Part One: Before 1950
Part Four: The 1970s 50 Where Did the Sixties Go? Further Reading
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Part Four: The 1970s50 Where Did the Sixties Go? Further ReadingBangs, Lester. “Dead Lie the Velvet Underground.” Creem (May 1971): 44-49, 64-67. Chester, Andrew. “Second Thoughts on a Rock Aesthetic: The Band.” New Left Review 62 (1970): 75-82. Reprinted in On Record: Rock, Pop, and the Written Word, edited by Simon Frith and Andrew Goodwin, 315-19. New York: Pantheon, 1990. Gendron, Bernard. “Punk before Punk.” In Between Montmartre and the Mudd Club, 227-47. Chicago: University of Chicago Press, 2002. DiscographyAlbert Ayler Trio. Spiritual Unity. Esp Disk Ltd., 1964. Captain Beefheart. Trout Mask Replica. Captain Beefheart, Reprise/Ada, 1969. Jefferson Airplane. After Bathing at Baxter’s. RCA, 2003. Question Mark & The Mysterians. Feel It! The Very Best of Question Mark & The Mysterians. Varese Sarabande, 2001. The Stooges. The Stooges. Elektra/WEA, 2005. _______. Fun House. Elektra/WEA, 2005. Velvet Underground. The Velvet Underground & Nico. Polydor/Umgd, 1967. _______. White Light/White Heat. Polydor/Umgd, 1967. _______. Peel Slowly and See. Polydor/UMGD, 1995. The Who. Thirty Years of Maximum R&B. MCA, 1994. The Yardbirds. Greatest Hits, Vol. 1: 1964-1966. Rhino/WEA, 1986. 51. The Sound of Autobiography: Singer-Songwriters, Carole King, Further ReadingEmerson, Ken. Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era. New York: Viking, 2005. Hoskyns, Barney. Hotel California: The True-Life Adventures of Crosby, Stills, Nash, Young, Mitchell, Taylor, Browne, Ronstadt, Geffen, the Eages, and Their Many Friends. Hoboken, New Jersey: John Wiley & Sons, 2006.
DiscographyBrowne, Jackson. For Everyman. Asylum, 1973. King, Carole. Tapestry. Ode, 1971. Simon, Carly. Reflections: Carly Simon’s Greatest Hits. Arista, 2004. Simon and Garfunkel. The Best of Simon & Garfunkel. Sony, 1999. Taylor, James. Sweet Baby James. Warner Brothers, 1970. 52. Joni Mitchell Journeys Within Further ReadingLuftig, Stacey, ed. The Joni Mitchell Companion: Four Decades of Commentary. New York: Schirmer Books, 2000. O’Brien, Karen. Joni Mitchell: Shadows and Light. London: Virgin, 2001. “Rock’n’Roll’s Leading Lady.” Time, December 16, 1974: 63-66. Whitesell, Lloyd. The Music of Joni Mitchell. New York: Oxford University Press, 2008.
DiscographyMitchell, Joni. Song to a Seagull. Warner Bros./WEA, 1968. _______. Blue. Warner Bros./WEA, 1971. _______. Court and Spark. Elektra/WEA, 1974. _______. Don Juan’s Restless Daughter. Elektra/WEA, 1977. _______. Hits. Warner Bros./WEA, 1996. _______. Both Sides Now. Warner Bros./WEA, 2000. The Very Best of Singers and Songwriters. Time Life Records, 2003. 53. Sly Stone: “The Myth of Staggerlee” Further ReadingMarcus, Greil. Mystery Train: Images of America in Rock’n’Roll Music, 3rd rev. ed. New York: Plume, 1990. _______. “Muzak with Its Finger on the Trigger: The New Music of Sly Stone.” Creem 3 (April 1972). Selvin, Joel and Dave Marsh, eds. Sly and the Family Stone: An Oral History. New York: Avon, 1998. Vincent, Rickey. Funk: The Music, the People, and the Rhythm of the One. New York: St. Martin, 1996.
DiscographyMayfield, Curtis. Superfly. Custom, 1972. Sly & the Family Stone. Anthology. Sony, 1990. _______. Stand! Sony, 2007. _______. There’s a Riot Goin’ On. Sony, 2007. _______. Dance to the Music. Sony, 2007.
54. Not-so-“Little” Stevie Wonder Further ReadingRockwell, John. “Stevie Wonder.” In Calling Out Around the World: A Motown Reader, ed. Kingsley Abbott, 131-134. London: Helter Skelter, 2000. Selvin, Joel. “Stevie Wonder.” Mojo 113 (Apr. 2003). Slater, Jack Slater. “A Sense of Wonder.” New York Times Magazine, February 23, 1975: 18, 21-23, 26-32. Werner, Craig. Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and
DiscographyGaye, Marvin. What’s Going On. Motown, 2003. Wonder, Stevie. Music of My Mind. Motown, 1972. _______. Talking Book. Motown, 1972 _______. Innervisions. Motown, 1973. _______. Songs in the Key of Life. Motown, 1976. _______. The Definitive Collection. Motown, 2002. 55. Parliament Drops the Bomb
Further ReadingVincent, Rickey. Funk: The Music, the People, and the Rhythm of the One. New York: St. Martin, 1996. Ward, Ed. “The Mothership Sails at Dawn! Roots It Ain’t.” Creem 8 (1977). Willhardt, Mark and Joel Stein. “Dr. Funkenstein’s supergroovalisticprosifunkstication: George Clinton Signifies.” In Reading Rock and Roll: Authenticity,
DiscographyFunkadelic. Maggot Brain. Westbound Records US, 2005. ________. Motor City Madness: The Ultimate Funkadelic Westbound Compilation. Westbound Records US, 2006. Parliament. Mothership Connection. Island/Mercury, 2003. _______. 20th Century Masters—The Millenium Collection: The Best of Parliament. Island/Mercury, 2000. _______. Motor Booty Affair. Island/Mercury, 1978. _______. Funkentelechy vs. the Placebo Syndrome. Island/Mercury, 1977. Pure Funk. UTV Records, 1998. 56. Heavy Metal Meets the Counterculture Directory: companion.websites companion.websites -> Coordination of Ideas and Styles in the Western Musical Tradition with Oxford Anthology of Western Music companion.websites -> Coordination of Ideas and Styles in the Western Musical Tradition with Wright/Simms Music in Western Civilization, vol. 2 (Mwc 2) companion.websites -> American political thought companion.websites -> How to Do Research Download 245.79 Kb. Share with your friends:
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