Mto 14. 2 Examples: Biamonte, Augmented-Sixth Chords vs. Tritone Substitutes



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Example 4. Tritone Substitution for ii7–V7: Ellington, “Satin Doll,” end of A phrase



Example 5. Tritone substitution for iiø7 (II7): Arlen, “Come Rain or Come Shine,” end of chorus


Example 6. Enharmonically Related Dominant-Seventh and Augmented-Sixth Chords





Example 7. Derivations of Augmented-Sixth Chords from Diatonic and Applied Harmonies



Example 8. Tritone-Related Chord Voicings



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