Seprődi, János (John) (Kibéd, now Chibed, Romania, 15 August, 1874 - Kolozsvár, now Cluj-Napoca, Romania, 6 March 1923) – Music historian, folklorist. He obtained a teacher’s diploma from the University of Kolozsvár. From 1904 until his death, he was a teacher at the Reformed College of Kolozsvár. He was a researcher of the history of old Hungarian music and an important folk music collector. Beside Béla Vikár, Béla Bartók and Zoltán Kodály, he is one of the early discoverers of folk-tunes and those who made popular the original Hungarian folksongs. Furthermore, he did his best to re-establish the original beauty of hymnody in the Reformed Church. His main works include Criticism of the Test-song-book of the Reformed Church (A reformátusok próbaénekeskönyvének bírálata) (1904); Memorial in the Matter of Hungarian Music (Emlékirat a magyar zene ügyében) (1906); The Musical Development of Hungarian Folk Music (A magyar népdal zenei fejlődése) (1908); Literary and Music-historical Contributions to the Kajon-Codex (Kájoni-kódex irodalom, s zenetörténeti adalékai) (Literary Science Gazette, 1909); Original Szekler Songs (Eredeti székely dalok), and His Selected Musical Writings and Folk-music Collection (Válogatott zenei írásai és népzenei gyűjtése) (1974), and works for male choir (1914). – B: 0883, 1134, T: 7684.→Vikár, Béla; Bartók, Béla; Kodály Zoltán.
Serédi, Jusztinián O.S.B. (György [George] Szapucsek) (Deáki, Deákipuszta, 23 or 24 April 1884 - Esztergom, 29 March 1945) – Cardinal of the Roman Catholic Church, Archbishop of Esztergom and Primate of Hungary, canonist. Early on he became a Benedictine monk and was ordained in 1908. He was Professor of Canon Law at the Sanct Anselmo University of Rome; he was an appointed member of the Papal Editorial Committee of the Codex of Canon Law. He served briefly as a military pastor with the Esztergom Unit in 1918, before returning to the Sanct Anselmo University. He became the confidential associate of Cardinal Gasparri in the editing work of the new Ecclesiastical Code. He was Procurator of the Hungarian Benedictines, and in charge of other Hungarian church matters. He taught history of Law of the Roman Curia (Supreme Court) at the Papal Librarian School. In the meantime, he was a member of a number of papal congregations. On 1 December 1927, as a Hungarian prelate, Serédi assumed the most prominent position in the Catholic Church of Hungary, having been appointed Archbishop of Esztergom, and Primate of Hungary by Pope Pius XI. On 19 December of the same year, he became a Cardinal; his consecration took place on 8 January 1928. He was Counselor of Canon Law of the Hungarian Legation in the Vatican. Between 1923 and 1938, as senior editor, he published in 9 volumes the sources of Canon Law of the Catholic Church, entitled Codicis Juris Canonici Fontes, as the official publication of the Holy See. His main program was the consistent implementation of the Actio Catholica, adapted to Hungarian conditions. Largely he initiated the large-scale celebration of the 900th anniversary of the death of St Emeric and St Stephen in 1931 and 1938 respectively. Also, in 1938, the Eucharistic World Congress in Budapest took place in Budapest. In 1934, Serédi issued a statement saying no Catholic priest could support the principles of National Socialism. In the spring of 1944, he issued a statement condemning the attacks on, discrimination against and deportation of the Jews on racial grounds. Serédi also worked to try to get Catholic Jews exempted from deportation and death, but was only able to get the rule to apply to those who were priests, monks or nuns. In April 1944, Serédi protested the treatment of Jews by the National Socialists in Hungary. His woks include “Ne temere” decretum…(1909); De relatione decretales Gregorii IX et codicem J. C. (1934), and Five Speeches by Justinian Serédi (Serédi Justinian öt beszéde) (1943). – B: 1138, 0883, 1068, 7456, T: 7456.
Seregély, Katalin (Catharine) (Nyíregyháza, 20 April, 1951 - Budapest, 29 December, 1980) – Opera singer (alto). She completed her studies at the Ferenc (Franz) Liszt Academy of Music, Budapest. She was a student of József (Joseph) Réti. From 1976 she was a soloist at the Hungarian State Opera House (Magyar Állami Operaház), Budapest, and of the State Philharmonic (Országos Filharmónia). Her major roles included Azucena in Verdi’s Il Trovatore (A trubadur), Ulrich in Verdi’s Masked Ball (Álarcosbál); title role in Bizet’s Carmen, and Zita’s mother in Puccini’s Gianni Schicci. She sang in Handel oratorios: Messiah, Samson, etc., and sang Pergolesi’s Stabat Mater, as well as in other oratorios as an alto soloist. She had contracts with the Opera House in Graz, and appeared as a guest soloist in Austria, the Czech Republic, in the then East Germany, Romania, and the then Soviet Union. – B: 0883, T: 7684.→Réti, József.
Seregi, László (1) (Ladislas) (Budapest, 12 June 1928 - Budapest, 5 June 1991) – Stage manager and director. After completing the Academy of Dramatic Art, Budapest, he was engaged by the Hungarian People’s Army Theater (Magyar Néphadsereg Színháza) in 1951. During 1956-1957, he stage-managed the theater of Szolnok; in 1957-1958, he was at the theater of Győr; and from 1959 to 1963 at the theater of Kecskemét. From 1963 until 1972 he was the Head Manager of the Operetta Theater (Operett Színház), Budapest; between 1972 and 1978 he was Manager of the Attila József Theater (József Attila, Színház), and from 1979 till 1980 he was again Manager of the Operetta Theater. From December 1988 until his death, he was Manager of the Csokonai Theater (Csokonai Színház), Debrecen. He managed dramatic works, comedies, staged musicals; but his greatest successes were realized with the staging of operettas abroad. The stage-works he managed include I. Kálmán’s Countess Marica (Marica grófnő); J. Katona’s Bánk bán; F. Molnár’s The Doctor (A doctor úr); Shakespeare’s A Midsummer-Night’s Dream (Szentiványéji álom); Schiller’s Love and Intrigue (Ármány és szerelem); G.B. Shaw’s Saint Joan (Szent Johanna), and F. Lehár’s The Merry Widow (A víg özvegy) and The Land of Smiles (A mosoly országa). He was a recipient of the Mari Jászai Prize (1961), and the Merited Artist title (1987). – B: 1445, T: 7456.
Seregi, László (2) (Ladislas) (Budapest, 12 December 1929 - ) – Dancer, choreographer. He studied in the graphics section of the School for Industrial Arts between 1945 and 1949; later his interest turned to folk dance and he became a member of the Honvéd (National Guard) Artist Ensemble. It was in this group that he became acquainted with the art of ballet dancing under the guidance of Marcella Nádasi. During the years 1952 to 1956 he also prepared some choreography. For a while the Opera House of Budapest engaged him. He was an excellent character dancer along with his choreographic work. His first dance-drama was Spartacus (composed in 1968), followed by other equally outstanding choreographies. His dances are characterized by dramaturgy in strict tempo, musicality, stylistic multicolor, theatrics and ingenuity. His choreographic works include Dances of Kalotaszeg (Kalotaszegi táncok) (1952); The Wooden Prince (A fából faragott királyfi) (1970, 1981); The Miraculous Mandarin (A csodálatos mandarin) (1970, 1981); The Cedar (A Cédrus) (1975); Romeo and Juliet (Rómeó és Júlia) (1985), and A Midsummer-Night’s Dream (Szentiványéji álom) (1989). His film scripts include Incident at the Gas Station (Kútfejek). He was also involved in stage-management, such as in Sylvia and A Midsummer-Night’s Dream. He is a recipient of the Ferenc Erkel Prize (1962), the Merited Artist title (1972), the Great Austrian Cross of Merit (1976), the Outstanding Artist title (1978), and the Kossuth Prize (1980). – B: 1445, 1472, T: 7456.
Seres, József (Joseph) (Szerencs, 5 September 1942 - ) – Poet, writer, sculptor. He received his education in Miskolc and Szeged, and continued his studies in sculpting at the Ontario College of Arts in Toronto, graduating in 1979. His poems have appeared in magazines and anthologies; some of them were set to music and performed on stages in Hungary and Canada. He published two books of poems: Without Seasons (Évszakok nélkül) (1978), and Be My Guest (Légy vendégem) (2000). – B: 0892, T: 4342.
Servant (cseléd) – Hungarians of old generally called all those people servants, who were under the authority of the head of the same family. In modern times the term of the old name “cseléd” changed to a mild ‘”household employee” (háztartási alkalmazott), specifying a person, who looks after the household chores and works in a certain time frame for hourly, daily or monthly wages. The agreement between the employer and the employee is regulated and the relation between them can be annulled. – B: 0942, T: 3233.
Settlement Period Legends – These legends about the arrival of the Hungarian tibes in the Carpathian Basin in the 9th century AD survived in two sources: the Kézai-Kálti legend group, and Anonymus’ Chronicles. Both contain the legend about the birth of Álmos and, with minor differences, the white horse legend. Anonymus merely alludes to the Botond legend. The legend about the death of Chief Lél was preserved in the chronicles. All three contain elements of legends to the detriment of traditional historical accounts. In the events recorded by Anonymus – e.g. the conquest of Nyitra, Bihar and Transylvania – one can recognize the use of verse-chronicles, which could have originated only from within certain clans of the Settlement Period. – B: 1078, T: 7617.→Anonymus; Kézai. Simon; Kálti, Márk.
Settlements into Hungary – The one and a half century long occupation of the Turks and the continuous battles (1526-1686) drastically reduced Hungary's population. The population of 4 million during the time of King Mátyás I, (Matthias Corvinus, 1458-1490), which was equivalent of the population of England, decreased to two and a half million. During this time, the population of Europe, which was defended by Hungary, increased from eighty million to one hundred and thirty million. The devastation affected mainly the population of the southern parts of the country, which was not protected by natural defenses, living in Bácska, Bánság, the Great Hungarian Plain and the river valleys. After the recapture of Buda in 1686, the country was gradually liberated. The return of the Turkish-stricken refugees from Northern Hungary (now Slovakia) to the devastated southern area, began at the end of the 17th century, was hindered by the Austrians. The population increase was due mainly to resettlement, which was politically driven, resulting in the ultimate weakening of the Hungarian element. The Viennese Government’s first settlers were the Swabians (German) masses who were forcibly settled into Hungary after the Turks were driven out of the country. During the reigns of Károly (Charles) III and Mária Theresa, the immigrants settled the sparsely populated areas of Bácska and the Bánság. They were provided with established villages, built according to symmetrical groundplans around the Bánság’s state properties. Approximately one million Swabians settled into Hungary in the 18th century. Opportunity was also given to Serbs from the Balkans to settle in the southern part of Hungary, which they claimed for themselves and acquired by the Treaty of Trianon, after World War I.
Transylvania (Erdély) – the independent Hungarian Principality -- also suffered enormously because of the frequent Turkish and Tartar raids. Consequently, the Hungarian population dwindled. This was the time when Vlachs (Wallachians, now called Romanians) steadily immigrated from beyond the Carpathian Mountains. In the 14th century, there were only 389 Vlach villages in Transylvania. The number of Vlach immigrants grew considerably during the 17th century, when Vlach settlers were brought in by the Austrian authorities to make up for the greatly reduced Hungarian population. The Vlach population in 1700 was only 250,000; by 1784 it had increased to 787.000. By the mid 19th century, Hungarian and Romanian populations were roughly equal. From this time on Romanians claimed Transylvania and demanded its unification with Romania. It was achieved after World War I with the assistance of the victorious powers. In Transylvania there was also a strong and growing Saxon (German) minority. They got along with the Hungarians and Szeklers rather well. Its majority was sold out and moved to Germany by the Communist Ceausescu regime. – B: 0942, 1020, T: 7668.→Neoaquistica Commissio; Resettlements in Hungary during 17-18th Centuries; Vlachs; Trianon Peace Treaty.
“Seven Counties” (Hét Vármegye) – These counties, located in the northeastern part of the Carpathian Basin, are: Abauj, Bereg, Borsod, Szabolcs, Szatmár, Ugocsa and Zemplén counties. They enjoyed a flourishing commercial period during the Middle Ages, due to their transitional position between the Hungarian Plains and the Carpathian Mountains. The Reigning Princes of Transylvania recognized their special situation, and assured their unique status by means of peace treaties, secured by Gábor Bethlen in Nikolsburg in 1622 and György Rákóczi in Linz in 1645. – B: 1138, T: 7656.→Bethlen, Prince Gábor; Rákóczi I, Prince György.
“Seven Hungarians” (Hetumoger, Hétmagyar) – Anonymus the Chronicler mentions seven leaders of the Magyar (Hungarian) Tribal Confederation, the basic political unit until they settled in the Carpathian Basin. The seven tribes had been established by the middle of the 9th century; they were: Nyék, Megyer, Kürt-Gyarmat, Tarján, Jenő, Kér and Keszi, and they formed a confederation called "Hétmagyar" i.e, “The Seven Magyars”. Their leaders who, besides Álmos, included Árpád Előd, Ond, Kond, Tas, Huba and Töhötöm. They pledged a Blood Covenant, i.e. a Treaty (Vérszerződés), swearing eternal loyalty to Álmos and to each other. The confederation of the tribes was lead by two princes: the kende (their monarch) and the gyula (their military leader). The high princes were probably elected by the leaders of the tribes, or perhaps appointed by the Khagan of the Khazars, since they had been living as a part of the Khazar Empire. Around 862, the seven tribes separated from the Khazars. Before 881, three Turkic tribes rebelled against the rule of the Khagan, and after their defeat, they left the Khazar Empire and joined the confederation of Hétmagyar. The three tribes were organized into one tribe, called Kabar, and later they played the role of vanguard and rear guard during the joint military actions of the Confederation. Around 885, Kurszán was kende and Árpád was gyula. After the joining of the three tribes, they became ten, which made them Onogur, one of the possible origins for the name Hungarian, and gave the names of the tribes to many of the settlements. – B: 1078, 1031, T: 7103.→Álmos; Árpád; Khabars; Blood Covenant or Treaty; Homeland Settlement; Dentu-moger; Anonymus; Hungarians, History of.
Seventh Death – According to ancient Hungarian belief, every pure and honest person must know seven of his ancestors. Heaven was created by seven superimposed layers. The soul of the departed wanders and changes form until its seventh death, when it is reborn. – B: 1151, T: 7677.
Seventy Seven – The favorite number in Hungarian folk tales, and its many variations. The tales open with an oak tree with seventy-seven branches on which seventy-seven ravens sit. The incantations of pagan origin drive out seventy-seven ailments. – B: 1336, T: 7677.
“Seven-Village” Csángós – Originally the collective name of seven Hungarian-speaking villages built next to each other in the Barcaság (Ţara Bârsei) area near the town of Brassó (Braşov). These are: Bácsfalu (Bacfaliu), Csernátfalu (Cernatu), Hosszúfalu (Satulung), Pürkerec (Purcăreni) Tatrang (Tărlungeni), Türkös (Săcele-Turkeş), and Zajzon (Zizin), all in Transylvania (Erdély, now in Romania).. Their origin goes back to pre-settlement times. Their claim is supported by their customs, costumes, the Borica folk dance, and the names of their rivers and places. Some historians suggested that the Tatrang and Türkös names are the legacies of the Úz people. The neighboring Szeklers named them Seven Villages. They are highly devoted to their clans and to their customs. Mixed marriages were rare occurrences. Their weddings were always held on Tuesday, when the “fire maker” set the “fire of the wedding” in the early morning hours at the groom’s courtyard for the cooking. At christenings, two godfathers and one godmother sponsored a boy, while in case of a girl the ratio of godparents was reversed. After the christening, the priest blessed the “outgoing” woman who, armed with a loaf of bread, gave it to the first poor person she encountered. In case of a death, friends and family went with a candle to the wake in the house of mourning, where a lighted candle kept vigil day and night beside the deceased. Some elements of their clothing are linked to the Szeklers and to the attire of Torockó (now Rimetea, earlier Trascău, Romania). The men traditionally wore their hair shoulder-length; wore large brimmed black hats for summer, and black or white lambskin caps for winter. The collar of their shirt was embroidered with white or yellow yarn and it was worn outside of their trousers. They wore a short jacket made of white felt over their side-closing lambskin waistcoat. Tight trousers made of white felt and a pair of knee-high cordovan leather boots complemented their garments. During festivities the women donned their lace shirts ornamented with a golden collar and wristbands, while their everyday attire was a plain linen shirt. Only girls and brides wore white pleated skirts, while the rest wore black dresses fastened with a clasped leather belt. The well-to-do women wore a gem-studded 12-15 cm wide silver Moon-disc torc type band around their neck. They also wore cordovan leather boots. When working or traveling they favored men’s hats. Their music, dances and folk songs reflect as much archaic characteristics as their customs. – B: 0942, 1134, 1346, T: 3240.→Csángó.
Shako (csákó) – It is a cylinder-shaped, peaked military headgear. According to folklore it originated from the costume of the Cumanian warriors. The infantry of Prince Ferenc (Francis) Rákóczi II was equipped with shakos (1703-1711). From the 18th century untill the end of World War I, it was the standard military headgear, part of the traditional Hussar attire. The English, German and French army also adopted its name. – B: 1138, T: 3233. →Rákóczi II, Prince Ferenc.
Shaman (priest magician, wizard, seer, sorcerer) – In ethnography a shaman is a magician, who in a trance can be in contact with supernatural beings, can conjure up spirits. Shamanism is the religion of primitive native ethnic groups of northern Central Asia and that of neighboring Mongolian and Turkic peoples. They revere the ability of the tribal priest and they believe in spirits both good and evil, who control life and can be persuaded to bless or curse with the incantations of a priest, the shaman. The shaman-to-be is called, summoned for the task, which he may not accept immediately, only after some enticement; finally, he is initiated into the position (as is done by the Tungus-Manchu people, involving an elaborate ceremony). According to the belief of these northern Central Asian tribes, some people, when they are in ecstatic state, may supernaturally enter into possession of superhuman knowledge. Ecstasy may be induced by intoxicating drinks, stimulants, toadstool decoction, particular musical instruments, such as the shaman drum played while dancing, as well as the clapper. Words pronounced while in ecstatic condition are considered divine utterance because, according to a shaman in such an auto-hypnotic trance, the soul travels far away and can see normally hidden secrets, thus the human body becoming the subconscious tool of some deity. Therefore the shamans (male or female) do healing, prophesying, averting misfortunes and spells, rain making. In every way they have a decisive say in the life of their Siberian tribe. There are traces of evidence that the shamans played some role even in the religious life of ancient Hungarians. In popular belief the devilish wizard can raise a storm, disguised as an itinerant student of medieval times (in Hungarian: garabonciás diák), who traveled in foreign lands and became acquainted with occult sciences, a “scholar” who knew something about physics and cunningly deceived the gullible folk, only to obtain free food from them. Later the picture of the traveling student got mixed and blended in Hungary with the term of táltos, a kind of shaman, priest magician or sorcerer: the common folk saw a supernatural creature in him, who was born with a tooth. The concept of shaman, magician and wizard is connected with the Latin-Greek necromantia, i.e. witchcraft, sorcery, necromancy, in Italian negromanzia, gramanzia. Shamans can resort to ventriloquism, histrionics and magic tricks during their performance.
The Hungarian term táltos in folklore refers to a person with supernatural powers, possessing miraculous qualities, like turning into a flying, speaking horse, having superior knowledge and wisdom and seeing the reality in life. According to folklore, certain signs at the moment of birth reveal that the child will become a táltos, such signs as being born with a tooth, lives on milk, sour cream and eggs, usually does not appear alone and if his request is not met, he conjures up a dragon from his book and creates a wind storm that can blow off the roof of a house. Since the term táltos already occurs in medieval Hungarian linguistic records with the meaning of magician, the hypothesis is justified that the priests of the Magyars in pagan, pre-Christian times were shamans. The term “shaman” forms an international word-family (e.g. Russian, Hindustani shaman), its ultimate source probably being Tungus-Manchu “shaman”, a person who “knows”; he enjoys great power and prestige within the tribe. A Hungarian description of “shaman”, dated 1799, says that a shaman is “a specially selected person who, when falling into a trance, and with the help of supernatural beings, can prophesy, heal: i.e., he is a ‘táltos’”. It is linguistically a derivative word, its root tált- is ancient inheritance from Ugrian times; in Hungarian it occurs already in 1211 AD: “Tholtus cum filio…” and again in 1416: ”taltosoc”, who possess miraculous abilities, a person who can communicate with supernatural forces, a shaman, magician, soothsayer.
In Hungarian traditions, the turul, karuly amd kerecsen falcons are symbols of a higher order. In folklore, the táltos (shaman) is identical with the stallion and this twofold conception could have had its origin from the Sun cult. – B: 1068, 1336, 1553, 1582, 1789, 1871, 7456, T: 7456.→Táltos; Garabonciás; Hungarian Mythology.
Shaman Cult – A primitive religion based on the worship of spirits. A selected person, chosen by heavenly powers and endowed with special powers, the shaman, in a trance communicates with supernatural forces and is empowered by them to influence the supernatural world. The shamans are selected even before their birth by the supernatural powers and their selection is manifested in other signs (such as an extra bone in his body). Shaman activity already existed in prehistoric times in the Bronze Age, as shown in rock paintings. Essentially, a shaman religion did not exist, because shaman activity was always connected with supernatural phenomena, a cult connected with the moon, sun or fire. The ancestral religion of the Hungarians, which developed several thousand years ago, might have been connected to such a beginning. – B: 1134, 1230, T: 7682.→Táltos.
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