. 119pp. Prof. illus. 4to. Wraps. Chicago (The Art Institute of Chicago), 1987. 152 BRETTELL, RICHARD R. Impression: Painting Quickly in France, 1860-1890. 240pp. 169 illus. 4to. Wraps. Published in conjunction with an exhibition at The National Gallery, London, Nov. 2000-Jan. 2001. New Haven/Williamstown (Yale University Press/ Sterling and Francine Clark Art Institute), 2000. 153 BRETTELL, RICHARD. An Impressionist Legacy: The Collection of Sara Lee Corporation. 127, (1)pp. 76 tipped-in color plates. Lrg. 4to. Wraps. New York (Abbeville Press), 1986. 154 BRIGANTI, GIULIANO. I pittori dell’immaginario: Arte e rivoluzione psicologica. Nuova edizione, riveduta e aggiornata. (Biblioteca Electa: Saggistica universale illustrata. 6.) 304pp. 200 illus. 4to. Boards. D.j. Milano (Electa), 1989. 155 BROSSES, CHARLES DE. Lettres familières sur l’Italie. Choix, préface et notes d’Étiemble. 481, (3)pp. Illus. Lrg. 8vo. Cloth. Paris (Club Français du Livre), 1961. 156 BROWN, CHRISTOPHER. Dutch Genre Painting. (Themes and Painters in the National Gallery. Series 2, No. 6.) 52pp. 37 plates. Wraps. London (National Gallery), 1976. 157 BROWN, CHRISTOPHER. Dutch Townscape Painting. (Themes and Painters in the National Gallery. 10.) 43pp. 27 plates. Wraps. London (National Gallery), [1972]. 158 BROWN, DAVID BLAYNEY. Romanticism. (Art & Ideas Series.) 447pp. 251 illus., 1 double-page map. Sm. 4to. Wraps. London (Phaidon), 2001. Marmor/Ross I7 159 BROWN, MILTON W. The Painting of the French Revolution. (Critics Group Series. 8.) 96pp., 12 plates. Wraps. (chipped). New York (Critics Group), 1938. 160 BRÜHL. SCHLOSS AUGUSTUSBURG. Kurfürst Clemens August. Landesherr und Mäzen des 18. Jahrhunderts. 527pp. 168 plates (16 color), text illus. Stout 4to. Wraps. D.j. Texts by 27 contributors, including R. Lill, W. Holzhausen, H. Fillitz, W. Borchers, K.E. Mummenhoff, J.M. Metz, E. Köllmann, H.-U. Haedeke. Brühl, 1961. 161 BRUXELLES. PALAIS DES BEAUX-ARTS. De Watteau à David. Peintures et dessins des musées de province français. Sept.-Nov. 1975. Texts by D. Ponneau, P. Lemoine, J. Vilain. (Europalia 75. France.) 209, (1)pp., 4 color plates. Prof. illus. Sq. 4to. Wraps. Bruxelles, 1975. 162 BUKDAHL, ELSE MARIE. Diderot, critique d’art. 2 vols. I: Théorie et pratique dans les Salons de Diderot. 557, (1)pp. 128 plates. II: Diderot, les salonniers et les esthéticiens de son temps. 393, (1)pp. 49 plates. 4to. Wraps. Presentation copy, inscribed by the author. Copenhague (Rosenkilde et Bagger), 1980-1982. 163 BULLEN, J.B. (EDITOR). Post-Impressionists in England. The critical reception. xix, (1), 519, (1)pp. Lrg. 8vo. Cloth. D.j. London/New York (Routledge), 1988. 164 BURCKHARDT, JACOB. The Altarpiece in Renaissance Italy. Edited and translated by Peter Humfrey. 240pp. 172 illus. Sm. sq. folio. Cloth. D.j. Cambridge/New York (Cambridge University Press), 1988. Marmor/Ross M345 165 BURKE, EDMUND. A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful. Edited with an introduction and notes by James T. Boulton. cxxx, 197pp. Sm. 4to. Cloth. D.j. London (Routledge and Kean Paul), 1967. 166 BURTY, PHILIPPE. Maîtres et petits maîtres. (6), 387pp. Boards, 3/4 cloth. Dedicated to Bracquemond the book contains essays on Rousseau, Gavarni, Jules de Goncourt, Millet, the drawings of V. Hugo, etc. Paris (Charpentier, Editeur), 1877. 167 BUSIRI VICI, ANDREA. Trittico paesistico romano del ‘700: Paolo Anesi, Paolo Monaldi, Alessio De Marchis. xi, (1), 366pp. Prof. illus. Lrg. sq. Boards. D.j. Roma (Ugo Bozzi Editore), 1976. 168 BYAM SHAW, JAMES. Paintings by Old Masters at Christ Church Oxford. Catalogue. 308pp. 235 illus. (6 color). Lrg. 4to. Cloth. D.j. London (Phaidon), 1967. 169 CAEN. MUSÉE DE NORMANDIE. Saints de choeurs: Tapisseries du Moyen Âge et de la Renaissance. Commissariat général: Catherine Arminjon. Jan.-April 2005. 191pp. Prof. illus. Lrg. 4to. Wraps. Milano (5 Continents), 2004. 170 CAEN. MUSÉE DES BEAUX-ARTS. Esquisses peintes: Normandie 1850-1950. Moments anonymes. June-Sept. 1988. 110, (2)pp. Prof. illus. 4to. Wraps. Caen, 1988. 171 CAHN, ISABELLE. Cadres de peintres. 109, (3)pp., 12 color plates. 37 illus. Wraps. Paris (Réunion des Musées Nationaux/ Hermann), 1989. 172 CALLEN, ANTHEA. The Art of Impressionism. Painting technique & the making of modernity. 245pp. 281 illus. Folio. Cloth. D.j. New Haven/London (Yale University Press), 2000. 173 CAMBRIDGE. BUSCH-REISINGER MUSEUM, HARVARD UNIVERSITY. Danish Paintings of the Nineteenth Century from the Collection of Ambassador John L. Loeb, Jr. Jan.-April 1994. Text by Peter Nisbet. 15pp. Illus. 4to. Wraps. With a letter from the author inserted. Cambridge, 1994. 174 CAMBRIDGE [ENG]. FITZWILLIAM MUSEUM. The Achievement of a Connoisseur: Philip Pouncey. Italian old master drawings. Oct.-Dec. 1985. By Julien Stock and David Scrase. (140)pp. 65 plates in text (1 color). Sm. 4to. Wraps. Cambridge, 1985. 175 CAMBRIDGE [ENG]. FITZWILLIAM MUSEUM. The John Tillotson Bequest: Paintings and Drawings of the Barbizon School. Text by Michael Jaffé. (70)pp. 32 plates. Lrg. oblong 8vo. Wraps. Published in conjunction with an exhibition at Hazlitt, Gooden & Fox, London. Cambridge, 1986. 176 CAMBRIDGE [ENG]. FITZWILLIAM MUSEUM & LONDON. ROYAL ACADEMY OF ARTS. DIPLOMA GALLERIES. Painting from Nature: The Tradition of Open-Air Oil Sketching from the 17th to 19th Centuries. Nov. 1980-Jan. 1981/ Jan.-March 1981. Text by Lawrence Gowing; catalogue by Philip Conisbee. 48pp. Prof. illus. 4to. Wraps. Cambridge/London, 1980. 177 CAMBRIDGE. FOGG ART MUSEUM, HARVARD UNIVERSITY. Degas to Matisse. The Maurice Wertheim Collection. [By] John O’Brian. Preface by B. Wertheim Tuchmann and A. Wertheim Werner. 175pp. Prof. illus. 4to. Wraps. Cambridge, 1988. 178 CAMBRIDGE. FOGG ART MUSEUM, HARVARD UNIVERSITY. European Paintings Before 1900 in the Fogg Art Museum. A summary catalogue including paintings in the Busch-Reisinger Museum. [By] Edgar Peters Bowron. 392pp. 835 illus. Lrg. 4to. Wraps. Cambridge, 1990. 179 CAMBRIDGE. FOGG ART MUSEUM, HARVARD UNIVERSITY. French Drawings from a Private Collection: Louis XIII to Louis XVI. Edited by Konrad Oberhuber and Beverly Schreiber Jacoby. 182pp. Prof. illus. Lrg. oblong 8vo. Wraps. Cambridge, 1980. 180 CAMBRIDGE. FOGG ART MUSEUM, HARVARD UNIVERSITY. Renaissance and Baroque Drawings from the Collections of John and Alice Steiner. Edited by Konrad Oberhuber. 172pp. 62 illus. Lrg. 8vo. Wraps. Cambridge, 1977. 181 CAMBRIDGE. FOGG ART MUSEUM, HARVARD UNIVERSITY. The Renaissance in France: Drawings from the École des Beaux-Arts, Paris. Curator: Emmanuelle Brugerolles. Catalogue by E. Brugerolles and David Guillet. Sept.-Nov. 1994. 329pp. 93 plates, numerous reference illus. Lrg. 4to. Wraps. Cambridge, 1994. Marmor/Ross L46 182 CAMBRIDGE. HARVARD UNIVERSITY ART MUSEUMS. Harvard University Art Museums. A guide to the collections. Arthur M. Sackler Museum, William Hayes Fogg Art Museum, Busch-Reisinger Museum. [By] Kristin A. Mortimer. With contributions by William G. Klingelhofer. Lrg. 4to. Wraps. Cambridge/New York (Harvard University Art Museums/ Abbeville Press), 1985. 183 CAMBRIDGE. HARVARD UNIVERSITY ART MUSEUMS. Mastery & Elegance: Two Centuries of French Drawings from the Collection of Jeffrey E. Horvitz. Edited by Alvin L. Clark, Jr. with Margaret Morgan Grasselli, Jean-François Méjanès, William W. Robinson. Foreword by Pierre Rosenberg. Dec. 1998-Jan. 1999. 492pp. Prof. illus. Lrg. 4to. Wraps. Cambridge, 1998. 184 CAMPBELL, THOMAS P. Tapestry in the Renaissance: Art and Magnificence. With contributions by Maryan W. Ainsworth, Rotraud Bauer, Pascal-François Bertrand, Iain Buchanan, Elizabeth Cleland, Guy Delmarcel, Nello Forti Grazzini, Maria Hennel-Bernasikowa, Lorraine Karafel, Lucia Meoni, Cecilia Paredes, Hillie Smit, and Andrea Stockhammer. x, 594pp. 229 figs. Lrg. 4to. Cloth. D.j. Published in conjunction with an exhibition at The Metropolitan Museum of Art, New York, March-June 2002. New York (The Metropolitan Museum of Art), 2002. 185 CANBERRA. AUSTRALIAN NATIONAL GALLERY. European and American Paintings and Sculptures 1870-1970 in the Australian National Gallery. [By] Michael Lloyd, Michael Desmond. vii, (1), 431, (1)pp. Prof. illus. in color. Lrg. 4to. Wraps. Camberra, 1992. 186 CANBERRA. AUSTRALIAN NATIONAL GALLERY. French Paintings from the Musée Fabre, Montpellier. Edited by Michel Hilaire, Jörg Zutter and Olivier Zeder. Contributions by Sylvain Amic, Petra ten-Doesschate Chu, Hilliard T. Goldfarb, Jo Hedley, Michel Hilaire, Christopher Riopelle, Pierre Rosenberg, Olivier Zeder and Jörg Zutter. Nov. 2003-Feb. 2004. 230pp. 84 catalogue illus., 151 figs. Lrg. 4to. Wraps. Canberra, 2003. 187 Directory: collections collections -> 1Theodore S. de Bruyn Curriculum Vitae contact information collections -> Review of America and the Far East (all bound) 4 collections -> Bibliographic Standards for Shared Print Monographs (2-16-2011) collections -> General works collections -> University of utah j. Willard Marriott Library collections -> General works 1 Århus. Moesgård museum. Lanks Silkevejen: Nomader og byfolk I Sibirien og Centralasien collections -> Tracy penny light centre for Learning and Teaching Through Technology (LT3) collections -> Pc atari Emulator collections -> Atari disk operating system 5 Download 1.85 Mb. Share with your friends:
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