Part One: Before 1950
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Further ReadingChriste, Ian. Sound of the Beast: The Complete Headbanging History of Heavy Metal. New York: HarperEntertainment, 2003. Waksman, Steve. Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience. Cambridge, Mass.: Harvard University Press, 1999. Walser, Robert. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover, NH: Wesleyan University Press and University Press of New England, 1993. Weinstein, Deena. Heavy Metal: The Music and Its Culture. Revised Edition. New York: Da Capo Press, 2000. DiscographyBeck, Jeff. Truth. Sony, 1968. Black Sabbath. Black Sabbath. Warner Bros./WEA, 1990 [1970] _______. Paranoid. Warner Bros./WEA, 1990 [1970] _______. Master of Reality. Warner Bros./WEA, 1990 [1971] Blue Cheer. The History of Blue Cheer: Good Times Are So Hard to Find. Island Mercury, 1990.
Cream. Disraeli Gears. Polydor/UMGD, 1967. Deep Purple. The Very Best of Deep Purple. Rhino/WEA, 2000.
Led Zeppelin. Led Zeppelin I. Atlantic/WEA, 1969. _______. Led Zeppelin II. Atlantic/WEA, 1969.
57. Led Zeppelin Speaks! Further ReadingBurroughs, William. “Rock Magic: Jimmy Page, Led Zeppelin, and a Search for the Elusive Stairway to Heaven.” Crawdaddy 49 (June 1975): 34-35, 39-40. Crowe, Cameron. “Jimmy Page and Robert Plant Talk.” Rolling Stone (13 March 1975): 33-37. Fast, Susan. In the Houses of the Holy: Led Zeppelin and the Power of Rock Music. New York: Oxford University Press, 2001. Headlam, Dave. “Does the Song Remain the Same? Questions of Authorship and Identification in the Music of Led Zeppelin.” In Concert Music, Rock, and Jazz Since 1945: Essays and Analytical Studies, ed. Elizabeth West Marvin and Richard Hermann, 313-63. Rochester, NY: University of Rochester Press, 1995 DiscographyLed Zeppelin. Led Zeppelin III. Atlantic/WEA, 1970. _______. Led Zeppelin IV (aka ZOSO). Atlantic/WEA, 1971. _______. Houses of the Holy. Atlantic/WEA, 1973. _______. Physical Graffiti. Atlantic/WEA, 1975. _______. Presence. Atlantic/WEA, 1976. _______. Coda. Atlantic/WEA, 1982. The Yardbirds. Little Games. Capitol, 1996. _______. Roger the Engineer. Warner Bros/WEA, 1966.
58. “I Have No Message Whatsoever” Further ReadingGeyrhalter, Thomas. “Effeminacy, Camp and Sexual Subversion in Rock: The Cure and Suede.” Popular Music 15 (May 1996): 217-224. Hoskyns, Barney. Glam! Bowie, Bolan and the Glitter Rock Revolution. New York, NY: Pocket Books, 1998. Sontag, Susan. “Notes on ‘Camp’.” In Against Interpretation, 275-92. New York: Anchor Books, 1990 (originally published in 1964). DiscographyBowie, David. Space Oddity. RCA Victor, 1972. _______. The Rise and Fall of Ziggy Stardust. RCA Victor, 1972. _______. Aladdin Sane. RCA Victor, 1973. _______. Diamond Dogs. RCA Victor, 1974. _______. Young Americans. RCA Victor, 1975. _______. Station to Station. RCA Victor, 1976 _______. Best of Bowie. Virgin Records US, 2002.
John, Elton. Goodbye Yellow Brick Road. Island, 1973. 59. Rock Me Amadeus
Further ReadingCovach, John. “Progressive Rock, ‘Close to the Edge,’ and the Boundaries of Style.” In Understanding Rock: Essays in Musical Analysis, ed. John Covach and Graeme M. Boone, 3-31. New York: Oxford University Press, 1997. Gaer, Eric. “Emerson, Lake & Palmer: A Musical Force.” Downbeat 41 (May 9, 1974): 14. Holm-Hudson, Kevin. Progressive Rock Reconsidered. New York and London: Routledge, 2001. Macan, Edward. Rocking the Classics: English Progressive Rock and the Counterculture. New York: Oxford University Press, 1997.
DiscographyE.L.O. The Essential Electric Light Orchestra. Sony, 2003. Emerson, Lake & Palmer. Trilogy. Rhino/WEA, 1972. _______. Works, Vol. 1. Rhino/WEA, 1977. King Crimson. In the Court of the Crimson King. Discipline Us, 1969. Pink Floyd. Dark Side of the Moon. Capitol, 1973. Yes. Close to the Edge. Elektra/WEA, 2003. _______. Roundabout & Other Hits. Rhino Flashback, 2007.
Further ReadingDavis, Miles with Quincy Troupe. Miles: The Autobiography. New York: Simon & Schuster, 1989. Nicholson, Stuart. Jazz-Rock: A History. New York: Schirmer, 1998. Pond, Steven F. Head Hunters: The Making of Jazz’s First Platinum Album. Ann Arbor: University of Michigan Press, 2005. Tate, Greg. “The Electric Miles.” In Flyboy in the Buttermilk: Essays on Contemporary America, 68-85. New York: Fireside/Simon and Schuster, 1992. Zabor, Rafi, and Vic Garbarini. “Wynton Vs. Herbie: The Purist and the Crossbreeder Duke It Out.” Musician 77 (March 1985): 52-64; reprinted in Robert Walser, ed.,
1999), 339-51. DiscographyBeck, Jeff. Blow By Blow. Sony, 1975. Blood, Sweat & Tears. Blood, Sweat & Tears. Sony, 2000. Dan, Steely. The Definitive Collection. Geffen Records, 2006. Davis, Miles. In a Silent Way. Sony, 2002 [1969]. _______. Bitches’ Brew. Sony, 1969. _______. On the Corner. Sony, 1972. Hancock, Herbie. Head Hunters. Columbia, 1973. Mitchell, Joni. Mingus. Elektra/WEA, 1979. Weather Report. Heavy Weather. Sony, 1977. Wonder, Stevie. Songs in the Key of Life. Motown, 1976. 61. Get On Up Disco Directory: companion.websites companion.websites -> Coordination of Ideas and Styles in the Western Musical Tradition with Oxford Anthology of Western Music companion.websites -> Coordination of Ideas and Styles in the Western Musical Tradition with Wright/Simms Music in Western Civilization, vol. 2 (Mwc 2) companion.websites -> American political thought companion.websites -> How to Do Research Download 245.79 Kb. Share with your friends:
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