The Cambridge introduction to creative writing
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Harry G. Broadman - Africa\'s Silk Road China and India\'s New Economic Frontier (2007, World Bank Publications) - libgen.li
| Recommended reading There are two particularly fascinating studies of the history and evolution of creative writing as a discipline D. G. Myers The Elephants Teach Creative Writing Since 1880 (Prentice Hall) and Paul Dawson’s Creative Writing and the New Humanities (Routledge, 2005 ). Seminal introductions to the neu- roscience underlying literary creativity and the nature of metaphor creation are George Lakoff and Mark Johnson’s Metaphors We Live By (University of Chicago Press) and Mark Turner’s The Literary Mind (Oxford University Press, 1996 ). There are hundreds of books on the nature of creativity, but Rob Introducing creative writing 35 Pope’s Creativity: Theory, History, Practice (Routledge, 2005 ) is not only an innovatively written text in itself, but also provides a beguiling synthesis of thought and practice, crossing disciplinary boundaries and making fascinating links between the critical and creative. Although originally published in, the reprint of Dorothea Brande’s Becoming a Writer (Tarcher Penguin) presents some of the most realistic ideas still on teaching and learning creative writing. This new edition carries an excellently provocative foreword by John Gardner on some of the root problems of creative writing teaching and its teachers. John Gardner’s own The Art of Fiction (Vintage Books, 1983 ) and Annie Dillard’s The Writing Life (HarperCollins, 1989 ) bring illumination to the daily practice of writing and the purpose of reading as a writer. Frank Smith’s beautifully concise Writing and the Writer (Heinemann, 1982 ) contains fascinating material on the writer–reader contract, and the ways writers control readers. A fine book on the value and method of memorisation and reading aloud is the poet Ted Hughes By Heart (Faber and Faber, 1997 ). Chapter 2 Creative writing in the world Some form of compulsion seems to be far more important, in the making of a writer, than innate literary gifts. It is as if one grain of talent – in the right psychological climate – can become a great harvest, where a load of grains – in the wrong climate – simply goes off. The really unusual thing happens, no doubt, when the load of grains meets the right climate. Then, maybe, precocious abilities really do prove that they are convertible to real abilities. But the suspicion remains that we are talking about an unhappy not to say disastrous state of affairs, where this immense biological oversupply of precocious ability is almost totally annihilated, before it can mature. t ed hug hes, Winter Pollen ( 1994 : An act of criticism is, at best, also an act of creativity they are hemispheres of the same world. Historically, in the West at least, criticism and creative writing are two phases of the same activity, and criticism illuminates most sharply when practical experience of writing is at the bottom of it. The best criticism creates new open spaces for creativity. Download 2.89 Mb. Share with your friends:
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