Fostering film related competences – what is the starting point? An empirical study on students’ informal film knowledge
Frederike Schmidt
Abstract: There is a common sense in German Literature education that it is necessary to foster students’ film related competences (e. g. Abraham 2009). Despite the importance of this field, empirical studies in German Didaktik on learners’ film comprehension processes are rare. Especially there is a lack of empirical research on so-called informal knowledge (e. g. Overwien 2005). Informal film knowledge is here defined as knowledge about films that learners acquire casually in out-of-school contexts. It has to be considered as starting point for fostering film related competences at school. Due to this perspective the poster presents empirical results of a qualitative study (Schmidt/Winkler, in press) that explores the film comprehension processes of learners after their first viewing of the movie “Krabat” (D, 2008, Marco Kreuzpaintner). As main method of data collection we conducted group discussions about the movie with 6th and 7th grade students of German “Gymnasium” (N = 18). The key aspect of data analysis was how learners use their informal knowledge for film analysis and film interpretation during group discussions. The results point to the fact that students are able to access quite remarkable informal knowledge about cinematic representations and their effects (e. g. lighting control, use of sound, differences book – film). Furthermore, all learners in our study were able to evaluate independently characteristics of the film and to give reasons for their film-related evaluations. All these competences are vital for the interpretation and reflection of movies, even if they have to be furthered didactically. Clearly, our study is based on small data, this means that the extent to which we can generalize these findings is limited. However, the results can be seen as an important starting point for the development of didactical concepts that use informal film knowledge as an essential basis for fostering film related competences in formal learning contexts.
Keywords: film comprehension, film literacy, informal knowledge, L1-development and teaching
References:
• Abraham, Ulf (2009): Filme im Deutschunterricht. Seelze: Klett/Kallmeyer.
• Overwien, Bernd (2005): Stichwort: Informelles Lernen. In: Zeitschrift für Erziehungswissenschaft 8. H. 3. S. 337-353.
• Schmidt, Frederike/Winkler, Iris (in press): An informelles Filmwissen anknüpfen! Empirische Befunde zum Spielfilmverstehen von Schülerinnen und Schülern. In: Didaktik Deutsch.
Learning about oneself and others in the literature classroom: An analysis of students’ written learner reports
Marloes Schrijvers
Abstract: Reading literary fiction may change how we think of ourselves (self-perceptions) and others (social perceptions): it may lead to deepened self-understandings (Sikora, Miall & Kuiken, 2011; Fialho, 2012), increased Theory of Mind (Kidd & Castano, 2013), empathy (Bal & Veltkamp, 2013) and moral competence (Hakemulder, 2000). Literature education might foster such experiences of change, but this claim has never been investigated. Therefore, this study aims at exploring whether Dutch students (grades 10-12, N=350) report any experiences of change in self-perceptions and social perceptions as a result of literature education.
To this purpose, participants complete a reflective writing assignment: the learner report. This instrument explicates learning experiences that remain implicit in other measures and was found to be valid and reliable in previous research (Van Kesteren, 1993; Janssen, 1998). Participants are asked to write down what they have learned (noticed, discovered, found out) about others and themselves through class activities in literature education and through reading literary fiction for school.
Since Lexical Basis for Numerically-Aided Phenomenology (or LEX-NAP; Fialho, 2012) is demonstrably effective in grasping self-transformative experiences, it is used as method of data analysis. It enables inductive examination of students’ experiences, focusing not only on what experiences of change students report, as is done in traditional content analysis, but also on how they report them. For instance, use of personal pronouns, intensifiers, vague language and metaphors may indicate specific experiences of change. To assess inter-rater reliability, part of the learner reports will be analyzed by a second rater.
Data analysis is currently in progress and results will be presented at the conference.
Learning about oneself and others in the literature classroom: An analysis of students’ written learner reports
Marloes Schrijvers
Abstract: Reading literary fiction may change how we think of ourselves (self-perceptions) and others (social perceptions): it may lead to deepened self-understandings (Sikora, Miall & Kuiken, 2011; Fialho, 2012), increased Theory of Mind (Kidd & Castano, 2013), empathy (Bal & Veltkamp, 2013) and moral competence (Hakemulder, 2000). Literature education might foster such experiences of change, but this claim has never been investigated. Therefore, this study aims at exploring whether Dutch students (grades 10-12, N=350) report any experiences of change in self-perceptions and social perceptions as a result of literature education.
To this purpose, participants complete a reflective writing assignment: the learner report. This instrument explicates learning experiences that remain implicit in other measures and was found to be valid and reliable in previous research (Van Kesteren, 1993; Janssen, 1998). Participants are asked to write down what they have learned (noticed, discovered, found out) about others and themselves through class activities in literature education and through reading literary fiction for school.
Since Lexical Basis for Numerically-Aided Phenomenology (or LEX-NAP; Fialho, 2012) is demonstrably effective in grasping self-transformative experiences, it is used as method of data analysis. It enables inductive examination of students’ experiences, focusing not only on what experiences of change students report, as is done in traditional content analysis, but also on how they report them. For instance, use of personal pronouns, intensifiers, vague language and metaphors may indicate specific experiences of change. To assess inter-rater reliability, part of the learner reports will be analyzed by a second rater.
Data analysis is currently in progress and results will be presented at the conference.
Teacher’s knowledge in and for the teaching of writing: the case of epistolary genre
Isabel Sebastião
Abstract: Genre is considered an important tool in language teaching, particularly in the teaching of writing (Schnewly & Dolz, 2004 Marcuschi, 2010). The epistolary is one of the genres referred to in the Portuguese programs in the various stages of education. It is also one of the genres in which students have difficulties - mainly because of the lack of an explicit model for its production (Sebastião, 2013). These students' difficulties in understanding some of the production aspects of the epistolary genre may reflect the teacher's knowledge (Ribeiro & Jakobsen, 2012) and may result from the fact of this genre not being addressed in an explicit manner and not being the focus in teacher's training. The knowledge of the teacher of Portuguese is seen, therefore, as extremely important so that he can set up tasks allowing students to develop a knowledge of and about the language. This knowledge of the teacher of Portuguese is here intrinsically associated with one of conceptualizations of teacher's knowledge (Ball, Thames & Phelps, 2008) which considers the starting and finishing points, the practice and learning of the student. The students' results in all stages of their education, make it essential that the training of teachers be more focused on the knowledge of teachers and the tasks of teaching.
This current study is part of the interpretative paradigm. In an initial phase, based on the discursive-textual model of the epistolary genre (Sebastião, 2013), we will discuss and reflect on some results concerning the knowledge of students in year 4 (10 years old) such as the management of textual and discursive elements to build cohesion and textual coherence in epistolary discursive. The texts that make up the corpus are part of a doctoral research and were collected in schools in a region of Portugal. In a second phase, starting from the critical situations identified in the analysis and compared with the model of gender, we will discuss some aspects we consider to be essential to the professional knowledge of the teacher of Portuguese to teach the textual genre under study, that is, from the data of the students it is intended to create a representative picture of the professional knowledge of the teacher in relation to this genre.
Keywords: Teacher knowledge, writing, teaching and learning, epistolary genre
References:
Ball, D. L., Thames, M. H., & Phelps, G. (2008). Content knowledge for teaching: what makes it special? Journal of Teacher Education, 59(5), 389-407.
Marcuschi, L. A. (2010). “Gêneros textuais: definição e funcionalidade”. A. Dionísio, et al. (orgs.). Gêneros textuais e ensino. Rio de Janeiro: Lucerna. pp. 19-36.
Sebastião, I. (2012). Interatividade entre práticas e aprendizagens de estruturas discursivo-textuais ao longo do Ensino Básico: o discurso epistolar. Tese apresentada à Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa para obtenção do grau de doutor.
Ribeiro, C. M., & Jakobsen, A. (2012). Prospective teachers’ mathematical knowledge of fractions and their interpretation of the part-whole representation. In B. Maj-Tatsis & K. Tatsis (Eds.), Generalization in mathematics at all educational levels (pp. 289-298). Reszów, Poland: Wydawnictwo Uniwersytetu Rzeszowskiego.
Schnewly, B. & Dolz, J. (2004). Gêneros Orais e Escritos na Escola. Campinas: Mercado das Letras.
Norwegian L1 education - democratic policy with undemocratic effects?
Dag Skarstein
Abstract: The idea of an open and inclusive school for all has been both a trademark and source of pride for the Scandinavian countries. In spite of democratic measures aimed at reducing social differences, quantitative studies show that the Norwegian school system is reproducing and reinforcing such differences (Bakken 2003, 2007, 2009, Bakken & Elstad 2012). However, these quantitative studies are not able to reveal the nature of the diversity between academically strong and weak student. This talk will present two recent qualitative studies that may provide new and more relevant didactic answers to the questions to why the school system maintains such differences than qualitative data can convey (Penne, 2014, Skarstein, 2013).
The research data consist of transcribed recorded interviews with 40 students in both lower and upper secondary school. The approach is sociocultural and phenomenological (Wertsch 2002, Lakoff & Johnson 1999), and the data are examined by discourse analyses (Gee 2012).
Penne’s study examines the distinctions between five academically strong and 15 weaker preforming students in lower secondary school, describing what the most striking differences in specific learning contexts are. Skarstein examines 21 upper secondary students’ discourses regarding fictional texts presented to them in the L1-classroom. The study highlights prominent differences in weak and strong students’ approach to fictional texts.
The two studies show the exact same tendency; what might be referred to as two different identity discourses (Gee 2000-2001, Twenge 2005). The studies reveal how being an active student and a learner, is a matter of identity and a “matter of discourse”. The talk will present examples of these discourse levels, and discuss the individualized, democratic and highly student-oriented system as a possible explanation for why the Norwegian school is reproducing and reinforcing social differences.
References:
Bakken, Anders (2003): Minoritetsspråklig ungdom i skolen : reproduksjon av ulikhet eller sosial mobilitet? Oslo: Norsk institutt for forskning om oppvekst, velferd og aldring.
——— (2007): Virkninger av tilpasset språkopplæring for minoritetsspråklige elever: en kunnskapsoversikt. Oslo: Norsk institutt for forskning om oppvekst, velferd og aldring.
——— (2009): Ulikhet på tvers: har foreldres utdanning, kjønn og minoritetsstatus like stor betydning for elevers karakterer på alle skoler? Oslo: Norsk institutt for forskning om oppvekst, velferd og aldring.
Bakken, Anders og Jon Ivar Elstad (2012): For store forventninger?: kunnskapsløftet og ulikhetene i grunnskolekarakterer. Oslo: Norsk institutt for forskning om oppvekst, velferd og aldring.
Gee, J. P. (2012). Social Linguistics and Literacies. Ideology in Discourse London, N.Y.: Routledge Falmer.
Gee, J. P. (2000-2001). Identity as an Analytic Lens for Research in Education. Review of Research in Education 25
Lakoff, George og Mark Johnson (1999): Philosophy in the flesh. New York: Basic Books
Penne, S. (2014). Hvorfor er Salima så flink på skolen, og hvorfor har Mats bare lyst til å gi opp? Diskursive ulikheter med utgangspunkt i identitet og medierende språk. I Kleve, Penne, Skaar (2014). Literacy og fagdidaktikk i skole og lærerutdanning. Oslo: Novus forlag
Skarstein, D. (2013) Meningsdannelse og diversitet. En didaktisk undersøkelse av elevers lesninger av norskfagets litterære tekster (Meaning making and diversity – a didactic study of students’ reading of fictional texts.) PhD-thesis. University of Bergen, Department of Linguistic, Literary and Aesthetic Studies
Twenge, J. M. (Ed.). (2006). Generation Me. Why Today´s Young Americans are More Confident, Assertive, Entitled - and More Miserable Than Ever Before. N. Y.: Free Press.
Wertsch, J. V. (2002). The need for action in sociocultural research. In J. V. Wertsch, del Rio, P., Alvarez, A. (Ed.), Sociocultural Studies of Mind. N.Y.: Cambridge University Press.
Text and reader, teacher and student in the literature classroom
Anna Karlskov Skyggebjerg
Abstract: Moderator: Professor Vibeke Hetmar, University of Aarhus
The complexity of the literature classroom may be understood and described in many different ways, depending on the perspectives on which the descriptions are based. We may observe the same classrooms, the same activities and interactions and yet reach different understandings of what actually took place.
The framework of the symposium will be as follows:
One or two short incidents from literature classrooms will be presented. These incidents will be discussed in the three presentations based on the different perspectives represented by the members of the panel. All three presentations will include reflections on classroom interactions and interplays but from different angles and with different foci:
1. The interplay between reader positions that become available through the teacher’s framing of classroom interaction on the one hand, and on the other hand, the reader identities that are actually enacted by the students.
2. The interplay between teacher’s choice of texts and the students’ possibilities for enacting different kinds of reader positioning and envisionment building.
3. Teacher-student and student-student interactions from a comparative perspective, with focus on different approaches to the notion of dialogic classroom discussion based on observations in Danish and Chinese high school classrooms.
All three presentations will include critical discussions of what often is understood as a double bind in literature education. This notion of double bind may be seen as a result of a common and recognizable situation in literature classrooms – a situation that is established through the interplay between two opposite kinds of expectation, which the teacher must address: the obligation to address the disciplinary goals and content, and a theoretically-based orientation towards the reader as a co-producer of the literary text. This double bind is also reflected in the framing of teacher-student and student-student interaction in many classrooms where the teacher’s intentions may be to invite students to participate in dialogical discussions but in reality may prove to be less dialogic than intended.
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Anna Karlskov Skyggebjerg
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Associate Professor Anna Karlskov Skyggebjerg: Choices of texts for literary education
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Keywords: Teaching literature, literary education, young readers, choices of texts and genres, reader identities, double bind.
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This paper charts the general implications of the choice of texts for literature teaching in the Danish school system, especially in Grades 8 and 9. It will analyze and discuss the premises of the choice of texts, and the possibilities of a certain choice of text in a concrete classroom situation. The teaching of literature has a double bind. On the one hand, there is a subject (Danish) and a curriculum with a certain type of texts with cultural and even national connotations, and the limits of the choice of texts and curriculum are decided by the state. On the other hand, there are some concrete readers with literary interests, competences, possibilities, needs, etc. Generally speaking the criteria for the choice of texts for teaching literature in Danish schools have been dominated by considerations for the subject and Literature in itself. The predominant view of literature comes from literature studies at universities, where criteria concerning language and form are often more valued than criteria concerning character and content. This tendency to celebrate the formal aspects and the literariness of literature is recognized in governmental documents, teaching materials, and in the registration of texts for examinations. Genres such as poetry and short stories, periods such as avant-garde and modernism, and acknowledged and well-known authorships are often included, whereas, representations of popular fiction and such genres as fantasy, sci-fi, and biography are rare. Often, pupils are only exposed to these genres through reading in their leisure time.
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The gap between reading culture inside and outside the school system is not new, but still very interesting to reflect on. Both Louise Rosenblatt (The reader, the text, the poem, 1978) and Judith Langer (Envisioning Literature, 1995; Envisioning Knowledge, 2010) spoke about different reading strategies and developing engaged readers. While they aimed at combining objective and subjective reader positions, neither of them was very concerned about the choice of texts.
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The key questions of this paper are: How does the choice of texts affect the possibility for positioning pupils/young adults? What does the choice of texts mean for pupils’/young adults’ possibilities as readers and individual interpreters? How are the pupils’ potentials for envisioning and engaging in literature with certain choices of texts?
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Helle Rørbech
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Assistant Professor Helle Rørbech: Literature, Culture and Reader Identities in Literature Classrooms
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Keywords: double bind, reader identities, culture in literature education
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The aim of reading and teaching literature is a much-debated question within the field of literature education. Different theoretical approaches point to different ideals and goals for the reading and teaching of literature: The development of global citizens (Nussbaum, 1997); of ethics and responsibility towards the other/otherness (Attridge, 2004); of narrative imagination and democratic citizenship (Persson, 2007); and of literacy and democratic citizenship (Skaftung, 2009) to mention some. In the Danish national curriculum for primary and lower secondary school, literature teaching is connected with the development of the personal and cultural identity of the student. But how can literature teaching contribute to this disciplinary goal?
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Within literature studies and literature education studies, the question of culture is often linked with the national identity of the author; the social, ethnical or religious background of the student; and with the literary text seen as a cultural artifact. But the underlying concept of culture, which forms the curriculum and the research field, seems too static in the complex context of the literature classroom, where different cultural practices and contexts of understanding meet and interact.
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This paper suggests an alternative perspective on culture in the literature classroom. Inspired by the dynamic and performative concepts of culture in poststructuralist (Blackledge & Pavlenko, 2004) and social semiotic (Gee, 2005; Kramsch, 1998) approaches, the paper will investigate the interplay between reader positions that become available through the teacher’s framing of classroom interaction on the one hand, and on the other hand, the reader identities that are actually enacted by the students. On that basis the paper will reflect on how the connection between cultural identities and reader identities can be understood from within a classroom perspective. With the analysis of short incidents from a literature classroom as the starting point, the paper will discuss the potentials and challenges of basing literature teaching on a performative and dynamic concept of culture and it will discuss how this concept of culture might impact the disciplinary goals.
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Vibeke Hetmar
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Ph.D.-student Ting Ting Liu: Discussions of framing dialogues in literature classroom
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Keywords: The ways of framing interactions, dialogical teaching, literature teaching, comparative perspective
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Following Bakhtin’s (year) perspective, the importance of a multi-voiced classroom is increasingly emphasized by educators and researchers. Considering the emphasis on students’ voices, the ways of framing interactions in literature classrooms might become rather complex because they include interactions between the teacher and students as well as student-student and student-text interactions. Many teachers are concerned with the level of students’ interest in learning literature, and therefore, they make efforts to create some variation in their ways of framing interactions in their classrooms in order to encourage students to participate actively in different kinds of classroom and group discussions. However, the effectiveness of these various approaches is controversial. This paper uses description and analysis of selected episodes from observations in Danish high school literature classrooms, which show different ways of framing classrooms, as a basis for discussion of the concept of dialogical teaching embedded in the context of literature teaching. The paper will also apply a comparative perspective, focused on similarities and distinctions with Chinese high school literature classrooms, to draw a comprehensive map of dialogues in literature classrooms rooted in these different contexts. Overall, the goal is to conceptualize dialogical teaching in literature classrooms, with discussions and analysis of cases in different cultural contexts.
Teachers’ dialogues about students’ texts: Developing a shared understanding as a basis for formative assessment
Randi Solheim
Abstract: Assessment plays an important part in all writing education. However, teachers’ feedback on students’ texts may be of varying types and qualities, often indicating a shallow understanding of the complexity of both writing and assessment. This paper deals with how teachers through collegial discussions about students’ texts develop a knowledge basis for formative assessment of writing. The theoretical foundation for the study is a construct of writing, the Wheel of Writing, representing a functional approach, focusing on writing acts and purposes of writing (Berge, Evensen & Thygesen, forthcoming). This study also draws on social theory on learning and communities of practice (Wenger 1998).
More precisely we seek answer to how a sample of teachers from Norwegian upper primary school develops assessment competence through collaborative assessment of students’ texts, supported by assessment resources derived from the writing construct, including specific norms of expected writing proficiency – and how they use this competence to decide what feedback to give on students’ L1 texts. The empirical data is collected from sessions during an explorative intervention study (Developing national standards for the assessment of writing) where teachers assessed texts together in small groups, and from feedback given to students on their L1 texts. By analysing the teachers’ assessment dialogues, a rather complex picture of their approaches is revealed. We identify two extreme points in a continuum: A rather instrumental and ritualized use of the norm of expectation against a more flexible and functional understanding of the resources. None of the groups used just one or the other of these ways of assessing, and between the two extremes we see clear signs that the teachers’ discussions and collaborate work are bringing them into a learning process that deals with internalizing a more complex understanding of writing. The analyses of the feedback on the students’ texts indicate that the teachers find it hard to transform analytical assessment into appropriate response. The findings will be elaborated on and discussed in light of the theoretical basis for the study.
Keywords: writing, assessment, collegial discussions
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