Script Format for Television Scripts

: TV Journalism & Programme Formats
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consistent in all teleplays whether drama or sitcom. The goal here is give you an idea of what those are.
If you want to write for television, you must do your homework. Learn about the show you wish to write a spec for. Study its style find out the common script length, and most of all, read as many scripts as you can get your hands on. Dissect them try to figure out if anything is wrong with them and, if you find something,
figure out how to fix it. In other words, know the show inside and out, be enthusiastic about it, believe in it be a fan.
Format and story structure are precise when it comes to episodic television. A hour story runs about 22 minutes an hour show, about 45 minutes with commercials dispersed for the remaining time. The breaks must be in the right spot for the advertisers to put up their wares. They also need to be compelling enough to bring your viewer back to the program.
Television is like a factory. It survives on an endless stream of product sometimes so similar in nature that it's hard to tell the shows apart. With the increase of cable,
the need has increased an awful lot in the last 15 years.
The most important thing to remember here is that drama is conflict. Without it - no drama. You've got to take your characters to hell before you give them a happy ending or it won't mean anything. Conflict comes from inside the characters and an external influence. There are three types Man vs. Himself, Man vs. Man, Man vs.
Nature.
Often, however, it's not desirable to use a structured, linear presentation. In fact,
the latter can get a bit predictable and boring. In dramatic productions, the techniques of using flashbacks momentarily cutting back to earlier events or presenting parallel stories two or more stories running at the same time) can add variety and stimulate interest. Whatever you do, be certain to present the materials in away that will hold the attention and interest of your audience. You can do this by:
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engaging the audience's emotions
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presenting your ideas in fresh, succinct, clear, and creative ways
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making your viewers care about the subject matter
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using aural and visual variety

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