Mto 14. 2 Examples: Biamonte, Augmented-Sixth Chords vs. Tritone Substitutes
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Example 5.
Example 6.
Example 7.
Example 8.
Example 4.
Tritone
Substitution for ii
7
–V
7
:
Ellington
, “Satin Doll,”
end of A phrase
Example 5.
Tritone
substitution for ii
ø7
(II
7
): Arlen, “Come
Rain or Come Shine
,”
end of chorus
Example 6.
Enharmonically Related Dominant-Seventh
and Augmented-Sixth Chords
Example 7.
Derivations of Augmented-Sixth Chords from Diatonic
and Applied Harmonies
Example 8.
Tritone-Related
Chord Voicings
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